1.
Bucharest, Romania
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Bucharest is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, at 44°25′57″N 26°06′14″E, on the banks of the Dâmbovița River, less than 60 km north of the Danube River, Bucharest was first mentioned in documents in 1459. It became the capital of Romania in 1862 and is the centre of Romanian media, culture and its architecture is a mix of historical, interbellum, communist-era and modern. In the period between the two World Wars, the citys elegant architecture and the sophistication of its elite earned Bucharest the nickname of Little Paris. Although buildings and districts in the city centre were heavily damaged or destroyed by war, earthquakes. In recent years, the city has been experiencing an economic, in 2016, the historical city centre was listed as endangered by the World Monuments Watch. According to the 2011 census,1,883,425 inhabitants live within the city limits, the urban area extends beyond the limits of Bucharest proper and has a population of about 1.9 million people. Adding the satellite towns around the area, the proposed metropolitan area of Bucharest would have a population of 2.27 million people. According to Eurostat, Bucharest has an urban zone of 2,183,091 residents. According to unofficial data, the population is more than 3 million, Bucharest is the sixth-largest city in the European Union by population within city limits, after London, Berlin, Madrid, Rome, and Paris. Economically, Bucharest is the most prosperous city in Romania and is one of the industrial centres. The city has big convention facilities, educational institutes, cultural venues, traditional shopping arcades, the Romanian name București has an uncertain origin. Tradition connects the founding of Bucharest with the name of Bucur, who was a prince, an outlaw, a fisherman, in Romanian, the word stem bucurie means joy, and it is believed to be of Dacian origin. Other etymologies are given by scholars, including the one of an Ottoman traveler, Evliya Çelebi. A native or resident of Bucharest is called a Bucharester, Bucharests history alternated periods of development and decline from the early settlements in antiquity until its consolidation as the national capital of Romania late in the 19th century. First mentioned as the Citadel of București in 1459, it became the residence of the famous Wallachian prince Vlad III the Impaler, the Ottomans appointed Greek administrators to run the town from the 18th century. A short-lived revolt initiated by Tudor Vladimirescu in 1821 led to the end of the rule of Constantinople Greeks in Bucharest, the Old Princely Court was erected by Mircea Ciobanul in the mid-16th century. Under subsequent rulers, Bucharest was established as the residence of the royal court
2.
Bucharest
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Bucharest is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, at 44°25′57″N 26°06′14″E, on the banks of the Dâmbovița River, less than 60 km north of the Danube River, Bucharest was first mentioned in documents in 1459. It became the capital of Romania in 1862 and is the centre of Romanian media, culture and its architecture is a mix of historical, interbellum, communist-era and modern. In the period between the two World Wars, the citys elegant architecture and the sophistication of its elite earned Bucharest the nickname of Little Paris. Although buildings and districts in the city centre were heavily damaged or destroyed by war, earthquakes. In recent years, the city has been experiencing an economic, in 2016, the historical city centre was listed as endangered by the World Monuments Watch. According to the 2011 census,1,883,425 inhabitants live within the city limits, the urban area extends beyond the limits of Bucharest proper and has a population of about 1.9 million people. Adding the satellite towns around the area, the proposed metropolitan area of Bucharest would have a population of 2.27 million people. According to Eurostat, Bucharest has an urban zone of 2,183,091 residents. According to unofficial data, the population is more than 3 million, Bucharest is the sixth-largest city in the European Union by population within city limits, after London, Berlin, Madrid, Rome, and Paris. Economically, Bucharest is the most prosperous city in Romania and is one of the industrial centres. The city has big convention facilities, educational institutes, cultural venues, traditional shopping arcades, the Romanian name București has an uncertain origin. Tradition connects the founding of Bucharest with the name of Bucur, who was a prince, an outlaw, a fisherman, in Romanian, the word stem bucurie means joy, and it is believed to be of Dacian origin. Other etymologies are given by scholars, including the one of an Ottoman traveler, Evliya Çelebi. A native or resident of Bucharest is called a Bucharester, Bucharests history alternated periods of development and decline from the early settlements in antiquity until its consolidation as the national capital of Romania late in the 19th century. First mentioned as the Citadel of București in 1459, it became the residence of the famous Wallachian prince Vlad III the Impaler, the Ottomans appointed Greek administrators to run the town from the 18th century. A short-lived revolt initiated by Tudor Vladimirescu in 1821 led to the end of the rule of Constantinople Greeks in Bucharest, the Old Princely Court was erected by Mircea Ciobanul in the mid-16th century. Under subsequent rulers, Bucharest was established as the residence of the royal court
3.
