1.
Cabaret
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Cabaret is a form of entertainment featuring music, song, dance, recitation, or drama. It is mainly distinguished by the venue, which might be a pub. The audience, often dining or drinking, does not typically dance, performances are usually introduced by a master of ceremonies or MC. The entertainment, as done by an ensemble of actors and according to its European origins, is oriented towards adult audiences. In the United States striptease, burlesque, drag shows, or a solo vocalist with a pianist, the word cabaret was first used in 1655. It is derived from tavern probably from Middle Dutch cambret, the word cabaret came to mean a restaurant or night club by 1912. Cabaret can be divided in 10 different types. However, these are artificial dividing lines, cabaret shows are most of the time a compound of elements from the different types, the cabaret performer plays with language, sometimes poetic, but often is he or she rock hard and hateful. The cabaret performer analyses in his/her stubborn manner actual, social and political topics, the cabaret performer tells an often slightly absurd story with a moral packed in it. The cabaret performer plays with music, for example by twisting or combining familiar melodies, the cabaret performer tells nonsensical and absurd stories and plays idiotic types. The emphasis is less on text in the show of cabaret performer. Here the cabaret performer eludes on his liberating through laughter role, an iteration of storytelling cabaret The cabaret performer quickly switches between the different styles/types of cabaret, types, or songs. In this the cabaret performer is a guest at a government, institution or a company, cabarets existed in Paris in the 16th century, they were ancestors of the modern restaurant. Unlike taverns they sold wine not by itself but only with a meal, customers might sing if they had drunk enough wine, but early cabarets did not have formal programs of entertainment. Cabarets were frequently used as meeting places for writers and artists, in 1773 French poets, painters, musicians and writers began to meet in a cabaret called Le Caveau on rue de Buci, where they composed and sang songs. The Caveau continued until 1816, when it was forced to close because its clients wrote songs mocking the royal government, in the 18th century the café-concert or café-chantant appeared, which offered food along with music, singers, or magicians. The most famous was the Cafe des Aveugles in the cellars of the Palais-Royal, in the early 19th century many cafés-chantants appeared around the city, the most famous were the Café des Ambassadeurs on the Champs-Élysées and the Eldorado on boulevard Strasbourg. By 1900 there were more than 150 cafés-chantants in Paris, the first cabaret in the modern sense was Le Chat Noir in the Bohemian neighborhood of Montmartre, created in 1881 by Rodolphe Salis, a theatrical agent and entrepreneur
2.
Vaudeville
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Vaudeville is a theatrical genre of variety entertainment. It was especially popular in the United States and Canada from the early 1880s until the early 1930s, a typical vaudeville performance is made up of a series of separate, unrelated acts grouped together on a common bill. A vaudeville performer is often referred to as a vaudevillian, Vaudeville developed from many sources, including the concert saloon, minstrelsy, freak shows, dime museums, and literary American burlesque. Called the heart of American show business, vaudeville was one of the most popular types of entertainment in North America for several decades, the origin of this term is obscure, but is often explained as being derived from the French expression voix de ville. A second speculation is that it comes from the songs on satire by poet Olivier Basselin. Some, however, preferred the term variety to what manager Tony Pastor called its sissy. Thus, vaudeville was marketed as variety well into the 20th century, with its first subtle appearances within the early 1860s, vaudeville was not initially a common form of entertainment. The form gradually evolved from the saloon and variety hall into its mature form throughout the 1870s and 1880s. This more gentle form was known as Polite Vaudeville, in the years before the American Civil War, entertainment existed on a different scale. Certainly, variety theatre existed before 1860 in Europe and elsewhere, in the US, as early as the first decades of the 19th century, theatregoers could enjoy a performance consisting of Shakespeare plays, acrobatics, singing, dancing, and comedy. As the years progressed, people seeking diversified amusement found a number of ways to be entertained. Vaudeville was characterized by traveling companies touring through cities and towns, a significant influence also came from Dutch minstrels and comedians. Vaudeville incorporated these various itinerant amusements into a stable, institutionalized form centered in Americas growing urban hubs, pastors experiment proved successful, and other managers soon followed suit. B. F. Keith took the step, starting in Boston. Later, E. F. Albee, adoptive grandfather of the Pulitzer Prize-winning playwright Edward Albee, circuits such as those managed by Keith-Albee provided vaudevilles greatest economic innovation and the principal source of its industrial strength. They enabled a chain of allied vaudeville houses that remedied the chaos of the booking system by contracting acts for regional and national tours. These could easily be lengthened from a few weeks to two years, Albee also gave national prominence to vaudevilles trumpeting polite entertainment, a commitment to entertainment equally inoffensive to men, women and children. Acts that violated this ethos were admonished and threatened with expulsion from the remaining performances or were canceled altogether
3.
