1.
Miami bass
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Miami bass is a subgenre of hip hop music that became popular music of South Florida in the 1980s and 1990s. Its roots are linked to the electro-funk sound of the early 1980s. The use of the Roland TR-808 sustained kick drum, raised dance tempos, during the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records, Unterberger has referred to James McCauley as the father of Miami bass, a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins. Bass Rock Express by MC ADE is often credited as being the first Miami bass record to gain popularity on an international scale. The single Throw The D by 2 Live Crew in January 1986 gave a permanent blueprint to how future Miami bass songs were written and produced. Luther Luke Skyywalker Campbell along with David Mr. Mixx Hobbs of 2 Live Crew played a key role in popularizing Miami bass in the late 1980s, the groups 1986 release, The 2 Live Crew Is What We Are, became controversial for its sexually explicit lyrics. 1989s As Nasty As They Wanna Be, along with its hit single Me So Horny, proved more controversial still, the popularity of Miami bass was in part due to its successful promotion in the South Florida and Orlando areas by local DJs, radio stations and clubs. Miami radio airplay and programming support was strong in the now defunct Rhythm 98, as well as WEDR, contribution and promotion of Miami bass also came out of Orlando. 102 Jamz a prominent Orlando radio station in the late 80s to feature Miami bass and helped its popularity in, Florida breaks was heavily influenced by Miami bass in addition to elements of house, and deep bass that eventually created “The Orlando Sound”. Thus, Miami bass quickly became a Florida staple, by the mid-1990s, the influence of Miami bass had spread outside South and Central Florida to all areas of Florida and the Southern United States. Examples of these songs are Whoomp. by Tag Team in 1993, Tootsee Roll by 69 Boyz in 1994, Cmon N Ride It by the Quad City DJs in 1996 and Whoot, There It Is by 95 South in 1993. These songs all reached the top 20 on the Billboard Hot 100 chart and these artists generally used a Miami bass sound and production but did it in a far less explicit and far more accessible way than had been previously done by Campbell and the 2 Live Crew. Miami bass is closely related to the dance music genres of ghettotech and booty house, genres which combine Detroit techno. Ghettotech follows the same sexually oriented lyrics, hip-hop bass lines and streetwise attitude, some artist examples would be DJ Laz, DJ Magic Mike, Afro-Rican, Techmaster P. E. B. DJ Billy E, Bass 305 and Bass Patrol, Miami Bass, The Primer http, //www. stylusmagazine. com/articles/weekly_article/miami-bass-the-primer. htm Unterberger, Richie. A primer on Miami bass from Stylus Magazine Rap associated with Miami Music South Florida Hip Hop Online Radio -Listen Now Miami Bass from Ishkurs Guide to Electronic Music
2.
Contemporary R&B
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Contemporary R&B, also known as simply R&B, is a music genre that combines elements of rhythm and blues, soul, funk, pop, hip hop and dance. The genre features a record production style, drum machine-backed rhythms, an occasional saxophone-laced beat to give a jazz feel. Electronic influences are becoming a trend and the use of hip hop or dance-inspired beats are typical, although the roughness. Contemporary R&B vocalists are often known for their use of melisma, popularized by such as Michael Jackson, R. Kelly, Craig David, Stevie Wonder, Whitney Houston. That same year, Teddy Riley began producing R&B recordings that included hip hop influences and this combination of R&B style and hip hop rhythms was termed new jack swing and was applied to artists such as Bobby Brown, Keith Sweat, Al B. Guy, Jodeci and Bell Biv DeVoe, the style became less popular by the end of the 1990s, but later experienced a resurgence. In 1990 Mariah Carey released Vision of Love as her debut single and it was immensely popular peaking at number 1 in many worldwide charts including the Billboard Hot 100, and it propelled Mariahs carrier. The song is said to have popularized the use of melisma. During the mid-1990s, Whitney Houstons The Bodyguard, Original Soundtrack Album sold over 40 million copies becoming the best-selling soundtrack of all time. Janet Jacksons self-titled fifth studio album janet. which came after her historic multimillion-dollar contract with Virgin Records, sold over twenty million copies worldwide. Boyz II Men and Mariah Carey recorded several Billboard Hot 100 No.1 hits, including One Sweet Day, Carey also released a remix of her 1995 single Fantasy, with Ol Dirty Bastard as a feature, a collaboration format that was unheard of at this point. Carey, Boyz II Men and TLC released albums in 1994 and 1995—Daydream, II and CrazySexyCool. In the late 1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by such as DAngelo, Erykah Badu. Hill and Missy Elliott further blurred the line between R&B and hip hop by recording both styles, beginning in 1995, the Grammy Awards enacted the Grammy Award for Best R&B Album, with II by Boyz II Men becoming the first recipient. The award was received by TLC for CrazySexyCool in 1996, Tony Rich for Words in 1997, Erykah Badu for Baduizm in 1998. At the end of 1999, Billboard magazine ranked Mariah Carey and Janet Jackson as the first, simultaneously, in the second half of the 1990s, The Neptunes and Timbaland set influential precedence on contemporary R&B and hip hop music. R&B acts such as Michael Jackson, Whitney Houston, Janet Jackson, Mariah Carey, Usher, in 2001, Alicia Keys released Fallin as her debut single. It peaking at one on the Billboard Hot 100, Mainstream Top 40
3.
Gangsta rap
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Gangsta rap or gangster rap is a subgenre of hip hop music with themes and lyrics that generally emphasize the gangsta lifestyle. After the national attention that Ice-T and N. W. A attracted in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip hop. Many gangsta rap artists openly boast of their associations with various street gangs as part of their artistic image, with the Bloods. Gangsta rap is closely related to other indigenous gang and crime-oriented forms of music, the subject matter inherent in gangsta rap has caused a great deal of controversy. The White House administrations of both George H. W. Bush and Bill Clinton criticized the genre, many gangsta rappers argue that in the world of their genre exists the emotions and perspectives of a people whose suffering is too often overlooked and belittled by society. Gangsta rap, some argue, was an effect of the various wrongdoings perpetrated against African-Americans in underprivileged neighborhoods. The various riots sparked by the Rodney King beating and the acquittal of the officers responsible for the beating sparked anger. Gangsta rap acted as an outlet so such people could express themselves angrily and they often used gangsta rap to tell the stories of their lives, which sometimes included strong violence, hypersexuality, and drug abuse. The 1973 album Hustlers Convention by Lightnin Rod and Jaren Clark featured lyrics that deal with life, including pimping. Many rappers, such as Ice-T and Mac Dre, have credited pimp, rudy Ray Moores stand-up comedy and films based on his Dolemite hustler-pimp alter ego also influenced gangsta rap and are still a popular source for samples. Finally, blaxploitation films of the 1970s, with their depictions of black underworld figures, were a major inspiration as well. Tracy Ice-T Morrow, was born in Newark, New Jersey, as a teenager, he moved to Los Angeles where he rose to prominence in the West Coast hip hop scene. In 1986, Ice-T released 6 in the Mornin, which is regarded as among the first gangsta rap songs. In an interview with PROPS magazine, Ice-T said, Heres the exact order of what really went down. Then the syncopation of that rap was used by me when I made 6 in the Mornin, the vocal delivery was the same. P. S. K. is makin that green. six in the morning, police at my door. When I heard that record I was like Oh @#. *%, and call it a bite or what you will but I dug that record. My record didnt sound like P. S. K, but I liked the way he was flowing with it. P. S. K. was talking about Park Side Killers and that was the only difference, when Schoolly did it, it was. one by one, Im knockin em out
4.
Memphis, Tennessee
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Memphis is a city in the southwestern corner of the U. S. state of Tennessee and the county seat of Shelby County. The city is located on the fourth Chickasaw Bluff, south of the confluence of the Wolf, Memphis had a population of 653,450 in 2013, making it the largest city in the state of Tennessee. It is the largest city on the Mississippi River, the third largest in the greater Southeastern United States, the greater Memphis metropolitan area, including adjacent counties in Mississippi and Arkansas, had a 2014 population of 1,317,314. This makes Memphis the second-largest metropolitan area in Tennessee, surpassed by metropolitan Nashville, Memphis is the youngest of Tennessees major cities, founded in 1819 as a planned city by a group of wealthy Americans including judge John Overton and future president Andrew Jackson. A resident of Memphis is referred to as a Memphian, and the Memphis region is known, particularly to media outlets, as Memphis and the Mid-South. Occupying a substantial bluff rising from the Mississippi River, the site of Memphis has been a location for human settlement by varying cultures over thousands of years. The historic Chickasaw Indian tribe, believed to be their descendants, French explorers led by René-Robert Cavelier, Sieur de La Salle and Spanish explorer Hernando de Soto would encounter the Chickasaw in that area, in the 16th century. J. D. L. Chickasaw Bluffs, located on the Mississippi River at the present day location of Memphis, spain and the United States vied for control of this site, which was a favorite of the Chickasaws. The United States gained the right to navigate the Mississippi River, the Spanish dismantled the fort, shipping its lumber and iron to their locations in Arkansas. Captain Isaac Guion led an American force down the Ohio River to claim the land, by this time, the Spanish had departed. The forts ruins went unnoticed twenty years later when Memphis was laid out as a city, the city of Memphis was founded on May 22,1819 by John Overton, James Winchester and Andrew Jackson. They named it after the ancient capital of Egypt on the Nile River, Memphis developed as a trade and transportation center in the 19th century because of its flood-free location high above the Mississippi River. Located in the delta region along the river, its outlying areas were developed as cotton plantations. The cotton economy of the antebellum South depended on the labor of large numbers of African-American slaves. Through the early 19th century, one million slaves were transported from the Upper South, Many were transported by steamboats along the Ohio and Mississippi rivers. This gave planters and cotton brokers access to the Atlantic Coast for shipping cotton to England, the citys demographics changed dramatically in the 1850s and 1860s under waves of immigration and domestic migration. Due to increased immigration since the 1840s and the Great Famine, ethnic Irish made up 9.9 percent of the population in 1850, but 23.2 percent in 1860, when the total population was 22,623. They had encountered considerable discrimination in the city but by 1860 and they also gained many elected and patronage positions in the Democratic Party city government, and an Irish man was elected as mayor before the Civil War
5.
