1.
Club (organization)
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A club is an association of two or more people united by a common interest or goal. A service club, for example, exists for voluntary or charitable activities, there are clubs devoted to hobbies and sports, social clubs, political and religious clubs. Historically, clubs occurred in all ancient states of which we have detailed knowledge, once people started living together in larger groups, there was need for people with a common interest to be able to associate despite having no ties of kinship. Organizations of the sort have existed for years, as evidenced by Ancient Greek clubs. It is uncertain whether the use of the club originated in its meaning of a knot of people. The oldest English clubs were merely informal periodic gatherings of friends for the purpose of dining or drinking with one another, thomas Occleve mentions such a club called La Court de Bonne Compagnie, of which he was a member. In 1659 John Aubrey wrote, “We now use the word clubbe for a sodality in a tavern. ”Of early clubs the most famous, John Selden, John Donne, John Fletcher and Francis Beaumont were among the members. Another such club, founded by Ben Jonson, met at the Devil Tavern near Temple Bar, the word “club, ” in the sense of an association to promote good-fellowship and social intercourse, became common in England at the time of Tatler and The Spectator. With the introduction of coffee-drinking in the middle of the 17th century, the coffee houses of the later Stuart period are the real originals of the modern clubhouse. The clubs of the late 17th and early 18th century type resembled their Tudor forerunners in being oftenest associations solely for conviviality or literary coteries, but many were confessedly political, e. g. The Rota, or Coffee Club, a society for the spread of republican ideas, broken up at the Restoration in 1660, the Calves Head Club. The characteristics of all clubs were, No permanent financial bond between the members, each man’s liability ending for the time being when he had paid his “score” after the meal. No permanent clubhouse, though each clique tended to some special coffee house or tavern their headquarters. ”So unpopular was this proclamation that it was almost instantly found necessary to withdraw it. The idea of the club developed in two directions, one was of a permanent institution with a fixed clubhouse. g. These still exist today as the famous gentlemens clubs, the peripatetic lifestyle of the 18th and 19th century middle classes also drove the development of more residential clubs, which had bedrooms and other facilities. Clubbing with a number of like-minded friends to secure a large shared house with a manager was therefore a convenient solution, the other sort of club meets occasionally or periodically and often has no clubhouse, but exists primarily for some specific object. Such are the many athletic, sports and pastimes clubs. The institution of the club has spread all over the English-speaking world
2.
Renaissance Revival architecture
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The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. The movement grew from scientific observations of nature, in human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture, in England the Renaissance tended to manifest itself in large square tall houses such as Longleat House. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture and this is particularly evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, mannerism and Baroque being two very opposing styles of architecture. Mannerism was exemplified by the Palazzo del Te and Baroque by the Wurzburg Residenz, as a consequence a self-consciously Neo-Renaissance manner first began to appear circa 1840. By 1890 this movement was already in decline, the Hagues Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, the style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments, if a building were of several floors the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly, one of the very first signs of its emergence was the Würzburg Womens Prison, which was erected in 1809 designed by Peter Speeth. This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the USA during the 1880s, richardsons style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his Marshall Field Warehouse in Chicago, however, while the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came between was far more ornate in its design. This period can be defined by some of the opera houses of the Europe, such as Gottfried Sempers Burgtheater in Vienna. This ornate form of the Neo-Renaissance, originating from France, is known as the Second Empire style. By 1875 it had become the style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed the London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. In Austria, it was pioneered by such names as Rudolf Eitelberger
3.