House music
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House music is a genre of electronic music created by club DJs and music producers in Chicago in the early 1980s. Early house music was characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals. While house displayed several characteristics similar to music, it was more electronic and minimalistic. House music became popular in Chicago clubs in 1984 and it was pioneered by figures such as Frankie Knuckles, Phuture, Kym Mazelle, and Mr. Fingers, and was associated with African-American and gay subcultures. House music quickly spread to other American cities such as Detroit, New York City, Baltimore, in the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Since the early to mid-1990s, house music has been infused in mainstream pop, in the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a successful genre and a more mainstream pop-based variation grew increasingly popular. House music has also fused with other genres creating fusion subgenres, such as euro house, tech house, electro house. After enjoying significant success in the early to mid-90s, house music grew even larger during the wave of progressive house. The genre has remained popular and fused into other subgenres, for example, ghetto house, deep house. As of 2016, house music popular in both clubs and in the mainstream pop scene while retaining a foothold on underground scenes across the globe. The song structure of music songs typically involves an intro, a chorus, various verse sections, a midsection. Some songs do not have a verse, taking a part from the chorus. The drum beat is one of the important elements within the genre and is almost always provided by an electronic drum machine rather than by a human drummer playing drumkit. The drum beats of house are four on the floor, with bass drums played on every beat, House music is often based on bass-heavy loops or basslines produced by a synthesizer and/or from samples of disco or funk songs. The tempo of most house songs is between 118 and 135 beats per minute, soul music and disco influenced house music. These artists produced longer, more repetitive, and percussive arrangements of existing disco recordings, early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. Rachel Cain, co-founder of an influential Trax Records, was involved in the burgeoning punk scene and cites industrial
4.
Electro (music)
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Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and funk. This is the distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. It also palpably deviates from its predecessor boogie for being less vocal-oriented, following the decline of disco music in the United States, electro emerged as a fusion of funk and New York boogie. Early hip hop and rap combined with German and Japanese electropop influences such as Kraftwerk, Planet Rock was followed later that year by another breakthrough electro record, Nunk by Warp 9. In 1983, Hashim created an electro funk sound which influenced Herbie Hancock, the early 1980s were electros mainstream peak. By the mid 1980s, the genre moved away from its electronic and funk influences, using harder edged beats and rock samples, Electro became popular again in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke. A third wave of popularity occurred in 2007, Electro has branched out into subgenres, including Electrocore and Skweee, which developed in Sweden and Finland. From its inception, one of the characteristics of the electro sound was the use of drum machines, particularly the Roland TR-808. As the genre evolved, computers and sampling replaced drum machines in electronic music and it is important to note, that although the electro of the 1980s and contemporary electro both grew out of the dissolution of disco, they are now different genres. Classic electro drum patterns tend to be electronic emulations of breakbeats, with a kick drum. The difference between electro drumbeats and breakbeats is that electro tends to be mechanical, while breakbeats tend to have more of a human-like feel. The definition however is somewhat ambiguous in nature due to the uses of the term. The Roland TR-808 drum machine hit the market in 1980, defining early electro with its immediately recognizable sound, staccato, percussive drumbeats tended to dominate electro, almost exclusively provided by the TR-808. As an inexpensive way of producing a sound, the TR-808 caught on quickly with the producers of early electro because of the ability of its bass drum to generate extreme low-frequencies. This aspect of the Roland TR-808 was especially appealing to producers who would test drive their tracks in nightclubs and its unique percussion sounds like handclaps, open and closed high-hat, clave and cowbell became integral to the electro sound. A number of songs in the early 1980s employed the TR-808, including Marvin Gaye’s “Sexual Healing, ” Cybotron’s “Clear, ” and Afrika Bambaataa’s “Planet Rock. ”The Roland TR-808 has attained iconic status. Through the use of samples, the Roland TR-808 remains popular in electro, most electro is instrumental, but a common element is vocals processed through a vocoder. Additionally, speech synthesis may be used to create robotic or mechanical lyrical content, as in the iconic Planet Rock, although primarily instrumental, early electro utilized rap
5.