Drum machine
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A drum machine is an electronic musical instrument designed to imitate the sound of drums, cymbals, other percussion instruments, and often basslines. Drum machines are most commonly associated with electronic music such as house music. They are usually used when session drummers are not available or if the production cannot afford the cost of a drummer. Also, many modern drum machines can also produce sounds, as well as allowing the user to compose unique drum beats. In the 2010s, most modern machines are sequencers with a sample playback or synthesizer component that specializes in the reproduction of drum timbres. The invention could produce sixteen different rhythms, each associated with a pitch, either individually or in any combination, including en masse. Received with considerable interest when it was introduced in 1932. The next generation of rhythm machines played only pre-programmed rhythms such as mambo, tango, Chamberlin Rhythmate In 1957 Californian Harry Chamberlin constructed a tape loop-based drum machine called the Chamberlin Rhythmate. It had 14 tape loops with a head that allowed playback of different tracks on each piece of tape. It contained a volume and a control and also had a separate amplifier with bass, treble, and volume controls. The tape loops were of real acoustic jazz drum kits playing different style beats, with additions to tracks such as bongos, clave, castanets. First commercial product – Wurlitzer Side Man In 1959 Wurlitzer released a drum machine called the Side Man. The Side Man was intended as an accompaniment for the Wurlitzer organ range. The Side Man offered a choice of 12 electronically generated, predefined rhythm patterns with variable tempos, the sound source was a series of vacuum tubes which created 10 preset electronic drum sounds. Combinations of these different sets of rhythms and drum sounds created popular rhythmic patterns of the day, e. g. waltzes and these combinations were selected by a rotary knob on the top of the Side Man box. The tempo of the patterns was controlled by a slider that increased the speed of rotation of the wiper arm, the Side Man had a panel of 10 buttons for manually triggering drum sounds, and a remote player to control the machine while playing from an organ keyboard. The Side Man was housed in a cabinet that contained the sound-generating circuitry. Raymond Scott In 1960, Raymond Scott constructed the Rhythm Synthesizer and, in 1963, scotts machines were used for recording his album Soothing Sounds for Baby series
6.
Roland TR-808
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The Roland TR-808 Rhythm Composer, often referred to simply as the 808, is a drum machine introduced by the Roland Corporation in 1980 and discontinued in 1983. It was one of the earliest programmable drum machines, with which users could create their own rather than having to use presets. Unlike its nearest competitor, the expensive and sample-based Linn LM-1 Drum Computer. Launched at a time when music had yet to become mainstream. It was succeeded in 1984 by the TR-909, over the course of the decade, the 808 attracted a cult following among underground musicians for its affordability, ease of use, and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the electronic, dance, and hip hop genres, popularized by early hits such as Marvin Gayes Sexual Healing and Afrika Bambaataa. At the time, drum machines were most often used to accompany home organs, Lewis was known for performances using electronic instruments he had modified himself, decades before the popularization of instrument hacking via circuit bending. He made extensive modifications to the Ace Tone drum machine, creating his own rhythms and wiring the device through his organs expression pedal to accent the percussion, unique at the time. Lewis was approached by Ace Tone president and founder Ikutaro Kakehashi, in 1972, Kakehashi formed the Roland Corporation and hired Lewis to help design drum machines. By the late 1970s, microprocessors were appearing in such as the Sequential Circuits Prophet-5 synthesizer. In 1978, Roland released the CompuRhythm CR-78, the first drum machine with which users could write, save, with its next machine, the TR-808, Roland aimed to develop a drum machine for the professional market, expecting that it would mainly be used to create demos. Though the engineers aimed to emulate real percussion, the prohibitive cost of memory drove them to design sound-generating hardware instead of using samples, Kakehashi deliberately purchased faulty transistors to create the machines distinctive sizzling sound. Roland engineer Makoto Muri credited the design of the voice circuits to Mr. Nakamura. The 808 generates 16 different sounds in imitation of acoustic percussion, bass drum, snare, toms, conga, rimshot, claves, handclap, maraca, cowbell, cymbal, and hi-hat. It is completely analog, meaning its sounds are generated via hardware rather than sampled, users can program up to 32 patterns using the step sequencer, each with a maximum of 768 measures, and place accents on individual beats, a feature introduced with the CR-78. Users can also set the tempo and time signature, including unusual signatures such as 5/4, the machine has multiple audio outputs and a DIN sync port to synchronize with other devices, considered groundbreaking at the time. The 808s sounds do not resemble real percussion, and have described as clicky and hypnotic, robotic, toy-like, spacey. Fact described them as a combination of tones and white noise
7.
Synthesizer
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A synthesizer is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate instruments like piano, Hammond organ, flute, vocals, natural sounds like ocean waves, etc. or generate new electronic timbres. Synthesizers without built-in controllers are called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device. Synthesizers use various methods to generate electronic signals, synthesizers were first used in pop music in the 1960s. In the 1970s, synths were used in disco, especially in the late 1970s, in the 1980s, the invention of the relatively inexpensive, mass market Yamaha DX7 synth made synthesizers widely available. 1980s pop and dance music often made use of synthesizers. In the 2010s, synthesizers are used in genres of pop, rock. Contemporary classical music composers from the 20th and 21st century write compositions for synthesizer, the beginnings of the synthesizer are difficult to trace, as it is difficult to draw a distinction between synthesizers and some early electric or electronic musical instruments. One of the earliest electric musical instruments, the telegraph, was invented in 1876 by American electrical engineer Elisha Gray. He accidentally discovered the sound generation from a self-vibrating electromechanical circuit and this musical telegraph used steel reeds with oscillations created by electromagnets transmitted over a telegraph line. Gray also built a simple loudspeaker device into later models, consisting of a diaphragm in a magnetic field. This instrument was a remote electromechanical musical instrument that used telegraphy, though it lacked an arbitrary sound-synthesis function, some have erroneously called it the first synthesizer. In 1897, Thaddeus Cahill invented the Teleharmonium, which used dynamos, and was capable of additive synthesis like the Hammond organ, however, Cahills business was unsuccessful for various reasons, and similar but more compact instruments were subsequently developed, such as electronic and tonewheel organs. In 1906, American engineer, Lee De Forest ushered in the electronics age and he invented the first amplifying vacuum tube, called the Audion tube. This led to new entertainment technologies, including radio and sound films, ondes Martenot and Trautonium were continuously developed for several decades, finally developing qualities similar to later synthesizers. In the 1920s, Arseny Avraamov developed various systems of graphic sonic art, in 1938, USSR engineer Yevgeny Murzin designed a compositional tool called ANS, one of the earliest real-time additive synthesizers using optoelectronics. The earliest polyphonic synthesizers were developed in Germany and the United States, during the three years that Hammond manufactured this model,1,069 units were shipped, but production was discontinued at the start of World War II. Both instruments were the forerunners of the electronic organs and polyphonic synthesizers
8.
Keyboard instrument
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A keyboard instrument is a musical instrument played using a keyboard. The most common of these are the piano, organ, and various keyboards, including synthesizers. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, today, the term keyboard often refers to keyboard-style synthesizers. Another important use of the keyboard is in historical musicology. Particularly in the 18th century, the harpsichord, the clavichord, and the piano were in competition. Hence in a phrase like Mozart excelled as a player the word keyboard is usefully noncommittal. The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ, the keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian, who says magna levi detrudens murmura tactu. Intent, that is “let him thunder forth as he presses out mighty roarings with a light touch”, from its invention until the fourteenth century, the organ remained the only keyboard instrument. Often, the organ did not feature a keyboard at all, almost every keyboard until the fifteenth century had seven naturals to each octave. The clavichord and the harpsichord appeared during the 14th century—the clavichord probably being earlier, the harpsichord and clavichord were both common until widespread adoption of the piano in the 18th century, after which their popularity decreased. The piano was revolutionary, because a pianist could vary the volume of the sound by varying the vigor with which each key was struck. The pianos full name is gravicèmbalo con piano e forte meaning harpsichord with soft and loud but can be shortened to piano-forte, which means soft-loud in Italian. In its current form, the piano is a product of the late 19th century, in fact, the modern piano is significantly different from even the 19th-century pianos used by Liszt, Chopin, and Brahms. See Piano history and musical performance, keyboard instruments were further developed in the early twentieth century. Early electromechanical instruments, such as the Ondes Martenot, appeared early in the century and this was a very important contribution to the keyboards history. Much effort has gone into creating an instrument that sounds like the piano but lacks its size, the electric piano and electronic piano were early efforts that, while useful instruments in their own right, did not convincingly reproduce the timbre of the piano. Electric and electronic organs were developed during the same period, more recent electronic keyboard designs strive to emulate the sound of specific make and model pianos using digital samples and computer models. Concerns celebrated keyboard players and the various instruments used over the centuries
9.
