1.
Deity
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A deity is a concept conceived in diverse ways in various cultures, typically as a natural or supernatural being considered divine or sacred. A male deity is a god, while a female deity is a goddess, the Oxford reference defines deity as a god or goddess, or anything revered as divine. Various cultures have conceptualized a deity differently than a monotheistic God, a plain deity need not be omnipotent, omnipresent, omniscient, omnibenevolent, or eternal, however an almighty monotheistic God generally does have these attributes. Monotheistic religions typically refer to God in masculine terms, while other religions refer to their deities in a variety of ways – masculine, feminine, androgynous, some Avestan and Vedic deities were viewed as ethical concepts. In Indian religions, deities have been envisioned as manifesting within the temple of every living beings body, as sensory organs, but in Indian religions, all deities are also subject to death when their merit runs out. The English language word deity derives from Old French deité, the Latin deitatem or divine nature, deus is related through a common Proto-Indo-European language origin to *deiwos. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, in Old Persian, daiva- means demon, evil god, while in Sanskrit it means the opposite, referring to the heavenly, divine, terrestrial things of high excellence, exalted, shining ones. The closely linked term god refers to supreme being, deity, which states Douglas Harper, is derived from Proto-Germanic *guthan, from PIE *ghut-, guth in the Irish language means voice. The term *ghut- is also the source of Old Church Slavonic zovo, Sanskrit huta-, from the root *gheu- An alternate etymology for the term god traces it to the PIE root *ghu-to-, the term *gheu- is also the source of the Greek khein to pour. Originally the German root was a noun, but the gender of the monotheistic God shifted to masculine under the influence of Christianity. In contrast, all ancient Indo-European cultures and mythologies recognized both masculine and feminine deities, the term deity often connotes the concept of sacred or divine, as a god or goddess, in a polytheistic religion. However, there is no accepted consensus concept of deity across religions and cultures. Huw Owen states that the deity or god or its equivalent in other languages has a bewildering range of meanings. Some engravings or sketches show animals, hunters or rituals, the Venus of Willendorf, a female figurine found in Europe and dated to about 25,000 BCE has been interpreted as an exemplar of a prehistoric divine feminine. In Buddhist mythology, devas are beings inhabiting certain happily placed worlds of Buddhist cosmology and these beings are mortal and numerous. It is also common for iṣṭadevatās to be called deities, although the nature of Yidams is distinct from what is meant by the term. Buddhism does not believe in a creator deity, however, deities are an essential part of Buddhist cosmology, rebirth and Saṃsāra doctrines
2.
Demon
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A demon is a supernatural, mythological and often malevolent being prevalent in religion, occultism, literature, fiction, mythology and folklore. The original Greek word daimon does not carry the negative connotation initially understood by implementation of the Koine δαιμόνιον, the Ancient Greek word δαίμων daimōn denotes a spirit or divine power, much like the Latin genius or numen. Daimōn most likely came from the Greek verb daiesthai, the Greek conception of a daimōn notably appears in the works of Plato, where it describes the divine inspiration of Socrates. To distinguish the classical Greek concept from its later Christian interpretation, the Greek terms do not have any connotations of evil or malevolence. In fact, εὐδαιμονία eudaimonia, means happiness, far into the Byzantine period Christians eyed their cities old pagan statuary as a seat of the demons presence. It was no longer beautiful, it was infested, the term had first acquired its negative connotations in the Septuagint translation of the Hebrew Bible into Greek, which drew on the mythology of ancient Semitic religions. This was then inherited by the Koine text of the New Testament, the Western medieval and neo-medieval conception of a demon derives seamlessly from the ambient popular culture of Late Antiquity. The Hellenistic daemon eventually came to include many Semitic and Near Eastern gods as evaluated by Christianity, the supposed existence of demons remains an important concept in many modern religions and occultist traditions. Demons are still feared largely due to their power to possess living creatures. In the contemporary Western occultist tradition, a demon is a metaphor for certain inner psychological processes. According to the Jewish Encyclopedia, In Chaldean mythology the seven evil deities were known as shedu, storm-demons and they were represented as winged bulls, derived from the colossal bulls used as protective jinn of royal palaces. From Chaldea, the term shedu traveled to the Israelites, the writers of the Tanach applied the word as a dialogism to Canaanite deities. There are indications that demons in popular Hebrew mythology were believed to come from the nether world, various diseases and ailments were ascribed to them, particularly those affecting the brain and those of internal nature. Examples include catalepsy, headache, epilepsy and nightmares, there also existed a demon of blindness, Shabriri who rested on uncovered water at night and blinded those who drank from it. Demons supposedly entered the body and caused the disease while overwhelming or seizing the victim, to cure such diseases, it was necessary to draw out the evil demons by certain incantations and talismanic performances, at which the Essenes excelled. In mythology, there were few defences against Babylonian demons, the mythical mace Sharur had the power to slay demons such as Asag, a legendary gallu or edimmu of hideous strength. As referring to the existence or non-existence of shedim there are converse opinions in Judaism, there are practically nil roles assigned to demons in the Jewish Bible. In conclusion, Jews are not obligated to believe in the existence of shedim, the word shedim appears only in two places in the Tanakh
3.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
4.
