1.
Determinative
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A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no counterpart in spoken language, though they may derive historically from glyphs for real words. In transliterations of Sumerian, the determinatives are written in superscript in lower case, whether a given sign is a mere determinative or a Sumerogram can not always be determined unambiguously since their use is not always consistent. Nearly every word — nouns, verbs, and adjectives — features a determinative, some of which become rather specific and it is believed that they were used as much as word dividers as for semantic disambiguation. Determinatives are generally not transcribed, but when they are, they are transcribed by their number in Gardiners Sign List, determinative Signs In Egyptian Some 90% of Chinese characters are determinative-phonetic compounds, the phonetic element and the determinative are combined to form a single glyph
2.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
3.
Ancient Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
4.
Km (hieroglyph)
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The Egyptian hieroglyph for black in Gardiners sign list is numbered I6. The Wörterbuch der Aegyptischen Sprache- lists no less than 24 different terms of km indicating black such as stone, metal, wood, hair, eyes. The most common explanation for the hieroglyph is under the Gardiners Sign List, section I for amphibious animals, reptiles, rossini and Schumann-Antelme propose that the crocodile skin hieroglyph actually shows claws coming out of the hide. Besides black, the use of the hieroglyph is for items terminating, coming-to-an-end, items of completion, hence a reference to charcoal
5.
Hedjet
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Hedjet is the formal name for the White Crown of pharaonic Upper Egypt. The crown was white and, after the unification of Egypt, it was combined with the Deshret, the Red Crown of Lower Egypt, to form the Pschent, the Double Crown of Egypt. The symbol sometimes used for the Hedjet was the vulture goddess Nekhbet shown next to the head of the cobra goddess Wadjet, the earliest image of the Hedjet was thought to have been in the Qustul in Nubia. According to Jane Roy, New evidence from Abydos, however, particularly the excavation of Cemetery U, Nekhbet, the tutelary goddess of Nekhebet near Hierakonpolis, was depicted as a woman, sometimes with the head of a vulture, wearing the White Crown. The falcon god Horus of Hierakonpolis was generally shown wearing a White Crown, a famous depiction of the White Crown is on the Narmer Palette found at Hierakonpolis in which the king of the South wearing the hedjet is shown triumphing over his northern enemies. The kings of the united Egypt saw themselves as successors of Horus, vases from the reign of Khasekhemwy show the king as Horus wearing the White Crown. As with the Deshret, no example of the White Crown has survived and it is unknown how it was constructed and what materials were used. Felt or leather have been suggested, but this is purely speculative, the fact that no crown has ever been found, even in relatively intact tombs might suggest that the crown was passed from one regent to the next, much as in present day monarchies. Atef - Hedjet Crown with feathers identified with Osiris Khepresh - Blue or War Crown also called Royal Crown Uraeus - Rearing Cobra N-red crown N-water ripple
6.
Upper Egypt
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Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
7.
Pschent
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The Pschent was the name of the Double Crown worn by rulers in Ancient Egypt. The Ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones and it combined the Red Deshret Crown of Lower Egypt and the White Hedjet Crown of Upper Egypt. The Pschent represented the power over all of unified Egypt. These were fastened to the front of the Pschent and referred to as the Two Ladies, later, the vulture head sometimes was replaced by a second cobra. The Cairo fragment, on the hand, shows these prehistoric rulers wearing the Pschent. As is the case with the Deshret and the Hedjet Crowns and it is known only from statuary, depictions, inscriptions, and ancient tales. Among the deities sometimes depicted wearing the Double Crown are Horus and Atum or Ra both representing the pharaoh or having a special relationship to the pharaoh
8.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
9.
Prehistoric Egypt
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This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
10.
Old Kingdom of Egypt
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
11.
N-water ripple (n hieroglyph)
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The Egyptian hieroglyph representing water is attested from the earliest phase of Egyptian writing. It is notably used in the name of First Dynasty pharaoh Den. The hieroglyph is a line representing a ripple of water. Based on the principle, based on the Egyptian wordnt water. One abbreviated later form was a line with angles on each end. The water hieroglyph is the origin of the letter M. The n-hieroglyph when used as a phonogram represented a preposition translationg to in, to, or by, due to its use as a simple phonogram, the hieroglyph is used very frequently. For example, in the Rosetta Stone it occurs 203 times, averaging 6 times per line, in the stone as the water ripple, besides the preposition, it is used in names of Arsinoe, and one cartouche form of Ptolemy V Epiphanes. The vertical N of the Red Crown is used 35 times in the Nubayrah-Rosetta Stone, deshret, the vertical form of N, is required as hieroglyphic blocks sometimes end in places not always conducive to ending a block. Two half blocks can be separated, above and below by the water ripple, or start a block. If room is not sufficient on the bottom, then a form can follow to introduce the next block, thus the use of the vertical N, the red crown of the Pharaoh of the North. Gardiners Sign List#N. Sky, Earth, Water Gardiners Sign List N-red crown Budge, an Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978. The Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
12.
