1.
Determinative
–
A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no counterpart in spoken language, though they may derive historically from glyphs for real words. In transliterations of Sumerian, the determinatives are written in superscript in lower case, whether a given sign is a mere determinative or a Sumerogram can not always be determined unambiguously since their use is not always consistent. Nearly every word — nouns, verbs, and adjectives — features a determinative, some of which become rather specific and it is believed that they were used as much as word dividers as for semantic disambiguation. Determinatives are generally not transcribed, but when they are, they are transcribed by their number in Gardiners Sign List, determinative Signs In Egyptian Some 90% of Chinese characters are determinative-phonetic compounds, the phonetic element and the determinative are combined to form a single glyph
Determinative
2.
Egyptian hieroglyphs
–
Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
–
A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
–
Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
–
The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
–
Hieroglyphs typical of the Graeco-Roman period
3.
Ancient Egyptian language
–
The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
Ancient Egyptian language
–
Seal impression from the tomb of
Seth-Peribsen, containing the oldest known complete sentence in Egyptian
Ancient Egyptian language
–
Ebers Papyrus detailing treatment of
asthma
Ancient Egyptian language
–
3rd-century Coptic inscription
4.
Km (hieroglyph)
–
The Egyptian hieroglyph for black in Gardiners sign list is numbered I6. The Wörterbuch der Aegyptischen Sprache- lists no less than 24 different terms of km indicating black such as stone, metal, wood, hair, eyes. The most common explanation for the hieroglyph is under the Gardiners Sign List, section I for amphibious animals, reptiles, rossini and Schumann-Antelme propose that the crocodile skin hieroglyph actually shows claws coming out of the hide. Besides black, the use of the hieroglyph is for items terminating, coming-to-an-end, items of completion, hence a reference to charcoal
Km (hieroglyph)
–
The name of Egypt on the
Luxor Obelisk of
Ramesses II. (Egyptian: km-m-t, with
"City-Region" determinative, " kmt ")
Km (hieroglyph)
–
A
cow identified as "black".
Km (hieroglyph)
–
Obelisk of
Nectanebo II - (crocodile skin hieroglyph)
5.
Hedjet
–
Hedjet is the formal name for the White Crown of pharaonic Upper Egypt. The crown was white and, after the unification of Egypt, it was combined with the Deshret, the Red Crown of Lower Egypt, to form the Pschent, the Double Crown of Egypt. The symbol sometimes used for the Hedjet was the vulture goddess Nekhbet shown next to the head of the cobra goddess Wadjet, the earliest image of the Hedjet was thought to have been in the Qustul in Nubia. According to Jane Roy, New evidence from Abydos, however, particularly the excavation of Cemetery U, Nekhbet, the tutelary goddess of Nekhebet near Hierakonpolis, was depicted as a woman, sometimes with the head of a vulture, wearing the White Crown. The falcon god Horus of Hierakonpolis was generally shown wearing a White Crown, a famous depiction of the White Crown is on the Narmer Palette found at Hierakonpolis in which the king of the South wearing the hedjet is shown triumphing over his northern enemies. The kings of the united Egypt saw themselves as successors of Horus, vases from the reign of Khasekhemwy show the king as Horus wearing the White Crown. As with the Deshret, no example of the White Crown has survived and it is unknown how it was constructed and what materials were used. Felt or leather have been suggested, but this is purely speculative, the fact that no crown has ever been found, even in relatively intact tombs might suggest that the crown was passed from one regent to the next, much as in present day monarchies. Atef - Hedjet Crown with feathers identified with Osiris Khepresh - Blue or War Crown also called Royal Crown Uraeus - Rearing Cobra N-red crown N-water ripple
Hedjet
–
Small bronze statuary usage with the Hedjet, White crown
Hedjet
–
Hedjet, the White Crown of Upper Egypt
6.
Upper Egypt
–
Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
Upper Egypt
–
Iry-Hor
Upper Egypt
–
Ka
Upper Egypt
–
King Scorpion
7.
