Italy the Italian Republic, is a country in Southern Europe. Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Austria and the enclaved microstates San Marino and Vatican City. Italy covers an area of 301,340 km2 and has a temperate seasonal and Mediterranean climate. With around 61 million inhabitants, it is the fourth-most populous EU member state and the most populous country in Southern Europe. Due to its central geographic location in Southern Europe and the Mediterranean, Italy has been home to a myriad of peoples and cultures. In addition to the various ancient peoples dispersed throughout modern-day Italy, the most famous of which being the Indo-European Italics who gave the peninsula its name, beginning from the classical era and Carthaginians founded colonies in insular Italy and Genoa, Greeks established settlements in the so-called Magna Graecia, while Etruscans and Celts inhabited central and northern Italy respectively; the Italic tribe known as the Latins formed the Roman Kingdom in the 8th century BC, which became a republic with a government of the Senate and the People.
The Roman Republic conquered and assimilated its neighbours on the peninsula, in some cases through the establishment of federations, the Republic expanded and conquered parts of Europe, North Africa and the Middle East. By the first century BC, the Roman Empire emerged as the dominant power in the Mediterranean Basin and became the leading cultural and religious centre of Western civilisation, inaugurating the Pax Romana, a period of more than 200 years during which Italy's technology, economy and literature flourished. Italy remained the metropole of the Roman Empire; the legacy of the Roman Empire endured its fall and can be observed in the global distribution of culture, governments and the Latin script. During the Early Middle Ages, Italy endured sociopolitical collapse and barbarian invasions, but by the 11th century, numerous rival city-states and maritime republics in the northern and central regions of Italy, rose to great prosperity through shipping and banking, laying the groundwork for modern capitalism.
These independent statelets served as Europe's main trading hubs with Asia and the Near East enjoying a greater degree of democracy than the larger feudal monarchies that were consolidating throughout Europe. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science and art. Italian culture flourished, producing famous scholars and polymaths such as Michelangelo, Leonardo da Vinci, Raphael and Machiavelli. During the Middle Ages, Italian explorers such as Marco Polo, Christopher Columbus, Amerigo Vespucci, John Cabot and Giovanni da Verrazzano discovered new routes to the Far East and the New World, helping to usher in the European Age of Discovery. Italy's commercial and political power waned with the opening of trade routes that bypassed the Mediterranean. Centuries of infighting between the Italian city-states, such as the Italian Wars of the 15th and 16th centuries, left the region fragmented, it was subsequently conquered and further divided by European powers such as France and Austria.
By the mid-19th century, rising Italian nationalism and calls for independence from foreign control led to a period of revolutionary political upheaval. After centuries of foreign domination and political division, Italy was entirely unified in 1871, establishing the Kingdom of Italy as a great power. From the late 19th century to the early 20th century, Italy industrialised, namely in the north, acquired a colonial empire, while the south remained impoverished and excluded from industrialisation, fuelling a large and influential diaspora. Despite being one of the main victors in World War I, Italy entered a period of economic crisis and social turmoil, leading to the rise of a fascist dictatorship in 1922. Participation in World War II on the Axis side ended in military defeat, economic destruction and the Italian Civil War. Following the liberation of Italy and the rise of the resistance, the country abolished the monarchy, reinstated democracy, enjoyed a prolonged economic boom and, despite periods of sociopolitical turmoil became a developed country.
Today, Italy is considered to be one of the world's most culturally and economically advanced countries, with the sixth-largest worldwide national wealth. Its advanced economy ranks eighth-largest in the world and third in the Eurozone by nominal GDP. Italy owns the third-largest central bank gold reserve, it has a high level of human development, it stands among the top countries for life expectancy. The country plays a prominent role in regional and global economic, military and diplomatic affairs. Italy is a founding and leading member of the European Union and a member of numerous international institutions, including the UN, NATO, the OECD, the OSCE, the WTO, the G7, the G20, the Union for the Mediterranean, the Council of Europe, Uniting for Consensus, the Schengen Area and many more; as a reflection
Punk rock is a rock music genre that developed in the mid-1970s in the United States, United Kingdom and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock, they produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, political, anti-establishment lyrics. Punk embraces a DIY ethic; the term "punk rock" was first used by certain American rock critics in the early 1970s to describe 1960s garage bands and subsequent acts perceived as stylistic inheritors. Between 1974 and 1976 the movement now called. By late 1976, bands such as Television and the Ramones in New York City, the Sex Pistols, the Clash, the Damned in London, the Saints in Brisbane were recognized as forming its vanguard; as 1977 approached, punk became a major and controversial cultural phenomenon in the UK. It spawned a punk subculture expressing youthful rebellion through distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.
