Edmund Blampied was one of the most eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 15 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s during the etching revival, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze.
A portrait of the artist by his friend, John St Helier Lander
"An officer and a gentleman", an illustration from The Bystander in 1926
The artist in 1938
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after artists achieving very high prices. This came to an abrupt end after the 1929 Wall Street crash wrecked what had become a very strong market among collectors, at a time when the typical style of the movement, still based on 19th-century developments, was becoming outdated.
David Young Cameron, Horse Guards, St James's Park, signed and inscribed "Trial Proof – unfinished"
Charles-François Daubigny, Moving into the Boat, 1861
Charles Meryon, Abside de Notre Dame, 1854, fourth state of nine.
William Strang, 1882, Potato Lifting, published in The Portfolio.