Geb
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Geb was the Egyptian god of the Earth and later a member of the Ennead of Heliopolis. He had a snake around his head and was also considered the father of snakes. It was believed in ancient Egypt that Gebs laughter created earthquakes, the name was pronounced as such from the Greek period onward and was originally read as Seb or some guess as Keb. The original Egyptian was perhaps Seb/Keb and it was spelled with either initial -g-, or with -k-point. g. in a 30th Dynasty papyrus text in the Brooklyn Museum dealing with descriptions of and remedies against snakes. In later times he could also be depicted as a ram, Geb was frequently described mythologically as father of snakes. In a Coffin Texts spell Geb was described as father of the snake Nehebkau, in the latter case, one of his otherworldly attributes was an ominous jackal-headed stave rising from the ground onto which enemies could be bound. In this context, Geb was believed to have originally been engaged with Nut and had to be separated from her by Shu, consequently, in mythological depictions, Geb was shown as a man reclining, sometimes with his phallus still pointed towards Nut. As time progressed, the deity became more associated with the land of Egypt. He is also equated by classical authors as the Greek Titan Cronus, ptah and Ra, creator deities, usually begin the list of divine ancestors. There is speculation between Shu and Geb and who was the first god-king of Egypt, the story of how Shu, Geb, and Nut were separated in order to create the cosmos is now being interpreted in more human terms, exposing the hostility and sexual jealousy. Between the father son jealously and Shu rebelling against the divine order, Geb takes Shu’s mother, Tefnut, as his chief queen, separating Shu from his sister-wife. Just as Shu had previously done to him, in the book of the Heavenly Cow, it is implied that Geb is the heir of the departing sun god. After Geb passed on the throne to Osiris, his youngest son, some Egyptologists, have stated that Geb was associated with a mythological divine creator goose who had laid a world egg from which the sun and/or the world had sprung. This theory is assumed to be incorrect and to be a result of confusing the divine name Geb with that of a Whitefronted Goose, also called originally gb, lame one and this bird-sign is used only as a phonogram in order to spell the name of the god. An alternative ancient name for this species was trp meaning similarly walk like a drunk. The Whitefronted Goose is never found as a symbol or holy bird of Geb. A coloured vignet irrefutably depicts a Nile Goose with a beak in a context of solar creation on a mythological papyrus dating from the 21st Dynasty. Similar images of this bird are to be found on temple walls, showing a scene of the king standing on a papyrus raft
13.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
14.
Wadjet
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Wadjet, known to the Greek world as Uto among other names, was originally the ancient local goddess of the city of Dep. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth and her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the tradition that spread to Greece from Egypt. The Going Forth of Wadjet was celebrated on December 25 with chants, an annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice and she also was assigned the fifth hour of the fifth day of the moon. Wadjet was closely associated in the Egyptian pantheon with the Eye of Ra, the hieroglyph for her eye is shown below, sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh, much later, Wadjet became associated with Isis as well as with many other deities. The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt and her name means papyrus-colored one, as wadj is the Ancient Egyptian word for the color green and the et is an indication of her gender. Eventually, Wadjet was claimed as the goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture. After the unification the image of Nekhbet joined Wadjet on the crown, the Ancient Egyptian word Wadj signifies blue and green. It is also the name for the well-known Eye of the Moon, indeed, in later times, she was often depicted simply as a woman with a snakes head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity, Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra, in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well. This is an image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus. Her image also rears up from the staff of the poles that are used to indicate deities, as seen in the hieroglyph for uraeus above. An interpretation of the Milky Way was that it was the snake, Wadjet. In this interpretation she was associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut
15.
Neith
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Neith was an early goddess in the Egyptian pantheon. She was the deity of Sais, where her cult was centered in the Western Nile Delta of Egypt. The Ancient Egyptian name of city was Zau. Neith was a goddess of war and of hunting and had as her symbol, however, she is a far more complex goddess than is generally known, and of whom ancient texts only hint of her true nature. In her usual representations, she is portrayed as a fierce deity and her symbol also identified the city of Sais. This symbol was displayed on top of her head in Egyptian art, in her form as a goddess of war, she was said to make the weapons of warriors and to guard their bodies when they died. As a deity, Neith is normally shown carrying the was scepter and she is also called such cosmic epithets as the Cow of Heaven, a sky-goddess similar to Nut, and as the Great Flood, Mehet-Weret, as a cow who gives birth to the sun daily. In these forms, she is associated with creation of both the time and daily re-creation. She is identified as a mother goddess in this role as a creator. As a female deity and personification of the waters, Neith encompasses masculine elements. She is a version of Ptah-Nun, with her feminine nature complemented with masculine attributes symbolized with her association with the bow and arrow. In the same manner, her personification as the waters is Mehetweret. Neith is one of the most ancient deities associated with ancient Egyptian culture and her first anthropomorphic representations occur in the early dynastic period, on a diorite vase of King Ny-Netjer of the Second Dynasty, found in the Step Pyramid of Djoser at Saqqara. That her worship predominated the early dynastic periods is shown by a preponderance of theophoric names within which Neith appears as an element. It has been suggested the hunt/war features of Neith’s imagery may indicate her origin from Libya, located west and southwest of Egypt, while Neith is generally regarded as a deity of Lower Egypt, her worship was not consistently located in that region. Her cult reached its height in Saïs and apparently in Memphis in the Old Kingdom, however, the cult regained political and religious prominence during the 26th Dynasties when worship at Saïs flourished again, as well as at Esna in Upper Egypt. Neiths symbol and part of her hieroglyph also bore a resemblance to a loom, at this time her role as a creator conflated with that of Athena, as a deity who wove all of the world and existence into being on her loom. As mother of Ra, in her Mehet-Weret form, she was described as the Great Cow who gave birth to Ra
16.
Set (deity)
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Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
17.
