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Descent of the Ganges (Mahabalipuram)
Panoramic view of the Descent of the Ganges relief
Panoramic view of the Descent of the Ganges relief
A panel of carvings viewed by women
A panel of carvings viewed by women
Detail from the relief showing kinnaras playing alapini vina and chime cymbals.
Detail from the relief showing kinnaras playing alapini vina and chime cymbals.
India, Ellora Caves, cave 21, 7th-8th century C.E. Shiva with an ālāpiṇī vīṇā.
Bangladesh, Pala period 10th–12th century C.E. Saraswati with a tube zither, an ālāpiṇī vīṇā or eka-tantrī vīṇā.
Bangladesh, Pala period 10th–12th century C.E. Saraswati with a tube zither, an ālāpiṇī vīṇā or eka-tantrī vīṇā.
Saraswati holding an Eka-tantri vina, ca. 1000 C.E. This image clearly shows the bridge (bottom of instrument) which would sustain the string's note a
Saraswati holding an Eka-tantri vina, ca. 1000 C.E. This image clearly shows the bridge (bottom of instrument) which would sustain the string's note and create a buzzing quality.
Sarasvati with a fretted kinnari vina, with an apparent makara or yali on the top. Fretted tube-zither vinas are mentioned in literature by 800 C.E.,
Sarasvati with a fretted kinnari vina, with an apparent makara or yali on the top. Fretted tube-zither vinas are mentioned in literature by 800 C.E., coexisting with the non-fretted vinas. The rudra veena descends from the kinnari veena. The square at the bottom of the instrument is a stylized version of the bridge from the eka-tantri vina.