Pschent
–
The Pschent was the name of the Double Crown worn by rulers in Ancient Egypt. The Ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones and it combined the Red Deshret Crown of Lower Egypt and the White Hedjet Crown of Upper Egypt. The Pschent represented the power over all of unified Egypt. These were fastened to the front of the Pschent and referred to as the Two Ladies, later, the vulture head sometimes was replaced by a second cobra. The Cairo fragment, on the hand, shows these prehistoric rulers wearing the Pschent. As is the case with the Deshret and the Hedjet Crowns and it is known only from statuary, depictions, inscriptions, and ancient tales. Among the deities sometimes depicted wearing the Double Crown are Horus and Atum or Ra both representing the pharaoh or having a special relationship to the pharaoh
Pschent
–
Ring of
Ptolemy VI Philometor wearing the Pschent-Double Crown, 3rd to 2nd Century BC. Ptolemaic rulers wore the Pschent in Egypt only and wore the
diadem in the other territories
Pschent
–
Pschent, the double crown of Egypt
Pschent
–
Horus falcon with Double Crown
Pschent
–
Statue of Amenhotep III wearing a pschent
8.
Egyptian language
–
The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
Egyptian language
–
Seal impression from the tomb of
Seth-Peribsen, containing the oldest known complete sentence in Egyptian
Egyptian language
–
Ebers Papyrus detailing treatment of
asthma
Egyptian language
–
3rd-century Coptic inscription
9.
Predynastic Period
–
This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
Predynastic Period
–
Predynastic artifacts: clockwise from top left: a
Bat figurine, a Naqada jar, an ivory figurine, cosmetic palette, a
flint knife, and a
diorite vase.
Predynastic Period
–
Female Figure, ca. 3500-3400 B.C.E. Terracotta, painted, 11 1/2 x 5 1/2 x 2 1/4 in. (29.2 x 14 x 5.7 cm).
Brooklyn Museum
Predynastic Period
–
A typical Naqada II pot with ship theme
10.
Old Kingdom
–
The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
Old Kingdom
–
During the Old Kingdom of Egypt (circa 2686 B.C.E. — circa 2181 B.C.E.), Egypt consisted of the
Nile River region and the area along the river south to
Elephantine.
Old Kingdom
–
The
Pyramid of Djoser at
Saqqara.
Old Kingdom
–
Temple of Djoser at
Saqqara
11.
N-water ripple (n hieroglyph)
–
The Egyptian hieroglyph representing water is attested from the earliest phase of Egyptian writing. It is notably used in the name of First Dynasty pharaoh Den. The hieroglyph is a line representing a ripple of water. Based on the principle, based on the Egyptian wordnt water. One abbreviated later form was a line with angles on each end. The water hieroglyph is the origin of the letter M. The n-hieroglyph when used as a phonogram represented a preposition translationg to in, to, or by, due to its use as a simple phonogram, the hieroglyph is used very frequently. For example, in the Rosetta Stone it occurs 203 times, averaging 6 times per line, in the stone as the water ripple, besides the preposition, it is used in names of Arsinoe, and one cartouche form of Ptolemy V Epiphanes. The vertical N of the Red Crown is used 35 times in the Nubayrah-Rosetta Stone, deshret, the vertical form of N, is required as hieroglyphic blocks sometimes end in places not always conducive to ending a block. Two half blocks can be separated, above and below by the water ripple, or start a block. If room is not sufficient on the bottom, then a form can follow to introduce the next block, thus the use of the vertical N, the red crown of the Pharaoh of the North. Gardiners Sign List#N. Sky, Earth, Water Gardiners Sign List N-red crown Budge, an Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978. The Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
N-water ripple (n hieroglyph)
–
A more archaic usage of the water ripple: label of Pharaoh
Den,
1st Dynasty.
N-water ripple (n hieroglyph)
–
Water ripple used as 'waters', being used with a
Libation vessel
N-water ripple (n hieroglyph)
–
Water ripple: preposition usage in 2nd line-(bottom of block), (also used twice in line 5)
12.
Horus
–
Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
Horus
–
Horus,
(Louvre Museum),
Shen rings in his grasp
Horus
Horus
–
Figure of a Horus Falcon, between circa 300 and circa 250 BC (Greco-Roman). The Walters Art Museum.
Horus
–
Horus, patron deity of Hierakonpolis (near
Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. (6th dynasty).
13.