Narmer Palette
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The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC. It contains some of the earliest hieroglyphic inscriptions ever found, the tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper Egypt, and the other side depicts the king wearing the level Red Crown of Lower Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also together in the Main Deposit at Nekhen. The Palette shows many of the conventions of Ancient Egyptian art. The Egyptologist Bob Brier has referred to the Narmer Palette as the first historical document in the world, also found at this dig were the Narmer Macehead and the Scorpion Macehead. The exact place and circumstances of these finds were not recorded very clearly by Quibell and Green. In fact, Greens report placed the Palette in a different layer one or two away from the deposit, which is considered to be more accurate on the basis of the original excavation notes. It has been suggested that these objects were royal donations made to the temple, Nekhen, or Hierakonpolis, was the ancient capital of Upper Egypt during the pre-dynastic Naqada III phase of Egyptian history. One theory is that it was used to grind cosmetics to adorn the statues of the gods, the Narmer Palette is part of the permanent collection of the Egyptian Museum in Cairo. It is one of the exhibits which visitors have been able to see when entering the museum. It has the Journal dEntrée number JE32169 and the Catalogue Général number CG14716, the Narmer Palette is a 63-centimetre tall, shield-shaped, ceremonial palette, carved from a single piece of flat, soft dark gray-green siltstone. The stone has often been identified, in the past. Slate is layered and prone to flaking, and schist is a rock containing large. Both are unlike the finely grained, hard, flake-resistant siltstone and this material was used extensively during the pre-dynastic period for creating such palettes and also was used as a source for Old Kingdom statuary. A statue of the 2nd dynasty pharaoh Khasekhemwy, found in the complex as the Narmer Palette at Hierakonpolis. Both sides of the Palette are decorated, carved in raised relief, at the top of both sides are the central serekhs bearing the rebus symbols nr and mr inside, being the phonetic representation of Narmers name. The serekh on each side are flanked by a pair of heads with highly curved horns
18.
Djer
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Djer is considered the third pharaoh of the First Dynasty of ancient Egypt in current Egyptology. He lived around the mid-thirty-first century BC and reigned for c.40 years, a mummified forearm of Djer or his wife was discovered by Flinders Petrie, but was discarded by Emile Brugsch. The Abydos King List lists the third pharaoh as Iti, the Turin Canon lists a damaged name, beginning with It. Wilkinson notes that years 1-10 of Djers reign are preserved in register II of the Palermo Stone, Djers reign was preceded by a regency controlled by Neithhotep, possibly his mother or grandmother. An ivory tablet from Abydos mentions that Djer visited Buto and Sais in the Nile Delta, one of his regnal years on the Cairo Stone was named Year of smiting the land of Setjet, which often is speculated to be Sinai or beyond. Manetho claimed that Athothes, who is identified as Djer, had written a treatise on anatomy that still existed in his own day. Djer was a son of the pharaoh Hor-Aha and his wife Khenthap, Djer fathered Merneith, wife of Djet and mother of Den. These women are thought to be the wives of Djer and include, Nakhtneith, buried in Abydos, Herneith, possibly a wife of Djer. Seshemetka, buried in Abydos next to the king and she was said to be a wife of Den in Dodson and Hilton. Penebui, her name and title were found on a label from Saqqara. Bsu, known from a label in Saqqara and several stone vessels, similarly to his father Hor-Aha, Djer was buried in Umm el-Qaab at Abydos. Djers tomb is tomb O of Petrie and his tomb contains the remains of 318 retainers who were buried with him. Several objects were found in and around the tomb of Djer, A stela of Djer, labels mentioning the name of a palace and the name of Meritneith. Fragments of two inscribed with the name of Queen Neithhotep. Bracelets of a Queen were found in the wall of the tomb, in the subsidiary tombs excavators found, Stelae of several individuals Ivory objects with the name of Neithhotep. Manetho indicates that the First Dynasty ruled from Memphis – and indeed Herneith, one of Djers wives, was buried nearby at Saqqara
19.
Deshret
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Deshret, from ancient Egyptian, was the formal name for the Red Crown of Lower Egypt and for the desert Red Land on either side of Kemet, the fertile Nile river basin. When combined with the Hedjet of Upper Egypt, it forms the Pschent, the Red Crown in Egyptian language hieroglyphs eventually was used as the vertical letter n. The original n hieroglyph from the Predynastic Period, and the Old Kingdom was the sign depicting ripples of water, in mythology, the earth deity Geb, original ruler of Egypt, invested Horus with the rule over Lower Egypt. The Egyptian pharaohs, who saw themselves as successors of Horus, other deities wore the deshret too, or were identified with it, such as the protective serpent goddess Wadjet and the creator-goddess of Sais, Neith, who often is shown wearing the Red Crown. The Red Crown would later be combined with the White Crown of Upper Egypt to form the Double Crown, symbolizing the rule over the whole country, as concerns deshret, the Red Land which comprised the deserts and foreign lands surrounding Egypt, Seth was its lord. It was considered a region of chaos, without law and full of dangers, none of the red crowns have survived, and it is unknown how it was constructed and what materials were used. Copper, reeds, cloth, and leather have been suggested, the Red Crown frequently is mentioned in texts and depicted in reliefs and statues. An early example is the depiction of the victorious pharaoh wearing the deshret on the Narmer Palette, a label from the reign of Djer records a royal visit to the shrine of the Deshret which may have been located at Buto in the Nile delta. The ancient Egyptian Red Crown, the Deshret crown, is one of the oldest Egyptian hieroglyphs, as an iconographic element, it is used on the famous Narmer Palette of Pharaoh Narmer as the Red Crown of the Delta, the Delta being Lower Egypt. The first usage of the Red Crown was in iconography as the symbol for Lower Egypt with the Nile Delta, later it came to be used in the Egyptian language – as an alphabetic uniliteral, vertical form for letter n as a phoneme or preposition. It became functional in running hieroglyphic texts, where either the horizontal or vertical form preposition satisfied space requirements, the Red Crown is also used as a determinative, most notably in the word for deshret. It is also used in words or names of gods. One older use of the red crown hieroglyph is to make the word, Egyptian in is used at the beginning of a text and translates as, Behold. or Lo. and is an emphatic. In the 198 BC Rosetta Stone, the Red Crown as hieroglyph has the usage mostly of the form of the preposition n. Visually it is also a hieroglyph that takes up more space-, so it may have a purpose of a less compact text. The Red Crown hieroglyph is used 35 times in the Rosetta Stone and it averages once per line usage in the 36 line Decree of Memphis -. Deshret, the Red Crown of the Pharaoh Gardiners Sign List#S. Crowns, Dress, Staves, Gardiners Sign List Deshret in hieroglyphic writing Budge. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, the Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
20.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
21.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
22.