Giovanni Boccaccio
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Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote a number of works, including The Decameron. The details of Boccaccios birth are uncertain and he was born in Florence or in a village near Certaldo where his family was from. He was the son of Florentine merchant Boccaccino di Chellino and an unknown woman, Boccaccios stepmother was called Margherita de Mardoli. His father worked for the Compagnia dei Bardi and, in the 1320s, married Margherita dei Mardoli, Boccaccio may have been tutored by Giovanni Mazzuoli and received from him an early introduction to the works of Dante. In 1326, his father was appointed head of a bank, Boccaccio was an apprentice at the bank but disliked the banking profession. He persuaded his father to let him study law at the Studium and he also pursued his interest in scientific and literary studies. His father introduced him to the Neapolitan nobility and the French-influenced court of Robert the Wise in the 1330s, at this time, he fell in love with a married daughter of the king, who is portrayed as Fiammetta in many of Boccaccios prose romances, including Il Filocolo. Acciaioli later became counselor to Queen Joanna I of Naples and, eventually and it seems that Boccaccio enjoyed law no more than banking, but his studies allowed him the opportunity to study widely and make good contacts with fellow scholars. His early influences included Paolo da Perugia, humanists Barbato da Sulmona and Giovanni Barrili, in Naples, Boccaccio began what he considered his true vocation of poetry. Works produced in this period include Il Filostrato and Teseida, The Filocolo, the period featured considerable formal innovation, including possibly the introduction of the Sicilian octave, where it influenced Petrarch. Boccaccio returned to Florence in early 1341, avoiding the plague of 1340 in that city and he had left Naples due to tensions between the Angevin king and Florence. His father had returned to Florence in 1338, where he had gone bankrupt, the pastoral piece Ninfale fiesolano probably dates from this time, also. In 1343, Boccaccios father remarried to Bice del Bostichi and his children by his first marriage had all died, but he had another son named Iacopo in 1344. In Florence, the overthrow of Walter of Brienne brought about the government of popolo minuto and it diminished the influence of the nobility and the wealthier merchant classes and assisted in the relative decline of Florence. The city was further in 1348 by the Black Death. From 1347, Boccaccio spent much time in Ravenna, seeking new patronage and, despite his claims and his stepmother died during the epidemic and his father was closely associated with the government efforts as Minister of Supply in the city. His father died in 1349 and Boccaccio was forced into an active role as head of the family
5.