Wadjet
–
Wadjet, known to the Greek world as Uto among other names, was originally the ancient local goddess of the city of Dep. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth and her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the tradition that spread to Greece from Egypt. The Going Forth of Wadjet was celebrated on December 25 with chants, an annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice and she also was assigned the fifth hour of the fifth day of the moon. Wadjet was closely associated in the Egyptian pantheon with the Eye of Ra, the hieroglyph for her eye is shown below, sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh, much later, Wadjet became associated with Isis as well as with many other deities. The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt and her name means papyrus-colored one, as wadj is the Ancient Egyptian word for the color green and the et is an indication of her gender. Eventually, Wadjet was claimed as the goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture. After the unification the image of Nekhbet joined Wadjet on the crown, the Ancient Egyptian word Wadj signifies blue and green. It is also the name for the well-known Eye of the Moon, indeed, in later times, she was often depicted simply as a woman with a snakes head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity, Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra, in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well. This is an image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus. Her image also rears up from the staff of the poles that are used to indicate deities, as seen in the hieroglyph for uraeus above. An interpretation of the Milky Way was that it was the snake, Wadjet. In this interpretation she was associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut
Wadjet
–
Two images of Wadjet appear on this carved wall in the
Hatshepsut Temple at
Luxor
Wadjet
–
Blue-glazed Wadjet amulet
Wadjet
–
Wadjet as Wadjet-Bast, depicted as the body of a woman with a lioness head, wearing the uraeus
14.
Neith
–
Neith was an early goddess in the Egyptian pantheon. She was the deity of Sais, where her cult was centered in the Western Nile Delta of Egypt. The Ancient Egyptian name of city was Zau. Neith was a goddess of war and of hunting and had as her symbol, however, she is a far more complex goddess than is generally known, and of whom ancient texts only hint of her true nature. In her usual representations, she is portrayed as a fierce deity and her symbol also identified the city of Sais. This symbol was displayed on top of her head in Egyptian art, in her form as a goddess of war, she was said to make the weapons of warriors and to guard their bodies when they died. As a deity, Neith is normally shown carrying the was scepter and she is also called such cosmic epithets as the Cow of Heaven, a sky-goddess similar to Nut, and as the Great Flood, Mehet-Weret, as a cow who gives birth to the sun daily. In these forms, she is associated with creation of both the time and daily re-creation. She is identified as a mother goddess in this role as a creator. As a female deity and personification of the waters, Neith encompasses masculine elements. She is a version of Ptah-Nun, with her feminine nature complemented with masculine attributes symbolized with her association with the bow and arrow. In the same manner, her personification as the waters is Mehetweret. Neith is one of the most ancient deities associated with ancient Egyptian culture and her first anthropomorphic representations occur in the early dynastic period, on a diorite vase of King Ny-Netjer of the Second Dynasty, found in the Step Pyramid of Djoser at Saqqara. That her worship predominated the early dynastic periods is shown by a preponderance of theophoric names within which Neith appears as an element. It has been suggested the hunt/war features of Neith’s imagery may indicate her origin from Libya, located west and southwest of Egypt, while Neith is generally regarded as a deity of Lower Egypt, her worship was not consistently located in that region. Her cult reached its height in Saïs and apparently in Memphis in the Old Kingdom, however, the cult regained political and religious prominence during the 26th Dynasties when worship at Saïs flourished again, as well as at Esna in Upper Egypt. Neiths symbol and part of her hieroglyph also bore a resemblance to a loom, at this time her role as a creator conflated with that of Athena, as a deity who wove all of the world and existence into being on her loom. As mother of Ra, in her Mehet-Weret form, she was described as the Great Cow who gave birth to Ra
Neith
–
Aegis of Neith,
Twenty-sixth dynasty of Egypt.
Museum of Fine Arts of Lyon.
Neith
–
Egyptian war goddess Neith wearing the
Deshret crown of northern (lower) Egypt, which bears the
cobra of
Wadjet
Neith
–
Louvre Statuette of Neith
15.
Set (mythology)
–
Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
Set (mythology)
–
Set spearing Apep
Set (mythology)
–
Set
Set (mythology)
–
Set and Horus adoring Ramesses in the small temple at Abu Simbel
16.