Electro house
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Electro house is a form of house music. Electro house is characterized by a prominent bassline and/or kick drum and its origins were influenced by electro, electroclash, electropop, synthpop, and tech house. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Dimitri Vegas & Like Mike, Hardwell, Skrillex, electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and it is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually around 130 beats per minute, electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. The genre has been described as a genre of house and electro, either in its original form or as fused with electropop and techno in its late-1990s revival. The word electro is now used as an adjective, such as electro-house. Early songs that have been labelled retroactively as electro-house include Dark Invader by Arrivers in 1996, mr. Oizos 1999 hit Flat Beat has also been considered an early example of the genre. Benny Benassi, with his track Satisfaction released in 2002, is seen as the forerunner of electro-house who brought it to the mainstream, by the mid 2000s, electro-house saw an increase in popularity. Since then, electro-house producers such as Feed Me, Knife Party, The M Machine, Porter Robinson, in the early 2010s, a type of electro-house known as big room began to develop, particularly gaining popularity through EDM-oriented events and festivals such as Tomorrowland. Big room now is beginning to subside from the classification of a subgenre of electro house, big room songs resemble Dutch house, often incorporating drops, minimalist percussion, regular beats, sub-bass layered kicks, simple melodies, and synth-driven breakdowns. The layout of a big room track is similar to the layout of a typical electro-house song. Big room is thought of as a subgenre of electro-house, complextro is typified by glitchy, intricate basslines and textures created by sharply cutting between instruments in quick succession. The term, a portmanteau of the complex and electro, was coined by Porter Robinson to describe the sound of the music he was making in 2010. He has cited video game sounds, or chiptunes, as an influence on his style of music along with 1980s analog synth music and it is primarily defined by complex rhythms made from Latin-influenced drum kits, a lower emphasis on basslines, and squeaky, high-pitched lead synths. Influences on the subgenre include Detroit techno, hip hop and other styles of music. It contains influences from Chicago house, Detroit techno, Baltimore club, Kuduro, Pimba, bassline, bouncy techno, dubstep, techstep, hip hop easy listening and world music. Purveyors of the genre include The Bloody Beetroots, AC Slater, Danger, Hervé, Sinden, Jack Beats, the term fidget house was coined by DJs/producers Jesse Rose and Switch, as a joke, which has now gone a little too far
6.
