1.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
2.
Nelson's Column
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Nelsons Column is a monument in Trafalgar Square in central London built to commemorate Admiral Horatio Nelson, who died at the Battle of Trafalgar in 1805. The monument was constructed between 1840 and 1843 to a design by William Railton at a cost of £47,000 and it is a column of the Corinthian order built from Dartmoor granite. The Craigleith sandstone statue of Nelson is by E. H, Baily, and the four bronze lions on the base, added in 1867, were designed by Sir Edwin Landseer. The pedestal is decorated with four relief panels, each 18 feet square. They depict the Battle of Cape St Vincent, the Battle of the Nile, the Battle of Copenhagen, the sculptors were Musgrave Watson, William F. Woodington, John Ternouth, and John Edward Carew, respectively. It was refurbished in 2006 at a cost of £420,000, at time it was surveyed. The whole monument is 169 ft 3 in tall from the bottom of the pedestal to the top of Nelsons hat, a competition was held for designs with an estimated budget of between £20,000 and £30,000. The deadline for submissions was 31 January 1839, flights of steps would lead up between the lions to the pedestal of the column. Several other entrants also submitted schemes for columns, the second prize was won by Edward Hodges Baily who suggested an obelisk surrounded by sculptures. Criticism of the organisation of the competition caused it to be re-run, Railton submitted a slightly revised design, and was once again declared the winner, with the stipulation that the statue of Nelson should be made by EH Baily. The original plan was for a column 203 feet high, including the base and statue, the base was to have been of granite and the shaft of Craigleith sandstone, but before construction began it was decided that the shaft should also be of granite. Excavations for the foundations had begun by July 1840. Construction of the monument, by the contractors Grissell and Peto, progressed slowly, and the stonework, ready for the installation of the statue, was not completed until November 1843. In 1844 the Nelson Memorial Committee ran out of money, having only raised £20,485 in public subscriptions, and the Government, in the form of the Office of Woods and Forests took over the project. Installation of the reliefs on the pedestal did not begin until late 1849. This was followed early the year by William F. Woodingtons relief of the Battle of the Nile on the opposite side. Carews relief was cast by Adams, Christie and Co. of Rotherhithe, the other three were cast by Moore, Fressange and Moore. The last to be made, The Battle of Cape St Vincent became the subject of legal action, the partners in the company were jailed for fraud and the relief was completed by Robinson and Cottam
3.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
4.
Royal Society
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Founded in November 1660, it was granted a royal charter by King Charles II as The Royal Society. The society is governed by its Council, which is chaired by the Societys President, according to a set of statutes and standing orders. The members of Council and the President are elected from and by its Fellows, the members of the society. As of 2016, there are about 1,600 fellows, allowed to use the postnominal title FRS, there are also royal fellows, honorary fellows and foreign members, the last of which are allowed to use the postnominal title ForMemRS. The Royal Society President is Venkatraman Ramakrishnan, who took up the post on 30 November 2015, since 1967, the society has been based at 6–9 Carlton House Terrace, a Grade I listed building in central London which was previously used by the Embassy of Germany, London. The Royal Society started from groups of physicians and natural philosophers, meeting at variety of locations and they were influenced by the new science, as promoted by Francis Bacon in his New Atlantis, from approximately 1645 onwards. A group known as The Philosophical Society of Oxford was run under a set of rules still retained by the Bodleian Library, after the English Restoration, there were regular meetings at Gresham College. It is widely held that these groups were the inspiration for the foundation of the Royal Society, I will not say, that Mr Oldenburg did rather inspire the French to follow the English, or, at least, did help them, and hinder us. But tis well known who were the men that began and promoted that design. This initial royal favour has continued and, since then, every monarch has been the patron of the society, the societys early meetings included experiments performed first by Hooke and then by Denis Papin, who was appointed in 1684. These experiments varied in their area, and were both important in some cases and trivial in others. The Society returned to Gresham in 1673, there had been an attempt in 1667 to establish a permanent college for the society. Michael Hunter argues that this was influenced by Solomons House in Bacons New Atlantis and, to a lesser extent, by J. V. The first proposal was given by John Evelyn to Robert Boyle in a letter dated 3 September 1659, he suggested a scheme, with apartments for members. The societys ideas were simpler and only included residences for a handful of staff and these plans were progressing by November 1667, but never came to anything, given the lack of contributions from members and the unrealised—perhaps unrealistic—aspirations of the society. During the 18th century, the gusto that had characterised the early years of the society faded, with a number of scientific greats compared to other periods. The pointed lightning conductor had been invented by Benjamin Franklin in 1749, during the same time period, it became customary to appoint society fellows to serve on government committees where science was concerned, something that still continues. The 18th century featured remedies to many of the early problems
5.
