1.
Evelyn De Morgan
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Evelyn De Morgan was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones and her paintings exhibit spirituality, use of mythological, biblical, and literary themes, the role of women, light and darkness as metaphors, life and death, and allegories of war. Evelyn was educated at home and started drawing lessons when she was 15, on the morning of her seventeenth birthday, Evelyn recorded in her diary, Art is eternal, but life is short… I will make up for it now, I have not a moment to lose. She went on to persuade her parents to let her go to art school, at first they discouraged it, but in 1873 she was enrolled at the Slade School of Art. She was granted a scholarship at Slade which entitled her to three years of financial assistance, however, since the scholarship required that she draw nudes using charcoal and she did not care for this technique, she eventually declined it. She was also a pupil of her uncle John Roddam Spencer Stanhope, beginning in 1875, Evelyn often visited him in Florence where he lived. This also enabled her to study the great artists of the Renaissance and this influenced her to move away from the classical subjects favored by the Slade school and to make her own style. She first exhibited in 1877 at the Grosvenor Gallery in London, in August 1883 Evelyn met the ceramicist William De Morgan, and in 5 March 1887, they married. They spent their lives together in London, De Morgan, a pacifist, expressed her horror at the First World War and South African War in over fifteen war paintings including The Red Cross and S. O. S. Two years after his death in 1917, she died on 2 May 1919 in London and was buried in Brookwood Cemetery, near Woking, in August 1875 Evelyn sold her first work Tobias and the Angel. Her first exhibited painting, St Catherine of Alexandria was shown at the Dudley Gallery in 1876, in 1877, Evelyn exhibited two works at Dudley Gallery and is invited to exhibit at the first Grosvenor Gallery exhibition. In October 1991, sixteen canvases were destroyed in a fire at Bourlets warehouse, Tobias and the Angel Cadmus and Harmonia Ariadne at Naxos Aurora Triumphans, Russell-Cotes Museum, Bournemouth. The Garden of Opportunity Life and Thought Emerging from the Tomb, Walker Art Gallery, flora Eos, Columbia Museum of Art, Columbia, South Carolina. The Undiscovered Country, Columbia Museum of Art, Columbia, South Carolina Lux in Tenebris Boreas and Oreithyia Earthbound Angel of Death, the impact of science and spiritualism on the works of Evelyn De Morgan 1870-1919. Women Artists and the Pre-Raphaelite Movement
2.
Nymph
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A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. They are beloved by many and dwell in mountainous regions and forests by lakes, charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, nymphs were the frequent target of satyrs. The Greek word νύμφη has bride and veiled among its meanings, other readers refer the word to a root expressing the idea of swelling. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by people in the springs. Among the Roman literate class, their sphere of influence was restricted, the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as nereids. At that time, John Cuthbert Lawson wrote and they might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, when parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Due to widespread use of the term among lay persons and stereotypes attached, professionals nowadays prefer the term hypersexuality, the word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov, the main character, Humbert Humbert, uses the term many times, usually in reference to the title character. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification, rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically. She is the consort of Acheron, and the mother of Ascalaphus, leuce, lover of Hades Minthe, lover of Hades, rival of Persephone Melinoe Orphic nymph, daughter of Persephone and Zeus disguised as Pluto. Her name is an epithet of Hecate. Nymphs in such groupings could belong to any of the mentioned above. For lists of Naiads, Oceanids, Dryades etc and this motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube
3.