Rapping
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The components of rapping include content, flow, and delivery. Rap differs from spoken-word poetry in that rap is performed in time to a beat. Rapping is often associated with and an ingredient of hip-hop music. Rapping is also used in Kwaito music, a genre originated in Johannesburg, South Africa. Another form of rap that predates hip hop was boxer Muhammad Alis rhythmic poetry used to taunt his opponents in the 1960s and 1970s, rapping can be delivered over a beat, typically provided by a DJ, turntablist or Beatboxer, or without accompaniment. Stylistically, rap occupies an area between speech, prose, poetry, and singing. The word, as used to describe quick speech or repartee, the word had been used in British English since the 16th century. It was part of the African American dialect of English in the 1960s meaning to converse, today, the terms rap and rapping are so closely associated with hip-hop music that many writers use the terms interchangeably. The English verb rap has various meanings, such as to strike, especially with a quick, smart, or light blow, as well to utter sharply or vigorously, to rap out a command. The Shorter Oxford English Dictionary gives a date of 1541 for the first recorded use of the word with the meaning to utter sharply, vigorously and it is these meanings from which the musical form of rapping derives, and this definition may be from a shortening of repartee. A rapper refers to a performer who raps, by the late 1960s, when Hubert G. Brown changed his name to H. Rap was used to describe talking on records as early as 1971, on Isaac Hayes album Black Moses with track names such as Ikes Rap, Ikes Rap II, Ikes Rap III, Hayes husky-voiced sexy spoken raps became key components in his signature sound. Del the Funky Homosapien similarly states that rap was used to refer to talking in a manner in the early 1970s. Back then what rapping meant, basically, was you trying to convey something—youre trying to convince somebody, thats what rapping is, its in the way you talk. Rapping can be traced back to its African roots, centuries before hip-hop music existed, the griots of West Africa were delivering stories rhythmically, over drums and sparse instrumentation. Such connections have been acknowledged by modern artists, modern day griots, spoken word artists, mainstream news sources. Grammy-winning blues musician/historian Elijah Wald and others have argued that the blues were being rapped as early as the 1920s, Wald went so far as to call hip hop the living blues. A notable recorded example of rapping in blues music was the 1950 song Gotta Let You Go by Joe Hill Louis, not just jazz music and lyrics but also jazz poetry
10.
Sampler (musical instrument)
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The samples are loaded or recorded by the user or by a manufacturer. These sounds are played back by means of the sampler program itself. Because these samples are stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales, often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have polyphonic capabilities – they are able to more than one note at the same time. Many are also multitimbral – they can play back different sounds simultaneously, prior to computer memory-based samplers, musicians used tape replay keyboards, which store recordings on analog tape. When a key is pressed the tape head contacts the moving tape, to change sounds a new set of tapes had to be installed in the instrument. The emergence of the sampler made sampling far more practical. Bruce Haack built a digital sampler which he demonstrated on Mister Rogers Neighborhood in 1967, the home made synthesizer device included a built-in sampler which recorded, stored, played back and looped sounds controlled by switches, light sensors and human skin contact. EMS Musys system, developed by Peter Grogono, David Cockerell, the system ran on two mini-computers, Digital Equipment PDP-8s. These had 12,000 bytes of memory, backed up by a hard drive of 32k. EMS equipment was used to control the worlds first digital studio, the E-mu SP-1200 percussion sampler progressed Hip-Hop away from the drum machine sound upon its release in August 1987, ushering in the sample-based sound of the late 1980s and early 1990s. Akai pioneered many processing techniques, such as crossfade looping and time stretch to shorten or lengthen samples without affecting pitch, during the 1980s, hybrid synthesizers began to utilize short samples along with digital synthesis to create more realistic imitations of instruments than had previously been possible. Examples are the Korg M1, Roland U-110, Yamahas SY series, samplers, together with traditional Foley artists, are the mainstay of modern sound effects production. Using digital techniques various effects can be pitch-shifted and otherwise altered in ways that would have required many hours when done with tape, usually a sampler is controlled by an attached music keyboard or other external MIDI controller or source. Each note-message received by the sampler accesses a particular sample, often multiple samples are arranged across the keyboard, each assigned to a note or group of notes. Keyboard tracking allows samples to be shifted in pitch by an appropriate amount, each group of notes to which a single sample has been assigned is often called a keyzone, and the resultant set of zones is called a keymap. For example, in Fig 1, a keymap has been created four different samples
11.
Crunkcore
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Crunkcore is a musical genre that combines crunk with the vocal style of screamo, often featuring dance-pop beats and sexually provocative lyrics. According to the Boston Phoenix, writer and musician Jessica Hopper claims that the influences for crunkcore can be traced back to 2005 when Panic. at the Disco mixed emo with electronics, while crunkcore is described as using screamed vocals, some crunkcore artists dont scream. For instance, Warped Tour co-creator and CEO Kevin Lyman calls the group 3OH.3 as the tipping point for scrunk. The Millionaires, who do not use screamed vocals, are also crunkcore, similarly, the song Your Love is My Drug by the pop artist Kesha has also been labelled crunkcore. The Phoenix described crunkcore as a combination of minimalist Southern hip-hop, Auto-Tune croons, techno breakdowns, barked vocals, inland Empire Magazine described the genre as combining post-hardcore and heavy metal licks with crunk. Amy Sciarretto of Noisecreep noted that crunkcore is oft maligned as the nu metal of this generation, the band brokeNCYDE in particular has been singled out, with John McDonnell of The Guardian reviewing the band unfavourably. You kind of get everything at once, 3OH.3 drew similar controversy in 2015 by releasing a single titled My Dick. Artists that have described as crunkcore include 3OH.3, Brokencyde, Family Force 5, Blood on the Dance Floor
12.
Hip hop music
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It developed as part of hip hop culture, a subculture defined by four key stylistic elements, MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, while often used to refer solely to rapping, hip hop more properly denotes the practice of the entire subculture. Hip hops early evolution occurred as sampling technology and drum machines became available and affordable. Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toasting, rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. The Sugarhill Gangs 1979 song Rappers Delight is widely regarded to be the first hip hop record to gain popularity in the mainstream. The 1980s marked the diversification of hip hop as the genre developed more complex styles, prior to the 1980s, hip hop music was largely confined within the United States. However, during the 1980s, it began to spread to scenes in dozens of countries. New school hip hop was the wave of hip hop music, originating in 1983–84 with the early records of Run-D. M. C. The Golden age hip hop period was a period between the mid-1980s and the early 1990s. Notable artists from this era include the Juice Crew, Public Enemy, & Rakim, Boogie Down Productions and KRS-One, EPMD, Slick Rick, Beastie Boys, Kool G Rap, Big Daddy Kane, Ultramagnetic MCs, De La Soul, and A Tribe Called Quest. Gangsta rap is a subgenre of hip hop that often focuses on the violent lifestyles, in the West Coast hip hop style, G-funk dominated mainstream hip hop for several years during the 1990s. I. G. In the 1990s, hip hop began to diversify with other regional styles emerging, such as Southern rap, at the same time, hip hop continued to be assimilated into other genres of popular music, examples being Neo soul and nu metal. Hip hop became a pop music genre in the mid-1990s. The popularity of hip hop music continued through the 2000s, with hip hop influences also increasingly finding their way into mainstream pop, the United States also saw the success of regional styles such as crunk, a Southern genre that emphasized the beats and music more than the lyrics. Starting in 2005, sales of hip hop music in the United States began to severely wane, during the mid-2000s, alternative hip hop secured a place in the mainstream, due in part to the crossover success of artists such as OutKast and Kanye West. Creation of the hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was known as disco rap. Cowboy later worked the hip hop cadence into a part of his stage performance, the first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop
13.
Bassline
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It is also used sometimes in classical music. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline, on organs, the bass line is typically played using the pedal keyboard and massive 16 and 32 bass pipes. Basslines in popular music often use riffs or grooves, which are simple, appealing musical motifs or phrases that are repeated, with variation. The bass differs from other voices because of the role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the harmonic organization of a entire work. Bassline riffs usually emphasize the chord tones of each chord, which helps to define a songs key, at the same time, basslines work along with the drum part and the other rhythm instruments to create a clear rhythmic pulse. The type of rhythmic pulse used in basslines varies widely in different types of music, in swing jazz and jump blues, basslines are often created from a continuous sequence of quarter notes in a mostly scalar, stepwise part called a walking bass line. In Latin, salsa music, jazz fusion, reggae, electronica, in bluegrass and traditional country music, basslines often emphasize the root and fifth of each chord. In classical music such as string quartets and symphonies, basslines play the same harmonic and rhythmic role, however, most popular musical ensembles include an instrument capable of playing bass notes. In the 1890s, a tuba was often used, from the 1920s to the 1940s, most popular music groups used the double bass as the bass instrument. Starting in the 1950s, the bass guitar began to replace the bass in most types of popular music, such as rock and roll, blues. By the 1970s and 1980s, the bass was used in most rock bands. The double bass was used in some types of popular music that recreated styles from the 1940s and 1950s such as jazz, traditional 1950s blues, jump blues, country. In some popular bands, keyboard instruments are used to play the bass line. In organ trios, for example, a Hammond organ player performs the basslines using the pedal keyboard. In some types of music, such as hip-hop or house music. Basslines are especially important in many forms of dance and electronic music, such as electro, drum and bass, dubstep, and most forms of house and trance. In these genres, basslines are almost always performed on synthesizers, either physical, such as the Minimoog, chinese orchestras use the zhōng ruǎn and dà ruǎn for creating basslines
14.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
15.
