Damascening is the art of inlaying different metals into one another—typically, gold or silver into a darkly oxidized steel background—to produce intricate patterns similar to niello. The English term comes from a perceived resemblance to the rich tapestry patterns of damask silk. The term is also used to describe the use of inlaid copper interconnects in integrated circuits. As its name suggests, damascene gets its name from Damascus, Syria and the ancient artisans that created and exported this craft.
Some examples of damascened work
Iron cassone by Plácido Zuloaga, 1871
Detail of damascening, in this case gold inlaid into oxidized steel, in a hairclasp from Toledo, Spain.
Ding bronze vessel with gold and silver inlay (Damascening) from the Warring States period (403-221 BC) of ancient China. (c. 300 BC)
Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.
Example of Boulle work inlay using tortoiseshell in mottled red, brass and pewter
Boulle work showing the use of pewter (center) and the 'depth' given by tortoiseshell in the background. Brass inlay is on the right and left.
Mother of pearl inlay into walnut burl on a customised Fender Stratocaster.
Inlay (ivory, red sandalwood, copper) on wooden casket