Narmer Palette
–
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC. It contains some of the earliest hieroglyphic inscriptions ever found, the tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper Egypt, and the other side depicts the king wearing the level Red Crown of Lower Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also together in the Main Deposit at Nekhen. The Palette shows many of the conventions of Ancient Egyptian art. The Egyptologist Bob Brier has referred to the Narmer Palette as the first historical document in the world, also found at this dig were the Narmer Macehead and the Scorpion Macehead. The exact place and circumstances of these finds were not recorded very clearly by Quibell and Green. In fact, Greens report placed the Palette in a different layer one or two away from the deposit, which is considered to be more accurate on the basis of the original excavation notes. It has been suggested that these objects were royal donations made to the temple, Nekhen, or Hierakonpolis, was the ancient capital of Upper Egypt during the pre-dynastic Naqada III phase of Egyptian history. One theory is that it was used to grind cosmetics to adorn the statues of the gods, the Narmer Palette is part of the permanent collection of the Egyptian Museum in Cairo. It is one of the exhibits which visitors have been able to see when entering the museum. It has the Journal dEntrée number JE32169 and the Catalogue Général number CG14716, the Narmer Palette is a 63-centimetre tall, shield-shaped, ceremonial palette, carved from a single piece of flat, soft dark gray-green siltstone. The stone has often been identified, in the past. Slate is layered and prone to flaking, and schist is a rock containing large. Both are unlike the finely grained, hard, flake-resistant siltstone and this material was used extensively during the pre-dynastic period for creating such palettes and also was used as a source for Old Kingdom statuary. A statue of the 2nd dynasty pharaoh Khasekhemwy, found in the complex as the Narmer Palette at Hierakonpolis. Both sides of the Palette are decorated, carved in raised relief, at the top of both sides are the central serekhs bearing the rebus symbols nr and mr inside, being the phonetic representation of Narmers name. The serekh on each side are flanked by a pair of heads with highly curved horns
Narmer Palette
–
Both sides of the Narmer Palette
Narmer Palette
–
Narmer Palette
Narmer Palette
17.
Djer
–
Djer is considered the third pharaoh of the First Dynasty of ancient Egypt in current Egyptology. He lived around the mid-thirty-first century BC and reigned for c.40 years, a mummified forearm of Djer or his wife was discovered by Flinders Petrie, but was discarded by Emile Brugsch. The Abydos King List lists the third pharaoh as Iti, the Turin Canon lists a damaged name, beginning with It. Wilkinson notes that years 1-10 of Djers reign are preserved in register II of the Palermo Stone, Djers reign was preceded by a regency controlled by Neithhotep, possibly his mother or grandmother. An ivory tablet from Abydos mentions that Djer visited Buto and Sais in the Nile Delta, one of his regnal years on the Cairo Stone was named Year of smiting the land of Setjet, which often is speculated to be Sinai or beyond. Manetho claimed that Athothes, who is identified as Djer, had written a treatise on anatomy that still existed in his own day. Djer was a son of the pharaoh Hor-Aha and his wife Khenthap, Djer fathered Merneith, wife of Djet and mother of Den. These women are thought to be the wives of Djer and include, Nakhtneith, buried in Abydos, Herneith, possibly a wife of Djer. Seshemetka, buried in Abydos next to the king and she was said to be a wife of Den in Dodson and Hilton. Penebui, her name and title were found on a label from Saqqara. Bsu, known from a label in Saqqara and several stone vessels, similarly to his father Hor-Aha, Djer was buried in Umm el-Qaab at Abydos. Djers tomb is tomb O of Petrie and his tomb contains the remains of 318 retainers who were buried with him. Several objects were found in and around the tomb of Djer, A stela of Djer, labels mentioning the name of a palace and the name of Meritneith. Fragments of two inscribed with the name of Queen Neithhotep. Bracelets of a Queen were found in the wall of the tomb, in the subsidiary tombs excavators found, Stelae of several individuals Ivory objects with the name of Neithhotep. Manetho indicates that the First Dynasty ruled from Memphis – and indeed Herneith, one of Djers wives, was buried nearby at Saqqara
Djer
–
Djer
Djer
–
Iti, cartouche name of Djer in the
Abydos king list.
Djer
–
Stone vase bearing the serekh of Djer,
National Archaeological Museum (France).
Djer
–
Small ivory label of Djer mentioning the name of a fortress or domain of the king "Hor-Djer-ib".
18.