In 1977 the influence of the music and subculture became more pervasive. It took root in a wide range of local scenes that rejected affiliation with the mainstream. In the late 1970s, punk experienced a second wave as new acts that were not active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres such as hardcore punk, street punk and anarcho-punk became the predominant modes of punk rock. Musicians identifying with or inspired by punk pursued other musical directions, giving rise to spinoffs such as post-punk, new wave, indie pop, alternative rock, noise rock. By the 1990s, punk re-emerged in the mainstream with the success of punk rock and pop punk bands such as Green Day, The Offspring, Blink-182; the first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of stuff was innovative and exciting. What happens is that people who could not hold a candle to the likes of Hendrix started noodling away.
Soon you had endless solos. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Technical accessibility and a Do. UK pub rock from 1972-1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock introduced the idea of independent record labels, such as Stiff Records, which put out basic, low-cost records. Pub rock bands put out small pressings of their records. In the early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands.
Musical virtuosity was looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have many skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band"; the title of a 1980 single by the New York punk band Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach. Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated music predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared the Clash song "1977"; the previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future".
While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult".
Indie rock is a genre of rock music that originated in the United States and United Kingdom in the 1970s. Used to describe independent record labels, the term became associated with the music they produced and was used interchangeably with alternative rock; as grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term. Sometimes used interchangeably with "guitar pop rock", in the mid-1980s, the term "indie" began to be used to describe the music produced on punk and post-punk labels; some prominent indie rock record labels were founded during the 1980s. During the 1990s, grunge bands broke into the mainstream, the term "alternative" lost its original counter-cultural meaning.
The term "indie rock" became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s, indie rock developed several subgenres and related styles, including lo-fi, noise pop, slowcore, post-rock, math rock. In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success. In the early 2000s, a new group of bands that played a stripped-down, back-to-basics version of guitar rock emerged into the mainstream; the commercial breakthrough from these scenes was led by four bands: The Strokes, The White Stripes, The Hives and The Vines. Emo broke into mainstream culture in the early 2000s. By the end of the decade, the proliferation of indie bands was being referred to as "indie landfill"; the term indie rock, which comes from "independent," describes the small and low-budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are struck with major corporate companies, these labels and the bands they host have attempted to retain their autonomy, leaving them free to explore sounds and subjects of limited appeal to large, mainstream audiences.
The influences and styles of the artists have been diverse, including punk, post-punk and country. The terms "alternative rock" and "indie rock" were used interchangeably in the 1980s, but after many alternative bands followed Nirvana into the mainstream in the early 1990s, "indie rock" began to be used to describe those bands, working in a variety of styles, that did not pursue or achieve commercial success. Aesthetically speaking, indie rock is characterized as having a careful balance of pop accessibility with noise, experimentation with pop music formulae, sensitive lyrics masked by ironic posturing, a concern with "authenticity," and the depiction of a simple guy or girl. Allmusic identifies indie rock as including a number of "varying musical approaches compatible with mainstream tastes". Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands, through do-it-yourself experimental bands like Pavement, to punk-folk singers such as Ani DiFranco.
In fact, there is an everlasting list of subgenres of indie rock. Many countries have developed an extensive local indie scene, flourishing with bands with enough popularity to survive inside the respective country, but unknown elsewhere. However, there are still indie bands that start off locally, but attract an international audience. Indie rock is noted for having a high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed Riot Grrrl music of acts like Bikini Kill, Bratmobile, 7 Year Bitch, Team Dresch and Huggy Bear. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels; the BBC documentary Music for Misfits: The Story of Indie pinpoints the birth of indie as the 1977 self-publication of the Spiral Scratch EP by Manchester band Buzzcocks. Although Buzzcocks are classified as a punk band, it has been argued by the BBC and others that the publication of Spiral Scratch independently of a major label led to the coining of the name "indie".
