Sir David Young Cameron was a Scottish painter and, with greater success, etcher, mostly of townscapes and landscapes in both cases. He was a leading figure in the final decades of the Etching Revival.
David Young Cameron by Alfred Kingsley Lawrence c.1920
Harfleur, etching and drypoint, 1903
Beauvais, drypoint, 1910
Rocks and Ruins, 1913
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after artists achieving very high prices. This came to an abrupt end after the 1929 Wall Street crash wrecked what had become a very strong market among collectors, at a time when the typical style of the movement, still based on 19th-century developments, was becoming outdated.
David Young Cameron, Horse Guards, St James's Park, signed and inscribed "Trial Proof – unfinished"
Charles-François Daubigny, Moving into the Boat, 1861
Charles Meryon, Abside de Notre Dame, 1854, fourth state of nine.
William Strang, 1882, Potato Lifting, published in The Portfolio.