N-red crown (n hieroglyph)
–
Deshret, from ancient Egyptian, was the formal name for the Red Crown of Lower Egypt and for the desert Red Land on either side of Kemet, the fertile Nile river basin. When combined with the Hedjet of Upper Egypt, it forms the Pschent, the Red Crown in Egyptian language hieroglyphs eventually was used as the vertical letter n. The original n hieroglyph from the Predynastic Period, and the Old Kingdom was the sign depicting ripples of water, in mythology, the earth deity Geb, original ruler of Egypt, invested Horus with the rule over Lower Egypt. The Egyptian pharaohs, who saw themselves as successors of Horus, other deities wore the deshret too, or were identified with it, such as the protective serpent goddess Wadjet and the creator-goddess of Sais, Neith, who often is shown wearing the Red Crown. The Red Crown would later be combined with the White Crown of Upper Egypt to form the Double Crown, symbolizing the rule over the whole country, as concerns deshret, the Red Land which comprised the deserts and foreign lands surrounding Egypt, Seth was its lord. It was considered a region of chaos, without law and full of dangers, none of the red crowns have survived, and it is unknown how it was constructed and what materials were used. Copper, reeds, cloth, and leather have been suggested, the Red Crown frequently is mentioned in texts and depicted in reliefs and statues. An early example is the depiction of the victorious pharaoh wearing the deshret on the Narmer Palette, a label from the reign of Djer records a royal visit to the shrine of the Deshret which may have been located at Buto in the Nile delta. The ancient Egyptian Red Crown, the Deshret crown, is one of the oldest Egyptian hieroglyphs, as an iconographic element, it is used on the famous Narmer Palette of Pharaoh Narmer as the Red Crown of the Delta, the Delta being Lower Egypt. The first usage of the Red Crown was in iconography as the symbol for Lower Egypt with the Nile Delta, later it came to be used in the Egyptian language – as an alphabetic uniliteral, vertical form for letter n as a phoneme or preposition. It became functional in running hieroglyphic texts, where either the horizontal or vertical form preposition satisfied space requirements, the Red Crown is also used as a determinative, most notably in the word for deshret. It is also used in words or names of gods. One older use of the red crown hieroglyph is to make the word, Egyptian in is used at the beginning of a text and translates as, Behold. or Lo. and is an emphatic. In the 198 BC Rosetta Stone, the Red Crown as hieroglyph has the usage mostly of the form of the preposition n. Visually it is also a hieroglyph that takes up more space-, so it may have a purpose of a less compact text. The Red Crown hieroglyph is used 35 times in the Rosetta Stone and it averages once per line usage in the 36 line Decree of Memphis -. Deshret, the Red Crown of the Pharaoh Gardiners Sign List#S. Crowns, Dress, Staves, Gardiners Sign List Deshret in hieroglyphic writing Budge. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, the Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
N-red crown (n hieroglyph)
–
Rosetta Stone usage of Red Crown, not as preposition: 1-part of
Pschent -Double Crown, and 2-part of "Taui", the name for
Upper and Lower Egypt -(used combined with a
Crossroads (hieroglyph)).
N-red crown (n hieroglyph)
–
Beginning usage of the Red Crown of the Delta for Pharaoh
Narmer,
1st Dynasty.
N-red crown (n hieroglyph)
–
Vertical N, with Reed:
Egyptian language hieroglyphs, "behold!"
N-red crown (n hieroglyph)
–
Another use of "Behold!" 5-columns read into the Kneeling Scribe, (read Column 5–4–3–2–1) Column 2 starts: "Behold! the Kingdom's Scribe....."
19.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
20.
Iconography
–
The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Having Veena in hands to denote necessity of resonating with what you going to learn, holding pear garland to indicate concentration is required to learn about some thing. A book on other hand to indicate one should relay on authentic source of learning, dressed in white colour cloth to indicate a learner should not having any own colour but inclusive to all colours
Iconography
–
Holbein 's
The Ambassadors is a complex work whose iconography remains the subject of debate.
Iconography
–
A painting with complex iconography:
Hans Memling 's so-called
Seven Joys of the Virgin - in fact this is a later title for a
Life of the Virgin cycle on a single panel. Altogether 25 scenes, not all involving the Virgin, are depicted. 1480,
Alte Pinakothek, Munich.
Iconography
–
A 17th century Central
Tibetan thanka of
Guhyasamaja Akshobhyavajra.
Iconography
–
The Theotokos of
Tikhvin of ca. 1300, an example of the
Hodegetria type of
Madonna and Child.
21.