Narmer
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Narmer was an ancient Egyptian king of the Early Dynastic Period. Probably the successor to the Protodynastic kings Scorpion and/or Ka, some consider him the unifier of Egypt and founder of the First Dynasty, and in turn the first king of a unified Egypt. This conclusion is based on the Narmer Palette and the two seals from the necropolis of Abydos that show him as the first king of the First Dynasty. The date commonly given for the beginning of his reign is c.3100 BC, other mainstream estimates using both the historical method and Radiocarbon dating are in the range 3273–2987 BC. Although highly inter-related, the question of “who was Menes. ”, while Menes is traditionally considered the first king of Ancient Egypt, Narmer has been identified by the majority of Egyptologists as the same person as Menes. Although vigorously debated, the predominant opinion is that Narmer was Menes, the issue is confusing because “Narmer” is a Horus Name, while “Menes” is a personal name. The difficulty is aligning the contemporary archaeological evidence which lists Horus Names with the King Lists that list personal names, two documents have been put forward as proof either that Narmer was Menes or alternatively Hor-Aha was Menes. The first is the “Naqada Label” which shows a serekh of Hor-Aha next to an enclosure inside of which are symbols that have been interpreted by scholars as the name “Menes”. The second is the impression from Abydos that alternates between a serekh of Narmer and the chessboard symbol, “mn”, which is interpreted as an abbreviation of Menes. Arguments have been made with regard to each of these documents in favour of Narmer or Hor-Aha being Menes, but in neither case, are the arguments conclusive. Two necropolis sealings, found in 1985 and 1991 in Abydos, in or near the tombs of Den and Qa’a, show Narmer as the founder of the First Dynasty, followed by Hor-Aha. The Qa’a sealing lists all eight of the kings of the First Dynasty in the correct order starting with Narmer and these necropolis sealings are strong evidence that Narmer was the first king of the First Dynasty – hence is the same person as Menes. The famous Narmer Palette, discovered by James E, since its discovery, however, it has been debated whether the Narmer Palette represents an actual historic event or is purely symbolic. Of course, the Narmer Palette could represent an historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered in Abydos, a “year label” of Narmer depicting the event that is depicted on the Narmer Palette. This year label shows that the Narmer Palette depicts an historical event. Archaeological evidence suggests that Egypt was at least partially unified during the reigns of Ka and Iry-Hor, but there is a substantial difference in the quantity and distribution of inscriptions with the names of those earlier kings in Lower Egypt and Canaan, compared to the inscriptions of Narmer. The archaeological evidence suggest that the unification began before Narmer, but was completed by him through the conquest of a polity in the North-West Delta as depicted on the Narmer Palette
23.
Gardiner's sign list
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Gardiners Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a reference in the study of Ancient Egyptian hieroglyphs. Gardiner lists only the forms of Egyptian hieroglyphs, but he includes extensive subcategories. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text, in contrast, for example, the Budge Reference has about 1000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs, once put on the list, one example of this is G16, nbtỉ, the ideogram for The Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. This ideogram is listed only on the bird list as G16, and overlooked on the deity list, other subcategories included by Gardiner are abbreviations and personalized forms, and also a complete subset, used on papyrus, specifically for the Book of the Dead. 11 signs in Gardiner with the addition of five 19th Dynasty signs, C12 Amun, C17 Mont, C18 Tjanen, C19, Expected quantity,63 Expected quantity,34 Expected quantity,52 Expected quantity,54 Expected quantity,815 signs in Gardiner. Expected quantity,7 Expected quantity,744 signs in Gardiner, n3 is an Old Kingdom variant of N2. N11 moon has vertical variants, N12 is a 19th-Dynasty variant of N11, Expected quantity,11 Expected quantity,7 Expected quantity,25 Expected quantity,45 Expected quantity,3541 signs. V39 is the Tyet or Knot of Isis, v40 is the numeral 10 in dates. 31 signs in Gardiner. A. Wallis, An Egyptian Hieroglyphic Dictionary, in Two Volumes, Sir E. A. Wallis Budge, c 1920, Dover Edition, c 1978. A. H. Gardiner, Catalogue of the Egyptian hieroglyphic printing type, a. H. Gardiner, Additions to the new hieroglyphic fount, The Journal of Egyptian Archaeology 15, p.95. A. H. Gardiner, Additions to the new hieroglyphic fount, The Journal of Egyptian Archaeology 17, a. H. Gardiner, Supplement to the catalogue of the Egyptian hieroglyphic printing type, showing acquisitions to December 1953. A. H. Gardiner, Egyptian Grammar, Being an Introduction to the Study of Hieroglyphs, griffith Institute, Oxford,1957, pp. 438–548. Wilkinson, Richard, Reading Egyptian Art, A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture, Richard H. Wilkinson, with 450 Illustrations, c 1992
24.
