Edward Estlin Cummings, who was mainly known as e e cummings and also E. E. Cummings,, was an American poet, painter, essayist, author, and playwright. He was an ambulance driver during World War I and was in an internment camp, which provided the basis for his novel The Enormous Room (1922). The following year he published his first collection of poetry, Tulips and Chimneys, which showed his early experiments with grammar and typography. He wrote four plays; HIM (1927) and Santa Claus: A Morality (1946) were most successful. He wrote EIMI (1933), a travelogue of the Soviet Union, and delivered the Charles Eliot Norton Lectures in poetry, published as i—six nonlectures (1953). Fairy Tales (1965), a collection of short stories, was published posthumously.
Cummings in 1953
Masthead from volume 56 of The Harvard Monthly; Cummings was an editor and contributor to this literary journal while at Harvard
Grave of E. E. Cummings
Sketched self-portrait circa 1920
Modernist literature, originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. The immense human costs of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In Modernist Literature, Mary Ann Gillies notes that these literary themes share the "centrality of a conscious break with the past", one that "emerges as a complex response across continents and disciplines to a changing world".
Modernist literature scholar David Thorburn saw connections between literary style and impressionist painters such as Claude Monet. Modernist writers, like Monet's paintings of water lilies, suggested an awareness of art as art, rejected realistic interpretations of the world and dramatized "a drive towards the abstract".