1.
Volterra
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Volterra, known to the ancient Etruscans as Velathri or Vlathri and to the Romans as Volaterrae, is a town and comune in the Tuscany region of Italy. The town was a Bronze Age settlement of the Villanovan culture, the site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC, the city was a bishops residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate, Volterra became a place of interest of the Florentines, Florentine rule was not always popular, and opposition occasionally broke into rebellion. These rebellions were put down by Florence, when the Florentine Republic fell in 1530, Volterra came under the control of the Medici family and later followed the history of the Grand Duchy of Tuscany. Founded in 1905, the gallery consists mostly of works by Tuscan artists from 14th to 17th centuries, includes a Deposition by Rosso Fiorentino. It was enlarged in the 13th century after an earthquake, in the center of the vault are fragments of an Eternal Father by Niccolò Circignani. Also noteworthy is the Addolorata Chapel, with a terracotta attributed to Andrea della Robbia. In the nearby chapel, dedicated to the Very Holy Name of Jesus, is a table with Christs monogram, the rectangular bell tower is from 1493. Fortezza Medicea, build in the 1470s, now a housing the noted restaurant. Guarnacci Etruscan Museum, with thousands of funeral urns dating back to the Hellenistic and Archaic periods, main attractions are the bronze statuette Ombra della sera, and the sculpted effigy, Urna degli Sposi of an Etruscan couple in terra cotta. The Etruscan City Walls, including the well-preserved Porta allArco, the Medici Villa di Spedaletto, outside the city, in direction of Lajatico There are excavations of Etruscan tombs in the Valle Bona area. Volterra features in Horatius, a poem by Lord Macaulay, linda Prouds A Tabernacle for the Sun, the first volume of The Botticelli Trilogy, begins with the sack of Volterra in 1472. Volterra is the home of the Maffei family and the events of 1472 lead directly to the Pazzi Conspiracy of 1478. The protagonist of the novel is Tommaso de Maffei, half brother of one of the conspirators, Volterra is an important location in Stephenie Meyers Twilight series. In the books, Volterra is home to the Volturi, a coven of rich, regal, powerful ancient vampires and this is the central incident in his book On Love. Volterra is mentioned repeatedly in British author Dudley Popes Captain Nicholas Ramage historical nautical series, gianna, the Marchesa of Volterra and the fictional ruler of the area, features in the first twelve books of the eighteen-book series. Volterra is the site where the novel Chimaira by the Italian author Valerio Massimo Manfredi takes place, Valerio Massimo Manfredis The Ancient Curse is also set in Volterra, where a statue called The Shade of Twilight is stolen from the Volterra museum
2.
Tuscany
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Tuscany is a region in central Italy with an area of about 23,000 square kilometres and a population of about 3.8 million inhabitants. Tuscany is known for its landscapes, traditions, history, artistic legacy, Tuscany produces wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is considered a nation within a nation. Tuscany is traditionally a popular destination in Italy, and the main tourist destinations by number of tourist arrivals are Florence, Pisa, Montecatini Terme, Castiglione della Pescaia and Grosseto. The village of Castiglione della Pescaia is also the most visited destination in the region. Additionally, Siena, Lucca, the Chianti region, Versilia and Val dOrcia are also internationally renowned, Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year. In 2012, the city of Florence was the worlds 89th most visited city, roughly triangular in shape, Tuscany borders the regions of Liguria to the northwest, Emilia-Romagna to the north and east, Umbria to the east and Lazio to the southeast. The comune of Badia Tedalda, in the Tuscan Province of Arezzo, has an exclave named Ca Raffaello within Emilia-Romagna, Tuscany has a western coastline on the Tyrrhenian Sea, containing the Tuscan Archipelago, of which the largest island is Elba. Tuscany has an area of approximately 22,993 square kilometres, surrounded and crossed by major mountain chains, and with few plains, the region has a relief that is dominated by hilly country used for agriculture. Hills make up nearly two-thirds of the total area, covering 15,292 square kilometres, and mountains. Plains occupy 8. 4% of the total area—1,930 square kilometres —mostly around the valley of the River Arno, many of Tuscanys largest cities lie on the banks of the Arno, including the capital Florence, Empoli and Pisa. The pre-Etruscan history of the area in the late Bronze and Iron Ages parallels that of the early Greeks, following this, the Villanovan culture saw Tuscany, and the rest of Etruria, taken over by chiefdoms. City-states developed in the late Villanovan before Orientalization occurred and the Etruscan civilization rose, the Etruscans created the first major civilization in this region, large enough to establish a transport infrastructure, to implement agriculture and mining and to produce vibrant art. The Etruscans lived in Etruria well into prehistory, throughout their existence, they lost territory to Magna Graecia, Carthage and Celts. Despite being seen as distinct in its manners and customs by contemporary Greeks, the cultures of Greece, one reason for its eventual demise was this increasing absorption by surrounding cultures, including the adoption of the Etruscan upper class by the Romans. Soon after absorbing Etruria, Rome established the cities of Lucca, Pisa, Siena, and Florence, endowed the area with new technologies and development, and ensured peace. These developments included extensions of existing roads, introduction of aqueducts and sewers, however, many of these structures have been destroyed by erosion due to weather. The Roman civilization in the West collapsed in the 5th century AD, in the years following 572, the Longobards arrived and designated Lucca the capital of their Duchy of Tuscia
3.
