1.
Virabhadra
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Virabhadra or Veerabhadra is a fearsome form of the Hindu god Shiva. He was created by the wrath of Shiva and destroyed the Yagna of Daksha, after Dakshas daughter and he is described as a warrior who eventually blinded Bhaga, subdued Indra and broke, among many other countless gods, Pushans teeth. Other gods fled the battlefield unable to sustain his power, Sati was the youngest daughter of Daksha. When Sati grew up she set her heart on Shiva, worshipping him, in the Swayamvara of Sati, Daksha invited all gods and princes except Shiva. Sati cast her garland into air, calling upon Shiva to receive the garland, Daksha had no choice but to get Sati married with Shiva. One day Daksha made arrangements for a horse sacrifice called the Daksha Yaga. Satis urge to go to her due to the affection towards her parents overpowered the social etiquette for not going to an uninvited ceremony. Then Shiva came to know about this and with deep sorrow and anger, plucked a lock of hair, Lord Veerabhadra, and Rudrakali were born. To provide him the power, arrived Bhadrakali, an incarnation of Devi. Maheshwara replied, Spoil the sacrifice of Daksha and she too in her wrath, as the fearful goddess Rudrakali, accompanied him, with all her train, to witness his deeds. Shiva directed Virabhadra, Lead my army against Daksha and destroy his sacrifice, Lord Vishnu could not let his devotee - Daksha be mortified by Virabhadra. He therefore got astride his Garuda, armed as he was with Conch, Discus and Bow and Arrows and he immediately rained powerful arrows at his foe from all directions. Angered all the more by this unexpected attack, Veerabhadra also climbed a chariot. Both used celestial weapons - one upon the other, but none of them was affected in the least though they struck awe into the hearts of the onlookers, both were equally matched and both were adept and quick with their hands and weapons in offensive and defensive. Keenly watching the duel and thinking that Veerabhadra might come out victorious. Continuing the duel, Veerabhadra showered multiple weapons of tremendous power at Vishnu who retaliated with equal might, the firmament reverberated with thunder and lightning. Seeing Vishnus Discus approaching him thus, Veerabhadra coolly opened his vast mouth and swallowed it at one gulp, Lord Vishnu was astonished at this miracle and was filled with admiration for Veerabhadra. Instantly he flew to his side in great ecstasy and praised his erstwhile opponent thus,0 Veerabhadra Mahavira, there is none to equal you here nor in the seven worlds
2.
Rati
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Rati is the Hindu goddess of love, carnal desire, lust, passion and sexual pleasure. Usually described as the daughter of Prajapati Daksha, Rati is the counterpart, the chief consort and the assistant of Kama. A constant companion of Kama, she is depicted with him in legend. She also enjoys worship along with Kama, Rati is often associated with the arousal and delight of sexual activity, and many sex techniques and positions derive their Sanskrit names from hers. The Hindu scriptures stress Ratis beauty and sensuality and they depict her as a maiden who has the power to enchant the god of love. When the god Shiva burnt her husband to ashes, it was Rati, whose beseeching or penance, often, this resurrection occurs when Kama is reborn as Pradyumna, the son of Krishna. Rati – under the name of Mayavati – plays a role in the upbringing of Pradyumna. She acts as his nanny, as well as his lover, and tells him the way to return to his parents by slaying the demon-king, later, Kama-Pradyumna accepts Rati-Mayavati as his wife. The name of the goddess Rati comes from the Sanskrit root ram, although the verb root generally refers to any sort of enjoyment, it usually carries connotations of physical and sensual enjoyment. Etymologically, the word refers to anything that can be enjoyed. The Kalika Purana narrates the tale about Ratis birth. After the creation of the 10 Prajapatis, Brahma – the creator-god – creates Kama, Kama is ordered to spread love in the world by shooting his flower-arrows and Prajapati Daksha is requested to present a wife to Kama. Kama first uses his arrows against Brahma and the Prajapatis, who are all attracted to Brahmas daughter Sandhya. Shiva, who was passing by, watches them and laughs, embarrassed, Brahma and the Prajapatis tremble and perspire. From the sweat of Daksha rises a beautiful woman named Rati, at the same time, the agitated Brahma curses Kama to be burnt to ashes by Shiva in the future. However, on Kamas pleading, Brahma assures him that he would be reborn, the Brahma Vaivarta Purana narrates that Sandhya committed suicide, after Brahma lusts for her. God Vishnu resurrects her and names her Rati, and marries her to Kama, the Shiva Purana mentions that after her suicide Sandhya is reborn from the sweat of Daksha as Rati. In some texts, the god Shiva is described as the father of Rati, the Harivamsa, an appendix to the epic Mahabharata, mentions that Kama and Rati have two children, Harsha and Yashas
3.
