1.
Soltaniyeh
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Soltaniyeh is the capital city of Soltaniyeh District of Abhar County, Zanjan Province, Azerbaijan, northwestern Iran. At the 2006 census, its population was 5,684, Soltaniyeh, located some 240 kilometres to the north-west of Tehran, was built as the capital of Mongol Ilkhanid rulers of Iran in the 14th century. Its name which refers to the Islamic ruler title sultan translates loosely as the Regal, in 2005, UNESCO listed Soltaniyeh as one of the World Heritage Sites. The road from Zanjan to Soltaniyeh extends until it reaches to the Katale khor cave, william Dalrymple notes that Öljaitü intended Soltaniyeh to be the largest and most magnificent city in the world but that it died with him and is now a deserted, crumbling spread of ruins. Established on 1 April 1318 as Latin Metropolitan Archdiocese of Soltania or Soltaniyeh and it 1329 the Latin Diocese of Samarcanda became its suffragan for the Chagatai Khanate, at least until Tamerlane swept its see Samarkand. Suppressed as residential see around 1450, Giovanni di Piacenza, O. P. Tommaso, O. P. Domenico Manfredi, O. P. Giovanni di Gallofonte, O. P. Nicolò Roberti, previously Bishop of Ferrara Thomas Abaraner, O. P. Giovanni, transformed at its suppression as residential see in 1450 into a Latin Titular archbishopric, which was itself suppressed in 1926
2.
Zanjan Province
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Zanjan Province is one of the 31 provinces of Iran. Located in Iranian Azerbaijan and the population of Azerbaijanis and it is part of Irans Regions 3. Zanjan province, with an area of 36,400 km², has a rural population of 1,015,734. The province lies 330 km northwest of Tehran, connected to it by a freeway, Zanjan is the happiest province in Iran. Agriculture is the occupation, and crops include rice, corn, oilseeds, fruits. Poultry, cattle, and sheep are raised, in the region Zanjan is famous for its seedless grapes. Manufactures include bricks, cement, milled rice, and carpets, chromium, lead, and copper are mined. In the scientific world the Zanjan name is famous for IASBS, Zanjan is known for its beautiful handcrafts such as knives, traditional sandals called charoogh and malileh. Malileh is a made with silver wires. Zanjanian artists make many things like decorative dishes and their covers as well as silver jewelry. In ancient times, Zanjan was known for its stainless and sharp knives, but this tradition is gradually becoming extinct by introduction of Chinese knives to the market which are cheaper and better made. Many villagers today are traditional carpet weavers and this is perhaps Zanjans most popular handcraft. The province economy is benefiting from the its location that connects central Iran to the northwestern provinces, the railway and highway that connects Irans capital city Tehran to Tabriz, and Turkey passes through Zanjan Province. Zanjan has an area of 22,164 km², occupying 1. 34% of the Iranian territory, the average population density in Zanjan is 4¼ people per km. In the northwest of Iran, Zanjan covers joint borders with seven provinces, East Azerbaijan, West Azerbaijan, Hamadan, Kordestan, Gilan, Ghazvin, in the summers, the weather is warm. The average maximum temperature of Zanjan is around 27 °C, whereas the minimum temperature stands at -19 °C. Meanwhile, the rises to 32 °C on hot days. The average annual rainfall in the first month of spring stands at 72 millimetres, while in the month of summer
3.
Iran
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Iran, also known as Persia, officially the Islamic Republic of Iran, is a sovereign state in Western Asia. Comprising a land area of 1,648,195 km2, it is the second-largest country in the Middle East, with 82.8 million inhabitants, Iran is the worlds 17th-most-populous country. It is the country with both a Caspian Sea and an Indian Ocean coastline. The countrys central location in Eurasia and Western Asia, and its proximity to the Strait of Hormuz, Tehran is the countrys capital and largest city, as well as its leading economic and cultural center. Iran is the site of to one of the worlds oldest civilizations, the area was first unified by the Iranian Medes in 625 BC, who became the dominant cultural and political power in the region. The empire collapsed in 330 BC following the conquests of Alexander the Great, under the Sassanid Dynasty, Iran again became one of the leading powers in the world for the next four centuries. Beginning in 633 AD, Arabs conquered Iran and largely displaced the indigenous faiths of Manichaeism and Zoroastrianism by Islam, Iran became a major contributor to the Islamic Golden Age that followed, producing many influential scientists, scholars, artists, and thinkers. During the 18th century, Iran reached its greatest territorial extent since the Sassanid Empire, through the late 18th and 19th centuries, a series of conflicts with Russia led to significant territorial losses and the erosion of sovereignty. Popular unrest culminated in the Persian Constitutional Revolution of 1906, which established a monarchy and the countrys first legislative body. Following a coup instigated by the U. K. Growing dissent against foreign influence and political repression led to the 1979 Revolution, Irans rich cultural legacy is reflected in part by its 21 UNESCO World Heritage Sites, the third-largest number in Asia and 11th-largest in the world. Iran is a member of the UN, ECO, NAM, OIC. Its political system is based on the 1979 Constitution which combines elements of a democracy with a theocracy governed by Islamic jurists under the concept of a Supreme Leadership. A multicultural country comprising numerous ethnic and linguistic groups, most inhabitants are Shia Muslims, the largest ethnic groups in Iran are the Persians, Azeris, Kurds and Lurs. Historically, Iran has been referred to as Persia by the West, due mainly to the writings of Greek historians who called Iran Persis, meaning land of the Persians. As the most extensive interactions the Ancient Greeks had with any outsider was with the Persians, however, Persis was originally referred to a region settled by Persians in the west shore of Lake Urmia, in the 9th century BC. The settlement was then shifted to the end of the Zagros Mountains. In 1935, Reza Shah requested the international community to refer to the country by its native name, opposition to the name change led to the reversal of the decision, and Professor Ehsan Yarshater, editor of Encyclopædia Iranica, propagated a move to use Persia and Iran interchangeably
4.