Papal States
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The Papal States, officially the State of the Church, were territories in the Italian Peninsula under the sovereign direct rule of the pope, from the 8th century until 1870. They were among the states of Italy from roughly the 8th century until the Italian Peninsula was unified in 1861 by the Kingdom of Piedmont-Sardinia. At their zenith, they covered most of the modern Italian regions of Lazio, Marche, Umbria and Romagna and these holdings were considered to be a manifestation of the temporal power of the pope, as opposed to his ecclesiastical primacy. By 1861, much of the Papal States territory had been conquered by the Kingdom of Italy, only Lazio, including Rome, remained under the Popes temporal control. In 1870, the pope lost Lazio and Rome and had no physical territory at all, Italian Fascist leader Benito Mussolini ended the crisis between unified Italy and the Vatican by signing the Lateran Treaty, granting the Vatican City State sovereignty. The Papal States were also known as the Papal State, the territories were also referred to variously as the State of the Church, the Pontifical States, the Ecclesiastical States, or the Roman States. For its first 300 years the Catholic Church was persecuted and unrecognized and this system began to change during the reign of the emperor Constantine I, who made Christianity legal within the Roman Empire, and restoring to it any properties that had been confiscated. The Lateran Palace was the first significant new donation to the Church, other donations followed, primarily in mainland Italy but also in the provinces of the Roman Empire. But the Church held all of these lands as a private landowner, the seeds of the Papal States as a sovereign political entity were planted in the 6th century. Beginning In 535, the Byzantine Empire, under emperor Justinian I, launched a reconquest of Italy that took decades and devastated Italys political, just as these wars wound down, the Lombards entered the peninsula from the north and conquered much of the countryside. While the popes remained Byzantine subjects, in practice the Duchy of Rome, nevertheless, the pope and the exarch still worked together to control the rising power of the Lombards in Italy. As Byzantine power weakened, though, the took a ever larger role in defending Rome from the Lombards. In practice, the papal efforts served to focus Lombard aggrandizement on the exarch, a climactic moment in the founding of the Papal States was the agreement over boundaries embodied in the Lombard king Liutprands Donation of Sutri to Pope Gregory II. When the Exarchate of Ravenna finally fell to the Lombards in 751, the popes renewed earlier attempts to secure the support of the Franks. In 751, Pope Zachary had Pepin the Younger crowned king in place of the powerless Merovingian figurehead king Childeric III, zacharys successor, Pope Stephen II, later granted Pepin the title Patrician of the Romans. Pepin led a Frankish army into Italy in 754 and 756, Pepin defeated the Lombards – taking control of northern Italy – and made a gift of the properties formerly constituting the Exarchate of Ravenna to the pope. The cooperation between the papacy and the Carolingian dynasty climaxed in 800, when Pope Leo III crowned Charlemagne Emperor, the precise nature of the relationship between the popes and emperors – and between the Papal States and the Empire – is disputed. Events in the 9th century postponed the conflict, the Holy Roman Empire in its Frankish form collapsed as it was subdivided among Charlemagnes grandchildren
4.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
5.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
6.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
7.
Michelangelo
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Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
8.