Brahma
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Brahma is the creator god in the Trimurti of Hinduism. Brahma is also known as Svayambhu, Vāgīśa, and the creator of the four Vedas, Brahma is identified with the Vedic god Prajapati, as well as linked to Kama and Hiranyagarbha, he is more prominently mentioned in the post-Vedic Hindu epics and the mythologies in the Puranas. In the epics, he is conflated with Purusha, Brahma, along with Vishnu and Shiva, is part of a Hindu Trinity, however, ancient Hindu texts mention other trinities of gods or goddesses which do not include Brahma. While Brahma is often credited as the creator of the universe and various beings in it, other Puranas suggest that he is born from Shiva or his aspects, or he is a supreme god in diverse versions of Hindu mythology. Brahma, along with all deities, is viewed as a form of the otherwise formless Brahman. Brahma does not enjoy popular worship in present-age Hinduism and has lesser importance than the members of the Trimurti, Vishnu. Brahma is revered in ancient texts, yet rarely worshipped as a deity in India. Very few temples dedicated to him exist in India, the most famous being the Brahma Temple, Brahma temples are found outside India, such as in Thailand at the Erawan Shrine in Bangkok. The origins of Brahma are uncertain, in part because related words such as one for Ultimate Reality. The existence of a deity named Brahma is evidenced in late Vedic text. The spiritual concept of Brahman is far older, and some scholars suggest deity Brahma may have emerged as a personal conception and visible icon of the impersonal universal principle called Brahman. In Sanskrit grammar, the noun stem brahman forms two distinct nouns, one is a neuter noun bráhman, whose singular form is brahma. Contrasted to the noun is the masculine noun brahmán, whose nominative singular form is Brahma. This noun is used to refer to a person, and as the name of a deity Brahma it is the subject matter of the present article. One of the earliest mentions of Brahma with Vishnu and Shiva is in the fifth Prapathaka of the Maitrayaniya Upanishad, Brahma is discussed in verse 5,1 also called the Kutsayana Hymn first, and expounded in verse 5,2. In the pantheistic Kutsayana Hymn, the Upanishad asserts that ones Soul is Brahman, and this Ultimate Reality, Cosmic Universal or God is within each living being. In verse 5,2 Brahma, Vishnu and Shiva are mapped into the theory of Guṇa, the post-Vedic texts of Hinduism offer multiple theories of cosmogony, many involving Brahma. Brahma is a creator as described in the Mahabharata and Puranas
4.
