Dia Al-Azzawi is an Iraqi painter and sculptor, who lives and works in London. He is one of the pioneers of modern Arab art and is noted for incorporating Arabic script into his paintings. Active in the arts community, he founded the Iraqi art group known as New Vision and has been an inspiration to a generation of young, calligraffiti artists.
Azzawi, 26 May 2015
A Wolf Howls: Memories of a Poet (1968), by Dia Azzawi at the Barjeel Art Foundation collection
Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a profound influence on pan-Arab art generally.
Possible depiction of al-Hariri, in the Maqamat of al-Hariri, 1237 CE, probably Baghdad
Wasiti's illustrations served as an inspiration for the modern Baghdad art movement in the 20th-century.
Shrine in Karbala, showing use of Arabesque
Fall of Baghdad, illustration by Rashid-ad-Din's Gami' at-tawarih, early 14th century