Albert Kahn (architect)
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Albert Kahn was the foremost American industrial architect of his day. He is sometimes called the architect of Detroit, in 1943, the Franklin Institute awarded him the Frank P. Brown Medal posthumously. Kahn was born to a Jewish family on March 21,1869 in Rhaunen, Kahn came to Detroit in 1880, at the age of 11. His father Joseph was trained as a rabbi, his mother Rosalie had a talent for the visual arts, as a teenager, he got a job at the architectural firm of Mason and Rice. Kahn won a scholarship to study abroad in Europe, where he toured with another young architecture student, Henry Bacon. In 1895, he founded the architectural firm Albert Kahn Associates, together with his younger brother Julius, he developed a new style of construction where reinforced concrete replaced wood in factory walls, roofs, and supports. This gave better protection and allowed large volumes of unobstructed interior. Packard Motor Car Companys factory, designed in 1903, was the first development of this principle, the success of the Packard plant interested Henry Ford in Kahns designs. Kahn designed Ford Motor Companys Highland Park plant, begun in 1909, Kahn later designed, in 1917, the massive half-mile-long Ford River Rouge Complex in Dearborn, Michigan. The Rouge grew into the largest manufacturing complex in the U. S. with a force that peaked at 120,000 workers, Kahn was responsible for many of the buildings and houses built under direction of the Hiram Walker family in Walkerville, Ontario, including Willistead Manor. Kahn also designed the landmark 28-story Art Deco Fisher Building in Detroit, in 1928, the Fisher building was honored by the Architectural League of New York as the years most beautiful commercial structure. Between 1917 and 1929, he designed the headquarters for all three daily newspapers in Detroit. On January 9,1930, a contract with Kahn was signed for his firm to become consulting architects for all industrial construction in the Soviet Union. Kahn also designed many of the buildings at the University of Michigan in Ann Arbor. These include the Burton Memorial Tower, Hill Auditorium, Hatcher Graduate Library, Kahn said later in life that out of all the buildings he designed, he wanted most to be remembered for his work on the William L. Clements Library. A frequent collaborator with Kahn was architectural sculptor Corrado Parducci, in all, Parducci worked on about 50 Kahn commissions including banks, office buildings, newspaper buildings, mausoleums, hospitals and private residences. Kahns firm designed a number of the army airfield and naval bases for the United States government during World War I. By World War II, Kahns 600-person office was involved in making Detroit an important element of Americas Arsenal of Democracy, in 1937, Albert Kahn Associates was responsible for 19 percent of all architect-designed factories in the U. S
4.
Palazzo Farnese
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Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola, work was interrupted by the Sack of Rome in 1527. The massive palace block and its facade dominate the Piazza Farnese, when Paul appeared on the balcony, the entire facade became a setting for his person. The courtyard, initially open arcades, is ringed by an exercise in ascending orders. The piano nobile entablature was given a frieze with garlands, added by Michelangelo, while the practicalities of achieving this bridge remain dubious, the idea was a bold and expansive one. During the 16th century, two large granite basins from the Baths of Caracalla were adapted as fountains in the Piazza Farnese, the palazzo was further modified for the papal nephew Ranuccio Farnese by Jacopo Barozzi da Vignola. It was completed for the second Cardinal Alessandro Farnese by Giacomo della Portas porticoed facade towards the Tiber which was finished in 1589, following the death of Cardinal Odoardo Farnese in 1626, the palazzo stood virtually uninhabited for twenty years. At the conclusion of the War of Castro with the papacy, Duke Odoardo was able to regain his family properties, the resulting inventory is the oldest surviving complete inventory of Palazzo Farnese. After Odoardos death, Pope Alexander VII allowed Queen Christina of Sweden to lodge in the palace for several months, other rooms have frescoes by Daniele da Volterra and by other artists. For generations, the room with Herculean frescoes accommodated the famous Greco-Roman antique sculpture known as the Farnese Hercules, other works from the family collection of classical sculpture were also housed in the palace. One of the vault and ceiling fresco by Annibale Carracci is Galleria Farnese and this large central scene depicts the triumphal progress of Bacchus and Ariadne. Two smaller paintings are attached to the top and bottom of the central picture, USA, the Chief Secretary’s Building in Sydney, Australia, and the Royal Palace, Stockholm. In England Charles Barrys great admiration for the building led him to use it as the model for Londons Reform Club, in Puccinis opera Tosca, set in Napoleonic Rome, the heroines confrontation with the malevolent Chief of Police, Scarpia, takes place in Palazzo Farnese. The Palazzo was inherited from the Farnese by the Bourbon kings of Naples, though the government of Benito Mussolini ransomed it in 1936, the French Embassy remains, under a 99-year lease for which they pay the Italian government a symbolic fee of 1 euro per month. The Palazzo Farnese houses the great scholarly library amassed by the Ecole Française de Rome, concentrating especially on the archeology of Italy, the first three volumes are, F. C. Uginet, Le palais farnèse à travers les documents financiers. Ecole Française de Rome I.1 and I.2, Étude des manuscrits latins et en langue vernaculaire
5.
