1.
Evelyn De Morgan
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Evelyn De Morgan was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones and her paintings exhibit spirituality, use of mythological, biblical, and literary themes, the role of women, light and darkness as metaphors, life and death, and allegories of war. Evelyn was educated at home and started drawing lessons when she was 15, on the morning of her seventeenth birthday, Evelyn recorded in her diary, Art is eternal, but life is short… I will make up for it now, I have not a moment to lose. She went on to persuade her parents to let her go to art school, at first they discouraged it, but in 1873 she was enrolled at the Slade School of Art. She was granted a scholarship at Slade which entitled her to three years of financial assistance, however, since the scholarship required that she draw nudes using charcoal and she did not care for this technique, she eventually declined it. She was also a pupil of her uncle John Roddam Spencer Stanhope, beginning in 1875, Evelyn often visited him in Florence where he lived. This also enabled her to study the great artists of the Renaissance and this influenced her to move away from the classical subjects favored by the Slade school and to make her own style. She first exhibited in 1877 at the Grosvenor Gallery in London, in August 1883 Evelyn met the ceramicist William De Morgan, and in 5 March 1887, they married. They spent their lives together in London, De Morgan, a pacifist, expressed her horror at the First World War and South African War in over fifteen war paintings including The Red Cross and S. O. S. Two years after his death in 1917, she died on 2 May 1919 in London and was buried in Brookwood Cemetery, near Woking, in August 1875 Evelyn sold her first work Tobias and the Angel. Her first exhibited painting, St Catherine of Alexandria was shown at the Dudley Gallery in 1876, in 1877, Evelyn exhibited two works at Dudley Gallery and is invited to exhibit at the first Grosvenor Gallery exhibition. In October 1991, sixteen canvases were destroyed in a fire at Bourlets warehouse, Tobias and the Angel Cadmus and Harmonia Ariadne at Naxos Aurora Triumphans, Russell-Cotes Museum, Bournemouth. The Garden of Opportunity Life and Thought Emerging from the Tomb, Walker Art Gallery, flora Eos, Columbia Museum of Art, Columbia, South Carolina. The Undiscovered Country, Columbia Museum of Art, Columbia, South Carolina Lux in Tenebris Boreas and Oreithyia Earthbound Angel of Death, the impact of science and spiritualism on the works of Evelyn De Morgan 1870-1919. Women Artists and the Pre-Raphaelite Movement
2.
Legendary creature
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A legendary creature is an animal or part human described in non-historical stories that sometimes involve the supernatural. In the classical era, monstrous creatures such as the Cyclops, other creatures, such as the unicorn, were claimed in accounts of natural history by various scholars of antiquity. Some legendary creatures have their origin in traditional mythology and were believed to be creatures, for example dragons, griffins. Others were based on real encounters, originating in garbled accounts of travelers tales, such as the Vegetable Lamb of Tartary, a variety of mythical animals appear in the art and stories of the Classical era. For example in the Odyssey, monstrous creatures include the Cyclops, Scylla, in other tales there appear the Medusa to be defeated by Perseus, the Minotaur to be destroyed by Theseus, and the Hydra to be killed by Heracles, while Aeneas battles with the harpies. These monsters thus have the function of emphasising the greatness of the heroes involved. Some classical era creatures, such as the centaur, chimaera, Triton, similarly, sphinxes appear as winged lions in Indian art. In Medieval art, animals, both real and mythical, played important roles and these included decorative forms as in Medieval jewellery, sometimes with their limbs intricately interlaced. Animal forms were used to add humour or majesty to objects, in Christian art, animals carried symbolic meanings, where for example the lamb symbolised Christ, a dove indicated the Holy Spirit, and the classical griffin represented a guardian of the dead. Medieval bestiaries included animals regardless of reality, the basilisk represented the devil. One function of animals in the Middle Ages was allegory. Unicorns, for example, were described as swift and unable to be caught by traditional methods. It was believed that the way for one to catch this beast was to lead a virgin to its dwelling. Then, the unicorn was supposed to leap into her lap and go to sleep, in terms of symbolism, the unicorn was a metaphor for Christ. Unicorns represented the idea of innocence and purity, in the King James Bible, Psalm 92,10 states, My horn shalt thou exalt like the horn of an unicorn. This is because the translators of the King James erroneously translated the Hebrew word reem as unicorn, later versions translate this as wild ox. The unicorn’s small size signifies the humility of Christ, another common legendary creature which served allegorical functions within the Middle Ages was the dragon. Dragons were identified with serpents, though their attributes were greatly intensified, the dragon was supposed to have been larger than all other animals
3.
Nymph
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A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. They are beloved by many and dwell in mountainous regions and forests by lakes, charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, nymphs were the frequent target of satyrs. The Greek word νύμφη has bride and veiled among its meanings, other readers refer the word to a root expressing the idea of swelling. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by people in the springs. Among the Roman literate class, their sphere of influence was restricted, the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as nereids. At that time, John Cuthbert Lawson wrote and they might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, when parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Due to widespread use of the term among lay persons and stereotypes attached, professionals nowadays prefer the term hypersexuality, the word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov, the main character, Humbert Humbert, uses the term many times, usually in reference to the title character. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification, rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically. She is the consort of Acheron, and the mother of Ascalaphus, leuce, lover of Hades Minthe, lover of Hades, rival of Persephone Melinoe Orphic nymph, daughter of Persephone and Zeus disguised as Pluto. Her name is an epithet of Hecate. Nymphs in such groupings could belong to any of the mentioned above. For lists of Naiads, Oceanids, Dryades etc and this motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube
4.