Punk rock
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Punk rock is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as proto-punk music, Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic, many bands self-produce recordings and distribute them through informal channels, the term punk was first used in relation to rock music by some American critics in the early 1970s, to describe garage bands and their devotees. The following year saw punk rock spreading around the world, for the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment, by the beginning of the 1980s, faster, more aggressive styles such as hardcore and street punk had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a range of other variations, giving rise to post-punk. At the end of the 20th century, punk rock had been adopted by the mainstream, as pop punk and punk bands such as Green Day. The first wave of rock was aggressively modern, distancing itself from the bombast. According to Ramones drummer Tommy Ramone, In its initial form, unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere, by 1973, I knew that what was needed was some pure, stripped down, no bullshit rock n roll. In critic Robert Christgaus description, It was also a subculture that rejected the political idealism. Technical accessibility and a DIY spirit are prized in punk rock, in the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion, according to Holmstrom, punk rock was rock and roll by people who didnt have very many skills as musicians but still felt the need to express themselves through music. In December 1976, the English fanzine Sideburns published an illustration of three chords, captioned This is a chord, this is another, this is a third. The title of a 1980 single by the New York punk band Stimulators, inscribed a catchphrase for punks basic musical approach. The previous year, when the rock revolution began in Great Britain, was to be both a musical and a cultural Year Zero. As a Clash associate describes singer Joe Strummers outlook, Punk rock is meant to be our freedom, were meant to be able to do what we want to do. Scholar Daniel S. Traber argues that attaining authenticity in the identity can be difficult, as the punk scene matured, he observes
4.
Gothic rock
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Gothic rock is a musical subgenre of post-punk that formed during the late 1970s. Gothic rock bands grew from the ties they had to the English punk rock. Proto-gothic bands include Siouxsie and the Banshees, Joy Division, Bauhaus, the genre itself was defined as a separate movement from post-punk due to its darker music accompanied by introspective and romantic lyrics. Gothic rock then gave rise to a subculture that included clubs, fashion. Reynolds described the style as consisting of deep, droning alloys of Jim Morrison. Siouxsie and the Banshees tended to use flanging guitar effects, producing a brittle, cold, several acts used drum machines downplaying the rhythms backbeat. Gothic rock typically deals with dark themes addressed through lyrics and the musics atmosphere, the poetic sensibilities of the genre led gothic rock lyrics to exhibit literary romanticism, morbidity, existentialism, religious symbolism or supernatural mysticism. Musicians who initially shaped the aesthetics and musical conventions of gothic rock include Marc Bolan, the Velvet Underground, the Doors, David Bowie, Iggy Pop, journalist Kurt Loder would write that the song All Tomorrows Parties by the Velvet Underground is a mesmerizing gothic-rock masterpiece. However, Reynolds considers Alice Cooper as the true ungodly godfather of goth due to his theatrics, Nicos 1969 album The Marble Index is sometimes described as the first Goth album. With its stark sound, somber lyrics, and Nicos deliberate change in her look, J. G. Ballard was a strong lyrical influence for many of the early gothic rock groups, the Birthday Party drew on Arthur Rimbaud and Charles Baudelaire. In 1976, Interview with the Vampire by Anne Rice was published, the main character, although dark, wanted companionship and love. The book, according to music journalist Dave Thompson, slowly created an audience for gothic rock by word of mouth, the same year saw the punk rock band the Damned debut. The groups vocalist, Dave Vanian, was a gravedigger who dressed like a vampire. Critic John Stickney used the gothic rock to describe the music of the Doors in October 1967. Stickney wrote that the band met the journalists in the gloomy vaulted wine cellar of the Delmonico hotel, the author noted that contrary to the pleasant, amusing hippies, there was violence in their music and a dark atmosphere on stage during their concerts. In the late 1970s, the gothic was used to describe the atmosphere of post-punk bands like Siouxsie. In March 1979, Kent used the adjective in his review of Magazines second album. Kent noted that there was a new sense of authority to their music
5.