Call and response (music)
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In music, a call and response is a succession of two distinct phrases usually played by different musicians, where the second phrase is heard as a direct commentary on or response to the first. It corresponds to the pattern in human communication and is found as a basic element of musical form, such as verse-chorus form. Call and response patterns between two musicians are common in Indian Classical Music, particularly in the style of Jugalbandi, Call and response is likewise widely present in parts of the Americas touched by the trans-Atlantic slave trade. It is extensively used in Cuban music, both in the rumba and in the African religious ceremonies. In 1644, lining out – where one person sang a solo and it has influenced popular music singing styles. Scottish Gaelic psalm-singing by precenting the line was the earliest form of congregational singing adopted by Africans in America and it is common in folk traditions of choral singing of many people, especially in African musical cultures. In Cuban music and other Latin music genres such as salsa, call, the form is found in the military cadence or Jody which is used as an a cappella work song or to keep time when marching or running in formation. In Western classical music, call and response is known as antiphony, the phenomenon of call and response is pervasive in modern Western popular music, as well, largely because Western music has been so heavily shaped by African contributions. Cross-over rhythm and blues, rock n roll and rock music exhibit call-and-response characteristics, three examples are The Whos song My Generation, Black Dog by Led Zeppelin, and The Pogues Fairytale of New York. In Indian Film music, Ilaiyaraajas songs largely exhibit call-and-response pattern, but, each A and B part may itself consist of a short call and a short response, and those 2-bar calls and response may also be divided into 1-bar-each call-response pairs. To make an attempt at diagramming it, Twelve bars, A, 4-bar CALL A, 4-bar CALL B, a single leader makes a musical statement, and then the chorus responds together. American bluesman Muddy Waters utilizes call and response in one of his songs, Mannish Boy which is almost entirely leader/chorus call. CALL, Waters vocal, Now when I was a young boy RESPONSE, CALL, Waters, At the age of 5 RESPONSE, CALL, Drop the coin right into the slot. RESPONSE, CALL, You gotta get something thats really hot, RESPONSE, A contemporary example is from Carly Rae Jepsens Call Me Maybe. CALL, Hey I just met you RESPONSE, CALL, And this is crazy RESPONSE, while mostly in the chorus, it can also be heard in the breakdown between the vocals and distorted guitar. Part of the band poses a question, or a phrase that feels unfinished. In the blues, the B section often has a question-and-answer pattern, an example of this is the Christmas song Must Be Santa, CALL, Who laughs this way, ho ho ho. RESPONSE, Santa laughs this way, ho ho ho, a similar question-and-answer exchange occurs in the movie Casablanca between Sam and the band in the song Knock On Wood, CALL, Whos got trouble
16.
Verb phrase
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In linguistics, a verb phrase is a syntactic unit composed of at least one verb and its dependents—objects, complements and other modifiers—but not always including the subject. A verb phrase is similar to what is considered a predicate in more traditional grammars, phrase structure grammars acknowledge both types, but dependency grammars treat the subject as just another verbal dependent, and they do not recognize the finite verbal phrase constituent. Understanding verb phrase analysis depends upon knowing which theory obtains in context, in phrase structure grammars such as generative grammar, the verb phrase is one headed by a verb. It may be composed of only a verb, but typically it consists of combinations of main and auxiliary verbs, plus optional specifiers, complements. For example, Yankee batters hit the ball enough to win their first World Series since 2000. Mary saw the man through the window, the third example presents three elements, the main verb gave, the noun Mary, and the noun phrase a book, all which comprise the verb phrase. Note, the verb phrase described here corresponds to the predicate of traditional grammar, phrase structure grammars view both finite and nonfinite verb phrases as constituent phrases and, consequently, do not draw any key distinction between them. Dependency grammars are much different in this regard, while phrase structure grammars acknowledge both finite and non-finite VPs as constituents, dependency grammars reject the former. That is, dependency grammars acknowledge only non-finite VPs as constituents, for example, John has finished the work. – Finite VP in bold John has finished the work, similar examples, They do not want to try that. – Finite VP in bold They do not want to try that, – One non-finite VP in bold They do not want to try that. They do, however, readily acknowledge the existence of non-finite VPs as constituents, the dependency tree on the right, in contrast, does not acknowledge a finite VP constituent, since there is no complete subtree there that corresponds to has finished the work. Note that the analyses agree concerning the non-finite VP finished the work, dependency grammars point to the results of many standard constituency tests to back up their stance. For instance, topicalization, pseudoclefting, and answer ellipsis suggest that non-finite VP does, – Topicalization *What John has done is has finished the work. – Pseudoclefting What has John done, – Answer ellipsis The * indicates that the sentence is bad. These data must be compared to the results for non-finite VP. and finished the work, – Topicalization What John has done is finished the work. – Pseudoclefting What has John done, – Answer ellipsis The strings in bold are the ones in focus. Attempts to in some sense isolate the finite VP fail, for example, in the following sentences only the words in bold would be used in forming the verb phrase, John has given Mary a book
17.
Dr. Seuss
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Theodor Seuss Geisel was an American writer, cartoonist, animator, book publisher, and artist best known for authoring childrens books under the pen name Dr. Seuss. His work includes several of the most popular books of all time, selling over 600 million copies. Geisel adopted his Dr. Seuss pen name during his university studies at Dartmouth College and he left Oxford in 1927 to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications. He also worked as an illustrator for advertising campaigns, most notably for Flit and Standard Oil and he published his first childrens book And to Think That I Saw It on Mulberry Street in 1937. After the war, Geisel focused on books, writing classics such as If I Ran the Zoo. If I Ran the Circus, The Cat in the Hat and he published over 60 books during his career, which have spawned numerous adaptations, including 11 television specials, four feature films, a Broadway musical, and four television series. He won the Lewis Carroll Shelf Award in 1958 for Horton Hatches the Egg, Geisels birthday, March 2, has been adopted as the annual date for National Read Across America Day, an initiative on reading created by the National Education Association. Geisel was born and raised in Springfield, Massachusetts, the son of Henrietta, all four of his grandparents were German immigrants. His father managed the brewery and was later appointed to supervise Springfields public park system by Mayor John A. Denison after the brewery closed because of Prohibition. Mulberry Street in Springfield, made famous in Dr. Seuss first childrens book And to Think That I Saw It on Mulberry Street, is less than a mile southwest of his home on Fairfield Street. He enrolled at Springfield Central High School in 1917 and graduated in 1921 and he took an art class as a freshman and later became manager of the school soccer team. Geisel attended Dartmouth College, graduating in 1925, at Dartmouth, he joined the Sigma Phi Epsilon fraternity and the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief. While at Dartmouth, he was caught drinking gin with nine friends in his room, at the time, the possession and consumption of alcohol was illegal under Prohibition laws, which remained in place between 1920 and 1933. As a result of this infraction, Dean Craven Laycock insisted that Geisel resign from all extracurricular activities, to continue work on the Jack-O-Lantern without the administrations knowledge, Geisel began signing his work with the pen name Seuss. He was encouraged in his writing by professor of rhetoric W. Benfield Pressey, upon graduating from Dartmouth, he entered Lincoln College, Oxford intending to earn a PhD in English literature. At Oxford, he met Helen Palmer, who encouraged him to give up becoming an English teacher in favor of pursuing drawing as a career. Making use of his time in Europe, he pitched a series of cartoons called Eminent Europeans to Life magazine and his first nationally published cartoon appeared in the July 16,1927 issue of The Saturday Evening Post. This single $25 sale encouraged Geisel to move from Springfield to New York City, later that year, Geisel accepted a job as writer and illustrator at the humor magazine Judge, and he felt financially stable enough to marry Helen
18.
Marvin K. Mooney Will You Please Go Now!
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Marvin K. Mooney Will You Please Go Now. is a 1972 childrens book by Dr. Seuss. Written as a book for beginning readers, it is suitable for children who can not yet read at the level of more advanced beginning books such as The Cat in the Hat. The book presents, in short and funny fashion, Dr. Seusss nonsensical words, rhymes, in the book, Marvin K. Mooney—ostensibly a young child whose bedtime has come—is asked to go in many ways. In a July 1974 collaboration with political humorist Art Buchwald, Dr. Seuss took a copy of his book, crossed out Marvin K. Mooney wherever it occurred. With Dr. Seusss consent, Buchwald and his editors reprinted the markup as a newspaper column, beset by Watergate, U. S. President Nixon resigned ten days later on August 9. Even more recently, MEP Daniel Hannan quoted the book in reference to Gordon Brown after the 2009 EU elections, during the protests that led to the 2011 Egyptian Revolution, various parody versions of the book appeared on the Internet as Hosni Mubarak Will You Please Go Now
19.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
20.