Narada
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Narada is a Vedic sage, famous in Hindu traditions as a traveling musician and storyteller, who carries news and enlightening wisdom. He appears in a number of Hindu texts, notably the Mahabharata, in Indian texts, Narada travels to distant worlds and realms. He is depicted carrying a khartal and Veena with the name Mahathi and is regarded as one of the great masters of the ancient musical instrument. This instrument is known by the name mahathi which he uses to accompany his singing of hymns, prayers, in the Vaishnavism tradition of Hinduism, he is presented as a sage with devotion to Lord Vishnu. Narada is described as wise and mischievous, in humorous tales. Vaishnav enthusiasts depict him as a pure, elevated soul who glorifies Vishnu through his songs, singing the names Hari and Narayana. The Narada Bhakti Sutra is attributed to him, in the Mahabharata, Narada was conversant with the Vedas and the Upanishads and was acquainted with history and Puranas. He had mastery of the six Angas, pronunciation, grammar, prosody, terms, religious rites and he was a perfect master in re-conciliatory texts and differentiating in applying general principles to particular cases. He could swiftly interpret contraries by references to differences in situation and he was eloquent, resolute, intelligent and possessor of powerful memory. He knew the science of morals, politics, skilled in drawing inference from evidence and he was competent in judging the correctness and incorrectness of complex syllogistic statements consisting of 5 proponents. He was capable of arriving at definite conclusions about religion, wealth, pleasure and he possessed knowledge of this whole universe, above it, below it and everything surrounding it. He was capable of answering successively at Vrihaspati himself, while arguing and he was the master of the Sankhya and Yoga systems of philosophy, conversant with sciences of war and treaty and proficient in drawing conclusions of judging things not within a direct knowledge. He knew about the six sciences of treaty, war, military campaigns, maintenance of posts against the enemy and he was a thorough master of every branch of learning. He was fond of war and music and was incapable of being repulsed by any science or any course of action. The Bhagavata Purana describes the story of Naradas spiritual enlightenment, He was the source of information among Gods. He claimed to have 60 wives, in his previous birth Narada was a Gandharva who had been cursed to be born on an earthly planet as a sudra for singing glories to the demigods instead of the Supreme Lord. He was born as the son of a maid-servant of some particularly saintly priests, the priests, being pleased with both his and his mothers service, blessed him by allowing him to eat some of their food, previously offered to their lord, Vishnu. Gradually he received blessings from these sages and heard them discussing many spiritual topics
5.
Hindu mythology
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As such, it is a subset of mainstream Indian and Nepali culture. The roots of mythology that evolved from classical Hinduism come from the times of the Vedic civilization, the four Vedas, notably the hymns of the Rigveda, contain allusions to many themes. The characters, philosophy and stories make up ancient Vedic myths are indelibly linked with Hindu beliefs. The Vedas are four in number, namely RigVeda, YajurVeda, SamaVeda, in the period of Classical Sanskrit, much material is preserved in the Sanskrit epics. Besides mythology proper, the voluminous epics also provide a range of information about ancient Nepali and Indian society, philosophy, culture, religion. The two great Hindu Epics, the Ramayana and the Mahabharata tell the story of two incarnations of Vishnu. These two works are known as Itihasa, the epics Mahabharata and Ramayana serve as both religious scriptures and a rich source of philosophy and morality. The most famous of these chapters is the Bhagavad Gita in the Mahabharata, in which Lord Krishna explains the concepts of duty and these stories are deeply embedded in Hindu philosophy and serve as parables and sources of devotion for Hindus. The Mahabharata is the worlds longest epic in verse, running to more than 2,000,000 lines, the epics themselves are set in different Yugas, or periods of time. The Ramayana, written by the Maharshi Valmiki, describes the life and times of Lord Rama, the Mahabharata, describing the life and times of the Pandavas, occurs in the Dvapara Yuga, a period associated with Lord Krishna. In total, there are 4 Yugas and these are the Satya or Krita Yuga, the Treta Yuga, the Dvapara Yuga, and the Kali Yuga. The avatara concept, however, belongs to the Puranic times, the Puranas deal with stories that are old and do not appear in the epics. They contain legends and stories about the origins of the world, and the lives and adventures of a variety of gods, goddesses, heroes, heroines. They contain traditions related to ancient kings, seers, incarnations of God and legends about holy places, the Bhagavata Purana is probably the most read and popular of the Puranas. It chronicles the legends of the god Vishnu and his avatars on earth, the act of creation was thought of in more than one manner. One of the oldest cosmogonic myth in the Rigveda had come into existence as a cosmic egg, the Purusha Sukta narrates that all things were made out of the mangled limbs of Purusha, a magnified non-natural man, who was sacrificed by the gods. In the Puranas, Vishnu, in the shape of a boar, plunged into the cosmic waters, the Shatapatha Brahmana says that in the beginning, Prajapati, the first creator or father of all, was alone in the world. He differentiated himself into two beings, husband and wife, the wife, regarding union with her producer as incest, fled from his embraces assuming various animal disguises
6.