"Indie pop" and "indie" were synonymous. In the mid-1980s, "indie" began to be used to describe the music produced on post-punk labels rather than the labels themselves; the indie rock scene in the US was prefigured by the college rock that dominated college radio playlists, which included key bands like R. E. M. from the US and The Smiths from the UK. These two bands rejected the dominant synthpop of the early 1980s, helped inspire guitar-based jangle pop. In the United States, the term was associated with the abrasive, distortion-heavy sounds of the Pixies, Hüsker Dü, Meat Puppets, Dinosaur Jr. and The Replacements. In the United Kingdom the C86 cassette, a 1986 NME compilation featuring Primal Scream, The Pastels, The Wedding Present and other bands, was a document of the UK indie scene at the start of 1986, it gave its name to the indie pop scene that followed, a major influence on the development of the British indie scene as a whole. Major precursors of indie pop included Postcard bands Josef K and Orange Juice, significant labels included Creation and Glass.
The Jesus and Mary Chain's sound combined the Velvet
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, a variety of vocal techniques. A person who sings is called a vocalist. Singers perform music that can be sung without accompaniment by musical instruments. Singing is done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music and religious music styles such as gospel, traditional music styles, world music, blues and popular music styles such as pop, electronic dance music and filmi. Singing arranged or improvised, it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort or ritual, as part of music education or as a profession. Excellence in singing requires time, dedication and regular practice.
If practice is done on a regular basis the sounds can become more clear and strong. Professional singers build their careers around one specific musical genre, such as classical or rock, although there are singers with crossover success, they take voice training provided by voice teachers or vocal coaches throughout their careers. In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort. Exhalation may be aided by lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals and sternocleidomastoid muscles; the pitch is altered with the vocal cords. With the lips closed, this is called humming; the sound of each individual's singing voice is unique not only because of the actual shape and size of an individual's vocal cords but due to the size and shape of the rest of that person's body.
Humans have vocal folds which can loosen, tighten, or change their thickness, over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, timbre, or tone of the sound produced. Sound resonates within different parts of the body and an individual's size and bone structure can affect the sound produced by an individual. Singers can learn to project sound in certain ways so that it resonates better within their vocal tract; this is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds; these different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant, it has been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa.
The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds. Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, possessing the same quality. Registers originate in laryngeal function, they occur. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds; the occurrence of registers has been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract. The term "register" can be somewhat confusing; the term register can be used to refer to any of the following: A particular part of the vocal range such as the upper, middle, or lower registers. A resonance area such as chest voice or head voice. A phonatory process A certain vocal timbre or vocal "color" A region of the voice, defined or delimited by vocal breaks.
In linguistics, a register language is a language which combines tone and vowel phonation into a single phonological system. Within speech pathology, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, the whistle register; this view is adopted by many vocal pedagogues. Vocal resonation is the process by which the basic product of phonation is en
Rock music in Serbia
Serbian rock is the rock music scene of Serbia. During the 1960s, 1970s and the 1980s, while Serbia was a constituent republic of Socialist Federal Republic of Yugoslavia, Serbian rock scene was a part of the SFR Yugoslav rock scene; the Socialist Federal Republic of Yugoslavia was not an Eastern Bloc country, but a member of the Non-Aligned Movement and as such, it was far more opened to the Western culture comparing to the other socialist countries. Rock and roll reached Yugoslavia via foreign radio stations, most notably Radio Luxemburg, rock and roll records, brought in from the West. Rock and roll influences reached schlager singers, most notably Đorđe Marjanović, who released the first popular music solo album in Serbia, in 1959; the end of the 1950s featured the appearances of first rock and roll acts, the 1960s featured a large number of beat bands, such as Siluete and Elipse, which became enormously popular with the younger generations. Rock bands drew the public's attention to themselves, followed with the appearance of first rock music magazines, radio and TV shows.