Elf
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An elf is a type of supernatural being in Germanic mythology and folklore. Reconstructing the early concept of an elf depends almost entirely on texts in Old English or relating to Norse mythology, later evidence for elves appears in diverse sources such as medical texts, prayers, ballads, and folktales. Legends of álfar may have been changing and were perhaps always heterogeneous so it might be argued that any particular source will only reflect the state of affairs at one given time. However, the character of beliefs in elves across the Germanic-speaking world has varied considerably across time, space. In Old Norse mythological texts, elves seem at least at times to be counted among the gods, in medieval German texts they seem more consistently monstrous. Elves are prominently associated with sexual threats, seducing people and causing them harm, for example, a number of early modern ballads in the British Isles and Scandinavia, originating in the medieval period, describe human encounters with elves. In English literature of the Elizabethan era, elves became conflated with the fairies of Romance culture, German Romanticist writers were influenced by this notion of the elf, and reimported the English word elf in that context into the German language. In Scandinavia, probably through a process of euphemism, elves often came to be conflated with the called the huldra or huldufólk. Meanwhile, German folklore has tended to see the conflation of elves with dwarfs, the Christmas elves of contemporary popular culture are of relatively recent tradition, popularized during the late nineteenth-century in the United States. Elves entered the high fantasy genre in the wake of works published by authors such as J. R. R. Tolkien, for which. The English word elf is from the Old English word most often attested as ælf, although this word took a variety of forms in different Old English dialects, these converged on the form elf during the Middle English period. During the Old English period, separate forms were used for female elves, the main medieval Germanic cognates of elf are Old Norse alfr, plural alfar, and Old High German alp, plural alpî, elpî. These words must come from Common Germanic, the ancestor-language of English, German, and the Scandinavian languages, Germanic *ɑlβi-z~*ɑlβɑ-z is generally agreed to be cognate with the Latin albus, Old Irish ailbhín, Albanian elb, and Germanic words for ‘swan’ such as Modern Icelandic álpt. These all come from an Indo-European base *albh-, and seem to be connected by whiteness, the Germanic word presumably originally meant white person, perhaps as a euphemism. Jakob Grimm thought that whiteness implied positive moral connotations, and, noting Snorri Sturlusons ljósálfar and this is not necessarily the case, however. Compare descriptions such as ‘swan white’ to describe the beauty of fair complexion, Norse cultural values view masculinity as an ideal of beauty, which the Alfr personifies. For example, the Norse Eddas similarly celebrate the beauty of Baldr. Icelandic Sagas celebrate the beauty of the giants, and certain warrior kings that descend from them
4.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
5.
Trees in mythology
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Trees are significant in many of the worlds mythologies and religions, and have been given deep and sacred meanings throughout the ages. Human beings, observing the growth and death of trees, evergreen trees, which largely stay green throughout these cycles, are sometimes considered symbols of the eternal, immortality or fertility. The image of the Tree of life or world tree occurs in many mythologies, in folk religion and folklore, trees are often said to be the homes of tree spirits. Germanic paganism as well as Celtic polytheism both appear to have involved cultic practice in sacred groves, especially grove of oak, the term druid itself possibly derives from the Celtic word for oak. The Egyptian Book of the Dead mentions sycamores as part of the scenery where the soul of the deceased finds blissful repose, Trees are an attribute of the archetypical locus amoenus. In many parts of the travelers have observed the custom of hanging objects upon trees in order to establish some sort of a relationship between themselves and the tree. Throughout Europe, trees are known as sites of pilgrimages, ritual ambulation, wreaths, ribbons or rags are suspended to win favor for sick humans or livestock, or merely for good luck. Popular belief associates the sites with healing, bewitching, or mere wishing, in India, the Korwas hang rags on the trees which form the shrines of the village gods. In South America, Darwin recorded a tree honored by numerous offerings, libations were made to it and this great tree acts as an Axis mundi, supporting or holding up the cosmos, and providing a link between the heavens, earth, and underworld. In European mythology, the example is the tree Yggdrasil from Norse mythology. Numerous popular stories throughout the world reflect a belief in an intimate connection between a human being and a tree, plant or flower. Here one of the brothers leaves his heart on the top of the flower of the acacia, sometimes, however, the tree is a mysterious token which shows its sympathy with an absent hero by weakening or dying, as the man becomes ill or loses his life. These two features very easily combine, and they agree in representing to us mysterious sympathy between tree and human life, sometimes, boughs or plants are selected and the individual draws omens of life and death. Again, a person will put themselves into relationship with a tree by depositing upon it something which has been in contact with them. Often a tree will be associated with oracles, the oak of Dodona was tended by priests who slept on the ground. Important sacred trees are also the object of pilgrimage, one of the most noteworthy being the branch of the Bo tree at Sri Lanka brought thither before the Christian era. The tree spirits will hold sway over the surrounding forest or district, the custom of transferring disease or sickness from men to trees is well known. Where the tree has been injured, its recovery and that of the patient are often associated
6.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
7.