Elf
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An elf is a type of supernatural being in Germanic mythology and folklore. Reconstructing the early concept of an elf depends almost entirely on texts in Old English or relating to Norse mythology, later evidence for elves appears in diverse sources such as medical texts, prayers, ballads, and folktales. Legends of álfar may have been changing and were perhaps always heterogeneous so it might be argued that any particular source will only reflect the state of affairs at one given time. However, the character of beliefs in elves across the Germanic-speaking world has varied considerably across time, space. In Old Norse mythological texts, elves seem at least at times to be counted among the gods, in medieval German texts they seem more consistently monstrous. Elves are prominently associated with sexual threats, seducing people and causing them harm, for example, a number of early modern ballads in the British Isles and Scandinavia, originating in the medieval period, describe human encounters with elves. In English literature of the Elizabethan era, elves became conflated with the fairies of Romance culture, German Romanticist writers were influenced by this notion of the elf, and reimported the English word elf in that context into the German language. In Scandinavia, probably through a process of euphemism, elves often came to be conflated with the called the huldra or huldufólk. Meanwhile, German folklore has tended to see the conflation of elves with dwarfs, the Christmas elves of contemporary popular culture are of relatively recent tradition, popularized during the late nineteenth-century in the United States. Elves entered the high fantasy genre in the wake of works published by authors such as J. R. R. Tolkien, for which. The English word elf is from the Old English word most often attested as ælf, although this word took a variety of forms in different Old English dialects, these converged on the form elf during the Middle English period. During the Old English period, separate forms were used for female elves, the main medieval Germanic cognates of elf are Old Norse alfr, plural alfar, and Old High German alp, plural alpî, elpî. These words must come from Common Germanic, the ancestor-language of English, German, and the Scandinavian languages, Germanic *ɑlβi-z~*ɑlβɑ-z is generally agreed to be cognate with the Latin albus, Old Irish ailbhín, Albanian elb, and Germanic words for ‘swan’ such as Modern Icelandic álpt. These all come from an Indo-European base *albh-, and seem to be connected by whiteness, the Germanic word presumably originally meant white person, perhaps as a euphemism. Jakob Grimm thought that whiteness implied positive moral connotations, and, noting Snorri Sturlusons ljósálfar and this is not necessarily the case, however. Compare descriptions such as ‘swan white’ to describe the beauty of fair complexion, Norse cultural values view masculinity as an ideal of beauty, which the Alfr personifies. For example, the Norse Eddas similarly celebrate the beauty of Baldr. Icelandic Sagas celebrate the beauty of the giants, and certain warrior kings that descend from them
5.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
6.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
7.
Trees in mythology
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Trees are significant in many of the worlds mythologies and religions, and have been given deep and sacred meanings throughout the ages. Human beings, observing the growth and death of trees, evergreen trees, which largely stay green throughout these cycles, are sometimes considered symbols of the eternal, immortality or fertility. The image of the Tree of life or world tree occurs in many mythologies, in folk religion and folklore, trees are often said to be the homes of tree spirits. Germanic paganism as well as Celtic polytheism both appear to have involved cultic practice in sacred groves, especially grove of oak, the term druid itself possibly derives from the Celtic word for oak. The Egyptian Book of the Dead mentions sycamores as part of the scenery where the soul of the deceased finds blissful repose, Trees are an attribute of the archetypical locus amoenus. In many parts of the travelers have observed the custom of hanging objects upon trees in order to establish some sort of a relationship between themselves and the tree. Throughout Europe, trees are known as sites of pilgrimages, ritual ambulation, wreaths, ribbons or rags are suspended to win favor for sick humans or livestock, or merely for good luck. Popular belief associates the sites with healing, bewitching, or mere wishing, in India, the Korwas hang rags on the trees which form the shrines of the village gods. In South America, Darwin recorded a tree honored by numerous offerings, libations were made to it and this great tree acts as an Axis mundi, supporting or holding up the cosmos, and providing a link between the heavens, earth, and underworld. In European mythology, the example is the tree Yggdrasil from Norse mythology. Numerous popular stories throughout the world reflect a belief in an intimate connection between a human being and a tree, plant or flower. Here one of the brothers leaves his heart on the top of the flower of the acacia, sometimes, however, the tree is a mysterious token which shows its sympathy with an absent hero by weakening or dying, as the man becomes ill or loses his life. These two features very easily combine, and they agree in representing to us mysterious sympathy between tree and human life, sometimes, boughs or plants are selected and the individual draws omens of life and death. Again, a person will put themselves into relationship with a tree by depositing upon it something which has been in contact with them. Often a tree will be associated with oracles, the oak of Dodona was tended by priests who slept on the ground. Important sacred trees are also the object of pilgrimage, one of the most noteworthy being the branch of the Bo tree at Sri Lanka brought thither before the Christian era. The tree spirits will hold sway over the surrounding forest or district, the custom of transferring disease or sickness from men to trees is well known. Where the tree has been injured, its recovery and that of the patient are often associated
8.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
9.
Oak
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An oak is a tree or shrub in the genus Quercus of the beech family, Fagaceae. There are approximately 600 extant species of oaks, the common name oak also appears in the names of species in related genera, notably Lithocarpus, as well as in those of unrelated species such as Grevillea robusta and the Casuarinaceae. North America contains the largest number of oak species, with approximately 90 occurring in the United States, the second greatest center of oak diversity is China, which contains approximately 100 species. Oaks have spirally arranged leaves, with lobate margins in many species, also, the acorns contain tannic acid, as do the leaves, which helps to guard from fungi and insects. Many deciduous species are marcescent, not dropping dead leaves until spring, in spring, a single oak tree produces both male flowers and small female flowers. The fruit is a nut called an acorn, borne in a structure known as a cupule, each acorn contains one seed and takes 6–18 months to mature. The live oaks are distinguished for being evergreen, but are not actually a distinct group, the oak tree is a flowering plant. Oaks may be divided into two genera and a number of sections, The genus Quercus is divided into the following sections, Quercus, the white oaks of Europe, Asia and North America. Styles are short, acorns mature in 6 months and taste sweet or slightly bitter, the leaves mostly lack a bristle on their lobe tips, which are usually rounded. The type species is Quercus robur, Mesobalanus, Hungarian oak and its relatives of Europe and Asia. Styles long, acorns mature in about 6 months and taste bitter, the section Mesobalanus is closely related to section Quercus and sometimes included in it. Cerris, the Turkey oak and its relatives of Europe and Asia, styles long, acorn mature in 18 months and taste very bitter. The inside of the shell is hairless. Its leaves typically have sharp tips, with bristles at the lobe tip. Protobalanus, the live oak and its relatives, in southwest United States. Styles short, acorns mature in 18 months and taste very bitter, the inside of the acorn shell appears woolly. Leaves typically have sharp tips, with bristles at the lobe tip. Lobatae, the red oaks of North America, Central America, styles long, acorns mature in 18 months and taste very bitter
10.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
11.