World Heritage Site
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A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
5.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
6.
Ruins
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Natural disaster, war and depopulation are the most common root causes, with many structures becoming progressively derelict over time due to long-term weathering and scavenging. Many ruins have become UNESCO World Heritage Sites in recent years, to identify, ancient cities were often highly militarized and fortified defensive settlements. In times of war they were the focus of armed conflict. Entire cities have also been ruined, and some occasionally lost completely, the ancient city of Pompeii was completely lost during a volcanic eruption in the 1st century AD, its uncovered ruins now preserved as a World Heritage Site. The city of Lisbon was totally destroyed in 1755 by an earthquake and tsunami. Apart from acts of war, some important historic buildings have fallen victim to deliberate acts of destruction as a consequence of social, political, marble was still being burned for agricultural lime in the Roman Camapgna into the nineteenth century. In Europe, many buildings suffered as a result of the politics of the day. In the 16th century, the English monarch Henry VIII set about confiscating the property of monastic institutions in a campaign which known as the Dissolution of the Monasteries. Many abbeys and monsateries fell into ruin when their assets, including lead roofs, were stripped, following World War II, a number of European historic buildings fell into ruin as a result of taxation policies, which required all structures with roofs to pay substantial property tax. The owners of buildings, like Fetteresso Castle and Slains Castle in Scotland, deliberately destroyed their roofs in protest at, and defiance of. Post-colonial Ireland has encouraged the ruin of grand Georgian houses, symbols of British imperialism, however, sometimes tower basements remain, because their removal can sometimes be expensive. One example of such a basement is the basement of the radio mast of Deutschlandsender Herzberg/Elster. The basements of large wooden towers such as Transmitter Ismaning may also be left behind, the contemplation of rust belt post-industrial ruins is in its infancy. The new sense of historicism that accompanied neoclassicism led some artists, in the period of Romanticism ruins were frequent object for painters, place of meetings of romantic poets, nationalist students etc. Joseph Michael Gandy completed for Sir John Soane in 1832 an atmospheric watercolor of the architects vast Bank of England rotunda as an overgrown ruin. Ruinenwert was popularized in the 20th century by Albert Speer while planning for the 1936 Summer Olympics, for example, the ruins of Dunstanburgh Castle in England inspired Turner to create several paintings, in 1989 the ruined Dunnottar Castle in Scotland was used for filming of Hamlet
7.
Ilkhanate
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The Ilkhanate, also spelled Il-khanate, was established as a khanate that formed the southwestern sector of the Mongol Empire, ruled by the Mongol House of Hulagu. It was founded in the 13th century and was based primarily in Iran as well as neighboring territories, such as present-day Azerbaijan and the central and eastern parts of present-day Turkey. The Ilkhanate was originally based on the campaigns of Genghis Khan in the Khwarazmian Empire in 1219–24 and was founded by Hulagu Khan, with the fragmentation of the Mongol Empire after 1259 it became a functionally separate khanate. At its greatest extent, the state expanded into territories that comprise most of Iran, Iraq, Armenia, Azerbaijan, Georgia, Turkmenistan, Turkey, western Afghanistan. Later Ilkhanate rulers, beginning with Ghazan in 1295, would convert to Islam, according to the historian Rashid-al-Din Hamadani, Kublai Khan granted Hulagu the title of Ilkhan after his defeat of Ariq Böke. The term il-Khan means subordinate khan and refers to their initial deference to Möngke Khan, the title Ilkhan, borne by the descendants of Hulagu and later other Borjigin princes in Persia, does not materialize in the sources until after 1260. When Muhammad II of Khwarezm executed a contingent of merchants dispatched by the Mongols, the Mongols overran the empire, occupying the major cities and population centers between 1219 and 1221. Persian Iraq was ravaged by the Mongol detachment under Jebe and Subedei, Transoxiana also came under Mongol control after the invasion. The undivided area west of the Transoxiana was the inheritance of Genghis Khans Borjigin family, thus, the families of the latters four sons appointed their officials under the Great Khans governors, Chin-Temür, Nussal, and Korguz, in that region. Muhammads son Jalal ad-Din Mingburnu returned to Iran in c.1224 after his exile in India, the rival Turkic states, which were all that remained of his fathers empire, quickly declared their allegiance to Jalal. He repulsed the first Mongol attempt to take Central Persia, however, Jalal ad-Din was overwhelmed and crushed by Chormaqans army sent by the Great Khan Ögedei in 1231. During the Mongol expedition, Azerbaijan and the southern Persian dynasties in Fars and Kerman voluntarily submitted to the Mongols, to the west, Hamadan and the rest of Persia was secured by Chormaqan. The Mongols invaded Armenia and Georgia in 1234 or 1236, completing the conquest of the Kingdom of Georgia in 1238 and they began to attack the western parts of Greater Armenia, which was under the Seljuks, the following year. In 1236 Ögedei was commanded to raise up Khorassan and proceeded to populate Herat, the Mongol military governors mostly made camp in the Mughan plain in what is now Azerbaijan. Realizing the danger posed by the Mongols, the rulers of Mosul, Chormaqan divided the Transcaucasia region into three districts based on the Mongol military hierarchy. In Georgia, the population was divided into eight tumens. By 1237 the Mongol Empire had subjugated most of Persia, Armenia, Georgia, as well as all of Afghanistan and Kashmir. After the battle of Köse Dağ in 1243, the Mongols under Baiju occupied Anatolia, while the Seljuk Sultanate of Rûm and the Empire of Trebizond became vassals of the Mongols
8.