Soul
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In many religious, philosophical and mythological traditions, the soul is the incorporeal essence of a living being. Depending on the system, a soul can either be mortal or immortal. In Judeo-Christianity, only human beings have immortal souls, for example, the Catholic theologian Thomas Aquinas attributed soul to all organisms but argued that only human souls are immortal. Other religions hold that all organisms have souls, as did Aristotle, while some teach that even non-biological entities possess souls. The latter belief is called animism, Greek philosophers, such as Socrates, Plato, and Aristotle, understood that the soul must have a logical faculty, the exercise of which was the most divine of human actions. Anima mundi is the concept of a world soul connecting all living organisms on planet Earth, the Modern English word soul, derived from Old English sáwol, sáwel, was first attested in the 8th-century poem Beowulf v.2820 and in the Vespasian Psalter 77.50. Further etymology of the Germanic word is uncertain, the Koine Greek word ψυχή psychē, life, spirit, consciousness, is derived from a verb meaning to cool, to blow, and hence refers to the breath, as opposed to σῶμα, meaning body. Vulgate, et nolite timere eos qui occidunt corpus animam autem non possunt occidere sed potius eum timete qui potest et animam et corpus perdere in gehennam. Authorized King James Version And fear not them which kill the body, but are not able to kill the soul, vulgate Creavitque Deus cete grandia, et omnem animam viventem atque motabilem. KJV And God created great whales, and every living creature that moveth, Paul of Tarsus used ψυχή and πνεῦμα specifically to distinguish between the Jewish notions of נפש nephesh and רוח ruah. The ancient Greeks used the word alive for the concept of being ensouled, the soul was considered the incorporeal or spiritual breath that animates the living organism. Francis M. Cornford quotes Pindar by saying that the soul sleeps while the limbs are active, but when one is sleeping, the soul is active and reveals an award of joy or sorrow drawing near in dreams. Erwin Rohde writes that an early pre-Pythagorean belief presented the soul as lifeless when it departed the body, drawing on the words of his teacher Socrates, Plato considered the psyche to be the essence of a person, being that which decides how we behave. He considered this essence to be an incorporeal, eternal occupant of our being, Socrates says that even after death, the soul exists and is able to think. He believed that as bodies die, the soul is reborn in subsequent bodies and Plato believed this as well, however. Thymos is located near the chest region and is related to anger, eros is located in the stomach and is related to ones desires. Plato also compares the three parts of the soul or psyche to a caste system. According to Platos theory, the soul is essentially the same thing as a states class system because, to function well
6.
Gorgon
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In Greek mythology, a Gorgon is a female creature. Traditionally, while two of the Gorgons were immortal, Stheno and Euryale, their sister Medusa was not, and she was slain by the demigod and hero Perseus. Gorgons were an image in Greek mythology, appearing in the earliest of written records of Ancient Greek religious beliefs such as those of Homer. Because of their legendary and powerful gaze that could turn one to stone, images of the Gorgons were put upon objects and buildings for protection. An image of a Gorgon holds the location at the pediment of the temple at Corfu, which is the oldest stone pediment in Greece. The concept of the Gorgon is at least as old in classical Greek mythology as Perseus and Zeus, the name is Greek, being derived from gorgos and translating as terrible or dreadful. Gorgoneia first appear in Greek art at the turn of the eighth century BC, one of the earliest representations is on an electrum stater discovered during excavations at Parium. Other early eighth-century examples were found at Tiryns, going even further back into history, there is a similar image from the Knossos palace, datable to the fifteenth century BC. Marija Gimbutas even argues that the Gorgon extends back to at least 6000 BC, in her book, Language of the Goddess, she also identifies the prototype of the Gorgoneion in Neolithic art motifs, especially in anthropomorphic vases and terracotta masks inlaid with gold. The large Gorgon eyes, as well as Athenas flashing eyes, are termed the divine eyes by Gimbutas, they appear also in Athenas sacred bird. They may be represented by spirals, wheels, concentric circles, swastikas, firewheels, the awkward stance of the gorgon, with arms and legs at angles is closely associated with these symbols as well. Possibly related, a figure, probably a sea-goddess is depicted on a Minoan gold ring from the island Mochlos in Crete. The goddess has a head and she is sitting in a boat. A holy tree is depicted, probably related to the Minoan cult of the tree, some Gorgons are shown with fangs, consisting of wild boar tusks, while other representations lack fangs and show a forced smile displaying large teeth and sometimes a protruding tongue. In some cruder representations, stylized hair or blood flowing under the head of the Gorgon has been mistaken for a beard or wings. The skin of the dragon was said to be made of impenetrable scales, while seeking origins others have suggested examination of some similarities to the Babylonian creature, Humbaba, in the Gilgamesh epic. A number of early scholars interpreted the myth of the Medusa as a quasi-historical, or sublimated. Transitions in religious traditions over such periods of time may make some strange turns
7.