Until the beginning of the 1970s, Serbian rock bands released only 7" extended plays. Korni Grupa was the first Serbian rock act to release a full-length album, in 1971, one of the first bands to move towards progressive rock. Progressive rock dominated the Serbian rock scene during the 1970s, with a part of bands incorporating elements of traditional music into their sound. At this period, bands like YU Grupa, Pop Mašina and Smak achieved large mainstream popularity and massive album sales; the end of the 1970s featured the appearance of the prominent hard rock band Riblja Čorba, the emergence of the associated punk rock and new wave scenes. Pekinška Patka was the first Serbian punk rock band to release an album, in 1980; the new wave bands Šarlo Akrobata, Električni Orgazam and Idoli, which appeared on the influential compilation album Paket aranžman in 1980, were followed by a large number of new wave acts. Around 1982, new wave scene declined and a large number of acts moved towards more commercial sound.
During the 1980s, pop rock acts, such as Đorđe Balašević and Bajaga i Instruktori, dominated the mainstream scene, but various other rock genres emerged, the alternative rock scene, with the acts such as Ekatarina Velika, Disciplina Kičme, Rambo Amadeus, started to develop and gain mainstream popularity. With the outbreak of the Yugoslav wars at the beginning of the 1990s, the former Yugoslav rock scene ceased to exist. During the 1990s, most of, both mainstream and underground, rock acts expressed their opposition towards the government of Slobodan Milošević, which caused their absence from most of the government-controlled media. Although several major mainstream acts managed to sustain their popularity, a large underground and independent music scene developed. After the 1999 NATO bombing of FR Yugoslavia and the arrival of the political changes during the 2000s, a new independent scene started to develop; the 2000s featured the establishing of new connections between the former Yugoslav republics' scenes.
The first rock acts emerged in the late 1950s. Influenced by the rock and roll and rockabilly acts, a large number of young people started performing the so-called "električna muzika", naming themselves "električari". One of the first Serbian rock and roll musicians who rose to fame was guitarist Mile Lojpur from Belgrade considered the first Serbian or Yugoslav rock and roll musician, he rose to fame at the dances he and his band Septet M organized at Red Star basketball courts at Kalemegdan. Although Lojpur did not make any recordings, he had a great influence on subsequent development of the scene. Another notable rock and roll artist was Perica Stojančić from Niš, whose debut single was released in 1961; the singer Đorđe Marjanović became the first Yugoslav superstar. Despite being a schlager singer, Marjanović performed rock and roll songs, he is notable as the first Yugoslav popular music singer who had an energetic on-scene appearance. He was the first pop singer to walk off the stage into the audience and perform songs in theatrical manner.
His popularity led to the release of his album Muzika za igru in 1959, the first popular music solo album released by PGP-RTB, the biggest Serbian record label. In 1963, Marjanović went on his first Soviet Union tour, where he soon became popular, had gone on more than thirty Soviet Union tours since, he continued to perform until 1990, when, on concert in Melbourne, he had a stroke, after which he decided to retire. The beginning of the 1960s saw the emergence of numerous beat and rhythm and blues bands, the majority of which being inspired by the then-popular Cliff Richard and The Shadows: Iskre and Siluete, both formed in 1961. Siluete were well known for their shocking appearance and performance, the band's frontman Zoran Miščević became one of the first Yugoslav rock stars and a sex symbol; the media promoted rivalry between Siluete and Elipse. Formed as a beat band, Elipse moved to soul music and added a brass section when they were joined by vocalist Edi Dekeng, an African student from Congo, in 1967.
Crni Biseri featured the prominent musician Vlada Janković "Džet", who formed the band Tunel and became a well-known Radio Belgrade host. Sanjalice were one of the first former Yugoslav all-female rock bands; the members of Džemtlmeni, brothers Žika and Dragi Jelić formed the successful pro
Croatia the Republic of Croatia, is a country at the crossroads of Central and Southeast Europe, on the Adriatic Sea. It borders Slovenia to the northwest, Hungary to the northeast, Serbia to the east and Herzegovina, Montenegro to the southeast, sharing a maritime border with Italy, its capital, forms one of the country's primary subdivisions, along with twenty counties. Croatia has an area of 56,594 square kilometres and a population of 4.28 million, most of whom are Roman Catholics. Inhabited since the Paleolithic Age, the Croats arrived in the area in the 6th century and organised the territory into two duchies by the 9th century. Croatia was first internationally recognized as an independent state on 7 June 879 during the reign of duke Branimir. Tomislav became the first king by 925, elevating Croatia to the status of a kingdom, which retained its sovereignty for nearly two centuries. During the succession crisis after the Trpimirović dynasty ended, Croatia entered a personal union with Hungary in 1102.