Anno Domini
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The terms anno Domini and before Christ are used to label or number years in the Julian and Gregorian calendars. The term anno Domini is Medieval Latin and means in the year of the Lord, There is no year zero in this scheme, so the year AD1 immediately follows the year 1 BC. This dating system was devised in 525 by Dionysius Exiguus of Scythia Minor, the Gregorian calendar is the most widely used calendar in the world today. Traditionally, English followed Latin usage by placing the AD abbreviation before the year number, however, BC is placed after the year number, which also preserves syntactic order. The abbreviation is widely used after the number of a century or millennium. Because BC is the English abbreviation for Before Christ, it is sometimes concluded that AD means After Death. However, this would mean that the approximate 33 years commonly associated with the life of Jesus would not be included in either of the BC, astronomical year numbering and ISO8601 avoid words or abbreviations related to Christianity, but use the same numbers for AD years. The Anno Domini dating system was devised in 525 by Dionysius Exiguus to enumerate the years in his Easter table. His system was to replace the Diocletian era that had used in an old Easter table because he did not wish to continue the memory of a tyrant who persecuted Christians. The last year of the old table, Diocletian 247, was followed by the first year of his table. Thus Dionysius implied that Jesus Incarnation occurred 525 years earlier, without stating the year during which his birth or conception occurred. Blackburn & Holford-Strevens briefly present arguments for 2 BC,1 BC, There were inaccuracies in the list of consuls There were confused summations of emperors regnal years It is not known how Dionysius established the year of Jesuss birth. It is convenient to initiate a calendar not from the day of an event. For example, the Islamic calendar begins not from the date of the Hegira, at the time, it was believed by some that the Resurrection and end of the world would occur 500 years after the birth of Jesus. The old Anno Mundi calendar theoretically commenced with the creation of the based on information in the Old Testament. It was believed that, based on the Anno Mundi calendar, Anno Mundi 6000 was thus equated with the resurrection and the end of the world but this date had already passed in the time of Dionysius. The Anglo-Saxon historian the Venerable Bede, who was familiar with the work of Dionysius Exiguus, used Anno Domini dating in his Ecclesiastical History of the English People, completed in 731. e. On the continent of Europe, Anno Domini was introduced as the era of choice of the Carolingian Renaissance by the English cleric and scholar Alcuin in the late eighth century
9.
Dome
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A dome is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy, there are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives, a lantern may cover an oculus and may itself have another dome. Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have developed over time. Domes have been found from early Mesopotamia, which may explain the forms spread and they are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. They were popular in Byzantine and medieval Islamic architecture, and there are examples from Western Europe in the Middle Ages. The Renaissance style spread from Italy in the Early modern period, advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the world can be found over religious buildings, legislative chambers, sports stadiums. The English word dome ultimately derives from the Latin domus —which, up through the Renaissance, labeled a revered house, such as a Domus Dei, or House of God, the French word dosme came to acquire the meaning of a cupola vault, specifically, by 1660. A dome is a rounded vault made of either curved segments or a shell of revolution, sometimes called false domes, corbel domes achieve their shape by extending each horizontal layer of stones inward slightly farther than the lower one until they meet at the top. A false dome may also refer to a wooden dome, true domes are said to be those whose structure is in a state of compression, with constituent elements of wedge-shaped voussoirs, the joints of which align with a central point. The validity of this is unclear, as domes built underground with corbelled stone layers are also in compression from the surrounding earth, as with arches, the springing of a dome is the level from which the dome rises. The top of a dome is the crown, the inner side of a dome is called the intrados and the outer side is called the extrados. The haunch is the part of an arch that lies halfway between the base and the top. The word cupola is another word for dome, and is used for a small dome upon a roof or turret. Cupola has also used to describe the inner side of a dome. Drums, also called tholobates, are cylindrical or polygonal walls with or without windows that support a dome, a tambour or lantern is the equivalent structure over a domes oculus, supporting a cupola
10.