Phoneme
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A phoneme is one of the units of sound that distinguish one word from another in a particular language. The difference in meaning between the English words kill and kiss is a result of the exchange of the phoneme /l/ for the phoneme /s/, two words that differ in meaning through a contrast of a single phoneme form a minimal pair. In linguistics, phonemes are written between slashes like this, /p/, whereas when it is desired to show the exact pronunciation of any sound, linguists use square brackets. Within linguistics there are differing views as to exactly what phonemes are, however, a phoneme is generally regarded as an abstraction of a set of speech sounds which are perceived as equivalent to each other in a given language. For example, in English, the k sounds in the kit and skill are not identical. Different speech sounds that are realizations of the same phoneme are known as allophones, phonemes are conventionally placed between slashes in transcription, whereas speech sounds are placed between square brackets. Thus /pʊʃ/ represents a sequence of three phonemes /p/, /ʊ/, /ʃ/, while represents the sequence of sounds. The symbols used for particular phonemes are often taken from the International Phonetic Alphabet, however, descriptions of particular languages may use different conventional symbols to represent the phonemes of those languages. A phoneme is a sound or a group of different sounds perceived to have the function by speakers of the language or dialect in question. An example is the English phoneme /k/, which occurs in such as cat, kit, scat. Although most native speakers do not notice this, in most English dialects the c/k sounds in words are not identical, in kit the sound is aspirated. The words therefore contain different speech sounds, or phones, transcribed for the aspirated form, the above shows that in English, and are allophones of a single phoneme /k/. For example, in Icelandic, is the first sound of kátur meaning cheerful, Icelandic therefore has two separate phonemes /kʰ/ and /k/. A pair of words like kátur and gátur that differ only in one phone is called a pair for the two alternative phones in question. The existence of pairs is a common test to decide whether two phones represent different phonemes or are allophones of the same phoneme. In other languages, though, including Korean, even though both sounds and occur, no minimal pair exists. The lack of minimal pairs distinguishing and in Korean provides evidence that in this language they are allophones of a single phoneme /t/, the word /tata/ is pronounced, for example. Signed languages, such as American Sign Language also have minimal pairs, Sign language minimal pairs refer to one of the signs parameters, handshape, movement, location, palm orientation, and non-manual signal/marker
25.
Nile Delta
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The Nile Delta is the delta formed in Northern Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the worlds largest river deltas—from Alexandria in the west to Port Said in the east, from north to south the delta is approximately 160 kilometres in length. The Delta begins slightly down-river from Cairo, from north to south, the delta is approximately 160 kilometres in length. From west-to-east, it covers some 240 kilometres of coastline, the delta is sometimes divided into sections, with the Nile dividing into two main distributaries, the Damietta and the Rosetta, flowing into the Mediterranean at port cities with the same name. In the past, the delta had several distributaries, but these have been lost due to flood control, one such defunct distributary is Wadi Tumilat. The Suez Canal runs to the east of the delta, entering the coastal Lake Manzala in the north-east of the delta, to the north-west are three other coastal lakes or lagoons, Lake Burullus, Lake Idku and Lake Maryut. The Nile is considered to be a delta, as it resembles a triangle or flower when seen from above. The outer edges of the delta are eroding, and some coastal lagoons have seen increasing salinity levels as their connection to the Mediterranean Sea increases, topsoil in the delta can be as much as 70 feet in depth. People have lived in the Delta region for thousands of years, the Delta River used to flood on an annual basis, but this ended with the construction of the Aswan Dam. The Rosetta Stone was found in the Nile Delta in 1799 in the city of Rosetta. The delta was a constituent of Lower Egypt. The Biblical Land of Goshen was located in an area on the west bank of the Pelusiac distributary. There are many sites in and around the Nile Delta. About 39 million people live in the Delta region, outside of major cities, population density in the delta averages 1,000 persons/km² or more. Alexandria is the largest city in the delta with a population of more than 4.5 million. Other large cities in the delta include Shubra al Khaymah, Port Said, El-Mahalla El-Kubra, El Mansura, Tanta, during autumn, parts of the Nile River are red with lotus flowers. The Lower Nile and the Upper Nile have plants that grow in abundance, the Upper Nile plant is the Egyptian lotus, and the Lower Nile plant is the Papyrus Sedge, although it is not nearly as plentiful as it once was, and is becoming quite rare. Several hundred thousand birds winter in the delta, including the world’s largest concentrations of little gulls
26.
Alphabet
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An alphabet is a standard set of letters that is used to write one or more languages based upon the general principle that the letters represent phonemes of the spoken language. This is in contrast to other types of writing systems, such as syllabaries and logographies, the Proto-Canaanite script, later known as the Phoenician alphabet, is the first fully phonemic script. Thus the Phoenician alphabet is considered to be the first alphabet, the Phoenician alphabet is the ancestor of most modern alphabets, including Arabic, Greek, Latin, Cyrillic, Hebrew, and possibly Brahmic. Under a terminological distinction promoted by Peter T. Daniels, an alphabet is a script that represents both vowels and consonants as letters equally. In this narrow sense of the word the first true alphabet was the Greek alphabet, in other alphabetic scripts such as the original Phoenician, Hebrew or Arabic, letters predominantly or exclusively represent consonants, such a script is also called an abjad. A third type, called abugida or alphasyllabary, is one where vowels are shown by diacritics or modifications of consonantal letters, as in Devanagari. The Khmer alphabet is the longest, with 74 letters, there are dozens of alphabets in use today, the most popular being the Latin alphabet. Many languages use modified forms of the Latin alphabet, with additional letters formed using diacritical marks, while most alphabets have letters composed of lines, there are also exceptions such as the alphabets used in Braille. Alphabets are usually associated with an ordering of letters. This makes them useful for purposes of collation, specifically by allowing words to be sorted in alphabetical order and it also means that their letters can be used as an alternative method of numbering ordered items, in such contexts as numbered lists and number placements. The English word alphabet came into Middle English from the Late Latin word alphabetum, the Greek word was made from the first two letters, alpha and beta. The names for the Greek letters came from the first two letters of the Phoenician alphabet, aleph, which also meant ox, and bet, in the alphabet song in English, the term ABCs is used instead of the word alphabet. Knowing ones ABCs, in general, can be used as a metaphor for knowing the basics about anything, the history of the alphabet started in ancient Egypt. These glyphs were used as guides for logograms, to write grammatical inflections. Based on letter appearances and names, it is believed to be based on Egyptian hieroglyphs and this script had no characters representing vowels, although originally it probably was a syllabary, but unneeded symbols were discarded. An alphabetic cuneiform script with 30 signs including three that indicate the vowel was invented in Ugarit before the 15th century BC. This script was not used after the destruction of Ugarit, the Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called Proto-Canaanite before ca.1050 BC. The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram and this script is the parent script of all western alphabets
27.