Titan (mythology)
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In Greek mythology, the Titans and Titanesses were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympian deities. Based on Mount Othrys, the Titans most famously included the first twelve children of the primordial Gaia and they were giant deities of incredible strength, who ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities. The first twelve Titans comprised the females Mnemosyne, Tethys, Theia, Phoebe, Rhea, and Themis and the males Oceanus, Hyperion, Coeus, Cronus, Crius, like Cronus overthrowing his father Uranus, the Titans were overthrown by Cronus children, in the Titanomachy. The Greeks may have borrowed this mytheme from the Ancient Near East, Greeks of the classical age knew of several poems about the war between the Olympians and Titans. The dominant one, and the one that has survived, was in the Theogony attributed to Hesiod. A lost epic, Titanomachia was mentioned in passing in an essay On Music that was attributed to Plutarch. The Titans also played a prominent role in the poems attributed to Orpheus, although only scraps of the Orphic narratives survive, they show interesting differences with the Hesiodic tradition. Sometimes the elders are supplanted, and sometimes the rebels lose and are either cast out of power entirely or incorporated into the pantheon, the Titanomachy lasted for ten years. The Titans were imprisoned in Tartarus after the war had ended, Tartarus is the deepest spot known in the Underworld, where the most evil beings would be cast into to be tortured for all eternity. Hesiod does not have the last word on the Titans, surviving fragments of poetry ascribed to Orpheus preserve some variations on the myth. In such text, Zeus does not simply set upon his father violently, instead, Rhea spreads out a banquet for Cronus so that he becomes drunk upon fermented honey. Rather than being consigned to Tartarus, Cronus is dragged—still drunk—to the cave of Nyx, another myth concerning the Titans that is not in Hesiod revolves around Dionysus. At some point in his reign, Zeus decides to give up the throne in favor of the infant Dionysus, who like the infant Zeus, is guarded by the Kouretes. The Titans decide to slay the child and claim the throne for themselves, they paint their faces white with gypsum, distract Dionysus with toys, then him and boil. Zeus, enraged, slays the Titans with his thunderbolt, Athena preserves the heart in a gypsum doll and this story is told by the poets Callimachus and Nonnus, who call this Dionysus Zagreus, and in a number of Orphic texts, which do not. Pindar, Plato, and Oppian refer offhandedly to the Titanic nature of humans, according to them, the body is the titanic part, while soul is the divine part of humans. Other early writers imply that humanity was born out of the malevolent blood shed by the Titans in their war against Zeus, Martin Litchfield West also asserts this in relation to shamanistic initiatory rites of early Greek religious practices. Beekes connects the word with τιτώ, burket, Walter, The Orientalizing Revolution, Near Eastern Influence on Greek Culture in the Early Archaic Age, Harvard University Press,1995
12.
Twelve Olympians
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Hades and Persephone were sometimes included as part of the twelve Olympians, although in general Hades was excluded, because he resided permanently in the underworld and never visited Olympus. The Twelve Olympians, also known as the Dodekatheon, were the deities of the Greek pantheon. The Olympians gained their supremacy in a war of gods in which Zeus led his siblings to victory over their predecessor gods. The concept of the Twelve Gods is older than any extant Greek or Roman source, the gods meet in council in the Homeric epics, but the first ancient reference to religious ceremonies for the Olympians collectively is found in the Homeric Hymn to Hermes. The Greek cult of the Twelve Olympians can be traced to 6th-century BC Athens, the Altar of the Twelve Gods at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. In ancient Greek religion, the Olympian Gods and the Cults of Twelve Gods were often relatively distinct concepts, while the number was fixed at twelve, there was considerable variation as to which deities were included. However, the twelve as most commonly portrayed in art and poetry were Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes and either Hestia, or Dionysus. Hades, known in the Eleusinian tradition as Pluto, was not usually included among the Olympians because his realm was the underworld. Plato connected the Twelve Olympians with the months, and implies that he considered Pluto one of the twelve in proposing that the final month be devoted to him. In Phaedrus, Plato seems to exclude Hestia from the rank of the great gods. At Olympia there were six altars dedicated to six pairs of gods, Zeus and Poseidon, Hera and Athena, Hermes and Apollo, the Charites and Dionysus, Artemis and Alpheus, the historian Herodotus states that Heracles was included as one of the Twelve by some. At Kos, Heracles and Dionysus are added to the Twelve, for Pindar, the Bibliotheca, and Herodorus of Heraclea, Heracles is not one of the Twelve Gods, but the one who established their cult. Lucian includes Heracles and Asclepius as members of the Twelve, without explaining which two had to give way for them, hebe, Helios, Selene, Eos, Eros and Persephone are other important gods and goddesses who are sometimes included in a group of twelve. Eros is often depicted alongside the twelve, especially his mother Aphrodite. Notes ^ Romans also associated Phoebus with Helios and the sun itself, however, ^ According to an alternate version of her birth, Aphrodite was born of Uranus, Zeus grandfather, after Cronus threw his castrated genitals into the sea. This supports the etymology of her name, foam-born, as such, Aphrodite would belong to the same generation as Cronus, Zeus father, and would be Zeus aunt. See the birth of Aphrodite The following gods and goddess are sometimes included as one of the twelve Olympians, the following gods and goddesses were not usually counted as Olympians, although they had close ties to them. Aeolus – King of the winds, keeper of the Anemoi, Alpheus – God of the River Alpheus
13.
Chthonic
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The translation of meaning discusses deities or spirits of the underworld, especially in Greek religion. The Greek word khthon is one of several for earth, it refers to the interior of the soil, rather than the living surface of the land. These include, but are not strictly limited to, Demeter. Nocturnal ritual sacrifice was a practice in many chthonic cults. When the sacrifice was a creature, the animal was placed in a bothros or megaron. In some Greek chthonic cults, the animal was sacrificed on a raised bomos, offerings were usually burned whole or buried rather than being cooked and shared among the worshippers. C. He does, however, note that this may be somewhat of an overgeneralization, the myths associating the underworld chthonic deities and fertility were not exclusive. Myths about the later Olympian deities also described an association with the fertility, thus Demeter and Persephone both watched over aspects of the fertility of land, yet Demeter had a typically Olympian cult while Persephone had a chthonic one. Also, Demeter was worshiped alongside Persephone with identical rites, and yet occasionally was classified as an Olympian in late poetry, the absorption of some earlier cults into the newer pantheon versus those that resisted being absorbed is suggested as providing the later myths. The categories Olympian and chthonic were not, however, completely separate, some Olympian deities, such as Hermes and Zeus, also received chthonic sacrifices and tithes in certain locations. The deified heroes Heracles and Asclepius might be worshipped as gods or chthonic heroes, depending on the site, moreover, a few deities are not easily classifiable under these terms. Hecate, for instance, was typically offered puppies at crossroads—a practice neither typical of an Olympian sacrifice nor of a sacrifice to Persephone or the heroes. Because of her roles, Hecate is generally classed as chthonic. As well, the chthonic has connotations with regard to gender, in cultural anthropology, men associated with the above, the sky, and women associated with the below, with the earth, water of the underground, and the chthonic deities. This was by no means universal, in Ancient Egypt the main deity of the earth was the male god Geb, his consort was Nut. The term allochthon in structural geology is used to describe a large block of rock which has moved from its original site of formation. From the Greek allo meaning other and chthon designating the process of the mass being moved under the earth. Chthonic law Earth mother Geomancy Life-death-rebirth deities Sky father The dictionary definition of chthonic at Wiktionary
14.