Marcel-Auguste Dieulafoy
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Marcel-Auguste Dieulafoy was a French archaeologist, noted for his excavations at Susa in 1885 and for his work, LArt antique de la Perse. Marcel-Auguste Dieulafoy was born in Toulouse into an educated and ennobled family, in 1863, Dieulafoy entered the École Polytechnique where he studied civil engineering. Upon graduating, he joined Frances Bureau of roads and bridges, in 1870, he returned to France, assuming a post in the navigation services on the Garonne. That same year he married Jane Magre, who was also from Toulouse and he was an engineering officer in the French Army during the Franco-Prussian War, posted to Nevers. Upon demobilisation, he became first the head of the services for the Department of the Haute Garonne and subsequently, in 1874. As a result, both of a family environment and his time spent in Algeria, Dieulafoy had long had an interest in medieval. As a result, he acquainted with Eugène Viollet-le-Duc, under whose direction he worked for four years in the Commission of Historic Monuments. With Viollet-le-Ducs encouragement, Dieulafoy decided to pursue this interest at a professional level, in 1880, he resigned his post in Toulouse and requested a government assignment in Iran. Arriving quite ill in Tehran via Athens and Constantinople, he was attended to by a French doctor François Tholozan, shortly thereafter they embarked upon an expedition to Susa, where Dieulafoy and his wife explored the remains of the palace first uncovered by William Loftus some thirty years previously. During this visit, the Dieulafoys took numerous photographs and made copious notes and his wife, Jane, took on as close to a male appearance as she could during their sojourn in Iran. This brief journey to Susa made an impression on Dieulafoy. Upon his return to France, he started to organise the publication of the first volume of his opus, LArt antique de la Perse. The Dieulafoys returned to Iran in 1884, accompanied by a engineer, Charles Babin. Further, agreement was reached which allowed any discoveries made at the site, except for those of precious metals, work took place between the winters of 1885 and 1886. The excavations took place under arduous conditions, the team lived in tents and were exposed to the harshness of the elements. There was little government control in the region, meaning that roving bands of thieves operated quite freely, none of the pieces that were not shipped to France survived. These museum pieces, however, were of importance to Dieulafoy. He succeeded in partially excavating the great central columned hall, originally identified by Loftus as having been built by Darius
11.
Filippo Brunelleschi
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Filippo Brunelleschi was an Italian designer and a key figure in architecture, recognised to be the first modern engineer, planner and sole construction supervisor. He was one of the fathers of the Renaissance. He is generally known for developing a technique for linear perspective in art. Heavily depending on mirrors and geometry, to reinforce Christian spiritual reality and it also had the most profound – and quite unanticipated – influence on the rise of modern science. His accomplishments also include other works, sculpture, mathematics, engineering. His principal surviving works are to be found in Florence, Italy, unfortunately, his two original linear perspective panels have been lost. Brunelleschi was born in Florence, Italy, little is known about his early life, the only sources being Antonio Manetti and Giorgio Vasari. According to these sources, Filippos father was Brunellesco di Lippo, a notary, Filippo was the middle of their three children. The young Filippo was given a literary and mathematical education intended to enable him to follow in the footsteps of his father, a civil servant. Being artistically inclined, however, Filippo enrolled in the Arte della Seta, the silk merchants Guild, which also included goldsmiths, metalworkers and he became a master goldsmith in 1398. It was thus not a coincidence that his first important building commission, in 1401, Brunelleschi entered a competition to design a new set of bronze doors for the Florence Baptistery. Seven competitors each produced a bronze panel, depicting the Sacrifice of Isaac. Brunelleschis entry, which, with that of Lorenzo Ghiberti, is one of two to have survived, made reference to the Greco-Roman Boy with Thorn. Brunelleschis panel consists of several pieces bolted to the back plate, Brunelleschi is considered a seminal figure of the Renaissance. Around 1400, there emerged a cultural interest in humanitas, or humanism, however, this interest was restricted to a few scholars, writers, and philosophers before it began to influence the visual arts. It was in period that Brunelleschi and his friend Donatello visited Rome to study its ancient ruins. Donatello, like Brunelleschi, was trained as a goldsmith, though he worked in the studio of contemporarily well-known painter Ghiberti. Although the glories of Ancient Rome were a matter of popular discourse at the time, it seems no one had studied the physical fabric of its ruins in any detail until Brunelleschi
12.
Cupola
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In architecture, a cupola /ˈkjuːpələ/ is a small, most often dome-like, structure on top of a building. Often used to provide a lookout or to light and air. The word derives, via Italian, from the lower Latin cupula small cup indicating a vault resembling an upside down cup. The cupola is a development during the Renaissance of the oculus, an ancient device found in Roman architecture, the chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often appear as small buildings in their own right and they often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret, barns often have cupolas for ventilation. The square, dome-like segment of a North American railroad train caboose that contains the second-level or angel seats is called a cupola. Some armored fighting vehicles have cupolas, called commanders cupola, which is a dome or cylinder with armored glass to provide 360-degree vision around the vehicle
13.