The Last Judgment (Michelangelo)
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The Last Judgment, is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity, the souls of humans rise and descend to their fates, as judged by Christ who is surrounded by prominent saints. Altogether there are over 300 figures, the work took over four years to complete between 1536 and 1541. Michelangelo began working on it twenty five years after having finished the Sistine Chapel ceiling, in the lower part of the fresco Michelangelo followed tradition in showing the saved ascending at the left and the damned descending at the right. In the upper part the inhabitants of Heaven are joined by the newly saved, the majority of angels and males were originally shown nude, though a good deal of the pieces of drapery added later to cover them remain after recent cleaning and restoration. The fresco is more monochromatic than the ceiling frescoes and is dominated by the tones of flesh, the cleaning and restoration of the fresco, however, revealed a greater chromatic range than previously apparent. Orange, green, yellow, and blue are scattered throughout, the project was a long time in gestation. It was probably first proposed in 1533, but was not then attractive to Michelangelo, a number of Michelangelos drawings from the early 1530s develop a Resurrection of Jesus. Vasari, alone among contemporary sources, says that originally Michelangelo was intended to paint the other end wall with a Fall of the Rebel Angels to match, by April 1535 the preparation of the wall was begun, but it was over a year before painting began. The new fresco required, unlike his Sistine Chapel ceiling, considerable destruction of existing art, above this zone there were two paintings from the 15th-century cycles of Moses and Christ which still occupy the middle zone of the side walls. These were probably the Finding of Moses and the Adoration of the Kings, above them were the first of the series of standing popes in niches, including Saint Peter himself, probably as well as a Saint Paul and a central figure of Christ. Finally, the project required the destruction of two lunettes with the first two Ancestors of Christ from Michelangelos own ceiling scheme. However, some of works may have already been damaged by an accident in April 1525, when the altar curtains went on fire. The structure of the chapel, built in a hurry in the 1470s, had given trouble from the start. At Christmas in 1525 a Swiss Guard entering the chapel with the pope was killed when the stone lintel to the doorway split, the site is on sandy soil, draining a large area, and the preceding Great Chapel had had similar problems. As shown by drawings, the conception for the Last Judgement was to leave the existing altarpiece and work round it, stopping the composition below the frescos of Moses. The Sistine Chapel was dedicated to the Assumption of the Virgin, the tapestry has a vertical format, and still in the Vatican Museums. A print of 1582 shows the chapel in use, with a cloth of roughly this shape hanging behind the altar
9.
Breeches
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Breeches are an article of clothing covering the body from the waist down, with separate coverings for each leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western mens clothing, they had out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called breeches or britches, Breeches is a double plural known since c. Breeches uses a form to reflect it has two legs, the word has no singular form. This construction is common in English and Italian, but is no common in some other languages in which it was once common, e. g. the parallel modern Dutch. At first breeches indicated a cloth worn as underwear by both men and women, philip Stanhope, 4th Earl of Chesterfield, uses the word breech as a synonym or perhaps a euphemism for anus in his letters. Until around the end of the 19th century, small boys wore special forms of dresses until they were breeched, or given the adult male styles of clothes, at about the age of 6 to 8. Their clothes were rarely as easy to confuse with those of girls, as the head covering and hair, chest and collar. During the French Revolution, breeches were seen as a symbol of the nobility, lower-class revolutionaries became known as sans-culottes. The spelling britches is a variant, not a corruption. Presently, britches reflects a pronunciation often used in casual speech to mean trousers or pants in many English-speaking parts of the world. Breeks is a Scots or northern English spelling and pronunciation and this also led to the following, a breech is the part of a firearm behind the bore. The terms breeches or knee-breeches specifically designate the knee-length garments worn by men from the later 16th century to the early 19th century, spanish breeches, stiff, ungathered breeches popular from the 1630s until the 1650s. Petticoat breeches, very full, ungathered breeches popular from the 1650s until the early 1660s, rhinegraves, full, gathered breeches popular from the early 1660s until the mid-1670s, often worn with an overskirt over them. Fall front breeches, breeches with a panel or flap covering the front opening, dress breeches are tight fitting and have buttons and a strap and buckle closure at the bottoms, made of velvet or barathea wool, used for livery, formal and court dress. From the 1890s to the 1930s a form of breeches called knickerbockers or knickers were in fashion with men and boys. Like their 18th century predecessor, they reached and were fastened just below the knees, vráka are the traditional breeches of the islands of Greece from the westernmost Ionian Islands to the easternmost, Cyprus. Greek breeches are extremely roomy and are meant to be tucked inside long boots just below the knee and they were originally meant to facilitate movement on fishing boats and sailing ships
10.