Steampunk
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Steampunk is a subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery. Therefore, steampunk may be described as neo-Victorian, Steampunk may also incorporate additional elements from the genres of fantasy, horror, historical fiction, alternate history, or other branches of speculative fiction, making it often a hybrid genre. The first known appearance of the term steampunk was in 1987, Steampunk is influenced by and often adopts the style of the 19th-century scientific romances of Jules Verne, H. G. Wells, and Mary Shelley. Several more modern works of art and fiction significant to the development of the genre were produced before the genre had a name, the film Brazil was an important early cinematic influence that helped codify the aesthetics of the genre. The Adventures of Luther Arkwright was a comic version of the Moorcock-style mover between timestreams. In fine art, Remedios Varos paintings combine elements of Victorian dress, fantasy, in television, one of the earliest manifestations of the steampunk ethos in the mainstream media was the CBS television series The Wild Wild West, which inspired the subsequent film. Although many works now considered seminal to the genre were published in the 1960s and 1970s and it was coined by science fiction author K. W. G. Wells The Time Machine. Though of course, I did find her review in the March Locus to be quite flattering, personally, I think Victorian fantasies are going to be the next big thing, as long as we can come up with a fitting collective term for Powers, Blaylock and myself. Something based on the technology of the era, like steam-punks. They were far from the first modern science fiction writers to speculate on the development of steam-based technology or alternative histories, keith Laumers Worlds of the Imperium and Ronald W. Clarks Queen Victorias Bomb apply modern speculation to past-age technology and society. Michael Moorcocks Warlord of the Air is another early example, harry Harrisons novel A Transatlantic Tunnel, Hurrah. Portrays a British Empire of an alternative year 1973, full of atomic locomotives, coal-powered flying boats, ornate submarines, the Adventures of Luther Arkwright was the first steampunk comic. In February 1980, Richard A. Lupoff and Steve Stiles published the first chapter of their 10-part comic strip The Adventures of Professor Thintwhistle and His Incredible Aether Flyer. Indeed, both sensibilities recall the older but still modern eras in which technological change seemed to anticipate a better world, one of steampunk’s most significant contributions is the way in which it mixes digital media with traditional handmade art forms. As scholars Rachel Bowser and Brian Croxall put it, the tinkering and tinker-able technologies within steampunk invite us to roll up our sleeves, in this respect, steampunk bears more in common with DIY craft and making. This theme is carried over to Disneys theme parks, in the designs of The Mysterious Island section of Tokyo DisneySea theme park. Aspects of steampunk design emphasise a balance between form and function, in this it is like the Arts and Crafts Movement. But John Ruskin, William Morris, and the reformers in the late nineteenth century rejected machines
6.
Weimar Republic
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Weimar Republic is an unofficial, historical designation for the German state between 1919 and 1933. The name derives from the city of Weimar, where its constitutional assembly first took place, the official name of the state was still Deutsches Reich, it had remained unchanged since 1871. In English the country was known simply as Germany. A national assembly was convened in Weimar, where a new constitution for the Deutsches Reich was written, in its fourteen years, the Weimar Republic faced numerous problems, including hyperinflation, political extremism, and contentious relationships with the victors of the First World War. The people of Germany blamed the Weimar Republic rather than their leaders for the countrys defeat. However, the Weimar Republic government successfully reformed the currency, unified tax policies, Weimar Germany eliminated most of the requirements of the Treaty of Versailles, it never completely met its disarmament requirements, and eventually paid only a small portion of the war reparations. Under the Locarno Treaties, Germany accepted the borders of the republic. From 1930 onwards President Hindenburg used emergency powers to back Chancellors Heinrich Brüning, Franz von Papen, the Great Depression, exacerbated by Brünings policy of deflation, led to a surge in unemployment. In 1933, Hindenburg appointed Adolf Hitler as Chancellor with the Nazi Party being part of a coalition government, the Nazis held two out of the remaining ten cabinet seats. Von Papen as Vice Chancellor was intended to be the éminence grise who would keep Hitler under control, within months the Reichstag Fire Decree and the Enabling Act of 1933 had brought about a state of emergency, it wiped out constitutional governance and civil liberties. Hitlers seizure of power was permissive of government by decree without legislative participation and these events brought the republic to an end, as democracy collapsed, a single-party state founded the Nazi era. The Weimar Republic is so called because the assembly that adopted its constitution met at Weimar, Germany from 6 February 1919 to 11 August 1919, but this name only became mainstream after 1933. To the right of the spectrum the politically engaged rejected the new democratic model, the Catholic Centre party, Zentrum favoured the term Deutscher Volksstaat while on the moderate left the Chancellors SPD preferred Deutsche Republik. Only during the 1930s did the term become mainstream, both within and outside Germany, after the introduction of the republic, the flag and coat of arms of Germany were officially altered to reflect the political changes. The Weimar Republic retained the Reichsadler, but without the symbols of the former Monarchy and this left the black eagle with one head, facing to the right, with open wings but closed feathers, with a red beak, tongue and claws and white highlighting. If the Reichs Eagle is shown without a frame, the charge and colors as those of the eagle of the Reichs coat of arms are to be used. The patterns kept by the Federal Ministry of the Interior are decisive for the heraldic design, the artistic design may be varied for each special purpose. The achievements and signs of movement were mostly done away with after its downfall