Florence Cathedral
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The Cattedrale di Santa Maria del Fiore is the main church of Florence, Italy. The exterior of the basilica is faced with marble panels in various shades of green. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and these three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting Tuscany. The basilica is one of Italys largest churches, and until development of new materials in the modern era. It remains the largest brick dome ever constructed, the cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is currently Giuseppe Betori. Santa Maria del Fiore was built on the site of a cathedral dedicated to Saint Reparata. The new church was designed by Arnolfo di Cambio and approved by city council in 1294, di Cambio was also architect of the church of Santa Croce and the Palazzo Vecchio. He designed three wide naves ending under the dome, with the middle nave covering the area of Santa Reparata. The first stone was laid on September 9,1296, by Cardinal Valeriana, the building of this vast project was to last 140 years, Arnolfos plan for the eastern end, although maintained in concept, was greatly expanded in size. After Arnolfo died in 1310, work on the cathedral slowed for thirty years, when the relics of Saint Zenobius were discovered in 1330 in Santa Reparata, the project gained a new impetus. In 1331, the Arte della Lana, the guild of merchants, took over patronage for the construction of the cathedral. Assisted by Andrea Pisano, Giotto continued di Cambios design and his major accomplishment was the building of the campanile. When Giotto died in 1337, Andrea Pisano continued the building work was halted due to the Black Death in 1348. In 1359, Talenti was succeeded by Giovanni di Lapo Ghini who divided the nave in four square bays. Other architects were Alberto Arnoldi, Giovanni dAmbrogio, Neri di Fioravante, by 1375, the old church Santa Reparata was pulled down. The nave was finished by 1380, and by 1418, only the dome remained incomplete, on 18 August 1418, the Arte della Lana announced an architectural design competition for erecting Neris dome. The two main competitors were two master goldsmiths, Lorenzo Ghiberti and Filippo Brunelleschi, the latter of whom was supported by Cosimo de Medici. Ghiberti had been the winner of a competition for a pair of doors for the Baptistery in 1401
14.
Hagia Sophia
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Hagia Sophia was a Greek Orthodox Christian patriarchal basilica, later an imperial mosque, and now a museum in Istanbul, Turkey. The building was converted into an Ottoman mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935, famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have changed the history of architecture. It remained the worlds largest cathedral for nearly a thousand years and it was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. The church contained a collection of relics and featured, among other things. In 1453, Constantinople was conquered by the Ottoman Empire under Mehmed the Conqueror, by that point, the church had fallen into a state of disrepair. Nevertheless, the Christian cathedral made an impression on the new Ottoman rulers. Islamic features—such as the mihrab, minbar, and four minarets—were added and it remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey, Hagia Sophia was, as of 2014, the second-most visited museum in Turkey, attracting almost 3.3 million visitors annually. According to data released by the Turkish Culture and Tourism Ministry, from its initial conversion until the construction of the nearby Sultan Ahmed Mosque in 1616, it was the principal mosque of Istanbul. The first church on the site was known as the Μεγάλη Ἐκκλησία, or in Latin Magna Ecclesia, inaugurated on 15 February 360 by the Arian bishop Eudoxius of Antioch, it was built next to the area where the imperial palace was being developed. The nearby Hagia Eirene church was completed earlier and served as cathedral until the Great Church was completed, both churches acted together as the principal churches of the Byzantine Empire. Writing in 440, Socrates of Constantinople claimed that the church was built by Constantius II, a tradition which is not older than the 7th or 8th century, reports that the edifice was built by Constantine the Great. Zonaras reconciles the two opinions, writing that Constantius had repaired the edifice consecrated by Eusebius of Nicomedia, after it had collapsed. Since Eusebius was bishop of Constantinople from 339 to 341, and Constantine died in 337, the edifice was built as a traditional Latin colonnaded basilica with galleries and a wooden roof. It was preceded by an atrium and it was claimed to be one of the worlds most outstanding monuments at the time. The Patriarch of Constantinople John Chrysostom came into a conflict with Empress Aelia Eudoxia, wife of the emperor Arcadius, during the subsequent riots, this first church was largely burned down. Nothing remains of the first church today, a second church on the site was ordered by Theodosius II, who inaugurated it on 10 October 415
15.
Mausoleum of Khoja Ahmed Yasawi
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The Mausoleum of Khawaja Ahmed Yasawi is an unfinished mausoleum in the city of Turkestan, in southern Kazakhstan. However, construction was halted with the death of Timur in 1405, despite its incomplete state, the mausoleum has survived as one of the best-preserved of all Timurid constructions. Its creation marked the beginning of the Timurid architectural style, the religious structure continues to draw pilgrims from across Central Asia and has come to epitomize the Kazakh national identity. It has been protected as a monument, while UNESCO recognized it as the countrys first site of patrimony. The structure is within the vicinity of a citadel, which is now an archaeological site. Remains of medieval structures such as mausoleums, mosques and bath houses characterize the archaeological area. To the north of the Mausoleum of Khawaja Ahmed Yasawi, a section of the citadel wall from the 1970s separates the historical area from the developments of the modern town. Khoja Ahmed Yasawi, also spelled as Khawajah Akhmet Yassawi, was the 12th-century head of a school of Sufism. He was born in Ispidjab in 1093, and spent most of his life in Yasi, the theological school he created turned Yasi into the most important medieval enlightening center of the area. He was also a poet, philosopher and statesman. Yasawi was interred in a mausoleum, which became a pilgrimage site for Muslims. The town of Yasi was largely spared during the Mongol invasion of Khwarezmia in the 13th century, overtime, the descendants of the Mongols settled in the area and converted to Islam. The town then came under the control of the Timurid Dynasty in the 1360s, Timur, the founder of the dynasty, expanded the empires realm to include Mesopotamia, Iran, and all of Transoxiana, with its capital located in Samarkand. To gain the support of citizens, Timur adopted the policy of constructing monumental public. The new mausoleum was begun in 1389, Timur imported builders from cities which he laid waste during his campaigns, including mosaic-workers from Shiraz and stonemasons and stucco-workers from Isfahan. The master builders were led by Khwaja Hosein Shirazi from Iran and it was reported that Timur himself participated in the design of the structure, where he introduced experimental spatial arrangements, types of vaults and domes. These innovations were implemented in the religious edifices of other cities. However, the mausoleum was left unfinished, when Timur died in 1405, when the Timurid Empire disintegrated, control of the immediate territory passed on to the Kazakh Khanate, which made Yasi, then renamed Turkestan, its capital in the 16th century