Transliteration of Ancient Egyptian
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The Ancient Egyptian Vulture hieroglyph is Gardiner sign listed no. The vulture hieroglyph is used in the Ancient Egyptian language hieroglyphs for the consonant 3, the hieroglyph represents the Egyptian vulture, Neophron percnopterus. The following table shows the Egyptian uniliteral signs, illustrated Hieroglyphics Handbook, Ruth Schumann-Antelme, and Stéphane Rossini
28.
Preposition
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Prepositions and postpositions, together called adpositions, are a class of words that express spatial or temporal relations or mark various semantic roles. A preposition or postposition typically combines with a noun or pronoun, or more generally a noun phrase, a preposition comes before its complement, a postposition comes after its complement. Some languages, which use a different word order, have postpositions instead, the phrase formed by a preposition or postposition together with its complement is called a prepositional phrase – such phrases usually play an adverbial role in a sentence. A less common type of adposition is the circumposition, which consists of two parts that appear on side of the complement. Other terms sometimes used for types of adposition include ambiposition, inposition and interposition. Some linguists use the preposition in place of adposition regardless of the applicable word order. The word preposition comes from Latin, prae and Latin, ponere and this refers to the situation in Latin and Greek, where such words are placed before their complement, and are hence pre-positioned. In some languages, including Sindhi, Urdu, Turkish, Hindi, Korean, and Japanese, to indicate this, they are called postpositions. There are also cases where the function is performed by two parts coming before and after the complement, this is called a circumposition. Prepositions, postpositions and circumpositions are collectively known as adpositions, however, some linguists prefer to use the well-known and longer established term preposition in place of adposition, irrespective of position relative to the complement. An adposition typically combines with exactly one complement, most often a noun phrase, in English, this is generally a noun, together with its specifier and modifiers such as articles, adjectives, etc. The complement is called the object of the adposition. The resulting phrase, formed by the adposition together with its complement, is called a phrase or prepositional phrase. An adposition establishes a relationship that links its complement to another word or phrase in the context. It also generally establishes a relationship, which may be spatial, temporal. Some examples of the use of English prepositions are given below, in each case, the prepositional phrase appears in italics, and the preposition within it appears in bold. The word to which the phrase expresses a relation – that is, in some of the examples, the same word has two prepositional phrases as adjuncts. As an adjunct to a noun, the weather in March cheese from France with live bacteria As a predicative expression The key is under the stone, prepositional phrases themselves are sometimes nominalized, In the cellar was chosen as the best place to hide the bodies
29.
Rosetta Stone
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The Rosetta Stone is a granodiorite stele, found in 1799, inscribed with three versions of a decree issued at Memphis, Egypt in 196 BC during the Ptolemaic dynasty on behalf of King Ptolemy V. The top and middle texts are in Ancient Egyptian using hieroglyphic script and Demotic script, respectively, as the decree is the same in all three versions, the Rosetta Stone proved to be the key to deciphering Egyptian hieroglyphs. The stone, carved in black granodiorite during the Hellenistic period, is believed to have originally been displayed within a temple, possibly at nearby Sais. It was probably moved during the early Christian or medieval period and it was rediscovered there in July 1799 by a French soldier named Pierre-François Bouchard during the Napoleonic campaign in Egypt. Lithographic copies and plaster casts began circulating among European museums and scholars, meanwhile, British troops defeated the French in Egypt in 1801, and the original stone came into British possession under the Capitulation of Alexandria and was transported to London. It has been on display at the British Museum almost continuously since 1802. It is the object in the British Museum. Study of the decree was already under way when the first full translation of the Greek text appeared in 1803, the Rosetta Stone is, therefore, no longer unique, but it was the essential key to modern understanding of Ancient Egyptian literature and civilisation. The term Rosetta Stone is now used in contexts as the name for the essential clue to a new field of knowledge. The Rosetta Stone is listed as a stone of black granite, found at Rosetta in a contemporary catalogue of the artefacts discovered by the French expedition and surrendered to British troops in 1801. This gave a dark colour to the stone that led to its identification as black basalt. The Rosetta Stone is 1,123 millimetres high at its highest point,757 mm wide and it bears three inscriptions, the top register in Ancient Egyptian hieroglyphs, the second in the Egyptian Demotic script, and the third in Ancient Greek. The Rosetta Stone is a fragment of a larger stele, no additional fragments were found in later searches of the Rosetta site. Owing to its state, none of the three texts is absolutely complete. The top register, composed of Egyptian hieroglyphs, suffered the most damage, only the last 14 lines of the hieroglyphic text can be seen, all of them are broken on the right side, and 12 of them on the left. The following register of demotic text has survived best, it has 32 lines, the final register of Greek text contains 54 lines, of which the first 27 survive in full, the rest are increasingly fragmentary due to a diagonal break at the bottom right of the stone. The stele was erected after the coronation of King Ptolemy V and was inscribed with a decree established the divine cult of the new ruler. The decree was issued by a congress of priests who gathered at Memphis, the date is given as 4 Xandicus in the Macedonian calendar and 18 Meshir in the Egyptian calendar, which corresponds to March 27,196 BC
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Quadrat (hieroglyph block)
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A quadrat block is a virtual rectangle or square in Egyptian hieroglyphic text. The glyphs can be variable in number within the virtual block, the definition for the block in Illustrated Hieroglyphics Handbook by Schumann-Antelme and Rossini, is, A quadrate is a virtual square, which although not drawn, guides the hand of the scribe. Hieroglyphs must be positioned within the quadrate and their size must be proportioned accordingly. They form groups that are pleasing to the eye and based on the laws of balance, an example of 5 lines of text from the Rosetta Stone, shows a width of about six to seven virtual blocks. Line 12, is illustrative of the size, in this case the widths. The time of the festivals are stated as. day 1 up to day 5, note how the vertical hieroglyph for reed- is actually part of the block, though at its side. The Rosetta Stone, E. A. Wallace Budge, c 1929, Illustrated Hieroglyphics Handbook, Ruth Schumann-Antelme, and Stéphane Rossini