In 1527, faced with Ottoman conquest, the Croatian Parliament elected Ferdinand I of Austria to the Croatian throne. In October 1918, in the final days of World War I, the State of Slovenes and Serbs, independent from Austria-Hungary, was proclaimed in Zagreb, in December 1918 it was merged into the Kingdom of Serbs and Slovenes. Following the Axis invasion of Yugoslavia in April 1941, most of the Croatian territory was incorporated into the Nazi-backed client-state which led to the development of a resistance movement and the creation of the Federal State of Croatia which after the war become a founding member and a federal constituent of the Socialist Federal Republic of Yugoslavia. On 25 June 1991, Croatia declared independence, which came wholly into effect on 8 October of the same year; the Croatian War of Independence was fought for four years following the declaration. The sovereign state of Croatia is a republic governed under a parliamentary system and a developed country with a high standard of living.
It is a member of the European Union, the United Nations, the Council of Europe, NATO, the World Trade Organization, a founding member of the Union for the Mediterranean. As an active participant in the UN peacekeeping forces, Croatia has contributed troops to the NATO-led mission in Afghanistan and took a non-permanent seat on the UN Security Council for the 2008–2009 term. Since 2000, the Croatian government has invested in infrastructure transport routes and facilities along the Pan-European corridors. Croatia's economy is dominated by service and industrial sectors and agriculture. Tourism is a significant source of revenue, with Croatia ranked among the top 20 most popular tourist destinations in the world; the state controls a part of the economy, with substantial government expenditure. The European Union is Croatia's most important trading partner. Croatia provides a social security, universal health care system, a tuition-free primary and secondary education, while supporting culture through numerous public institutions and corporate investments in media and publishing.
The name of Croatia derives from Medieval Latin Croātia. Itself a derivation of North-West Slavic *Xrovat-, by liquid metathesis from Common Slavic period *Xorvat, from proposed Proto-Slavic *Xъrvátъ which comes from Old Persian *xaraxwat-; the word is attested by the Old Iranian toponym Harahvait-, the native name of Arachosia. The origin of the name is uncertain, but is thought to be a Gothic or Indo-Aryan term assigned to a Slavic tribe; the oldest preserved record of the Croatian ethnonym *xъrvatъ is of variable stem, attested in the Baška tablet in style zvъnъmirъ kralъ xrъvatъskъ. The first attestation of the Latin term is attributed to a charter of Duke Trpimir from the year 852; the original is lost, just a 1568 copy is preserved, leading to doubts over the authenticity of the claim. The oldest preserved stone inscription is the 9th-century Branimir Inscription found near Benkovac, where Duke Branimir is styled Dux Cruatorvm; the inscription is not believed to be dated but is to be from during the period of 879–892, during Branimir's rule.
The area known as Croatia today was inhabited throughout the prehistoric period. Fossils of Neanderthals dating to the middle Palaeolithic period have been unearthed in northern Croatia, with the most famous and the best presented site in Krapina. Remnants of several Neolithic and Chalcolithic cultures were found in all regions of the country; the largest proportion of the sites is in the river valleys of northern Croatia, the most significant cultures whose presence was discovered include Baden, Starčevo, Vučedol cultures. The Iron Age left traces of the Celtic La Tène culture. Much the region was settled by Illyrians and Liburnians, while the first Greek colonies were established on the islands of Hvar, Korčula, Vis. In 9 AD the territory of today's Croatia became part of the Roman Empire. Emperor Diocletian had a large palace built in Split to which he retired after his abdication in AD 305. During the 5th century, the last de jure Western emperor last Western Roman Emperor Julius Nepos ruled his small realm from the palace after fleeing Italy to go into exile in 475.
The period ends with Avar and Croat invasions in the first half of the 7th century and destruction of all Roman towns. Roman survivors retreated to more favourable sites on the coast and mountains; the city of Dubrovnik was founded by such survivors from Epidaurum. The ethnogenesis of Croats is uncertain an