Oak
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An oak is a tree or shrub in the genus Quercus of the beech family, Fagaceae. There are approximately 600 extant species of oaks, the common name oak also appears in the names of species in related genera, notably Lithocarpus, as well as in those of unrelated species such as Grevillea robusta and the Casuarinaceae. North America contains the largest number of oak species, with approximately 90 occurring in the United States, the second greatest center of oak diversity is China, which contains approximately 100 species. Oaks have spirally arranged leaves, with lobate margins in many species, also, the acorns contain tannic acid, as do the leaves, which helps to guard from fungi and insects. Many deciduous species are marcescent, not dropping dead leaves until spring, in spring, a single oak tree produces both male flowers and small female flowers. The fruit is a nut called an acorn, borne in a structure known as a cupule, each acorn contains one seed and takes 6–18 months to mature. The live oaks are distinguished for being evergreen, but are not actually a distinct group, the oak tree is a flowering plant. Oaks may be divided into two genera and a number of sections, The genus Quercus is divided into the following sections, Quercus, the white oaks of Europe, Asia and North America. Styles are short, acorns mature in 6 months and taste sweet or slightly bitter, the leaves mostly lack a bristle on their lobe tips, which are usually rounded. The type species is Quercus robur, Mesobalanus, Hungarian oak and its relatives of Europe and Asia. Styles long, acorns mature in about 6 months and taste bitter, the section Mesobalanus is closely related to section Quercus and sometimes included in it. Cerris, the Turkey oak and its relatives of Europe and Asia, styles long, acorn mature in 18 months and taste very bitter. The inside of the shell is hairless. Its leaves typically have sharp tips, with bristles at the lobe tip. Protobalanus, the live oak and its relatives, in southwest United States. Styles short, acorns mature in 18 months and taste very bitter, the inside of the acorn shell appears woolly. Leaves typically have sharp tips, with bristles at the lobe tip. Lobatae, the red oaks of North America, Central America, styles long, acorns mature in 18 months and taste very bitter
8.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
9.
Twelve Olympians
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Hades and Persephone were sometimes included as part of the twelve Olympians, although in general Hades was excluded, because he resided permanently in the underworld and never visited Olympus. The Twelve Olympians, also known as the Dodekatheon, were the deities of the Greek pantheon. The Olympians gained their supremacy in a war of gods in which Zeus led his siblings to victory over their predecessor gods. The concept of the Twelve Gods is older than any extant Greek or Roman source, the gods meet in council in the Homeric epics, but the first ancient reference to religious ceremonies for the Olympians collectively is found in the Homeric Hymn to Hermes. The Greek cult of the Twelve Olympians can be traced to 6th-century BC Athens, the Altar of the Twelve Gods at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. In ancient Greek religion, the Olympian Gods and the Cults of Twelve Gods were often relatively distinct concepts, while the number was fixed at twelve, there was considerable variation as to which deities were included. However, the twelve as most commonly portrayed in art and poetry were Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes and either Hestia, or Dionysus. Hades, known in the Eleusinian tradition as Pluto, was not usually included among the Olympians because his realm was the underworld. Plato connected the Twelve Olympians with the months, and implies that he considered Pluto one of the twelve in proposing that the final month be devoted to him. In Phaedrus, Plato seems to exclude Hestia from the rank of the great gods. At Olympia there were six altars dedicated to six pairs of gods, Zeus and Poseidon, Hera and Athena, Hermes and Apollo, the Charites and Dionysus, Artemis and Alpheus, the historian Herodotus states that Heracles was included as one of the Twelve by some. At Kos, Heracles and Dionysus are added to the Twelve, for Pindar, the Bibliotheca, and Herodorus of Heraclea, Heracles is not one of the Twelve Gods, but the one who established their cult. Lucian includes Heracles and Asclepius as members of the Twelve, without explaining which two had to give way for them, hebe, Helios, Selene, Eos, Eros and Persephone are other important gods and goddesses who are sometimes included in a group of twelve. Eros is often depicted alongside the twelve, especially his mother Aphrodite. Notes ^ Romans also associated Phoebus with Helios and the sun itself, however, ^ According to an alternate version of her birth, Aphrodite was born of Uranus, Zeus grandfather, after Cronus threw his castrated genitals into the sea. This supports the etymology of her name, foam-born, as such, Aphrodite would belong to the same generation as Cronus, Zeus father, and would be Zeus aunt. See the birth of Aphrodite The following gods and goddess are sometimes included as one of the twelve Olympians, the following gods and goddesses were not usually counted as Olympians, although they had close ties to them. Aeolus – King of the winds, keeper of the Anemoi, Alpheus – God of the River Alpheus
10.