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Taj Mahal
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The Taj Mahal is an ivory-white marble mausoleum on the south bank of the Yamuna river in the Indian city of Agra. It was commissioned in 1632 by the Mughal emperor, Shah Jahan, to house the tomb of his favourite wife, Mumtaz Mahal. The tomb is the centrepiece of a 17-hectare complex, which includes a mosque and a guest house, construction of the mausoleum was essentially completed in 1643 but work continued on other phases of the project for another 10 years. The construction project employed some 20,000 artisans under the guidance of a board of architects led by the architect to the emperor. The Taj Mahal was designated as a UNESCO World Heritage Site in 1983 for being the jewel of Muslim art in India and one of the universally admired masterpieces of the worlds heritage. Described by Nobel laureate Rabindranath Tagore as the tear-drop on the cheek of time, it is regarded by many as the best example of Mughal architecture, the Taj Mahal attracts 7–8 million visitors a year. In 2007, it was declared a winner of the New7Wonders of the World initiative. The Taj Mahal was commissioned by Shah Jahan in 1631, to be built in the memory of his wife Mumtaz Mahal, construction of the Taj Mahal began in 1632. The imperial court documenting Shah Jahans grief after the death of Mumtaz Mahal illustrate the story held as the inspiration for Taj Mahal. The principal mausoleum was completed in 1643 and the surrounding buildings, the Taj Mahal incorporates and expands on design traditions of Persian and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including the Gur-e Amir, Humayuns Tomb, Itmad-Ud-Daulahs Tomb, while earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones. Buildings under his patronage reached new levels of refinement, the tomb is the central focus of the entire complex of the Taj Mahal. It is a large, white marble standing on a square plinth and consists of a symmetrical building with an iwan topped by a large dome. Like most Mughal tombs, the elements are Persian in origin. The base structure is a large multi-chambered cube with chamfered corners forming an unequal eight-sided structure that is approximately 55 metres on each of the four long sides. Each side of the iwan is framed with a huge pishtaq or vaulted archway with two similarly shaped arched balconies stacked on either side and this motif of stacked pishtaqs is replicated on the chamfered corner areas, making the design completely symmetrical on all sides of the building. Four minarets frame the tomb, one at each corner of the plinth facing the chamfered corners, the main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan, the actual graves are at a lower level. The most spectacular feature is the dome that surmounts the tomb
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Mosaic
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A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
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Faience
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Faience or faïence is the conventional name in English for fine tin-glazed pottery on a delicate pale buff earthenware body. It is originally associated by French speakers with wares exported from Faenza in northern Italy. The invention of a white pottery glaze suitable for painted decoration, the invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding 1,000 °C was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a variety of pottery from several parts of the world, including many types of European painted wares. Technically, lead-glazed earthenware, such as the French sixteenth-century Saint-Porchaire ware, does not properly qualify as faience, semi-vitreous stoneware may be glazed like faience. However, this material is not pottery at all, containing no clay, the Metropolitan Museum of Art displays a faience hippopotamus from Meir, Egypt, dated to Dynasty 12, ca. Examples of ancient faience are also found in Minoan Crete, which was influenced by Egyptian culture. Faience material, for instance, has recovered from the Knossos archaeological site. The Moors brought the technique of tin-glazed earthenware to Al-Andalus, where the art of lustreware with metallic glazes was perfected, from Málaga in Andalusia and later Valencia these Hispano-Moresque wares were exported, either directly or via the Balearic Islands to Italy and the rest of Europe. This type of Spanish pottery owed much to its Moorish inheritance, in Italy, locally produced tin-glazed earthenwares, initiated in the fourteenth century, reached a peak in the late fifteenth and early sixteenth centuries. The first northerners to imitate the tin-glazed earthenwares being imported from Italy were the Dutch, English Delftware produced in Lambeth, London, and at other centers, from the late sixteenth century, provided apothecaries with jars for wet and dry drugs. Many of the potters in London were Flemish. By about 1600, blue-and-white wares were being produced, labelling the contents within decorative borders, the production was slowly superseded in the second half of the eighteenth century with the introduction of cheap creamware. Dutch potters in northern Germany established German centres of faience, the first manufactories in Germany were opened at Hanau and Heusenstamm, in Switzerland, Zunfthaus zur Meisen near Fraumünster church houses the porcelain and faience collection of the Swiss National Museum in Zurich. Faïence parlante bears mottoes often on decorative labels or banners, wares for apothecaries, including albarello, can bear the names of their intended contents, generally in Latin and often so abbreviated to be unrecognizable to the untutored eye. Mottoes of fellowships and associations became popular in the 18th century, at the low end of the market, local manufactories continued to supply regional markets with coarse and simple wares. These so-called majolica wares were also made by Wedgwood and numerous smaller Staffordshire potteries round Burslem