Mithraism
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Mithraism, also known as the Mithraic mysteries, was a mystery religion centred around the god Mithras that was practised in the Roman Empire from about the 1st to the 4th century. The mysteries were popular in the Roman military, worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves syndexioi, those “united by the handshake” and they met in underground temples, called mithraea, which survive in large numbers. The cult appears to have had its centre in Rome, numerous archaeological finds, including meeting places, monuments and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire. The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, about 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions,700 examples of the bull-killing scene and it has been estimated that there would have been at least 680 mithraea in Rome. No written narratives or theology from the religion survive, limited information can be derived from the inscriptions and brief or passing references in Greek, interpretation of the physical evidence remains problematic and contested. The Romans regarded the mysteries as having Persian or Zoroastrian sources, since the early 1970s the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the Roman Mithraic mysteries. The term Mithraism is a modern convention, writers of the Roman era referred to it by phrases such as Mithraic mysteries, mysteries of Mithras or mysteries of the Persians. Modern sources sometimes refer to the Greco-Roman religion as Roman Mithraism or Western Mithraism to distinguish it from Persian worship of Mithra. The name Mithras is a form of Mithra, the name of an Old Persian god – a relationship understood by Mithraic scholars since the days of Franz Cumont. An early example of the Greek form of the name is in a 4th century BCE work by Xenophon, the Cyropaedia, the exact form of a Latin or classical Greek word varies due to the grammatical process of declension. There is archeological evidence that in Latin worshippers wrote the nominative form of the name as Mithras. Related deity-names in other languages include Sanskrit Mitra, the name of a god praised in the Rig Veda, in Sanskrit, mitra means friend or friendship. The form mi-it-ra-, found in a peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BCE. Iranian Mithra and Sanskrit Mitra are believed to come from an Indo-Iranian word mitra meaning contract / agreement / covenant, modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a deity worshipped in several different religions. On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st Century BCE, there have been many attempts to interpret this material
8.
Pharsalia
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The poems title is a reference to the Battle of Pharsalus, which occurred in 48 BC, near Pharsalus, Thessaly, in northern Greece. Caesar decisively defeated Pompey in this battle, which all of the epics seventh book. The poem was begun around 61 AD and several books were in circulation before the Emperor Nero, a total of ten books were written and all survive, the tenth book breaks off abruptly with Caesar in Egypt. Despite an urgent plea from the Spirit of Rome to lay down his arms, Caesar crosses the Rubicon, rallies his troops and marches south to Rome, the book closes with panic in the city, terrible portents and visions of the disaster to come. Book 2, In a city overcome by despair, an old veteran presents a lengthy interlude regarding the civil war that pitted Marius against Sulla. Cato is introduced as a man of principle, as abhorrent as civil war is. After siding with Pompey—the lesser of two evils—he remarries his ex-wife and heads to the field, Caesar continues south through Italy and is delayed by Domitius brave resistance. He attempts a blockade of Pompey at Brundisium, but the general makes an escape to Greece. Book 3, As his ships sail, Pompey is visited in a dream by Julia, his dead wife, Caesar returns to Rome and plunders the city, while Pompey reviews potential foreign allies. Caesar then heads for Spain, but his troops are detained at the siege of Massilia. The city ultimately falls in a naval battle. Book 4, The first half of book is occupied with Caesars victorious campaign in Spain against Afranius and Petreius. Switching scenes to Pompey, his forces intercept a raft carrying Caesarians, the book concludes with Curio launching an African campaign on Caesars behalf, where he is defeated and slain by the African King Juba. Book 5, The Senate in exile confirms Pompey the true leader of Rome, appius consults the Delphic oracle to learn of his fate in the war, and leaves with a misleading prophecy. In Italy, after defusing a mutiny, Caesar marches to Brundisium, only a portion of Caesars troops complete the crossing when a storm prevents further transit, he tries to personally send a message back but is himself nearly drowned. Finally, the storm subsides, and the face each other at full strength. With battle at hand, Pompey sends his wife to the island of Lesbos, Book 6, Pompeys troops force Caesars armies – featuring the heroic centurion Scaeva – to fall back to Thessaly. Lucan describes the wild Thessalian terrain as the wait for battle the next day
9.
Ovid
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Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
10.