Late Night with Conan O'Brien
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Late Night with Conan OBrien is an American late-night talk show hosted by Conan OBrien that aired 2,725 episodes on NBC between 1993 and 2009. The show featured varied comedic material, celebrity interviews, and musical, Late Night aired weeknights at 12,37 am Eastern/11,37 pm Central and 12,37 am Mountain in the United States. From 1993 until 2000, Andy Richter served as OBriens sidekick, following his departure, the shows house musical act was The Max Weinberg 7, led by E Street Band drummer Max Weinberg. In 2004, as part of a deal to secure a new contract, Jimmy Fallon began hosting his version of Late Night on March 2,2009. Upon Johnny Carsons retirement from The Tonight Show in 1992, executives at NBC announced that Carsons frequent guest-host Jay Leno would be Carsons replacement, NBC later said that Lettermans high ratings for Late Night were the reason they kept him where he was. Letterman was bitterly disappointed and angry at not having been given The Tonight Show job and, at Carsons advice, CBS signed Letterman to host his own show opposite The Tonight Show. He moved his show over to CBS virtually unchanged, taking most of the staff, skits, however, NBC owned the rights to the Late Night name, forcing Letterman to re-christen his show Late Show with David Letterman. NBC was not prepared to replace both Letterman and Late Night, aside from the name, it needed to build a new show. Both Dana Carvey and Garry Shandling declined to host it, Saturday Night Live producer Lorne Michaels was brought in to develop the new show and comedians Jon Stewart, Drew Carey, and Paul Provenza auditioned to host. Michaels suggested to Conan OBrien, a writer for The Simpsons and former writer for Saturday Night Live. Despite having about 40 seconds of television-performance experience as an extra on Saturday Night Live sketches. His guests were Jason Alexander and Mimi Rogers, and the took place on the set of The Tonight Show with Jay Leno. OBrien was offered the show on April 26, and made his first meaningful television appearance later that day when Leno introduced him on Tonight, on the final episode of his 16-year run, OBrien stated that he owed his career to Lorne Michaels. OBriens Late Night debuted on September 13,1993, with Andy Richter chosen as OBriens sidekick, the premiere episode featured John Goodman, Drew Barrymore, and Tony Randall. The episode featured a cold open of OBriens walk to the studio with constant reminders that he was expected to live up to Letterman, after seeming to be unaffected by the comments, OBrien arrives at his dressing room and cheerfully prepares to hang himself. However, a warning that the show is about to start causes him to abandon his plans, OBriens inexperience was apparent and the show was generally considered mediocre by critics in terms of the hosts ability. The Chicago Sun-Times Lon Grankhe called OBrien nervous, unprepared and generally geeky and Tom Shales wrote As for OBrien and he giggles and titters, jiggles about and fiddles with his cuffs. He has dark, beady little eyes like a rabbit, hes one of the whitest white men ever
21.
Dino Stamatopoulos
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Konstantinos Dino Stamatopoulos is an American writer, producer, and actor. He has worked on TV programs such as Mr. Show, TV Funhouse, Mad TV, The Dana Carvey Show, Late Show with David Letterman and he has also created multiple animated TV shows such as Moral Orel, Mary Shelleys Frankenhole, and High School USA. As an actor, he is best known for his role as the character Alex Star-Burns Osbourne on the NBC comedy series Community, on which he also worked as a producer. Stamatopoulos was born into a Greek-American family in Norridge, Illinois and he attended Ridgewood High School in Norridge, where he wrote for his school variety show and was astounded that he could get laughs with the material he had written. While attending Columbia College Chicago, he performed a duo act with comedian Andy Dick, in which Stamatopoulos played a ventriloquist and Dick played a dummy under the influence of sleeping pills. Stamatopoulos had written a script for a Simpsons episode out of love for the show, and Andy Dick convinced him to submit it to The Ben Stiller Show. He met and worked with Bob Odenkirk, in 2000 Stamatopoulos and Robert Smigel pitched Comedy Central a spin-off of Smigels TV Funhouse cartoons as a half-hour sketch comedy show. The standalone TV Funhouse show premiered on 2000 but was canceled after one season and he later joined the writing staff on Mad TV. Stamatopoulos worked as a consultant and contributing writer on the first season of Tom Goes to the Mayor, with Tim & Eric. He also provided the voice of Drinky Crow on The Drinky Crow Show and his stop motion animated series Moral Orel premiered on Adult Swim on Christmas 2005 and aired for three seasons, airing its final episode in December 2008, a followup special aired in 2012. Following Moral Orel, Stamatopoulos created Mary Shelleys Frankenhole, a motion series. It ran for two seasons from 2010 to 2012, Stamatopoulos was a writer and producer on the NBC sitcom Community. He also played the role of Alex Star-Burns Osbourne, a character whose nickname derived from his large star-shaped sideburns. A long-time fan of radio personality Steve Dahl, Stamatopoulos hosted a podcast, Sorry About Everything, Stamatopoulos and friend Andy Dick host a weekly podcast, Dino and Andys Skull Juice, premiering in late 2016 and is produced by Feral Audio. Stamatopoulos is divorced and has one daughter, Dino Stamatopoulos at the Internet Movie Database Dino Stamatopoulos on Twitter TV Squad interview with Dino Stamatopoulos
22.
Conan O'Brien
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Conan Christopher OBrien is an American television host, comedian, and television producer. He is best known for hosting several talk shows, since 2010 he has hosted Conan on the cable channel TBS. OBrien was born in Brookline, Massachusetts, and was raised in an Irish Catholic family and he served as president of The Harvard Lampoon while attending Harvard University, and was a writer for the sketch comedy series Not Necessarily the News. After writing for comedy shows in Los Angeles, he joined the writing staff of Saturday Night Live. OBrien was a writer and producer for The Simpsons for two seasons until he was commissioned by NBC to take over David Lettermans position as host of Late Night in 1993. A virtual unknown to the public, OBriens initial Late Night tenure received unfavorable reviews, the show generally improved over time and was highly regarded by the time of his departure in 2009. Afterwards, OBrien relocated from New York to Los Angeles to host his own incarnation of The Tonight Show for seven months until network politics prompted a host change in 2010. He has hosted Conan since 2010 and has hosted such events as the Emmy Awards. OBrien has been the subject of a documentary, Conan OBrien Cant Stop, with the retirement of David Letterman on May 20,2015, OBrien became the longest-working of all current late-night talk show hosts in the United States, at 22 years. OBrien was born on April 18,1963 in Brookline, Massachusetts and his father, Thomas Francis OBrien, is a physician, epidemiologist, and professor of medicine at Harvard Medical School. His mother, Ruth OBrien, is an attorney and partner at the Boston firm Ropes & Gray and he is the third of six children. OBriens family is Irish Catholic, some of his Irish ancestors immigrated before the American Civil War, in a Late Night episode, OBrien paid a visit to County Kerry, Ireland, where his ancestors originated. OBrien attended Brookline High School, where he served as the editor of the school newspaper. After graduating as valedictorian in 1981, he entered Harvard University, at Harvard, OBrien lived in Holworthy Hall during his first year and Mather House during his three upper-class years. He concentrated in history and literature and graduated cum laude in 1985. OBriens senior thesis concerned the use of children as symbols in the works of William Faulkner, larry Bird in which the Boston Celtics play against a classical ballet troupe. During his sophomore and junior years he served as the Lampoons president, at this time, OBriens future boss at NBC, Jeff Zucker, was serving as President of the schools newspaper The Harvard Crimson. OBrien moved to Los Angeles after graduation to join the staff of HBOs Not Necessarily the News
23.
Ice-T
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Tracy Lauren Marrow, better known by his stage name Ice-T, is an American rapper and actor. He began his career as a rapper in the 1980s and was signed to Sire Records in 1987, the next year, he founded the record label Rhyme $yndicate Records and released another album, Power. He co-founded the heavy metal band Body Count, which he introduced in his 1991 album O. G, Body Count released its self-titled debut album in 1992. Ice-T encountered controversy over his track Cop Killer, which was perceived to glamorize killing police officers, Ice-T asked to be released from his contract with Warner Bros. Records, and his solo album, Home Invasion, was released later in February 1993 through Priority Records. Body Counts next album was released in 1994, and Ice-T released two albums in the late 1990s. Since 2000, he has portrayed NYPD Detective Odafin Tutuola on the NBC police drama Law & Order, on August 1,2006 the fourth Body Count album Murder 4 Hire was released, followed by Manslaughter on June 10,2014. Tracy Lauren Marrow, son of Solomon and Alice Marrow, was born in Newark, Solomon was an African American, and Alice was Creole. For decades, Solomon worked as a conveyor belt mechanic at the Rapistan Conveyor Company, when Marrow was a child, his family moved to upscale Summit, New Jersey. Relaying this incident to his mother, she told him, Honey, people are stupid, her advice and his mother died of a heart attack when he was in third grade. Solomon raised Marrow as a father for four years, with help from a housekeeper. Marrows first experience with an illegal activity occurred after a bicycle that Solomon bought him for Christmas was stolen, after Marrow told his father, Solomon shrugged, Well, then, you aint got no bike. Marrow stole parts from bicycles and assembled three or four weird-looking, brightly painted bikes from the parts, his father either did not notice or never acknowledged this, when Marrow was 12 years old, Solomon died of a heart attack. For many years, AllMusic. com has stated that his parents died in an accident, but Ice-T has stated that it was actually he who had been in a brutal auto accident. While his cousin Earl was preparing to leave for college, Marrow shared a room with him, Earl was a fan of rock music and listened to only the local rock stations, sharing a room with him spurred Marrows interest in heavy metal music. Marrow moved to the Crenshaw District of Los Angeles when he was in the 8th grade and he attended Palms Junior High, which was predominantly made up of white students, and included black students bussed in from South Central. He attended Crenshaw High School, which was almost entirely made up of black students, Marrow stood out from most of his friends because he did not drink alcohol, smoke tobacco, or use drugs. During high school, gangs began to intensify in the Los Angeles school system, students who belonged to the Bloods and Crips gangs attended Crenshaw, and fought in the schools halls
24.