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Upper and Lower Egypt
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Upper and Lower Egypt also referred to as The Two Lands is a name used for Ancient Egypt. The concept appears in titles of Egyptian Kings and Queens and appears in scenes in temple, tombs, the concept also refers to an innate sense of duality in the Ancient Egyptian culture. The Egyptian expression sema-tawy is usually translated as The Uniter of the Two Lands and was depicted as a human trachea entwined with the papyrus, the trachea stood for unification, while the papyrus and lily plant represent Lower and Upper Egypt. Standard titles of a King of Egypt was King of Upper and Lower Egypt, similarly a Queen might use titles such as Lady of The Two Lands, Mistress of the Entire Two Lands, and Mistress of the Two Lands. Ancient Egypt was divided into two regions, namely Upper Egypt and Lower Egypt, to the north was Lower Egypt, where the Nile stretched out with its several branches to form the Nile Delta. To the south was Upper Egypt, stretching to Syene, Lower Egypt mostly consists of the Nile Delta. The two kingdoms of Upper and Lower Egypt were united c.3000 BC, but each maintained its own regalia, the hedjet or White Crown for Upper Egypt and the deshret or Red Crown for Lower Egypt. Thus, the pharaohs were known as the rulers of the Two Lands, and wore the pschent, Ancient Egyptian tradition credited Menes, now believed to be the same as Narmer, as the king who united Upper and Lower Egypt. On the Narmer Palette the king is depicted wearing the Red Crown in one scene and the White crown in another, the union of Upper and Lower Egypt is depicted by knotted papyrus and reed plants. The binding motif represents both harmony through linkage and domination through containment, the duality is an important part of royal iconography. Sometimes the duality is further extended by having the knotted plants extend and bind foreign foes as well, during the first dynasty dualistic royal titles emerge, including the King of Upper and Lower Egypt title which combines the plant representing Upper Egypt and a bee representing Lower Egypt. The other dualistic title is the Two Ladies name or Nebty name, the two ladies as Nekhbet, the vulture goddess associated with Hierakonpolis in Upper Egypt, and Wadjet, the cobra goddess associated with Buto in Lower Egypt. There are many depictions of the ritual unifications of the Two Lands and it is not known if this was perhaps a rite that would have been enacted at the beginning of a reign, or merely a symbolic representation. Many of the depictions of the show two gods binding the plants. Often the gods are Horus and Set, or on occasion Horus, there are several examples of Barque stands from the reigns of Amenhotep III, Taharqa, and Atlanersa that show two river gods performing the rite. This matches a scene from the Temple at Abu Simbel from the time of Ramesses II, there are only a handful of scenes that show the King himself performing the ritual. All of these are from barque stands and date to the reigns of Amenhotep III, Sety I, the latter two may be copies of the first one. Upper Egypt Lower Egypt Narmer History of ancient Egypt
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Townsite-city-region (hieroglyph)
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The Ancient Egyptian Townsite-city-region is Gardiner sign listed no. O49 for the intersection of a towns streets, in some Egyptian hieroglyphs books it is called a City Plan. It is used in Egyptian hieroglyphs as a determinative in the names of town or city placenames, also, as an ideogram in the Egyptian word city, niwt. Betrò uses the Libyan Palette as her explanation of the City Plan. The fortress iconography was still being used in Ramesses IIs time to identify placenames of defeated locations, the fortress hieroglyph is shown in three non-Gardiners sign listed forms-, the category is Buildings and Parts of Buildings. Gardiners Sign List#O. Buildings, Parts of Buildings, etc, intersection Libyan Palette Bull Palette Narmer Palette Palermo Stone Betrò,1995. Hieroglyphics, The Writings of Ancient Egypt, Betrò, Maria Carmela,1995, 1996-, Abbeville Press Publishers, New York, London, Paris Budge. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Egypt, The World of the Pharaohs, Editors, Regine Schulz, Matthias Seidel, Könemann Verlagsgesellschaft mbH, Cologne, English translation version,538 pages
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Ostracon
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An ostracon is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ostraca refer to sherds or even pieces of stone that have writing scratched into them. Anything with a surface could be used as a writing surface. But limestone sherds, being flaky and of a color, were most common. The importance of ostraca for Egyptology is immense, the combination of their physical nature and the Egyptian climate have preserved texts, from the medical to the mundane, which in other cultures were lost. These can often serve as witnesses of everyday life than literary treatises preserved in libraries. The many ostraca found at Deir el-Medina provide a compelling view into the medical workings of the New Kingdom. These ostraca have shown that, like other Egyptian communities, the workmen and inhabitants of Deir el-Medina received care through a combination of treatment, prayer. The ostraca from Deir el-Medina also differed in their circulation, magical spells and remedies were widely distributed among the workmen, there are even several cases of spells being sent from one worker to another, with no “trained” intermediary. There are also documents that show the writer sending for medical ingredients. From 1964–1971, Bryan Emery excavated at Saqqara in search of Imhoteps tomb, instead, apparently it was a pilgrim site, with as many as 1½ million ibis birds interred. This 2nd-century BC site contained extensive pottery debris from the offerings of the pilgrims. Emerys excavations uncovered the Dream Ostraca, created by a scribe named Hor of Sebennytos, a devotee of the god Thoth, he lived adjacent to Thoths sanctuary at the entrance to the North Catacomb and worked as a proto-therapist, advising and comforting clients. He transferred his divinely-inspired dreams onto ostraca, the Dream Ostraca are 65 Demotic texts written on pottery and limestone. In October 2008, Israeli archaeologist, Yosef Garfinkel of the Hebrew University of Jerusalem, has discovered what he says to be the earliest known Hebrew text. This text was written on an Ostracon shard, Garfinkel believes this shard dates to the time of King David from the Old Testament, about 3,000 years ago. Carbon dating of the Ostracon and analysis of the pottery have dated the inscription to be about 1,000 years older than the Dead Sea Scrolls, the inscription has yet to be deciphered, however, some words, such as king, slave and judge have been translated. The shard was found about 20 miles southwest of Jerusalem at the Elah Fortress in Khirbet Qeiyafa, some Christian texts are preserved upon ostraca
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Atef