Hamadryad
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A hamadryad is a Greek mythological being that lives in trees. They are a type of dryad, which are a particular type of nymph. Hamadryads are born bonded to a certain tree, some believe that hamadryads are the actual tree, while normal dryads are simply the entities, or spirits, of the trees. If the tree died, the associated with it died as well. For that reason, dryads and the gods punished any mortals who harmed trees, the cracker butterfly is more arboreal than most butterflies, as it commonly camouflages itself on trees. It feeds on sap, rotting fruit and dung, the hamadryas baboon is one of the least arboreal monkeys, but was the most common monkey in Hellenic lands. Hamadryad is referenced as a whole in Edgar Allan Poes poem, Hamadryad is referenced in Anthony Ashley Coopers Characteristics of Men, Manners, Opinions, Times. In Aldous Huxleys Crome Yellow, Anne Wimbush is referred to as the slim Hamadryad whose movements were like the swaying of a tree in the wind. George Eliots character, Philip Wakem, uses the term to describe Maggie Tulliver, in The Mill on The Floss, Book V, william Faulkners character, Januarius Jones, uses this term to describe a young lady in Soldiers Pay, Chapter 2. Both hamadryads and dryads exist in C. S. Lewiss Narnia
15.
Hesperides
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In Greek mythology, the Hesperides are the nymphs of evening and golden light of sunset, who were the Daughters of the Evening or Nymphs of the West. They tend a garden in a far western corner of the world, located near the Atlas mountains in North Africa at the edge of the encircling Oceanus. The name means originating from Hesperos, Hesperos, or vesper in Latin, is the origin of the name Hesperus, the evening star as well as having a shared root with the English word west. Ordinarily the Hesperides number three, like the other Greek triads, since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality and they are sometimes portrayed as the evening daughters of Night either alone, or with Darkness, in accord with the way Eos in the farthermost east, in Colchis, is the daughter of the titan Hyperion. Or they are listed as the daughters of Atlas, or of Zeus, in another source, the nymphs are said to be the daughters of Hesperus. Nevertheless, among the names given to them, though never all at once, is the colour of the setting sun, red, yellow or gold. Pseudo-Apollodorus gives the number of the Hesperides as four, named, Aigle, Erytheia, Hesperia, fulgentius gives four Hesperides, named, Aegle, Hesperie, Medusa and Arethusa. Apollonius of Rhodes gives their names as Aigle, Erytheis and Hespere, hyginus in his preface to the Fabulae names them as Aegle, Hesperie and Aerica. In another source, they are named Ægle, Arethusa and Hesperethusa, an ancient vase painting attests the following names as four, Asterope, Chrysothemis, Hygieia and Lipara, on another seven names as Aiopis, Antheia, Donakis, Kalypso, Mermesa, Nelisa and Tara. A Pyxis has Hippolyte, Mapsaura, and Thetis, petrus Apianus attributed to these stars a mythical connection of their own. He believed that they were the seven Hesperides, nymph daughters of the Atlas and their names were, Aegle, Erythea, Arethusa, Hestia, Hespera, Hesperusa and Hespereia. In the far west of the world, Hesperis is appropriately the personification of the evening and the Evening Star is Hesperus. In addition to their tending of the garden, they were said to have great pleasure in singing. Erytheia is one of the Hesperides, the name was applied to an island close to the coast of southern Hispania, which was the site of the original Punic colony of Gades. By Ephorus and Philistides it is called Erythia, by Timæus and Silenus Aphrodisias, the island was the seat of Geryon, who was overcome by Heracles. The Garden of the Hesperides is Heras orchard in the west, the trees were planted from the fruited branches that Gaia gave to Hera as a wedding gift when Hera accepted Zeus. The Hesperides were given the task of tending to the grove, not trusting them, Hera also placed in the garden a never-sleeping, hundred-headed dragon named Ladon as an additional safeguard
16.
Leuce (mythology)
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In Greco-Roman mythology, Leuce or Leuka was the most beautiful of the nymphs and a daughter of Oceanus. Pluto fell in love with her and abducted her to the underworld and it was this tree with which Herakles crowned himself to celebrate his return from the underworld. Maurus Servius Honoratus identifies the tree as the poplar, the leaf of which is distinctively two-sided, one white. The double color, Servius says, made a wreath that represented the duality of the heros labors in both the upper and the underworld. In a founding myth of the 1st century BC, Herakles is supposed to have established the Arvernian oppidum of Alesia, celebrants of the Bacchic rites wore a wreath of poplar leaves to honor the chthonic aspect of Dionysus. At Elis, white poplar was the wood used in sacrifices to Zeus, according to Pausanias, because Herakles imported the tree. The oak is the sacred tree of Zeus, and the substitution among the Eleans may simply reflect the more widespread growth habit of the poplar there. The hero was supposed to have discovered the tree growing on the banks of the upperworld Acheron in Thesprotia, Pausanias says this is the reason for the Homeric epithet Acherōïda for the white poplar, which was also called leukē in Greek. The white poplar might be worn as a crown at athletic contests in honor of Herakles and its infernal origin made it appropriate for funeral games, which played an important role in the development of Greek athletics. The white poplar was also sacred to Persephone, for whom Leuce seems to be a doublet, robert Graves used the myth of Leuce in developing his poetic theories of mythology. Graves, for instance, holds that the back of the leaf was turned white by the sweat of Herakles. In The White Goddess, he names the white poplar as one of the three trees of resurrection, along with alder and cypress
17.