Agni
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Agni means fire, and connotes the Vedic fire god of Hinduism. Agni also refers to one of the deities of direction. In the Vedic literature, Agni is a major and oft invoked god along with Indra, Agni is considered as the mouth of the gods and goddesses, and the medium that conveys offerings to them in a homa. He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in atmosphere as lightning, and in the sky as sun and this triple presence connects him as the messenger between gods and human beings in the Vedic thought. Agni is a term that appears extensively in Buddhist texts, the Sanskrit word Agni means fire. In the early Vedic literature, Agni primarily connotes the fire as a god, one reflecting the primordial powers to consume, transform and convey. In the Brahmanas layer of the Vedas, such as in section 5.2.3 of Shatapatha Brahmana, Agni represents all the gods, the etymology of Agni is uncertain and contested. According to the 5th-century BCE Sanskrit text Nirukta-Nighantu in section 7, from root aj, which in Sanskrit means to drive and mirrors in Indo-European languages in the sense of nimble, agile. There are many theories about the origins of the god Agni, some tracing it to Indo-European mythologies, the origin myth found in many Indo-European cultures is one of a bird, or bird like being, that carries or brings fire from the gods to mankind. Alternatively, this brings a elixir of immortality from heaven to earth. In either case, the bird returns everyday with sacrificial offerings for the gods, Agni is molded in similar mythical themes, in some hymns with the phrase the heavenly bird that flies. Agni originated from the forehead of Prajapati, assert these texts, with the creation of Agni came light, and with that were created day and night. Agni, state these Samhitas, is the same as the Brahman, the truth, Agni is originally conceptualized as the ultimate source of the creator-maintainer-destroyer triad, then one of the trinities, as the one who ruled the earth. His twin brother Indra ruled the atmosphere as the god of storm, rain and war, while Surya ruled the sky and his position and importance evolves over time, in the creator-maintainer-destroyer aspects of existence in Hindu thought. In the Vedic pantheon, Agni occupies, after Indra, the most important position, Agni is prominent in the hymns of the Vedas and particularly the Brahmanas. In the Rig Veda there are over 200 hymns that praise Agni and his name or synonyms appear in nearly a third of 1,028 hymns in the Rigveda. The Rigveda opens with a hymn inviting Agni, who is addressed later in the hymn as the guardian of Ṛta. The Vedas describe the parents of Agni as two kindling fire sticks, whose loving action creates him, just born, he is poetically presented as a tender baby, who needs loving attention lest he vanishes
7.
Shiva
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Shiva is one of the principal deities of Hinduism. He is the supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism, Shiva is the transformer within the Trimurti, the Hindu trinity that includes Brahma and Vishnu. In Shaivism tradition, Shiva is the Supreme being who creates, protects, in the goddess tradition of Hinduism called Shaktism, the goddess is described as supreme, yet Shiva is revered along with Vishnu and Brahma. A goddess is stated to be the energy and creative power of each and he is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. At the highest level, Shiva is regarded as formless, limitless, transcendent and unchanging absolute Brahman, Shiva has many benevolent and fearsome depictions. In benevolent aspects, he is depicted as an omniscient Yogi who lives a life on Mount Kailash as well as a householder with wife Parvati. In his fierce aspects, he is depicted slaying demons. Shiva is also known as Adiyogi Shiva, regarded as the god of yoga, meditation. Shiva is usually worshipped in the form of Lingam. Shiva is a deity, revered widely by Hindus, in India, Nepal. The Sanskrit word Śiva means, states Monier Williams, auspicious, propitious, gracious, benign, kind, benevolent, the roots of Śiva in folk etymology is śī which means in whom all things lie, pervasiveness and va which means embodiment of grace. The word Shiva is used as an adjective in the Rig Veda, as an epithet for several Rigvedic deities, the term Shiva also connotes liberation, final emancipation and the auspicious one, this adjective sense of usage is addressed to many deities in Vedic layers of literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics, Sharma presents another etymology with the Sanskrit root śarv-, which means to injure or to kill, interprets the name to connote one who can kill the forces of darkness. The Sanskrit word śaiva means relating to the god Shiva, and it is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning red, noting that Shiva is linked to the Sun, the Vishnu sahasranama interprets Shiva to have multiple meanings, The Pure One, and the One who is not affected by three Guṇas of Prakṛti. Shiva is known by names such Viswanathan, Mahadeva, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra, Neelakanta, Subhankara, Trilokinatha. The highest reverence for Shiva in Shaivism is reflected in his epithets Mahādeva, Maheśvara, Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama, the version appearing in Book 13 of the Mahabharata provides one such list
8.