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Mural
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A mural is any piece of artwork painted or applied directly on a wall, ceiling or other permanent surface. A distinguishing characteristic of painting is that the architectural elements of the given space are harmoniously incorporated into the picture. Some wall paintings are painted on canvases, which are then attached to the wall. Whether these works can be accurately called murals is a subject of controversy in the art world. Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France, many ancient murals have been found within ancient Egyptian tombs, the Minoan palaces and in Pompeii. During the Middle Ages murals were executed on dry plaster. The huge collection of Kerala mural painting dating from the 14th century are examples of fresco secco, in Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting. In modern times, the became more well-known with the Mexican muralism art movement. There are many different styles and techniques, the best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts. The colors lighten as they dry, the marouflage method has also been used for millennia. Murals today are painted in a variety of ways, using oil or water-based media, the styles can vary from abstract to trompe-lœil. Initiated by the works of artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-loeil painting has experienced a renaissance in private. The buon fresco technique consists of painting in pigment mixed with water on a layer of wet, fresh. The pigment is absorbed by the wet plaster, after a number of hours. After this the painting stays for a time up to centuries in fresh. Fresco-secco painting is done on dry plaster, the pigments thus require a binding medium, such as egg, glue or oil to attach the pigment to the wall. By the end of the century this had largely displaced the buon fresco method. This technique had, in reduced form, the advantages of a secco work, in Greco-Roman times, mostly encaustic colors applied in a cold state were used
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Minaret
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A minaret, from Arabic, منارة manāra, lit. lighthouse, also known as Goldaste, is a distinctive architectural structure akin to a tower and typically found adjacent to mosques. Generally a tall spire with a conical or onion-shaped crown, usually either free-standing or taller than associated support structure, the basic form of a minaret includes a base, shaft, and gallery. Styles vary regionally and by period, minarets provide a visual focal point and are traditionally used for the Muslim call to prayer. The purpose of minarets in traditional Eastern region architecture is to serve as a system for a building in very hot climates. That buildings of middle eastern origins have such outstanding features is architecturally intentional, however in modern times, with the invention of the modern air conditioners, the purpose of minarets has changed to traditional symbol. The minaret would be equipped with a speaker that would call people to prayers in Muslim countries. In addition to providing a visual cue to a Muslim community, the call to prayer is issued five times each day, dawn, noon, mid-afternoon, sunset, and night. In most modern mosques, the adhān is called from the musallah via microphone to a system on the minaret. Around 80 years after Muhammads death, the first known minarets appeared, minarets have been described as the gate from heaven and earth, and as the Arabic language letter aleph. The massive minaret of the Great Mosque of Kairouan in Tunisia is the oldest standing minaret and its construction began during the first third of the 8th century and was completed in 836 CE. The imposing square-plan tower consists of three sections of decreasing size reaching 31.5 meters, considered as the prototype for minarets of the western Islamic world, it served as a model for many later minarets. The tallest minaret, at 210 metres is located at the Hassan II Mosque in Casablanca, the tallest brick minaret is Qutub Minar located in Delhi, India. In some of the oldest mosques, such as the Great Mosque of Damascus, the basic form of minarets consists of three parts, a base, shaft, and a gallery. For the base, the ground is excavated until a foundation is reached. Gravel and other supporting materials may be used as a foundation, minarets may be conical, square, cylindrical, or polygonal. Stairs circle the shaft in a fashion, providing necessary structural support to the highly elongated shaft. The gallery is a balcony that encircles the upper sections from which the muezzin may give the call to prayer, styles and architecture can vary widely according to region and time period. Here are a few styles and the localities from which they derive, Tunisia Quadrangular, turkish 1,2,4 or 6 minarets related to the size of the mosque
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History of Persian domes
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Persian domes or Iranian domes have an ancient origin and a history extending to the modern era. Drums, after the Ilkanate era, tend to be similar and have an average height of 30 to 35 meters from the ground. They are where windows are located, inner shells are commonly semi-circular, semi-elliptical, pointed, or saucer shaped. The outer shell of a Persian dome reduces in thickness every 25 or 30 degrees from the base, outer shells can be semi-circular, semi-elliptical, pointed, conical, or bulbous, and this outer shape is used to categorize them. Pointed domes can be sub-categorized as having shallow, medium, and sharp profiles, double domes use internal stiffeners with wooden struts between the shells, with the exception of those with conical outer shells. Persian architecture likely inherited a tradition of dome-building dating back to the earliest Mesopotamian domes. Due to the scarcity of wood in many areas of the Iranian plateau, although they had palaces of brick and stone, the kings of Achaemenid Persia held audiences and festivals in domical tents derived from the nomadic traditions of central Asia. They were likely similar to the tents of the Mongol Khans. Called Heavens, these tents emphasized the significance of the divine ruler. They were adopted by Alexander the Great after his conquest of the empire, the remains of a large domed circular hall measuring 17 meters in diameter in the Parthian capital city of Nyssa has been dated to perhaps the first century AD. It likely had a wooden dome, the Sun Temple at Hatra appears to indicate a transition from columned halls with trabeated roofing to vaulted and domed construction in the first century AD, at least in Mesopotamia. The domed sanctuary hall of the temple was preceded by a vaulted iwan. An account of a Parthian domed palace hall from around 100 AD in the city of Babylon can be found in the Life of Apollonius of Tyana by Philostratus. The hall was used by the king for passing judgments and was decorated with a mosaic of blue stone to resemble the sky, with images of gods in gold. A bulbous Parthian dome can be seen in the sculpture of the Arch of Septimius Severus in Rome. Previous transitions to a dome from a square chamber existed but were makeshift in quality and only attempted on a small scale, the squinch enabled domes to be widely used and they moved to the forefront of Persian architecture as a result. The ruins of the Palace of Ardashir and Ghaleh Dokhtar in Fars Province, Iran, the three domes of the Palace of Ardashir are 45 feet in diameter and vertically elliptical, each with a central opening or oculus to admit light. They were built with stone and mortar and covered with plaster on the interior
