In ancient Greek religion and myth, Dionysus is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus by the Greeks for a frenzy he is said to induce called baccheia. As Dionysus Eleutherius, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
Second-century Roman statue of Dionysus, after a Hellenistic model (ex-coll. Cardinal Richelieu, Louvre).
Dionysus extending a drinking cup (kantharos) (late sixth century BC)
Dionysus triumph, a mosaic from the House of Poseidon, Zeugma Mosaic Museum.
Golden naiskos with Dionysus, 2nd cent. BC.
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs."
Aegeus at right consults the Pythia or oracle of Delphi. Vase, 440–430 BCE. He was told "Do not loosen the bulging mouth of the wineskin until you have reached the height of Athens, lest you die of grief", which at first he did not understand.
Aphrodite riding a swan: Attic white-ground red-figured kylix, c. 460, found at Kameiros (Rhodes)
Asclepios, god of medicine. Marble Roman copy (2nd century CE) of a Greek original of the early 4th century BCE. Asclepios was not one of the Twelve Olympians, but popular with doctors like Pausanias, and their patients.
The Judgment of Paris by Peter Paul Rubens (c. 1636), depicting the goddesses Hera, Aphrodite and Athena, in a competition that causes the Trojan War. This Baroque painting shows the continuing fascination with Greek mythology