Hesperides
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In Greek mythology, the Hesperides are the nymphs of evening and golden light of sunset, who were the Daughters of the Evening or Nymphs of the West. They tend a garden in a far western corner of the world, located near the Atlas mountains in North Africa at the edge of the encircling Oceanus. The name means originating from Hesperos, Hesperos, or vesper in Latin, is the origin of the name Hesperus, the evening star as well as having a shared root with the English word west. Ordinarily the Hesperides number three, like the other Greek triads, since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality and they are sometimes portrayed as the evening daughters of Night either alone, or with Darkness, in accord with the way Eos in the farthermost east, in Colchis, is the daughter of the titan Hyperion. Or they are listed as the daughters of Atlas, or of Zeus, in another source, the nymphs are said to be the daughters of Hesperus. Nevertheless, among the names given to them, though never all at once, is the colour of the setting sun, red, yellow or gold. Pseudo-Apollodorus gives the number of the Hesperides as four, named, Aigle, Erytheia, Hesperia, fulgentius gives four Hesperides, named, Aegle, Hesperie, Medusa and Arethusa. Apollonius of Rhodes gives their names as Aigle, Erytheis and Hespere, hyginus in his preface to the Fabulae names them as Aegle, Hesperie and Aerica. In another source, they are named Ægle, Arethusa and Hesperethusa, an ancient vase painting attests the following names as four, Asterope, Chrysothemis, Hygieia and Lipara, on another seven names as Aiopis, Antheia, Donakis, Kalypso, Mermesa, Nelisa and Tara. A Pyxis has Hippolyte, Mapsaura, and Thetis, petrus Apianus attributed to these stars a mythical connection of their own. He believed that they were the seven Hesperides, nymph daughters of the Atlas and their names were, Aegle, Erythea, Arethusa, Hestia, Hespera, Hesperusa and Hespereia. In the far west of the world, Hesperis is appropriately the personification of the evening and the Evening Star is Hesperus. In addition to their tending of the garden, they were said to have great pleasure in singing. Erytheia is one of the Hesperides, the name was applied to an island close to the coast of southern Hispania, which was the site of the original Punic colony of Gades. By Ephorus and Philistides it is called Erythia, by Timæus and Silenus Aphrodisias, the island was the seat of Geryon, who was overcome by Heracles. The Garden of the Hesperides is Heras orchard in the west, the trees were planted from the fruited branches that Gaia gave to Hera as a wedding gift when Hera accepted Zeus. The Hesperides were given the task of tending to the grove, not trusting them, Hera also placed in the garden a never-sleeping, hundred-headed dragon named Ladon as an additional safeguard
11.
Naiad
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In Greek mythology, the Naiads are a type of female spirit, or nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water. They are distinct from gods, who embodied rivers. Arethusa, the nymph of a spring, could make her way through subterranean flows from the Peloponnesus, the Greek word is Ναϊάς, plural Ναϊάδες It derives from νάειν, to flow, or νᾶμα, running water. Naiad has several English pronunciations, /ˈneɪæd/, /ˈneɪəd/, /ˈnaɪæd/, /ˈnaɪəd/ and they were often the object of archaic local cults, worshipped as essential to humans. Boys and girls at coming-of-age ceremonies dedicated their childish locks to the local naiad of the spring, in places like Lerna their waters ritual cleansings were credited with magical medical properties. Oracles might be situated by ancient springs, Naiads could be dangerous, Hylas of the Argos crew was lost when he was taken by naiads fascinated by his beauty. The naiads were also known to exhibit jealous tendencies, salmacis forced the youth Hermaphroditus into a carnal embrace and, when he sought to get away, fused with him. The loves and rapes of Zeus, according to Graves readings, so, in the back-story of the myth of Aristaeus, Hypseus, a king of the Lapiths, married Chlidanope, a naiad, who bore him Cyrene. Aristaeus had more than ordinary mortal experience with the naiads, when his bees died in Thessaly and his aunt Arethusa invited him below the waters surface, where he was washed with water from a perpetual spring and given advice. St. Charles Avenue in New Orleans was formerly known as Nyades Street, and is parallel to Dryades Street. Crinaeae Eleionomae Limnades or Limnatides Pegaeae Potameides Bibliotheca 2.95,2.11,2.21,2.23,1.61,1.81,1.7.6 Homer. Odyssey 13.355,17.240, Iliad 14.440,20.380 Ovid, theogony Burkert, Walter, Greek Religion, Harvard University Press,1985. Robert Graves, The Greek Myths 1955 Edgar Allan Poe, Sonnet to Science 1829 The Naiades Naiad Nymphs
12.