Uffizi
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The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in central Florence, region of Tuscany, Italy. The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de Medici so as to accommodate the offices of the Florentine magistrates, hence the name uffizi, the construction was later continued by Alfonso Parigi and Bernardo Buontalenti and completed in 1581. The niches in the piers that alternate with columns filled with sculptures of artists in the 19th century. The Uffizi brought together under one roof the administrative offices, the Tribunal and the Archivio di Stato, the state archive. He commissioned from the architect Buontalenti the design of the Tribuna degli Uffizi that collected a series of masterpieces in one room, over the years, more sections of the palace were recruited to exhibit paintings and sculpture collected or commissioned by the Medici. The gallery had been open to visitors by request since the sixteenth century, because of its huge collection, some of its works have in the past been transferred to other museums in Florence—for example, some famous statues to the Bargello. A project was finished in 2006 to expand the exhibition space some 6,000 metres² to almost 13,000 metres². On 27 May 1993, a car exploded in Via dei Georgofili and damaged parts of the palace. The most severe damage was to the Niobe room and classical sculptures and neoclassical interior, the identity of the bomber or bombers are unknown, although it was almost certainly attributable to the Sicilian Mafia who were engaged in a period of terrorism at that time. Today, the Uffizi is one of the most popular tourist attractions of Florence, in high season, waiting times can be up to five hours. In early August 2007, Florence experienced a heavy rainstorm, the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated. There was a more significant flood in 1966 which damaged most of the art collections in Florence severely. Here is a selection from the collection, The collection also contains some ancient sculptures, such as the Arrotino. Collections of the Uffizi Official website Uffizi – Google Art Project
11.
Il Sodoma
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Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Giovanni Bazzi was of the family de Bazis, and born at Vercelli in Piedmont in 1477 and his first master was the archaic Martino Spanzotti, he also appears to have been a student of the painter Giovenone. Along with Pinturicchio, Sodoma was one of the first to practice in Siena the style of the High Renaissance, gaining fluency in the prevailing popular style of Pinturicchio, Sodoma completed the set in 1502 and included a self-portrait with badgers. Sodoma was invited to Rome in 1508 by the celebrated Sienese merchant Agostino Chigi and was employed there by Pope Julius II in the Stanza della Segnatura in the Vatican. Vasaris rhetorical story that Sodomas larger works did not satisfy the pope, who engaged Raphael to substitute a program of Justice, Poetry, and Theology is not borne out by the documents. Before October 1510 he was in Siena, where he painted the exterior of Palazzo Chigi in monochrome chiaroscuro with scenes from the Bible and from Antiquity and his painting at this time began to show distinct Florentine influences, especially of Fra Bartolommeo. When Leo X became pope, Sodoma presented him with a picture of the Death of Lucretia, Leo gave him a large sum of money as a reward and created him a cavaliere. Sodoma returned to Siena and, at a date, sought work in Pisa, Volterra. From Lucca he returned to Siena not long before his death on 14 February 1549 and he had supposedly squandered his property and is said, without documentary support, to have died in penury in the great hospital of Siena. One of his pupils was Giomo del Sodoma, in his youth, Sodoma had married, but he and his wife soon separated. A daughter married Bartolomeo Neroni, called also Riccio Sanese or Maestro Riccio, instead, he was considered by contemporaries to have been homosexual, and was known from 1512 on as Il Sodoma. Giorgio Vasari, in particular, stressed this aspect, perhaps it was a nickname that resulted from a joke, but Bazzi seems to have used the name with pride. Some critics see in Sodomas Madonna in the Pinacoteca di Brera the direct influence of this master, in the Oratory of San Bernardino, are scenes from the history of the Virgin, painted in conjunction with Pacchia and Beccafumi. These frescoes depict the Visitation and the Assumption, in San Francesco are the Deposition from the Cross and Christ Scourged. Many critics regard one or the other of these paintings as Sodomas masterpiece, in the choir of the Pisa Cathedral is the Sacrifice of Abraham, and in the Uffizi Gallery of Florence a St. Sebastian. Some of his works, including the Holy Family now in the Pinacoteca and his easel pictures are rare, there are two in the National Gallery, London. C. Rape of the Sabine Women - Galleria Nazionale dArte Antica, Rome St, according to Vasari, the name by which Bazzi was known was Il Mattaccio, this epithet having been bestowed upon him by the monks of Monte Oliveto. He dressed gaudily, like a mountebank, and his house was a Noahs ark and he was a cracker of jokes, fond of music, and he sang poems composed by himself on indecorous subjects
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This article incorporates text from a publication now in the public domain: Williamson, George Charles (1913). "Daniele da Volterra". In Herbermann, Charles. Catholic Encyclopedia. New York: Robert Appleton.
Media related to Daniele da Volterra at Wikimedia Commons
"Ricciarelli, Daniele". Encyclopædia Britannica. 23 (11th ed.). 1911. p. 290.