Outkast
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Outkast is an American hip hop duo formed in 1991, in East Point, Atlanta, Georgia, composed of Atlanta-based rappers André André3000 Benjamin and Antwan Big Boi Patton. Benjamin and Patton formed the group as high school students in 1991, OutKast released their debut album Southernplayalisticadillacmuzik in 1994, which gained popularity after the single Players Ball reached number one on the Billboard Hot Rap Tracks chart. With successive releases including ATLiens and Aquemini, the duo developed their sound, experimenting with a variety of styles. In 2000, Outkast released the critically acclaimed Stankonia, which included the singles Ms. Jackson, in 2003, the duo released the double album Speakerboxxx/The Love Below, which featured the number one singles Hey Ya. and The Way You Move. The album would win the Grammy Award for Album of the Year and was certified Diamond by the Recording Industry Association of America. Outkast next released the soundtrack for the 2006 musical film Idlewild, in 2007, the duo went on hiatus and both members have since pursued solo careers. In 2014, Outkast reunited to celebrate their 20th anniversary by performing at more than 40 festivals worldwide in 2014, the duo is one of the most successful hip-hop groups of all time, having received six Grammy Awards. Between six studio albums and a greatest hits release, Outkast has sold over 25 million records, meanwhile, they have garnered widespread critical acclaim, with publications such as Rolling Stone and Pitchfork Media listing albums such as Aquemini and Stankonia among the best of their era. Benjamin and Patton met in 1991 at the Lenox Square shopping mall when they were sixteen years old. The two lived in the East Point section of Atlanta and attended Tri-Cities High School, an arts based academy, during school, Benjamin and Patton participated in rap battles in the cafeteria. Benjamins parents were divorced and he was living with his father, meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization. During the holiday season of 1993, they released their first single, the songs funky style, much of it accomplished with live instrumentation, was a hit with audiences. Players Ball hit number-one on the Billboard Hot Rap Tracks chart, Players Ball also topped the R&B charts for six weeks. Their debut album, Southernplayalisticadillacmuzik, was issued on April 26,1994 and this initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured members of the Dungeon Family. Follow-up singles included the track and Git Up Git Out. OutKast won Best New Rap Group at the Source Awards in 1995, in the same year, the group contributed Benz or a Beamer to the popular New Jersey Drive soundtrack
25.
Three 6 Mafia
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Three 6 Mafia, originally known as Triple 6 Mafia, was an American hip hop group originally from Memphis, Tennessee, signed to Sony Music Entertainment under the Columbia Records imprint. The group was formed by DJ Paul, Lord Infamous, during the groups earlier years they were known as Backyard Posse before becoming known as Triple 6 Mafia and often worked with members of the Prophet Posse and the Gimisum Family. Koopsta Knicca joined the group in 1994, Crunchy Black was at first added to the group as a dancer in 1995 and Gangsta Boo became a full member of the group after the release of the debut album Mystic Stylez. The group released their debut album Mystic Stylez in 1995 through Prophet Entertainment and their musical style—which initially featured dark, menacing beats with equally gritty lyrics—has since moved to a less dark style. The group has also had numerous changes, and now performs under the group name of Da Mafia 6ix. The groups worldwide sales stand at 5.5 million. In 2006 the group won the Academy Award for Best Original Song at the 78th Academy Awards for their song Its Hard out Here for a Pimp from the movie Hustle & Flow, Three 6 Mafia have been described as horrorcore, crunk and gangsta rap. The group started in 1991 in Memphis with DJ Paul, Juicy J, Lord Infamous, the original name for the dark hip hop group was Backyard Posse. The group formed through the release of numerous EPs from their own company with Nick Scarfo, Prophet Entertainment, which were sold around Memphis. Later DJ Paul and Juicy J formed their own label, Hypnotize Minds Records, during their early career, they also propelled the careers of several other rappers. Eventually added before the release of Mystic Stylez, rappers Koopsta Knicca, Gangsta Boo, many artists over the years ended up leaving the label over money disputes. The group expanded and help start the careers of notable Mafia affiliates, including Project Pat, Frayser Boy, La Chat, Lil Wyte, T-Rock, Gangsta Blac, Kingpin Skinny Pimp, mack, Scan Man, Chrome Korleone, BoogieMane & Al Kapone among others. The production acumen of Juicy and Paul also brought about a number of projects such as Tear da Club Up Thugs, Hypnotize Camp Posse. At this point in the evolution, having signed to a major label, group leaders DJ Paul. They started by releasing solo albums by their label affiliates such as, Three Six Mafia also originally coined the term Crunk as a description of their Southern type sound. In 2006, Three 6 Mafia became the first hip-hop group to win the Academy Award for Best Original Song with Its Hard out Here for a Pimp as one of the songs for Hustle & Flow. They were also the first hip-hop artists to perform at the ceremony. Right before presenter Queen Latifah announced that they had won, she chuckled, thats how you accept an Oscar
26.
Lil Jon
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Jonathan Smith, better known by his stage name Lil Jon, is an American record producer, rapper, songwriter, entrepreneur, DJ and actor from Atlanta, Georgia. He was the frontman of the group Lil Jon & The East Side Boyz, which he formed in 1997, after going solo, he released a new album in 2010 titled Crunk Rock. He was featured on Celebrity Apprentice during its 11th and 13th seasons, born and raised in Atlanta, Georgia, Smith graduated from Frederick Douglass High School in Atlanta. After working as a DJ for Atlanta night clubs, he worked for So So Def Recordings between 1993 and 2000, Smith took the stage name Lil Jon and formed musical group Lil Jon & the East Side Boyz, with rappers Big Sam and Lil Bo. The group signed to the Atlanta-based Mirror Image Records and were distributed by Ichiban Records, in 1997, Lil Jon & the East Side Boyz debuted with Get Crunk, Who U Wit, Da Album. It included singles Who U Wit. and Shawty Freak a Lil Sumthin, both singles charted on the Billboard Hot R&B/Hip-Hop Songs chart at No.70 and No. In 2000, Jon started up his own label, BME Recordings and he released his breakthrough album titled We Still Crunk. Among the tracks on that project was the hit single I Like Those Girls, Lil Jon was talked about as the new guy by street team people in the markets where he was attracting his biggest audiences – namely Atlanta, St. Louis, Memphis and Dallas. Bryan Leach, A&R at TVT, went to one of Lil Jons Atlanta shows and was blown away by its immense energy. Leach told HitQuarters, It was like early Beastie Boys, when they had the energy of a group but they were rapping. Lil Jon & The East Side Boyz signed to TVT Records in 2001 and debuted there with Put Yo Hood Up, the groups first nationally played single was Bia Bia, which featured rappers Ludacris, Too Short, Big Kapp, and Chyna Whyte. Bia Bia peaked at No.97 on the Billboard Hot 100, in 2002, the group released Kings of Crunk. I Dont Give A. was its first single, it featured Mystikal and Krayzie Bone and peaked at No.50 on the R&B chart. What U Gon Do peaked at No.22 on the Hot 100, No.13 on the R&B chart, Lil Jon has also produced many hit urban singles. From 2003 to 2005, while still with The East Side Boyz, Lil Jon produced hits such as Salt Shaker by Ying Yang Twins, Yeah. By Usher, Freek-a-Leek by Petey Pablo, Shorty Wanna Ride by Young Buck, Shake That Monkey by Too Short, Girlfight by Brooke Valentine, during that same year he produced a song called Go to Church for Ice Cube. In 2006, Lil Jon severed his negotiation with record label TVT and he vowed never to record for TVT Records again, alleging that TVT owner Steve Gottlieb was shortchanging him. He also began recording a music album, Crunk Rock
27.