Fraxinus
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Fraxinus /ˈfræksᵻnəs/, English name ash, is a genus of flowering plants in the olive and lilac family, Oleaceae. It contains 45–65 species of medium to large trees, mostly deciduous though a few subtropical species are evergreen. The genus is widespread across much of Europe, Asia and North America, the trees common English name, ash, traces back to the Old English æsc, while the generic name originated in Latin. Both words also mean spear in their respective languages, the leaves are opposite, and mostly pinnately compound, simple in a few species. The seeds, popularly known as keys or helicopter seeds, are a type of known as a samara. Rowans or mountain ashes have leaves and buds superficially similar to those of true ashes, species are organized according to phylogenetic analysis. – California ash or two-petal ash Fraxinus anomala Torr, ex S. Watson – singleleaf ash Fraxinus quadrangulata Michx. – blue ash Fraxinus lowellii – Lowell ash Fraxinus trifoliata Section Melioides sensu lato Fraxinus chiisanensis Fraxinus cuspidata Torr. – fragrant ash Fraxinus platypoda Fraxinus spaethiana Lingelsh, – Späths ash Section Melioides sensu stricto Fraxinus uhdei Lingelsh. – Shamel ash or tropical ash Fraxinus latifolia Benth, – Oregon ash Fraxinus papillosa Lingelsh. – Chihuahua ash Fraxinus americana L. – white ash or American ash Fraxinus profunda Bush – pumpkin ash Fraxinus pennsylvanica Marshall – green ash Fraxinus velutina Torr, – velvet ash or Arizona ash Fraxinus berlandieriana DC. – Mexican ash Fraxinus caroliniana Mill, – Carolina ash Fraxinus texensis Sarg. – Texas ash Section Pauciflorae Fraxinus greggii A. ex DC, – Afghan ash Fraxinus dimorpha Section Fraxinus Fraxinus nigra Marshall – black ash Fraxinus mandschurica Rupr. – Manchurian ash Fraxinus holotricha Koehne Fraxinus angustifolia Vahl – narrow-leafed ash Fraxinus angustifolia subsp, oxycarpa – Caucasian ash Claret ash or raywood ash Fraxinus angustifolia subsp. – European ash Fraxinus pallisiae Wilmott – Pallis ash Fraxinus sogdiana Bge Section Ornus Fraxinus griffithii C. B. Clarke – Griffiths ash Fraxinus micrantha Lingelsh, – Chinese ash or Korean ash Fraxinus japonica – Japanese ash Fraxinus longicuspis Fraxinus floribunda Wall. – Himalayan manna ash Fraxinus ornus L. – manna ash or flowering ash Fraxinus bungeana DC, – Bunges ash Fraxinus paxiana Lingelsh. The emerald ash borer is a wood-boring beetle accidentally introduced to North America from eastern Asia via solid wood packing material in the late 1980s to early 1990s and it has killed tens of millions of trees in 15 states in the United States and adjacent Ontario in Canada. It threatens some seven billion ash trees in North America, the public is being cautioned not to transport unfinished wood products, such as firewood, to slow the spread of this insect pest. The disease has infected about 90% of Denmarks ash trees, in 2016, the ash tree was reported as in danger of extinction in Europe