England
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England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west, the Irish Sea lies northwest of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east, the country covers five-eighths of the island of Great Britain in its centre and south, and includes over 100 smaller islands such as the Isles of Scilly, and the Isle of Wight. England became a state in the 10th century, and since the Age of Discovery. The Industrial Revolution began in 18th-century England, transforming its society into the worlds first industrialised nation, Englands terrain mostly comprises low hills and plains, especially in central and southern England. However, there are uplands in the north and in the southwest, the capital is London, which is the largest metropolitan area in both the United Kingdom and the European Union. In 1801, Great Britain was united with the Kingdom of Ireland through another Act of Union to become the United Kingdom of Great Britain and Ireland. In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain, the name England is derived from the Old English name Englaland, which means land of the Angles. The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages, the Angles came from the Angeln peninsula in the Bay of Kiel area of the Baltic Sea. The earliest recorded use of the term, as Engla londe, is in the ninth century translation into Old English of Bedes Ecclesiastical History of the English People. According to the Oxford English Dictionary, its spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, the etymology of the tribal name itself is disputed by scholars, it has been suggested that it derives from the shape of the Angeln peninsula, an angular shape. An alternative name for England is Albion, the name Albion originally referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus, specifically the 4th century BC De Mundo, in it are two very large islands called Britannia, these are Albion and Ierne. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, the word Albion or insula Albionum has two possible origins. Albion is now applied to England in a poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England, Lloegr, the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximately 780,000 years ago. The oldest proto-human bones discovered in England date from 500,000 years ago, Modern humans are known to have inhabited the area during the Upper Paleolithic period, though permanent settlements were only established within the last 6,000 years
6.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
7.
Physical model
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Physical model is a smaller or larger physical copy of an object. The object being modelled may be small or large, the geometry of the model and the object it represents are often similar in the sense that one is a rescaling of the other, in such cases the scale is an important characteristic. However, in cases the similarity is only approximate or even intentionally distorted. Sometimes the distortion is systematic with e. g. a fixed scale horizontally, physical models allow visualization, from examining the model, of information about the thing the model represents. A model can be an object such as an architectural model of a building. Uses of a model include visualization of internal relationships within the structure or external relationships of the structure to the environment. Other uses of models in this sense are as toys, instrumented physical models are the most effective way of investigating fluid flows such as around hydraulic structures. These models are scaled in terms of geometry and important forces, for example using Froude number or Reynolds number scaling. A physical model of something large is usually smaller, and of something very small is larger, a physical model of something that can move, like a vehicle or machine, may be completely static, or have parts that can be moved manually, or be powered. A physical model may show inner parts that are not visible. The purpose of a model on a smaller scale may be to have a better overview, for testing purposes. A physical model of an animal shows the physical composition without it walking or flying away, and without danger. A soft model of an animal is popular among children and some adults as cuddly toy. some models can be used in different ways as of like prototypes for cars. A model of a person may e. g. be a doll, a statue, and in fiction a robotic humanoid, e. g. the mechas in the movie A. I. A model is a 3D alternative for a 2D representation such as a drawing or photograph, or in the case of a globe, scale model Mathematical model Model organism Model nation Metamodeling Model airplane Model car Model railway Model rocket Model house
8.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
9.
John Flaxman
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John Flaxman R. A. was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career he worked as a modeller for Josiah Wedgwoods pottery and he spent several years in Rome, where he produced his first book illustrations. He was a maker of funerary monuments. His father, also named John, was known as a moulder and seller of plaster casts at the sign of the Golden Head, New Street, Covent Garden. His wifes maiden name was Lee, and they had two children, William and John, within six months of Johns birth the family returned to London. He was a child, high-shouldered, with a head too large for his body. His mother died when he was nine, and his father remarried and he had little schooling, and was largely self-educated. He took delight in drawing and modelling from his fathers stock-in-trade and his fathers customers helped him with books, advice, and later with commissions. Particularly significant were the painter George Romney, and a clergyman, Anthony Stephen Mathew. In the same year,1770, he entered the Academy as a student, in the competition for the gold medal of the Academy in 1772, however, Flaxman was defeated, the prize being awarded by the president, Sir Joshua Reynolds, to a competitor named Engleheart. This episode seemed to help cure Flaxman of a tendency to conceit which led Thomas Wedgwood V to say of him in 1775, It is and he continued to work diligently, both as a student and as an exhibitor at the Academy, with occasional attempts at painting. To the Academy he contributed a wax model of Neptune, four models in wax, a terracotta bust, a wax figure of a child, an historical figure, a figure of Comedy. During this period he received a commission from a friend of the Mathew family for a statue of Alexander the Great, but he was unable to obtain a regular income from private contracts. From 1775 he was employed by the potter Josiah Wedgwood and his partner Bentley, for whom his father had also some work. The usual procedure was to model the reliefs in wax on slate or glass grounds before they cast for production, dHancarvilles engravings of Sir William Hamiltons collection of ancient Greek vases were an important influence on his work. By 1780 Flaxman had also begun to earn money by sculpting grave monuments, during the rest of Flaxmans career memorial bas-reliefs of this type made up the bulk of his output, and are to be found in many churches throughout England. One example, the monument to George Steevens, originally in St Matthais Old Church, is now in the Fitzwilliam Museum, in 1782, aged 27, Flaxman married Anne Denman, who was to assist him throughout his career. She was well-educated, and a devoted companion and they set up house in Wardour Street, and usually spent their summer holidays as guests of the poet William Hayley, at Eartham in Sussex
10.