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Atef is the specific feathered white crown of the Egyptian deity Osiris. It combines the Hedjet, the crown of Upper Egypt, with curly red ostrich feathers on side of the crown for the Osiris cult. The feathers are identified as ostrich from their curl or curve at the upper ends and they are the same feather as worn by Maat. The crown is worn by Sobek. They may be compared with the tail feathers in two-feather crowns, such as those of Amun which are more narrow. The Atef crown identifies Osiris in ancient Egyptian painting, Osiris wears the Atef crown as a symbol of the ruler of the underworld. The tall bulbous white piece in the center of the crown is between two ostrich feathers, the feathers represent truth, justice, morality, and balance. The Atef crown is similar, save for the feathers, to the white crown used in the Predynastic Period. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978
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Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
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Khepresh
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The khepresh was an ancient Egyptian royal headdress. It is also known as the crown or war crown. New Kingdom pharaohs are depicted wearing it in battle. It used to be called a war crown by many, the khepresh was made of cloth or leather stained blue and was covered with small yellow sun discs. As with many royal crowns, it featured a uraeus fastened to its front. The Blue Crown, or War Crown, was represented in hieroglyphs, the earliest known mention of the khepresh is on the stela Cairo JE59635 which dates to the reign of pharaoh Neferhotep III, during the Second Intermediate Period. In this and other examples from the era, the word is written with a determinative that represents the cap crown. This crown continued to evolve during the early Eighteenth Dynasty, attaining its best-known form in the reigns of Hatshepsut, after Amenhotep IIIs reign – and particularly during the 18th and 19th Dynasties – it came into fashion and was even adopted by some pharaohs as a primary crown. The crown ceased to be depicted in the Kushite Dynasty, during the New Kingdom, pharaohs were shown with this crown in military circumstances. However, some think that the crown was also meant to evoke the divine power of the pharaoh
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Uraeus
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The Uraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. The Uraeus is a symbol for the goddess Wadjet and she was one of the earliest Egyptian deities and who often was depicted as a cobra. The center of her cult was in Per-Wadjet, later called Buto by the Greeks and she became the patroness of the Nile Delta and the protector of all of Lower Egypt. In whatever manner that the Uraeus was displayed upon the head, it was, in effect. The pharaoh was recognized only by wearing the Uraeus, which conveyed legitimacy to the ruler, there is evidence for this tradition even in the Old Kingdom during the third millennium BCE. Several goddesses associated with or being considered aspects of Wadjet are depicted wearing the Uraeus also, the importance of their separate cults kept them from becoming merged as with so many Egyptian deities. Together, they were known as The Two Ladies, who became the joint protectors and patrons of the unified Egypt. Later, the pharaohs were seen as a manifestation of the sun god Ra, in some mythological works, the eyes of Ra are said to be uraei. As the Uraeus was seen as a symbol, the deities Horus. In early ancient Egyptian mythology, Horus would have been the given to any king as part of the many titles taken. According to the mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris, Isis is associated with and may be considered an aspect of Wadjet. In 1919, after only a half-hour of excavation, the Qufti worker Hosni Ibrahim held in his hands the solid-gold Golden Uraeus of Senusret II and it had been decided to make a complete clearance of the El-Lahun Pyramids rooms at Saqqara. The start in the offering chamber, leading from the tomb, on the south, immediately revealed in the turnover of the six inches of debris. Prior to the 1922 find of Tutankhamuns tomb, this Golden Uraeus was the only ornament ever known to be worn by an entombed pharaoh, and it was thought that it was passed to the next pharaoh. The Golden Uraeus is of gold,6.7 cm, black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays. For mounting on the crown, two loops in the rear-supporting tail of the cobra provide the attachment points. Besides the Uraeus being used as an ornament for statuary or as an adornment on the pharaoh, it also was used for jewellery, however, another important use is as the hieroglyph
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Apep
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Apep or Apophis was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Maat. He appears in art as a giant serpent and his name is reconstructed by Egyptologists as *ʻAʼpāpī, as it was written ꜥꜣpp and survived in later Coptic as Ⲁⲫⲱⲫ Aphōph. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king Apepi, Ra was the solar deity, bringer of light, and thus the upholder of Maat. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, as the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Some elaborations said that he stretched 16 yards in length and had a made of flint. Also, comparable hostile snakes as enemies of the sun god existed under other names already before the name Apep occurred, the etymology of his name is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning to slither existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian, Apeps name much later came to be falsely connected etymologically in Egyptian with a different root meaning spat out, the Romans referred to Apep by this translation of his name. Apophis was a golden snake known to be miles long. He was so large that he attempted to swallow the sun every day, tales of Apeps battles against Ra were elaborated during the New Kingdom. Storytellers said that every day Apep must lie just below the horizon and this appropriately made him a part of the underworld. In some stories Apep waited for Ra in a mountain called Bakhu, where the sun set. The wide range of Apeps possible location gained him the title World Encircler and it was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the chief god overthrown by Ra. The Coffin Texts imply that Apep used a magical gaze to overwhelm Ra, Ra was assisted by a number of defenders who travelled with him, including Set and possibly the Eye of Ra. Apeps movements were thought to cause earthquakes, and his battles with Set may have meant to explain the origin of thunderstorms. In some accounts, Ra himself defeats Apep in the form of a cat, Ra was worshipped, and Apep worshipped against. Ras victory each night was thought to be ensured by the prayers of the Egyptian priests, the Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky. The Egyptian priests had a guide to fighting Apep, referred to as The Books of Overthrowing Apep
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International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