Naiad
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In Greek mythology, the Naiads are a type of female spirit, or nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water. They are distinct from gods, who embodied rivers. Arethusa, the nymph of a spring, could make her way through subterranean flows from the Peloponnesus, the Greek word is Ναϊάς, plural Ναϊάδες It derives from νάειν, to flow, or νᾶμα, running water. Naiad has several English pronunciations, /ˈneɪæd/, /ˈneɪəd/, /ˈnaɪæd/, /ˈnaɪəd/ and they were often the object of archaic local cults, worshipped as essential to humans. Boys and girls at coming-of-age ceremonies dedicated their childish locks to the local naiad of the spring, in places like Lerna their waters ritual cleansings were credited with magical medical properties. Oracles might be situated by ancient springs, Naiads could be dangerous, Hylas of the Argos crew was lost when he was taken by naiads fascinated by his beauty. The naiads were also known to exhibit jealous tendencies, salmacis forced the youth Hermaphroditus into a carnal embrace and, when he sought to get away, fused with him. The loves and rapes of Zeus, according to Graves readings, so, in the back-story of the myth of Aristaeus, Hypseus, a king of the Lapiths, married Chlidanope, a naiad, who bore him Cyrene. Aristaeus had more than ordinary mortal experience with the naiads, when his bees died in Thessaly and his aunt Arethusa invited him below the waters surface, where he was washed with water from a perpetual spring and given advice. St. Charles Avenue in New Orleans was formerly known as Nyades Street, and is parallel to Dryades Street. Crinaeae Eleionomae Limnades or Limnatides Pegaeae Potameides Bibliotheca 2.95,2.11,2.21,2.23,1.61,1.81,1.7.6 Homer. Odyssey 13.355,17.240, Iliad 14.440,20.380 Ovid, theogony Burkert, Walter, Greek Religion, Harvard University Press,1985. Robert Graves, The Greek Myths 1955 Edgar Allan Poe, Sonnet to Science 1829 The Naiades Naiad Nymphs
18.
Nephele
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In Greek mythology, Nephele was a cloud nymph who figured prominently in the story of Phrixus and Helle. Nephele was also the goddess of hospitality, Greek myth also has it that Nephele is the cloud whom Zeus created in the image of Hera to trick Ixion to test his integrity after displaying his lust for Hera during a feast as a guest of Zeus. Ixion failed in restraining his lust for Hera, thus fathering the Centaurs, Nephele married Athamas, but he divorced her for Ino. Phrixus and Helle, the son and daughter of Athamas and Nephele, were hated by their stepmother, Ino hatched a devious plot to get rid of the twins, roasting all the towns crop seeds so they would not grow. The local farmers, frightened of famine, asked an oracle for assistance. Ino bribed the men sent to the oracle to lie and tell the others that the oracle required the sacrifice of Phrixus, before he was killed though, Phrixus and Helle were rescued by a flying golden ram sent by Nephele, their natural mother. Phrixus and Helle were instructed to not look down to Earth for the duration of their flight, in gratitude, Phrixus gave the king the Golden Fleece of the ram, which Aeetes hung in a tree in his kingdom. The Golden Fleece would later be taken by Jason
19.
Nereid
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In Greek mythology, the Nereids are sea nymphs, the 50 daughters of Nereus and Doris, sister to Nerites. They often accompany Poseidon, the god of the sea, and can be friendly and helpful to sailors, Nereids are particularly associated with the Aegean Sea, where they dwelt with their father Nereus in the depths within a golden palace. The most notable of them are Thetis, wife of Peleus and mother of Achilles, Amphitrite, wife of Poseidon, and Galatea and they symbolized everything that is beautiful and kind about the sea. Their melodious voices sang as they danced around their father and they are represented as very beautiful girls, crowned with branches of red coral and dressed in white silk robes trimmed with gold, but who went barefoot. They were part of Poseidons entourage and carried his trident, in Homers Iliad XVIII, when Thetis cries out in sympathy for the grief of Achilles for the slain Patroclus, her sisters appear. The Nereid Opis is mentioned in Virgils Aeneid and she is called by the goddess Diana to avenge the death of the Amazon-like female warrior Camilla. Diana gives Opis magical weapons for revenge on Camillas killer, the Etruscan Arruns, Opis sees and laments Camillas death and shoots Arruns in revenge as directed by Diana. In modern Greek folklore, the term nereid has come to be used for all nymphs, fairies, or mermaids, Nereid, a moon of the planet Neptune, is named after the Nereids. This list is correlated from four sources, Homers Iliad, Hesiods Theogony, the Bibliotheca, because of this, the total number of names goes beyond fifty
20.
Pegasides
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Pegasides were nymphs from Greek mythology connected to wells and brooks. They are associated with water holes, in particular those the mythical horse Pegasus made by striking the ground with his hooves, Pegasides are connected with the term Pegasis, which means all that descended from Pegasus or originated from him. As a further relation, Pegasis also is the given to the nymph Oenone by the Roman poet Ovid. Pegasides are related to the divinity Pegasus, as laid on some mythic versions this alated stallion was the son of Poseidon, the sea-god of the Greeks. Pegasus was as sacred to the Roman god Neptune and the rivers. According to the narration, the hero Bellerophon needed the untamed Pegasus to help him defeat the monster Chimera. Hence while the steed satisfied his thirst at the fountain Pirene in Corinth, Greece, Pegasus, alarmed by the sudden assault, struck with his hoof against a rock, which then is said to have produced the fountain Hippocrene on Mount Helicon. This spring, and other wells that rose from the blows of Pegasus, are associated with the Pegasides and this way, nymphs in general from wells and brooks, and sometimes the goddesses Muses are themselves also called Pegasides because the fountain Hippocrene was sacred to them. The faiths of the world, an account of all religions and religious sects, their doctrines, rites, ceremonies, edinburgh, London, A. Fullarton & Co. A classical dictionary, containing an account of all the proper names mentioned in ancient authors. New York, E. Duyckinck, G. Long, a Summary of Geography and History, both Ancient and Modern, with an Abridgment of the Fabulous History of Mythology of the Greeks. London, printed for T. Cadell And W. Davies, walford, Edward, Cox, John C, Apperson, George L. A classical dictionary of biography, mythology, and geography, based on the larger dictionaries, university of Toronto Press, Scholarly Publishing Division
21.