Metamorphoses
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The Metamorphoses is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Although meeting the criteria for an epic, the poem defies simple classification by its use of varying themes and tones. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, numerous episodes from the poem have been depicted in acclaimed works of sculpture, painting, and music. The work has been the subject of numerous translations into English, Ovids decision to make myth the dominant subject of the Metamorphoses was influenced by the predisposition of Alexandrian poetry. However, whereas it served in that tradition as the cause for reflection or insight, he made it instead the object of play. There are three examples of the Metamorphoses by later Hellenistic writers, but little is known of their contents, the Heteroioumena by Nicander of Colophon is better known, and clearly an influence on the poem —21 of the stories from this work were treated in the Metamorphoses. However, in a way that was typical for writers of the period, the Metamorphoses was longer than any previous collection of metamorphosis myths and positioned itself within a historical framework. Some of the Metamorphoses derives from literary and poetic treatment of the same myths. This material was of varying quality and comprehensiveness — while some of it was finely worked, scholars have found it difficult to place the Metamorphoses in a genre. However, the handles the themes and employs the tone of virtually every species of literature, ranging from epic and elegy to tragedy. Commenting on the debate, G. Karl Galinsky has opined that. It would be misguided to pin the label of any genre on the Metamorphoses and it begins with the ritual invocation of the muse, and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, the recurring theme, as with nearly all of Ovids work, is love—be it personal love or love personified in the figure of Amor. Apollo comes in for particular ridicule as Ovid shows how love can confound the god out of reason. The work as a whole inverts the order, elevating humans and human passions while making the gods and their desires. The Metamorphoses ends with an epilogue, one of two surviving Latin epics to do so. Book I – The Creation, the Ages of Mankind, the flood, Deucalion and Pyrrha, Apollo and Daphne, Io, Book II – Phaëton, Callisto, the raven and the crow, Ocyrhoe, Mercury and Battus, the envy of Aglauros, Jupiter and Europa
11.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
12.
Plato
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Plato was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He is widely considered the most pivotal figure in the development of philosophy, unlike nearly all of his philosophical contemporaries, Platos entire work is believed to have survived intact for over 2,400 years. Along with his teacher, Socrates, and his most famous student, Aristotle, Plato laid the foundations of Western philosophy. Alfred North Whitehead once noted, the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. In addition to being a figure for Western science, philosophy. Friedrich Nietzsche, amongst other scholars, called Christianity, Platonism for the people, Plato was the innovator of the written dialogue and dialectic forms in philosophy, which originate with him. He was not the first thinker or writer to whom the word “philosopher” should be applied, few other authors in the history of Western philosophy approximate him in depth and range, perhaps only Aristotle, Aquinas and Kant would be generally agreed to be of the same rank. Due to a lack of surviving accounts, little is known about Platos early life, the philosopher came from one of the wealthiest and most politically active families in Athens. Ancient sources describe him as a bright though modest boy who excelled in his studies, the exact time and place of Platos birth are unknown, but it is certain that he belonged to an aristocratic and influential family. Based on ancient sources, most modern scholars believe that he was born in Athens or Aegina between 429 and 423 BCE. According to a tradition, reported by Diogenes Laertius, Ariston traced his descent from the king of Athens, Codrus. Platos mother was Perictione, whose family boasted of a relationship with the famous Athenian lawmaker, besides Plato himself, Ariston and Perictione had three other children, these were two sons, Adeimantus and Glaucon, and a daughter Potone, the mother of Speusippus. The brothers Adeimantus and Glaucon are mentioned in the Republic as sons of Ariston, and presumably brothers of Plato, but in a scenario in the Memorabilia, Xenophon confused the issue by presenting a Glaucon much younger than Plato. Then, at twenty-eight, Hermodorus says, went to Euclides in Megara, as Debra Nails argues, The text itself gives no reason to infer that Plato left immediately for Megara and implies the very opposite. Thus, Nails dates Platos birth to 424/423, another legend related that, when Plato was an infant, bees settled on his lips while he was sleeping, an augury of the sweetness of style in which he would discourse about philosophy. Ariston appears to have died in Platos childhood, although the dating of his death is difficult. Perictione then married Pyrilampes, her mothers brother, who had served many times as an ambassador to the Persian court and was a friend of Pericles, Pyrilampes had a son from a previous marriage, Demus, who was famous for his beauty. Perictione gave birth to Pyrilampes second son, Antiphon, the half-brother of Plato and these and other references suggest a considerable amount of family pride and enable us to reconstruct Platos family tree