Narmer
–
Narmer was an ancient Egyptian king of the Early Dynastic Period. Probably the successor to the Protodynastic kings Scorpion and/or Ka, some consider him the unifier of Egypt and founder of the First Dynasty, and in turn the first king of a unified Egypt. This conclusion is based on the Narmer Palette and the two seals from the necropolis of Abydos that show him as the first king of the First Dynasty. The date commonly given for the beginning of his reign is c.3100 BC, other mainstream estimates using both the historical method and Radiocarbon dating are in the range 3273–2987 BC. Although highly inter-related, the question of “who was Menes. ”, while Menes is traditionally considered the first king of Ancient Egypt, Narmer has been identified by the majority of Egyptologists as the same person as Menes. Although vigorously debated, the predominant opinion is that Narmer was Menes, the issue is confusing because “Narmer” is a Horus Name, while “Menes” is a personal name. The difficulty is aligning the contemporary archaeological evidence which lists Horus Names with the King Lists that list personal names, two documents have been put forward as proof either that Narmer was Menes or alternatively Hor-Aha was Menes. The first is the “Naqada Label” which shows a serekh of Hor-Aha next to an enclosure inside of which are symbols that have been interpreted by scholars as the name “Menes”. The second is the impression from Abydos that alternates between a serekh of Narmer and the chessboard symbol, “mn”, which is interpreted as an abbreviation of Menes. Arguments have been made with regard to each of these documents in favour of Narmer or Hor-Aha being Menes, but in neither case, are the arguments conclusive. Two necropolis sealings, found in 1985 and 1991 in Abydos, in or near the tombs of Den and Qa’a, show Narmer as the founder of the First Dynasty, followed by Hor-Aha. The Qa’a sealing lists all eight of the kings of the First Dynasty in the correct order starting with Narmer and these necropolis sealings are strong evidence that Narmer was the first king of the First Dynasty – hence is the same person as Menes. The famous Narmer Palette, discovered by James E, since its discovery, however, it has been debated whether the Narmer Palette represents an actual historic event or is purely symbolic. Of course, the Narmer Palette could represent an historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered in Abydos, a “year label” of Narmer depicting the event that is depicted on the Narmer Palette. This year label shows that the Narmer Palette depicts an historical event. Archaeological evidence suggests that Egypt was at least partially unified during the reigns of Ka and Iry-Hor, but there is a substantial difference in the quantity and distribution of inscriptions with the names of those earlier kings in Lower Egypt and Canaan, compared to the inscriptions of Narmer. The archaeological evidence suggest that the unification began before Narmer, but was completed by him through the conquest of a polity in the North-West Delta as depicted on the Narmer Palette
Narmer
–
Close-up view of Narmer on the
Narmer Palette
Narmer
–
Chambers B17 and B18 in the
Umm el-Qa'ab constitute the tomb of Narmer.
Narmer
–
Narmer wearing the
Deshret crown of
Lower Egypt on the
Narmer Palette.
Narmer
–
Incised inscription on a vessel found at Tarkhan (tomb 414), naming king Narmer; Petrie Museum UC 16083.
22.
Phoneme
–
A phoneme is one of the units of sound that distinguish one word from another in a particular language. The difference in meaning between the English words kill and kiss is a result of the exchange of the phoneme /l/ for the phoneme /s/, two words that differ in meaning through a contrast of a single phoneme form a minimal pair. In linguistics, phonemes are written between slashes like this, /p/, whereas when it is desired to show the exact pronunciation of any sound, linguists use square brackets. Within linguistics there are differing views as to exactly what phonemes are, however, a phoneme is generally regarded as an abstraction of a set of speech sounds which are perceived as equivalent to each other in a given language. For example, in English, the k sounds in the kit and skill are not identical. Different speech sounds that are realizations of the same phoneme are known as allophones, phonemes are conventionally placed between slashes in transcription, whereas speech sounds are placed between square brackets. Thus /pʊʃ/ represents a sequence of three phonemes /p/, /ʊ/, /ʃ/, while represents the sequence of sounds. The symbols used for particular phonemes are often taken from the International Phonetic Alphabet, however, descriptions of particular languages may use different conventional symbols to represent the phonemes of those languages. A phoneme is a sound or a group of different sounds perceived to have the function by speakers of the language or dialect in question. An example is the English phoneme /k/, which occurs in such as cat, kit, scat. Although most native speakers do not notice this, in most English dialects the c/k sounds in words are not identical, in kit the sound is aspirated. The words therefore contain different speech sounds, or phones, transcribed for the aspirated form, the above shows that in English, and are allophones of a single phoneme /k/. For example, in Icelandic, is the first sound of kátur meaning cheerful, Icelandic therefore has two separate phonemes /kʰ/ and /k/. A pair of words like kátur and gátur that differ only in one phone is called a pair for the two alternative phones in question. The existence of pairs is a common test to decide whether two phones represent different phonemes or are allophones of the same phoneme. In other languages, though, including Korean, even though both sounds and occur, no minimal pair exists. The lack of minimal pairs distinguishing and in Korean provides evidence that in this language they are allophones of a single phoneme /t/, the word /tata/ is pronounced, for example. Signed languages, such as American Sign Language also have minimal pairs, Sign language minimal pairs refer to one of the signs parameters, handshape, movement, location, palm orientation, and non-manual signal/marker
Phoneme
–
A simplified procedure for determining whether two sounds represent the same or different phonemes