Pleiades (Greek mythology)
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The Pleiades, companions of Artemis, were the seven daughters of the titan Atlas and the sea-nymph Pleione born on Mount Cyllene. They were the sisters of Calypso, Hyas, the Hyades, the Pleiades were nymphs in the train of Artemis, and together with the seven Hyades were called the Atlantides, Dodonides, or Nysiades, nursemaids and teachers to the infant Dionysus. They were thought to have translated to the night sky as a cluster of stars, the Pleiades. Classicists debate the origin of the name Pleiades and it ostensibly derives from the name of their mother, Pleione, effectively meaning daughters of Pleione. However, in reality the name of the star-cluster almost certainly came first, Pleiades probably actually derives from πλεῖν because of the clusters importance in delimiting the sailing season in the Mediterranean Sea, the season of navigation began with their heliacal rising. Several of the most prominent male Olympian gods engaged in affairs with the seven heavenly sisters and these relationships resulted in the birth of their children. Maia, eldest of the seven Pleiades, was mother of Hermes by Zeus, electra was mother of Dardanus and Iasion, by Zeus. Taygete was mother of Lacedaemon, also by Zeus, alcyone was mother of Hyrieus, Hyperenor and Aethusa by Poseidon. Celaeno was mother of Lycus and Nycteus by Poseidon, and of Eurypylus also by Poseidon, sterope was mother of Oenomaus by Ares. Merope, youngest of the seven Pleiades, was wooed by Orion, in other mythic contexts she married Sisyphus and, becoming mortal, faded away. Sometimes they are related to the Hesperides, nymphs of the morning star, after Atlas was forced to carry the heavens on his shoulders, Orion began to pursue all of the Pleiades, and Zeus transformed them first into doves, and then into stars to comfort their father. The constellation of Orion is said to pursue them across the night sky. One of the most memorable myths involving the Pleiades is the story of how these sisters literally became stars, their catasterism. According to some versions of the tale, all seven sisters committed suicide because they were so saddened by either the fate of their father, Atlas, or the loss of their siblings, the Hyades. In turn Zeus, the ruler of the Greek gods, immortalized the sisters by placing them in the sky, there these seven stars formed the star cluster known thereafter as the Pleiades. The Greek poet Hesiod mentions the Pleiades several times in his Works, as the Pleiades are primarily winter stars, they feature prominently in the ancient agricultural calendar. The poet Lord Tennyson mentions the Pleiades in his poem Locksley Hall, Many a night I saw the Pleiads, rising through the mellow shade, Glitter like a swarm of fire-flies tangled in a silver braid. The loss of one of the sisters, Merope, in some myths may reflect an astronomical event wherein one of the stars in the Pleiades star cluster disappeared from view by the naked eye
22.
Potamides (mythology)
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Potamides /ˌpoʊˈtæmᵻˌdiːz/, were a type of water nymphs of Greco-Roman mythology. They were assigned as a class of nymphs of water known as naiads. However they had their names and also sometimes could be distinguished by the name of the country in which they inhabited. The rivers were the domains of potamides as well as of the nymphs Fluviales, every creek had its potamide, who as local divinities, and like all the naiads, were daughters of the gods of rivers, also called Potamoi deities. And many of these hellish potamides, the Avernales, were believed to be owners of prophetic ability, like any nymph, potamides were considered subject to mortality but with a long life. Potamides showed themselves very favorably inclined to young girls, and gently removed the freckles from all who bathed in their streams, on the other hand, they had an aggressive behavior directed at young men coming near their watery territories, whom they dragged down to their abodes. Regarded as a class of minor female divinities, they were believed to inspire those that drank of their waters. Thus potamides, and nymphs in general, were conceived to be endowed with power, to inspire men with the same prophetic gift. Accordingly, in parts of Greece, offerings of honey, oil, milk, but never of wine. In Sicily was commemorated an annual celebration in their honor, Dictionary of Greek and Roman biography and mythology. The Encyclopædia Britannica, or Dictionary of Arts, Sciences, selections from the German Poets, with interlinear translations, notes and complete vocabularies, and a dissertation on mythology by F. B. Iconographic encyclopaedia of science, literature, and art, Volume 4, olympus and its inhabitants, a narrative sketch of the classical mythology, with an appendix containing a survey of the Egyptian mythology in its relation to the classical. A manual of classical mythology, or, A companion to the Greek and Latin poets, designed chiefly to explain words, phrases and epithets, from the fables, london, Printed for Baldwin and Cradock, and J. Dowding. Lemprière, John, Lorenzo L Da Ponte, John D Ogilby, bibliotheca classica, or, A dictionary of all the principal names and terms relating to the geography, topography, history, literature and mythology of the ancients. Rose, Herbert J. Gods and heroes of the Greeks, a Commentary, mythological, historical, and geographical on Popes Homer, and Drydens Aeneid of Virgil
23.
Fraxinus
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Fraxinus /ˈfræksᵻnəs/, English name ash, is a genus of flowering plants in the olive and lilac family, Oleaceae. It contains 45–65 species of medium to large trees, mostly deciduous though a few subtropical species are evergreen. The genus is widespread across much of Europe, Asia and North America, the trees common English name, ash, traces back to the Old English æsc, while the generic name originated in Latin. Both words also mean spear in their respective languages, the leaves are opposite, and mostly pinnately compound, simple in a few species. The seeds, popularly known as keys or helicopter seeds, are a type of known as a samara. Rowans or mountain ashes have leaves and buds superficially similar to those of true ashes, species are organized according to phylogenetic analysis. – California ash or two-petal ash Fraxinus anomala Torr, ex S. Watson – singleleaf ash Fraxinus quadrangulata Michx. – blue ash Fraxinus lowellii – Lowell ash Fraxinus trifoliata Section Melioides sensu lato Fraxinus chiisanensis Fraxinus cuspidata Torr. – fragrant ash Fraxinus platypoda Fraxinus spaethiana Lingelsh, – Späths ash Section Melioides sensu stricto Fraxinus uhdei Lingelsh. – Shamel ash or tropical ash Fraxinus latifolia Benth, – Oregon ash Fraxinus papillosa Lingelsh. – Chihuahua ash Fraxinus americana L. – white ash or American ash Fraxinus profunda Bush – pumpkin ash Fraxinus pennsylvanica Marshall – green ash Fraxinus velutina Torr, – velvet ash or Arizona ash Fraxinus berlandieriana DC. – Mexican ash Fraxinus caroliniana Mill, – Carolina ash Fraxinus texensis Sarg. – Texas ash Section Pauciflorae Fraxinus greggii A. ex DC, – Afghan ash Fraxinus dimorpha Section Fraxinus Fraxinus nigra Marshall – black ash Fraxinus mandschurica Rupr. – Manchurian ash Fraxinus holotricha Koehne Fraxinus angustifolia Vahl – narrow-leafed ash Fraxinus angustifolia subsp, oxycarpa – Caucasian ash Claret ash or raywood ash Fraxinus angustifolia subsp. – European ash Fraxinus pallisiae Wilmott – Pallis ash Fraxinus sogdiana Bge Section Ornus Fraxinus griffithii C. B. Clarke – Griffiths ash Fraxinus micrantha Lingelsh, – Chinese ash or Korean ash Fraxinus japonica – Japanese ash Fraxinus longicuspis Fraxinus floribunda Wall. – Himalayan manna ash Fraxinus ornus L. – manna ash or flowering ash Fraxinus bungeana DC, – Bunges ash Fraxinus paxiana Lingelsh. The emerald ash borer is a wood-boring beetle accidentally introduced to North America from eastern Asia via solid wood packing material in the late 1980s to early 1990s and it has killed tens of millions of trees in 15 states in the United States and adjacent Ontario in Canada. It threatens some seven billion ash trees in North America, the public is being cautioned not to transport unfinished wood products, such as firewood, to slow the spread of this insect pest. The disease has infected about 90% of Denmarks ash trees, in 2016, the ash tree was reported as in danger of extinction in Europe
24.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
25.