Crunk Juice
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Crunk Juice is the fifth and final studio album by American hip hop group Lil Jon & the East Side Boyz, released in November 16,2004, on TVT/BME. The album contains collaborations from rappers and singers, like R. Kelly, Ludacris, Ice Cube, Usher, Bun B from UGK, Jadakiss, Nas, T. I. the Ying Yang Twins. Lil Jons next solo album, 2010s Crunk Rock, did not feature the East Side Boyz, three of four singles released from the album have music videos, What U Gon Do, Real Nigga Roll Call, and Lovers and Friends. The fourth single, Get Crunk, did not have a video, though it was released on vinyl. The album was certified 2x platinum by the RIAA in 2005 for sales of over 2 million copies less than 2 weeks after its initial release, Crunk Juice is also the name of a once popular flavored malt beverage launched by Gila Brew Co. It was made by 7th Street Brewing and they announced in 2011 they were going to relaunch the brand and have new package designs and a new flavors with a smoother taste. It is already available to buy in several major US cities like Philadelphia, notes Track 6 contains samples of the remix of Sippin & Spinnin, performed by Gangsta Boo, Playa Fly and Bun B. Track 10 contains samples of Mandatory Suicide and Raining Blood, performed by Slayer, Track 12 contains samples of Lovers and Friends, performed by Michael Sterling. Track 17 contains samples of Tonight, performed by Kleeer, & interpolation of Saturday Love performed by Alexander ONeal & Cherrelle, Early pressings of this album erroneously credited Fat Joe as one of the rappers in The Grand Finale
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Cocktail
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When used to refer to any generic alcoholic mixed drink, cocktail may mean any beverage that contains two or more ingredients if at least one of those ingredients contains alcohol. When a mixed drink contains only a spirit and a mixer, such as soda or fruit juice, it is a highball. When a cocktail contains only a spirit and a liqueur, it is a duo. Additional ingredients may be sugar, honey, milk, cream, the origin of the word cocktail is disputed. S. The first definition of cocktail known to be an alcoholic beverage appeared in The Balance and Columbian Repository May 13,1806, editor Harry Croswell answered the question, What is a cocktail. It is said, also to be of use to a democratic candidate, because a person. Anatoly Liberman endorses as highly probable the theory advanced by Låftman and they were called cocktailed horses, later simply cocktails. By extension, the cocktail was applied to a vulgar, ill-bred person raised above his station, assuming the position of a gentleman. The mention of water as an ingredient, Låftman concluded that cocktail was an acceptable alcoholic drink, but diluted, not a purebred, a thing raised above its station. Hence the highly appropriate slang word used earlier about inferior horses, several authors have theorized that cocktail may be a corruption of cock ale. David Wondrich also speculates that cocktail is a reference to a practice for perking up an old horse by means of a ginger suppository so that the animal would cock its tail up, there is a lack of clarity on the origins of cocktails. Traditionally cocktails were a mixture of spirits, sugar, water, but by the 1860s, a cocktail frequently included a liqueur. The first publication of a guide which included cocktail recipes was in 1862 — How to Mix Drinks, or, The Bon Vivants Companion. In addition to recipes for punches, sours, slings, cobblers, shrubs, toddies, flips, a key ingredient differentiating cocktails from other drinks in this compendium was the use of bitters. Mixed drinks popular today that conform to this meaning of cocktail include the Old Fashioned whiskey cocktail, the Sazerac cocktail. The term highball appears during the 1890s to distinguish a drink composed only of a distilled spirit, the first cocktail party ever thrown was allegedly by Mrs. Julius S. Walsh Jr. of St. Louis, Missouri, in May 1917. Mrs. Walsh invited 50 guests to her home at noon on a Sunday, the party lasted an hour, until lunch was served at 1 pm. The site of this first cocktail party still stands, in 1924, the Roman Catholic Archdiocese of St. Louis bought the Walsh mansion at 4510 Lindell Boulevard, and it has served as the local archbishops residence ever since
29.
Roland TR-909
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The Roland TR-909 Rhythm Composer is a partially analog, partially sample-based, drum machine introduced by the Japanese Roland Corporation in 1984. The brainchild of Tadao Kikumoto, the engineer behind the Roland TB-303, it features a 16-step step sequencer and it is fully programmable, and like its predecessor, the TR-808, it can store entire songs with multiple sections, as opposed to simply storing patterns. It was the first MIDI-equipped drum machine, the 909 was launched three years after its 808 forebear, changing the game slightly by offering a part-analogue, part-sample-based sound generation hybrid. As with the 808, the 909 sounded a long way from the more realistic alternatives from Linn and Oberheim that had all, more expensive, sample-based drum computers were better at faithfully reproducing real drum sounds, while the TR-909 sounded synthetic. One of the first Roland instruments to be equipped with MIDI, but, like the TR808 before it, nobody could have predicted the reverence in which the TR909 would eventually come to be held. The TR909 soundset is part of Rolands AIRA TR-8 drum machine, on September 9,2016, 30+ years after the TR909 was introduced, Roland declared the day 909 Day. The event is being celebrated by the unveiling of over 30 new instruments, unlike its purely analog ancestor, the TR-09 is powered by the same analog modeling technology that powers the AIRA TR-8. The TR-09 is part of Rolands Boutique product line, the hi-hats and cymbals are 6-bit samples, compressed and combined with a volume envelope curve to allow slight modification. Thanks to the circuitry, various aspects of the drum sound can be modified. There is also a feature called accent—a primitive means of humanizing the drumbeat, in a simplified model of a drummer and a kit, the loudness of the sound created would basically depend on the velocity at which the drummer hits a given part of the kit. A human drummer can emphasize certain notes by playing louder. Part of the charm of the TR-909 comes from its 16-step sequencer — the 16 buttons along the bottom of the interface correspond to the 16th notes of a bar in 4/4 meter. For example, punching the buttons 1,5,9 and 13 on the drum part would create a simple four to the floor beat. While the sequencer is running, a light runs from step 1 to step 16, the TR-909 has several editing modes, pattern editing where one focuses solely on the 16 steps, and track editing, which allows for chaining various patterns in a row. Because it has MIDI, its possible to control other instruments with the sequencer. D16 Drumazon - software drum machine that emulates the TR-909, reBirth RB-338 - software synthesizer that emulates the TB-303, TR-808, and TR-909. 909 - A software drum machine for the Android operating system that emulates the TR-909
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Melody
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A melody, also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively and it may be considered the foreground to the background accompaniment. A line or part need not be a foreground melody, melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches, pitch range, tension and release, continuity and coherence, cadence, the true goal of music—its proper enterprise—is melody. All the parts of harmony have as their purpose only beautiful melody. Therefore, the question of which is the significant, melody or harmony, is futile. Beyond doubt, the means is subordinate to the end, given the many and varied elements and styles of melody many extant explanations confine us to specific stylistic models, and they are too exclusive. Paul Narveson claimed in 1984 that more than three-quarters of melodic topics had not been explored thoroughly, melodies in the 20th century utilized a greater variety of pitch resources than ha been the custom in any other historical period of Western music. While the diatonic scale was used, the chromatic scale became widely employed. Composers also allotted a structural role to the dimensions that previously had been almost exclusively reserved for pitch. Kliewer states, The essential elements of any melody are duration, pitch, and quality, texture, for example, Jazz musicians use the term lead or head to refer to the main melody, which is used as a starting point for improvisation. Rock music, melodic music, and other forms of popular music, indian classical music relies heavily on melody and rhythm, and not so much on harmony, as the music contains no chord changes. Balinese gamelan music often uses complicated variations and alterations of a melody played simultaneously. In western classical music, composers often introduce an initial melody, or theme, classical music often has several melodic layers, called polyphony, such as those in a fugue, a type of counterpoint. Often, melodies are constructed from motifs or short melodic fragments, richard Wagner popularized the concept of a leitmotif, a motif or melody associated with a certain idea, person or place. Appropriation Hocket Parsons code, a notation used to identify a piece of music through melodic motion—the motion of the pitch up. Harvard Dictionary of Music, 2nd ed. p. 517–19, the Art of Melody, p. xix–xxx. A Textbook of Melody, A course in functional melodic analysis, a History Of Melody, Barrie and Rockliff, London
31.
Ostinato
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In music, an ostinato is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The repeating idea may be a pattern, part of a tune. Both ostinatos and ostinati are accepted English plural forms, the reflecting the words Italian etymology. If the cadence may be regarded as the cradle of tonality, within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action. Ostinato plays an important part in improvised music, in which it is referred to as a riff or a vamp. A favorite technique of contemporary writers, ostinati are often used in modal and Latin jazz. Ostinato are used in 20th-century music to stabilize groups of pitches, as in Stravinskys The Rite of Spring Introduction and Augurs of Spring. A famous type of ostinato, called the Rossini crescendo, owes its name to a crescendo that underlies a persistent musical pattern and this style was emulated by other bel canto composers, especially Vincenzo Bellini, and later by Wagner. Applicable in homophonic and contrapuntal textures they are repetitive rhythmic-harmonic schemes, more familiar as accompanimental melodies, the techniques appeal to composers from Debussy to avant-garde composers until at least the 1970s. Lies in part in the need for unity created by the abandonment of functional chord progressions to shape phrases. Relentless, repetitive character help to establish and confirm the modal center and their popularity may also be justified by their ease as well as range of use, though. Ostinato must be employed judiciously, as its overuse can lead to monotony. Ground bass or basso ostinato is a type of form in which a bass line. Aaron Copland describes basso ostinato as, the easiest to recognize of the variation forms wherein. A long phrase—either an accompanimental figure or an actual melody—is repeated over and over again in the bass part, however, he cautions, it might more properly be termed a musical device than a musical form. Many instruments south of the Sahara Desert play ostinato melodies and these include lamellophones such as the mbira, as well as xylophones like the balafon, the bikutsi, and the gyil. Ostinato figures are also played on string instruments such as the kora, gankoqui bell ensembles, often, African ostinatos contain offbeats or cross-beats, that contradict the metric structure. Other African ostinatos generate complete cross-rhythms by sounding both the main beats and cross-beats, in the following example, a gyil sounds the three-against-two cross-rhythm
32.