Comerica Park
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Comerica Park is an open-air ballpark located in Downtown Detroit. It serves as the home of the Detroit Tigers of Major League Baseball, the park is named after Comerica Bank, which was founded in Detroit and was based there when the park opened. Comericas headquarters have since moved to Dallas, though the bank still retains a large presence in Detroit. The stadiums seating capacity is 41,297, there is a Detroit People Mover station about a block from the stadium. Comerica Park sits on the site of the Detroit College of Law. Since their founding in 1901, the Tigers had played at the corner of Michigan, for the last 88 of those years, they played at what eventually became Tiger Stadium. By the mid-1990s, it had become apparent that the park could not be renovated any further. Groundbreaking for a new ballpark to replace Tiger Stadium for the Tigers was held on October 29,1997, at the time of construction, the scoreboard in left field was the largest in Major League Baseball. The first game was held on April 11,2000, against the Seattle Mariners, the new stadium is part of a downtown revitalization plan for the city of Detroit, which included the construction of Ford Field, adjacent to the park. In December 1998, Comerica Bank agreed to pay $66 million over 30 years for the rights for the new ballpark. Upon its opening, there was effort to try to find a nickname for the park. It is often referred to simply as Comerica, the first playoff game at Comerica was played on October 6,2006 against the New York Yankees. It hosted its first World Series later that month, in contrast to Tiger Stadium, which had long been considered one of the most hitter-friendly parks in baseball, Comerica Park is considered to be extremely friendly to pitchers. Except for dead center—420 feet versus Tiger Stadiums 440 feet —the outfield dimensions were more expansive than those at Tiger Stadium and this led to complaints from players and fans alike, most famously from Bobby Higginson who sarcastically called the venue Comerica National Park. As Minute Maid Park has reduced its center field fence from 436 feet to 409 feet in 2017,420 feet is the longest in baseball. Although a few public figures—notably radio announcer Ernie Harwell—supported the dimensions, most agreed that the wall, in particular. Before the 2003 MLB season the club did so, moving the distance from left-center field from 395 to 370 feet and this also removed the flagpole from the field of play, originally incorporated as an homage to Tiger Stadium. Two years later, the bullpens were moved from field to an empty area in left field created when the fence was moved in
6.
Gary, Indiana
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Gary is a city in Lake County, Indiana, United States,25 miles from downtown Chicago, Illinois. The population of Gary was 80,294 at the 2010 census, from the middle of the twentieth century to the present, Gary has experienced drastic population loss, falling by 55 percent from its peak of 178,320 in 1960. Gary is adjacent to the Indiana Dunes National Lakeshore and borders Lake Michigan, the city is known for its large steel mills, and for being the birthplace of The Jackson 5 music group. Gary, Indiana, was founded in 1906 by the United States Steel Corporation as the home for its new plant, the city was named after lawyer Elbert Henry Gary, who was the founding chairman of the United States Steel Corporation. Gary was the site of civil unrest in the Steel Strike of 1919, on October 4,1919, a riot broke out on Broadway, the main north-south street through downtown Gary, between striking steel workers and strike breakers brought in from outside. Three days later, Indiana governor James P. Goodrich declared martial law, shortly thereafter, over 4,000 federal troops under the command of Major General Leonard Wood arrived to restore order. The jobs offered by the industry provided Gary with very rapid growth. At that time,19. 3% of the population was classified as foreign-born, Gary was also becoming increasingly racially diverse, with 17. 8% of the population classified as black, and 3. 5% as Mexican. Garys fortunes have risen and fallen with those of the steel industry, the growth of the steel industry brought prosperity to the community. Broadway was known as a center for the region. Department stores and architecturally significant movie houses were built in the downtown area, in the 1960s, like many other American urban centers reliant on one particular industry, Gary entered a spiral of decline. Garys decline was brought on by the growing overseas competitiveness in the steel industry, the U. S. Steel Gary Works employed over 30,000 in 1970, declined to just 6,000 by 1990, and further declined to 5,100 in August of 2015. As the city declined, crime increased, rapid racial change occurred in Gary during the late 20th century. Non-whites were primarily restricted to live in the Midtown section just south of downtown, Gary had one of the nations first African-American mayors, Richard G. Hatcher, and hosted the ground-breaking 1972 National Black Political Convention. Since the 1930s, Gary had developed a reputation as a city due to rampant political corruption, racial violence & segregation, labor unrest. In the 1960s through the 1980s, surrounding localities such as Merrillville and Crown Point experienced rapid growth, including new homes. Owing to white flight, economic distress, and a perception of skyrocketing crime, many middle-class, in the late 1990s and early 2000s, Gary had the highest percentage of African-Americans of U. S. cities with a population of 100,000 or more, 84%. This no longer applies to Gary since the population of the city has now fallen well below 100,000 residents, as of 2013, the Gary Department of Redevelopment has estimated that one-third of all homes in the city are unoccupied and/or abandoned