Moon
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The Moon is an astronomical body that orbits planet Earth, being Earths only permanent natural satellite. It is the fifth-largest natural satellite in the Solar System, following Jupiters satellite Io, the Moon is second-densest satellite among those whose densities are known. The average distance of the Moon from the Earth is 384,400 km, the Moon is thought to have formed about 4.51 billion years ago, not long after Earth. It is the second-brightest regularly visible celestial object in Earths sky, after the Sun and its surface is actually dark, although compared to the night sky it appears very bright, with a reflectance just slightly higher than that of worn asphalt. Its prominence in the sky and its cycle of phases have made the Moon an important cultural influence since ancient times on language, calendars, art. The Moons gravitational influence produces the ocean tides, body tides, and this matching of apparent visual size will not continue in the far future. The Moons linear distance from Earth is currently increasing at a rate of 3.82 ±0.07 centimetres per year, since the Apollo 17 mission in 1972, the Moon has been visited only by uncrewed spacecraft. The usual English proper name for Earths natural satellite is the Moon, the noun moon is derived from moone, which developed from mone, which is derived from Old English mōna, which ultimately stems from Proto-Germanic *mǣnōn, like all Germanic language cognates. Occasionally, the name Luna is used, in literature, especially science fiction, Luna is used to distinguish it from other moons, while in poetry, the name has been used to denote personification of our moon. The principal modern English adjective pertaining to the Moon is lunar, a less common adjective is selenic, derived from the Ancient Greek Selene, from which is derived the prefix seleno-. Both the Greek Selene and the Roman goddess Diana were alternatively called Cynthia, the names Luna, Cynthia, and Selene are reflected in terminology for lunar orbits in words such as apolune, pericynthion, and selenocentric. The name Diana is connected to dies meaning day, several mechanisms have been proposed for the Moons formation 4.51 billion years ago, and some 60 million years after the origin of the Solar System. These hypotheses also cannot account for the angular momentum of the Earth–Moon system. This hypothesis, although not perfect, perhaps best explains the evidence, eighteen months prior to an October 1984 conference on lunar origins, Bill Hartmann, Roger Phillips, and Jeff Taylor challenged fellow lunar scientists, You have eighteen months. Go back to your Apollo data, go back to computer, do whatever you have to. Dont come to our conference unless you have something to say about the Moons birth, at the 1984 conference at Kona, Hawaii, the giant impact hypothesis emerged as the most popular. Afterward there were only two groups, the giant impact camp and the agnostics. Giant impacts are thought to have been common in the early Solar System, computer simulations of a giant impact have produced results that are consistent with the mass of the lunar core and the present angular momentum of the Earth–Moon system
9.