Hercules
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Hercules is the Roman adaptation of the Greek divine hero Heracles, who was the son of Zeus and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures, the Romans adapted the Greek heros iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a figure with contradictory characteristics, which enabled later artists and writers to pick. This article provides an introduction to representations of Hercules in the later tradition, Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world. One cycle of these adventures became canonical as the Twelve Labours, one traditional order of the labours is found in the Bibliotheca as follows, Slay the Nemean Lion. Capture the Golden Hind of Artemis, clean the Augean stables in a single day. Obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon. Steal the apples of the Hesperides, Hercules was a favorite subject for Etruscan art, and appears often on bronze mirrors. The Etruscan form Herceler derives from the Greek Heracles via syncope, a mild oath invoking Hercules was a common interjection in Classical Latin. Hercules had a number of myths that were distinctly Roman, one of these is Hercules defeat of Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus, Mark Antony considered him a personal patron god, as did the emperor Commodus. Roman brides wore a belt tied with the knot of Hercules. The comic playwright Plautus presents the myth of Hercules conception as a sex comedy in his play Amphitryon, during the Roman Imperial era, Hercules was worshipped locally from Hispania through Gaul. Tacitus records a special affinity of the Germanic peoples for Hercules, in chapter 3 of his Germania, Tacitus states. They say that Hercules, too, once visited them, and they have also those songs of theirs, by the recital of this barditus as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm, some have taken this as Tacitus equating the Germanic Þunraz with Hercules by way of interpretatio romana. In the Roman era Hercules Club amulets appear from the 2nd to 3rd century, distributed over the empire, mostly made of gold, a specimen found in Köln-Nippes bears the inscription DEO HER, confirming the association with Hercules
11.
Alcestis
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Alcestis is a princess in Greek mythology, known for her love of her husband. Her story was popularised in Euripidess tragedy Alcestis and she was the daughter of Pelias, king of Iolcus, and either Anaxibia or Phylomache. In the story, many appeared before King Pelias, her father. It was declared she would marry the first man to yoke a lion, the man who would do this, King Admetus, was helped by Apollo, who had been banished from Olympus for nine years to serve as a shepherd to Admetus. With Apollos help, Admetus completed the task, and was allowed to marry Alcestis. After the wedding, Admetus forgot to make the sacrifice to Artemis. Apollo again helped the king, this time by making the Fates drunk, extracting from them a promise that if anyone would want to die instead of Admetus. Since no one volunteered, not even his parents, Alcestis stepped forth. Shortly after, Heracles rescued Alcestis from Hades, as a token of appreciation for the hospitality of Admetus, Admetus and Alcestis had a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele. Miltons famous sonnet, Methought I Saw My Late Espoused Saint, the Viennese composer Christoph Willibald Gluck wrote an opera based on the story of Alceste. Italian-born French composer Jean-Baptiste Lully wrote an opera, first performed in 1674, george Frideric Handel wrote a masque or semi-opera based on this myth. Rainier Maria Rilke wrote a poem Alkestis, H. P. Lovecraft and Sonia Greene collaborated on a play called Alcestis. Thornton Wilder wrote A Life in the Sun based on Euripides play, the American choreographer Martha Graham created a ballet entitled Alcestis in 1960. In the animated Disney film Hercules, the story of the Megara character also alludes to Alcestis. As Hades tells it, Megara sells her soul for her lover, alcestis—a poem by Rainer Maria Rilke
12.
Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
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Radford, Ernest (1885). "Baily, Edward Hodges". In Stephen, Leslie. Dictionary of National Biography. 2. London: Smith, Elder & Co. p. 427.
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