Reggaeton
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Reggaeton is a musical genre which originated in Puerto Rico during the late 1990s. It is influenced by hip hop and Latin American and Caribbean music, vocals include rapping and singing, typically in Spanish. The word reggaeton was first used in 1995, when DJ Nelson listed it as a name for an upcoming album. Although there are several Spanish spellings, Fundéu BBVA recommends reguetón, often mistaken for reggae or reggae en español, reggaeton is a younger genre which originated in the clubs of San Juan, Puerto Rico in 1991. It became known as music, due to its circulation through informal networks. DJ Playero and DJ Nelson were inspired by hip hop and Latin American music to produce riddims, as Caribbean and African-American music gained momentum in Puerto Rico, reggae rap in Spanish marked the beginning of the Boricua underground and was a creative outlet for many young people. This created an inconspicuous-yet-prominent underground youth culture which sought to express itself, as a youth culture existing on the fringes of society and the law, it has often been criticized. Bootleg recordings and word of mouth became the means of distribution for this music until 1998. The genres popularity increased when it was discovered by international audiences during the early 2000s, the new genre, simply called underground, had explicit lyrics about drugs, violence, poverty, friendship, love and sex. These themes, depicting the troubles of inner-city life, can still be found in reggaeton, Underground music was recorded in marquesinas and distributed in the streets on cassettes. The marquesinas were crucial to the development of Puerto Ricos underground scene because of the fear of losing the ability to manipulate taste. Marquesinas were often in public housing such as Villa Kennedy. Despite being recorded in housing projects, most of the marquesinas were good quality, the availability and quality of the cassettes led to reggaetons popularity, which crossed socioeconomic barriers in the Puerto Rican music scene. The most popular cassettes in the early 1990s were DJ Negros The Noise I and II, gerardo Cruet spread the genre from the marginalized residential areas into other sectors of society, particularly private schools. By the mid-1990s, underground cassettes were being sold in music stores, the genre caught up to middle-class youth, and found its way into the media. By this time, Puerto Rico had several clubs dedicated to the scene, Club Rappers in Carolina. Bobby Digital Dixons Dem Bow production was played in clubs, Underground music was not originally intended to be club music. In South Florida, DJ Laz and Hugo Diaz of the Diaz Brothers were popularizing the genre from Palm Beach to Miami, Underground music in Puerto Rico was harshly criticized
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Beat (music)
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In music and music theory, the beat is the basic unit of time, the pulse, of the mensural level. In popular use, beat can refer to a variety of related concepts including, tempo, meter, specific rhythms, Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats and divided into bars organized by time signature and tempo indications. Metric levels faster than the level are division levels. Beat has always been an important part of music, some music genres such as disco will in general de-emphasize the beat, while other such as funk emphasize the beat to accompany dance. The downbeat is the first beat of the bar, i. e. number 1, the upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates, the downbeat. Both terms correspond to the direction taken by the hand of a conductor, an anticipatory note or succession of notes occurring before the first barline of a piece is sometimes referred to as an upbeat figure, section or phrase. Alternative expressions include pickup and anacrusis, the latter term was borrowed from the field of poetry, in which it refers to one or more unstressed extrametrical syllables at the beginning of a line. In music that progresses regularly in 44 time, counted as 1234,1234. The first beat of the bar is usually the strongest accent in the melody and the likeliest place for a change, the third is the next strongest. The second and fourth are weaker—the off-beats, subdivisions that fall between the pulse beats are even weaker and these, if used frequently in a rhythm, can also make it off-beat. The effect can be simulated by evenly and repeatedly counting to four. This is a technique of African polyrhythm that transferred to popular western music. According to Grove Music, the Offbeat is where the downbeat is replaced by a rest or is tied over from the preceding bar, the downbeat can never be the off-beat because it is the strongest beat in 44 time. Certain genres tend to emphasize the off-beat, where this is a characteristic of rocknroll. A back beat, or backbeat, is a syncopated accentuation on the off beat, in a simple 44 rhythm these are beats 2 and 4. A big part of R&Bs attraction had to do with the stompin backbeats that make it so eminently danceable, an early record with an emphasised back beat throughout was Good Rockin Tonight by Wynonie Harris in 1948. There is a back beat on Roll Em Pete by Pete Johnson and Big Joe Turner. A distinctive back beat can be heard on Back Beat Boogie by Harry James And His Orchestra, outside U. S. popular music, there are early recordings of music with a distinctive backbeat, such as the 1949 recording of Mangaratiba by Luiz Gonzaga in Brazil
34.
Party
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A party is a gathering of people who have been invited by a host for the purposes of socializing, conversation, recreation, or as part of a festival or other commemoration of a special occasion. A party will typically feature food and beverages, and often music, in many Western countries, parties for teens and adults are associated with drinking alcohol such as beer, wine or distilled spirits. Some parties are held in honor of a person, day, or event, such as a birthday party. Parties of this kind are often called celebrations, a party is not necessarily a private occasion. Public parties are held in restaurants, pubs, beer gardens, nightclubs or bars. Large parties in public streets may celebrate events such as Mardi Gras or the signing of a treaty ending a long war. A birthday party is a celebration of the anniversary of the birth of the person who is being honored, the tradition started in the mid-nineteenth century but did not become popular until the mid-twentieth century. Birthday parties are now a feature of many cultures, in Western cultures, birthday parties include a number of common rituals. The guests may be asked to bring a gift for the honored person, party locations are often decorated with colorful decorations, such as balloons and streamers. A birthday cake is served with lit candles that are to be blown out after a birthday wish has been made. The person being honored will be given the first piece of cake, while the birthday cake is being brought to the table, the song Happy Birthday to You or some other birthday song is sung by the guests. At parties for children, time is taken for the gift opening wherein the individual whose birthday is celebrated opens each of the gifts brought. It is also common at childrens parties for the host to give parting gifts to the attendees in the form of goodie bags, children and even adults sometimes wear colorful cone-shaped party hats. Birthday parties are often larger and more extravagant if they celebrate someone who has reached what is regarded in the culture as a milestone age, examples of traditional coming of age celebrations include the North American sweet sixteen party and the Latin American quinceañera. A surprise party is a party that is not made known beforehand to the person in whose honor it is being held, Birthday surprise parties are the most common kind of surprise party. At most such parties, the guests arrive a hour or so before the honored person arrives. Often, a friend in on the surprise will lead the honored person to the location of the party without letting on anything, the guests might even conceal themselves from view, and when the honored person enters the room, they leap from hiding and all shout, Surprise. For some surprise birthday parties, it is considered to be a tactic to shock the honored person
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African Americans
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African Americans are an ethnic group of Americans with total or partial ancestry from any of the Black racial groups of Africa. The term may also be used to only those individuals who are descended from enslaved Africans. As a compound adjective the term is usually hyphenated as African-American, Black and African Americans constitute the third largest racial and ethnic group in the United States. Most African Americans are of West and Central African descent and are descendants of enslaved peoples within the boundaries of the present United States. On average, African Americans are of 73. 2–80. 9% West African, 18–24% European, according to US Census Bureau data, African immigrants generally do not self-identify as African American. The overwhelming majority of African immigrants identify instead with their own respective ethnicities, immigrants from some Caribbean, Central American and South American nations and their descendants may or may not also self-identify with the term. After the founding of the United States, black people continued to be enslaved, believed to be inferior to white people, they were treated as second-class citizens. The Naturalization Act of 1790 limited U. S. citizenship to whites only, in 2008, Barack Obama became the first African American to be elected President of the United States. The first African slaves arrived via Santo Domingo to the San Miguel de Gualdape colony, the ill-fated colony was almost immediately disrupted by a fight over leadership, during which the slaves revolted and fled the colony to seek refuge among local Native Americans. De Ayllón and many of the colonists died shortly afterwards of an epidemic, the settlers and the slaves who had not escaped returned to Haiti, whence they had come. The first recorded Africans in British North America were 20 and odd negroes who came to Jamestown, as English settlers died from harsh conditions, more and more Africans were brought to work as laborers. Typically, young men or women would sign a contract of indenture in exchange for transportation to the New World, the landowner received 50 acres of land from the state for each servant purchased from a ships captain. An indentured servant would work for years without wages. The status of indentured servants in early Virginia and Maryland was similar to slavery, servants could be bought, sold, or leased and they could be physically beaten for disobedience or running away. Africans could legally raise crops and cattle to purchase their freedom and they raised families, married other Africans and sometimes intermarried with Native Americans or English settlers. By the 1640s and 1650s, several African families owned farms around Jamestown and some became wealthy by colonial standards and purchased indentured servants of their own. In 1640, the Virginia General Court recorded the earliest documentation of slavery when they sentenced John Punch. One of Dutch African arrivals, Anthony Johnson, would own one of the first black slaves, John Casor