Parvati
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Parvati, also known as Urvi/Renu, is the Hindu goddess of fertility, love and devotion, as well as of divine strength and power. She is the gentle and nurturing aspect of the Hindu goddess Shakti and she is the mother goddess in Hinduism, and has many attributes and aspects. Each of her aspects is expressed with a different name, giving her over 100 names in regional Hindu stories of India, along with Lakshmi and Saraswati, she forms the trinity of Hindu goddesses. Parvati is the wife of the Hindu god Shiva - the protector and regenerator of universe and she is the daughter of the mountain king Himavan and mother Mena. Parvati is the mother of Hindu deities Ganesha and Kartikeya, some communities also believe her to be the sister of the god Vishnu and the river-goddess Ganga. With Shiva, Parvati is a deity in the Shaiva sect. In Hindu belief, she is the energy and power of Shiva, and she is the cause of a bond that connects all beings. In Hindu temples dedicated to her and Shiva, she is represented as the argha or yoni. She is found extensively in ancient Indian literature, and her statues and iconography grace Hindu temples all over South Asia, parvata is one of the Sanskrit words for mountain, Parvati derives her name from being the daughter of king Himavan and mother Mena. King Parvat is considered lord of the mountains and the personification of the Himalayas, Parvati is known by many names in Hindu literature. Other names which associate her with mountains are Shailaja, Adrija or Nagajaa or Shailaputri, Haimavathi, the Lalita sahasranama contains a listing of 1,000 names of Parvati. Two of Parvatis most famous epithets are Uma and Aparna, the name Uma is used for Sati in earlier texts, but in the Ramayana, it is used as a synonym for Parvati. In the Harivamsa, Parvati is referred to as Aparna and then addressed as Uma and she is also Ambika, Shakti, Mataji, Maheshwari, Durga, Bhairavi, Bhavani, Shivaradni, and many hundreds of others. Parvati is also the goddess of love and devotion, or Kamakshi, regional stories of Gauri suggest an alternate origin for Gauris name and complexion. In parts of India, Gauris skin color is golden or yellow in honor of her being the goddess of ripened corn/harvest, some scholars hold that Parvati does not explicitly appear in Vedic literature, though the Kena Upanishad contains a goddess called Uma-Haimavati. She appears as the shakti, or essential power, of the Supreme Brahman. Her primary role is as a mediator who reveals the knowledge of Brahman to the Vedic trinity of Agni, Vayu, and Indra, Sati-Parvati appears in the epic period, as both the Ramayana and the Mahabharata present Parvati as Shivas wife. However, it is not until the plays of Kalidasa and the Puranas that the stories of Sati-Parvati, Kinsley adds that Parvati may have emerged from legends of non-aryan goddesses that lived in mountains
10.
Ganesha
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Ganesha, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Sri Lanka, Thailand, Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists, although he is known by many attributes, Ganeshas elephant head makes him easy to identify. Ganesha is widely revered as the remover of obstacles, the patron of arts and sciences, as the god of beginnings, he is honoured at the start of rituals and ceremonies. Ganesha is also invoked as patron of letters and learning during writing sessions, several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography. Ganesha emerged as a deity in the 4th and 5th centuries AD, during the Gupta period. He was formally included among the five deities of Smartism in the 9th century. A sect of devotees called the Ganapatya arose, who identified Ganesha as the supreme deity, the principal scriptures dedicated to Ganesha are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa. Brahma Purana and Brahmanda Purana are other two Puranic genre encyclopedic texts that deal with Ganesha, Ganesha has been ascribed many other titles and epithets, including Ganapati and Vighneshvara. The Hindu title of respect Shri is often added before his name, the name Ganesha is a Sanskrit compound, joining the words gana, meaning a group, multitude, or categorical system and isha, meaning lord or master. The word gaņa when associated with Ganesha is often taken to refer to the gaņas, the term more generally means a category, class, community, association, or corporation. Some commentators interpret the name Lord of the Gaņas to mean Lord of Hosts or Lord of created categories, Ganapati, a synonym for Ganesha, is a compound composed of gaṇa, meaning group, and pati, meaning ruler or lord. Though the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda, it is however uncertain that the Vedic term referred specifically to Ganesha. The Amarakosha, an early Sanskrit lexicon, lists eight synonyms of Ganesha, Vinayaka, Vighnarāja, Dvaimātura, Gaṇādhipa, Ekadanta, Heramba, Lambodara, Vinayaka is a common name for Ganesha that appears in the Purāṇas and in Buddhist Tantras. This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak, the names Vighnesha and Vighneshvara refers to his primary function in Hinduism as the master and remover of obstacles. A prominent name for Ganesha in the Tamil language is Pillai or Pillaiyar, a. K. Narain differentiates these terms by saying that pillai means a child while pillaiyar means a noble child. He adds that the words pallu, pella, and pell in the Dravidian family of languages signify tooth or tusk, also elephant tooth or tusk. Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have meant the young of the elephant
11.