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Capital city
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A capital city is the municipality exercising primary status in a country, state, province, or other region, usually as its seat of government. A capital is typically a city that encompasses the offices and meeting places of its respective government. In some jurisdictions, including countries, the different branches of government are located in different settlements. In some cases, a distinction is made between the capital and the seat of government, which is in another place. The word capital derives from the Latin caput, meaning head, in several English-speaking states, the terms county town, county seat, and borough seat are also used in lower subdivisions. In unitary states, subnational capitals are known as administrative centres. The capital is often, but not necessarily, the largest city of its constituent, historically, the major economic centre of a state or region often becomes the focal point of political power, and becomes a capital through conquest or federation. Examples are Ancient Babylon, Abbasid Baghdad, Ancient Athens, Rome, Constantinople, Changan, Ancient Cusco, Madrid, Paris, London, Moscow, Beijing, Tokyo, Vienna, and Berlin. Some of these cities are or were also religious centres, e. g. Constantinople, Rome, Jerusalem, Ancient Babylon, Moscow, Belgrade, Paris, and Peking. A capital city that is also the economic, cultural. The convergence of political and economic or cultural power is by no means universal, traditional capitals may be economically eclipsed by provincial rivals, e. g. Nanking by Shanghai, Quebec City by Montreal, and numerous US state capitals. The decline of a dynasty or culture could also mean the extinction of its city, as occurred at Babylon. Although many capitals are defined by constitution or legislation, many long-time capitals have no legal designation as such, for example Bern, Edinburgh, Lisbon, London, Paris, are located in or near them. In Canada, there is a capital, while the ten provinces. The states of such countries as Mexico, Brazil, and Australia all have capital cities, for example, the six state capitals of Australia are Adelaide, Brisbane, Hobart, Melbourne, Perth, and Sydney. In Australia, the capital cities is regularly used, to refer to the aforementioned state capitals plus the federal capital Canberra and Darwin. Abu Dhabi is the city of the Emirate of Abu Dhabi. In unitary states which consist of multiple constituent countries, such as the United Kingdom or the Kingdom of Denmark, the national capitals of Germany and Russia, the Stadtstaat of Berlin and the Federal City of Moscow, are also constituent states of both countries in their own right
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Zanjan, Iran
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Zanjan is the capital of Zanjan Province in Iranian Azerbaijan. It lies 298 km north-west of Tehran on the highway to Tabriz and Turkey. The city is located about 20 kilometers south of the Qaflankuh Mountain Range, at the 2016 census, its population was 433,475 which is the 20th largest city in Iran. The population of Zanjan consists mostly of Iranian Azerbaijanis who speak Azeri Turkish, Zanjan is known for its beautiful handcrafts such as knives, traditional sandals, called charoogh, and malileh, a handcraft made with silver wires. Zanjani artists make many things like decorative dishes and their special covers as well as silver jewelry. In ancient times, Zanjan was known for its stainless and sharp knives, but this tradition is gradually becoming extinct by introduction of Chinese-made knives into the market which are far cheaper, more abundant and of course less artistic. Many villagers today are traditional carpet weavers, perhaps Zanjans most popular handcraft, Zanjans population boasts the highest level of happiness among the people of 30 other provinces in Iran, according to a detailed survey conducted by Isna. Hamdollah Mostowfi, the Iranian traveler and historian, in his claims that Zanjan was built by Ardashir I. One important moment in the history of the city was in 1851 when the city became a center for the Babi uprisings, along with Neyriz and a fortress known as Shaykh Tabarsi. The forces of the government captured the Babi fort in Zanjan after a long siege on the orders of Grand Vizier Amir Kabir. According to Bosworth, who quotes Hamdollah Mostowfi, the inhabitants during the Ilkhanid era spoke pure Pahlawi, Zanjan has a cold semi-arid climate with hot, dry summers and cold, moist winters, often with snowfall. Precipitation is very low, and mostly falls between October and May and it is located in Enghelab sports complex. The facility also includes standard speed climbing walls, the citys football team is Shahrdari Zanjan who play in the 2nd Division
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Counties of Iran
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The counties of Iran, also called shahrestan, are administrative divisions of larger provinces. The word shahrestan comes from the Persian words shahr and stān, county, therefore, is a near equivalent of shahrestan. Iranian counties are divided into one or more bakhsh, or districts, a typical county includes both cities and rural agglomerations, which are groupings of adjacent villages. One city within the county serves as the capital of that county, in 2005, Iran had 324 shahrestans. To better understand these subdivisions, the table is useful. Assume that province P is divided into two counties, A and B, county A has 3 districts, Central, X, and Y. The Central district is the district that contains City M, the capital of the county, each district contains one or more cities and/or one or more RAs. The minimal county consists of one city as the only district, named Central. The county B in the table is of such type
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