Rhea (mythology)
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Rhea is the Titaness daughter of the earth goddess Gaia and the sky god Uranus, in Greek mythology and sister and wife to Cronus. In early traditions, she is known as the mother of gods and therefore is associated with Gaia and Cybele. The classical Greeks saw her as the mother of the Olympian gods and goddesses, the Romans identified her with Magna Mater, and the Goddess Ops. Alternatively, the name Rhea may be connected with words for the pomegranate, ῥόα, the name Rhea may ultimately derive from a pre-Greek or Minoan source. Cronus sired six children by Rhea, Hestia, Hades, Demeter, Poseidon, Hera, and Zeus in that order. Apart from Zeus, he swallowed all as soon as they were born, because he had learned from Gaia and Uranus that, as he had overthrown his own father, he was destined to be overcome by his own child. When Zeus was about to be born, however, Rhea sought Uranus and Gaia to devise a plan to him, so that Cronus would get his retribution for his acts against Uranus. Rhea gave birth to Zeus in Crete, and saved him by handing Cronus a stone wrapped in swaddling clothes, Rhea hid Zeus in a cave on Mount Ida in Crete. Her attendants, the warrior-like Curetes and Dactyls, acted as a bodyguard for the infant Zeus, Rhea had no strong local cult or identifiable activity under her control. She was originally worshiped in the island of Crete, identified in mythology as the site of Zeuss infancy and her cults employed rhythmic, raucous chants and dances, accompanied by the tympanon, to provoke a religious ecstasy. Her priests impersonated her mythical attendants, the Curetes and Dactyls, with a clashing of bronze shields, in Roman religion, her counterpart Cybele was Magna Mater deorum Idaea, who was brought to Rome and was identified in Roman mythology as an ancestral Trojan deity. On a functional level, Rhea was thought equivalent to Roman Ops or Opis, the one at Mycenae is most characteristic, with a lioness placed on either side of a pillar that symbolizes the goddess. In Homer, Rhea is the mother of the gods, although not a mother like Cybele. In the Argonautica by Apollonius of Rhodes, the fusion of Rhea, for her temenos they wrought an image of the goddess, a xoanon, from a vine-stump. They leapt and danced in their armour, For this reason the Phrygians still worship Rhea with tambourines, the name of the bird species rhea is derived from the goddess name Rhea. The second largest moon of the planet Saturn is named after her, gantz, Timothy, Early Greek Myth, A Guide to Literary and Artistic Sources, Johns Hopkins University Press,1996, Two volumes, ISBN 978-0-8018-5360-9, ISBN 978-0-8018-5362-3. Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, Homer, The Iliad with an English Translation by A. T
26.
Crete
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Crete is the largest and most populous of the Greek islands, 88th-largest island in the world and the fifth-largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete and a number of surrounding islands and islets constitute the region of Crete, the capital and the largest city is Heraklion. As of 2011, the region had a population of 623,065, Crete forms a significant part of the economy and cultural heritage of Greece, while retaining its own local cultural traits. It was once the centre of the Minoan civilization, which is regarded as the earliest recorded civilization in Europe. The island is first referred to as Kaptara in texts from the Syrian city of Mari dating from the 18th century BC, repeated later in Neo-Assyrian records and it was also known in ancient Egyptian as Keftiu, strongly suggesting a similar Minoan name for the island. The current name of Crete is thought to be first attested in Mycenaean Greek texts written in Linear B, through the words
27.