Kartikeya
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Karthikeya is the Hindu god of war. He is the Commander-in-Chief of the army of the devas and he is also the primary deity of the Kaumaram sect of Hinduism. Murugan is worshiped primarily in areas of Tamil speaking populations, including Tamil Nadu in India, Sri Lanka, Mauritius, Indonesia, Malaysia, Singapore and Réunion. It is one of the few sites in Sri Lanka that is venerated by, Hindu Sri Lankan Tamils, Sinhalese people. In northern India, he is known as Kartikeya. He is known as Subrahmanya, Muruga or Palani Andava in Tamil Nadu and he was also known as Mahasena and the Kadamba dynasty worshiped him by this name. The Shatapatha Brahmana refers to him as the son of Rudra, the Taittiriya Aranyaka contains the Gayatri Mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the way leads to wisdom. Baudhāyanas Dharmasūtra calls Skanda Mahāsena Having a Great Army and Subrahmaṇya beloved of Brahmins, the āraṇyaparvan of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya, the Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller. The Tirumurukāṟṟuppaṭai is a devotional poem included in the Pattuppāṭṭu ten idylls of the age of the third Sangam. In the Tirumurukāṟtruuppaṭai, he is described as a god of youth, His face shines a myriad rays light. Other Sangam period works in Tamil that refer to Murugan in detail include the Paripāṭal, the Akananūru, the first elaborate account of Kartikeyas origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, the actual wives then become the Pleiades. The Lord asked him what kind of boon he required, in reply to which he asked that no power in the universe should destroy him except the Lords power itself. Lord Shiva granted the boon to him, after succeeding in his penance, Suraabaathman began to torture humans as well as the devas. He then conquered the Indraloka and made Indra captive, one day, upon losing her husband as a prisoner, Indraani prayed to Lord Shiva in earth to help her. Meanwhile, Ajaamukhi was in search of Indraani to produce her as a prize for her brother Suraabaathman as a result of victory of their war against the devas, Ajaamughi along with her servant finally found Indraani praying to Lord Shiva
12.
Bhadrakali
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Bhadrakālī is a Hindu goddess popular in Southern India. She is one of the forms of the Great Goddess mentioned in the Devi Mahatmyam. Bhadrakali is the form of Devi worshipped in Kerala as Sri Bhadrakali. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good and this goddess is represented with three eyes, and four, twelve, or eighteen hands. She carries a number of weapons, with flames flowing from her head, and her worship is also associated with the Tantric tradition of the Matrikas as well as the tradition of the ten Mahavidyas and falls under the broader umbrella of Shaktism. The Sanskrit word Bhadra Kali therefore can be translated to Hindi as Mahamaya Kali, there are at least three traditional versions regarding the origin-incarnations or avatar of Bhadrakali. The first version is from Devi Mahatmyam and basically a part of Shaktism, the second is associated with the Daksha and Dakshayaga, from the more Shaivism related tradition, and glimpses of this version can be seen in some Puranas. The third and the equally most famous one is her birth as the daughter of Shiva to liberate the world from demon Daruka. According to the Vayu Purana and the Mahabharata, Bhadrakali came into being by Devis wrath, according to Tantra Rahasya, she arose from the North face of Shiva, which is blue in color and with three eyes. The demon Darika, after intense ascetic penances and practices, secured a boon from Lord Brahma that he would be invincible, soon afterwards he began to harass the world and commit numerous crimes. When Lord Shiva came to know about the misdeeds of demon Darika and he opened his fiery third eye and the massive flaming form of Bhadrakali emerged. She was huge, wore a look and had countless hands. Shiva ordered Bhadra Kali to destroy Darika and she went through the forest, when Darika saw Bhadrakali, he laughed and dismissed her, forgetting that his boon of invincibility did not prevent him from being killed by a woman. After a fierce battle, Bhadrakali and her assistants finally finished him off, according to the Kerala traditions, the events described in the Markandeya Purana associated with Bhadrakali took place in Kerala, near Madayi in the Kannur District. Bhadrakali temples in Kerala commemorate this event during festivals and Bhadrakali is worshipped as the daughter of Lord Shiva. According to the Markandeya Purana, her worship purifies the devotee and she is seen to protect the honour of women and to bestow all spiritual knowledge. In Kerala, she called Virabhadra her brother and refused to be treated by him when she was attacked by the deity Vasoorimala and she said that a brother must not touch the face of his sister. Thus, mild pockmarks are sometimes visible on her face in some Keralan depictions of her