Uranus (mythology)
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Uranus was the primal Greek god personifying the sky. His name in Roman mythology was Caelus, in Ancient Greek literature, Uranus or Father Sky was the son and husband of Gaia, Mother Earth. According to Hesiods Theogony, Uranus was conceived by Gaia alone, elemental Earth, Sky and Styx might be joined, however, in a solemn invocation in Homeric epic. The most probable etymology traces the name to a Proto-Greek form *worsanós enlarged from *ṷorsó-, the basic Indo-European root is *ṷérs- ‘to rain, moisten’, making Ouranos the ‘rainmaker’. A less likely etymology is a derivative with meaning ‘the one standing on high’ from PIE *ṷérso-, georges Dumézil’s equation of Ouranos’ name with that of the Vedic deity Váruṇa, god of the sky and waters, is etymologically untenable. In Hesiods Theogony, Uranus is the offspring of Gaia, the earth goddess, alcman and Callimachus elaborate that Uranus was fathered by Aether, the god of heavenly light and the upper air. Under the influence of the philosophers, Cicero, in De Natura Deorum, claims that he was the offspring of the ancient gods Aether and Hemera, Air, according to the Orphic Hymns, Uranus was the son of Nyx, the personification of night. Uranus was the brother of Pontus, the God of the sea, further, according to the Theogony, when Cronus castrated Uranus, from Uranus blood, which splattered onto the earth, came the Erinyes, the Giants, and the Meliae. In the Olympian creation myth, as Hesiod tells it in the Theogony, Uranus came every night to cover the earth and mate with Gaia, but he hated the children she bore him. Hesiod named their first six sons and six daughters the Titans, Uranus imprisoned Gaias youngest children in Tartarus, deep within Earth, where they caused pain to Gaia. She shaped a great flint-bladed sickle and asked her sons to castrate Uranus, only Cronus, youngest and most ambitious of the Titans, was willing, he ambushed his father and castrated him, casting the severed testicles into the sea. For this fearful deed, Uranus called his sons Titanes Theoi, from the blood that spilled from Uranus onto the Earth came forth the Giants, the Erinyes, the Meliae, and, according to some, the Telchines. From the genitals in the sea came forth Aphrodite, after Uranus was deposed, Cronus re-imprisoned the Hekatonkheires and Cyclopes in Tartarus. Uranus and Gaia then prophesied that Cronus in turn was destined to be overthrown by his own son, zeus, through deception by his mother Rhea, avoided this fate. These ancient myths of distant origins were not expressed in cults among the Hellenes, the function of Uranus was as the vanquished god of an elder time, before real time began. After his castration, the Sky came no more to cover the Earth at night, but held to its place, Uranus was scarcely regarded as anthropomorphic, aside from the genitalia in the castration myth. He was simply the sky, which was conceived by the ancients as a dome or roof of bronze. Olympus is almost always used of, but ouranos often refers to the sky above us without any suggestion that the gods
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Apple
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The apple tree is a deciduous tree in the rose family best known for its sweet, pomaceous fruit, the apple. It is cultivated worldwide as a tree, and is the most widely grown species in the genus Malus. The tree originated in Central Asia, where its wild ancestor, Apples have been grown for thousands of years in Asia and Europe, and were brought to North America by European colonists. Apples have religious and mythological significance in many cultures, including Norse, Greek, Apple trees are large if grown from seed. Generally apple cultivars are propagated by grafting onto rootstocks, which control the size of the resulting tree, There are more than 7,500 known cultivars of apples, resulting in a range of desired characteristics. Different cultivars are bred for various tastes and uses, including cooking, eating raw, trees and fruit are prone to a number of fungal, bacterial and pest problems, which can be controlled by a number of organic and non-organic means. In 2010, the genome was sequenced as part of research on disease control. Worldwide production of apples in 2014 was 84.6 million tonnes, the apple is a deciduous tree, generally standing 1.8 to 4.6 m tall in cultivation and up to 12 m in the wild. When cultivated, the size, shape and branch density are determined by rootstock selection, the leaves are alternately arranged dark green-colored simple ovals with serrated margins and slightly downy undersides. Blossoms are produced in spring simultaneously with the budding of the leaves, the 3 to 4 cm flowers are white with a pink tinge that gradually fades, five petaled, with an inflorescence consisting of a cyme with 4–6 flowers. The central flower of the inflorescence is called the king bloom, it opens first, the fruit matures in late summer or autumn, and cultivars exist with a wide range of sizes. Commercial growers aim to produce an apple that is 7.0 to 8.3 cm in diameter, due to market preference. Some consumers, especially those in Japan, prefer a larger apple, while apples below 5.7 cm are generally used for making juice and have little market value. The skin of ripe apples is generally red, yellow, green, pink, the skin may also be wholly or partly russeted i. e. rough and brown. The skin is covered in a layer of epicuticular wax. The exocarp is generally pale yellowish-white, though pink or yellow also occur. The original wild ancestor of Malus pumila was Malus sieversii, found growing wild in the mountains of Central Asia in southern Kazakhstan, Kyrgyzstan, Tajikistan, in strains without recent admixture the contribution of the latter predominates. It had about 57,000 genes, the highest number of any plant genome studied to date and this new understanding of the apple genome will help scientists in identifying genes and gene variants that contribute to resistance to disease and drought, and other desirable characteristics
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Caryatid
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A caryatid is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term karyatides literally means maidens of Karyai, an ancient town of Peloponnese, the best-known and most-copied examples are those of the six figures of the Caryatid Porch of the Erechtheion on the Acropolis at Athens. One of those original six figures, removed by Lord Elgin in the early 19th century, is now in the British Museum in London, the Acropolis Museum holds the other five figures, which are replaced onsite by replicas. The five originals that are in Athens are now being exhibited in the new Acropolis Museum, the pedestal for the Caryatid removed to London remains empty. From 2011 to 2015, they were cleaned by a specially constructed laser beam, each Caryatid was cleaned in place, with a television circuit relaying the spectacle live to museum visitors. Their bulky, intricately arranged hairstyles serve the purpose of providing static support to their necks. The Romans also copied the Erechtheion caryatids, installing copies in the Forum of Augustus and the Pantheon in Rome, another Roman example, found on the Via Appia, is the Townley Caryatid. Early interior examples are the figures of Hercules and Iole carved on the jambs of a fireplace in the Sala della Jole of the Doges Palace, Venice. In the following century Jacopo Sansovino, both sculptor and architect, carved a pair of female figures supporting the shelf of a marble chimneypiece at Villa Garzoni, near Padua. No architect mentioned the device until 1615, when Palladios pupil Vincenzo Scamozzi included a chapter devoted to chimneypieces in his Idea della archittura universale. In the early 17th century, interior examples appear in Jacobean interiors in England, many caryatids lined up on the facade of the 1893 Palace of the Arts housing the Museum of Science and Industry in Chicago. In the arts of design, the draped figure supporting an acanthus-grown basket capital taking the form of a candlestick or a table-support is a familiar cliché of neoclassical decorative arts, the John and Mable Ringling Museum of Art in Sarasota has caryatids as a motif on its eastern facade. Auguste Rodins 1881 sculpture Fallen Caryatid Carrying her Stone shows a fallen caryatid, robert Heinlein described this piece in Stranger in a Strange Land, Now here we have another emotional symbol. For almost three years or longer, architects have designed buildings with columns shaped as female figures. After all those centuries it took Rodin to see that this was too heavy for a girl. Here is this poor little caryatid who has tried — and failed and she didnt give up, Ben, shes still trying to lift that stone after it has crushed her. The origins of the term are unclear and it is first recorded in the Latin form caryatides by the Roman architect Vitruvius. However, Vitruvius explanation is doubtful, well before the Persian Wars, female figures were used as supports in Greece