Andrea (Bulgarian singer)
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Teodora Rumenova Andreeva, best known by her stage name Andrea, is a Bulgarian pop-folk singer. She and the Romanian singer Costi Ionita performed together and released music as Sahara, in 2013, BBC described her as a pop-folk superstar. Andreeva was born in Sofia into a musical family and she took music lessons at an early age from her aunt who was an opera singer in the Vraca Opera. During her teenage years she entered and won beauty pageants. After graduating high school, she was signed with Bulgarian music agencies, Payner Music, in 2008, Andrea met Costi Ionita and together they produced the track Само Мой. During the next year, they created the duo Sahara and their next hit song Tyalee was released in 2009 and featured the artist Lenox Brown. The song was released worldwide and known abroad by the name Tyalee, the English version of the song was produced by Cat Music and soon after Serdar Ortac made a Turkish version with the band Sahara. Sahara released another single called Bellezza with Buppy and Geo deSilva, Bellezza was released in Romania, Bulgaria, Italy and France. In 2010 Andrea released Неблагодарен and Хайде опа, Andrea and Costi then went to Miami to work on a new track, I Wanna, performed with Bob Sinclar and Shaggy. I Wanna was released in 2010 in over 50 countries, the next Sahara song was called Mine featuring American R&B singer Mario Winans. She was a TV show host for 3 months on UTV Romania and she followed up with the track Champagne featuring previous collaborator Shaggy. In May 2012, she joined the biggest music company in Romania, Roton Music, where she released a duet with Gabriel Davi Only You, Andrea appeared on the cover of the Italian fashion magazine Donna Salon International. In 2014 Andrea released her song with Alek Sandar Peaceful Place, Andrea discography Огън в кръвта Мен си търсил Andrea Лоша Official website Andrea Official Facebook Andrea Official Twitter Andrea Official YouTube channel Andrea Official Instagram
7.
Akcent
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Akcent is a multi-certified, award-winning Romanian dance pop act whose members sing in Romanian, English, Polish and Spanish. The group was created by Adrian Sînă, and Ramona Barta and their first single Nu-mi pasă de nimeni got positive reactions from critics and became the reason Catalin Muraru signed them to Roton in 1999. They released their debut album Senzatzia in 2000, except for the first track Ultima vara which received some airplay, the album was a commercial failure and the band disbanded. Soon after, Sina brought Marius Nedelcu, Mihai Gruia and Sorin Brotnei into the group and they came to prominence once with the release of their hit single Ti-am promis. The climax of the career was the international release of their breakthrough single Kylie. The song reached peak position in many European charts and fared well enough in countries such as the Netherlands, the band even participated in the Selecția Națională, with hopes of representing Romania in the Eurovision Song Contest. They united with pop singer Nicoleta Matei and entered the song Jockero, nevertheless, it became one of their number-one singles on the Romanian Top 100. They continued to see success all through the late 2000s and early 2010s, born and raised in Baia Mare, Maramureș Adrian Claudiu Sînă formed the band in 1998. Back then, it was just him and singer Ramona Barta, the two sent their debut single to nationwide mainstream radio stations as early as 1999. The song Ultima vara managed to reach the top-twenty of many airplay charts, the duo also released a studio album titled Senzatia. The album didn’t do well and Barta split from Sînă, the duo changed into a boyband when Sina introduced Marius Nedelcu, Mihai Gruia and Sorin Brotnei to the group. Their debut album În culori was released in Romania on January 10,2002 and they rose to fame instantly when Ti-am promis reached the summit of the Romanian Top 100 during winter 2001. The album also one of the most successful albums in the countrys recent history. It received a Gold certification within three weeks, some months later, it was eventually certified Platinum by the Uniunea Producătorilor de Fonograme din România. During this time, they won multiple MTV Romania Music Awards as well, in 2003, the band released their third studio album,100 BPS. It’s title refers to the intensity of heartbeat during a kiss and it included their number-one single Buchet the trandafiri. Their fourth album, Poveste de viata was also a success for the phenomenonal band. They reached the zenith of their success with the release of their studio album S. O. S. and it became their signature song and hit number-one in Romania, both digitally and in airplay
8.
Eurovision Song Contest 2006
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The Eurovision Song Contest 2006 was the 51st Eurovision Song Contest, held at the Olympic Indoor Hall in Athens, Greece on 18 May and 20 May 2006. The hosting national broadcaster of the contest was Ellinikí Radiofonía Tileórasi, the Finnish band Lordi won the contest with the song Hard Rock Hallelujah, written by lead singer Mr. Lordi. Hard Rock Hallelujah was the first ever hard rock song to win the contest, since Eurovision is normally associated with pop music. This was Finlands first victory in Eurovision after waiting forty-five years and it is also noted that they scored the same amount of points in the semi-final and the grand final. In the semi-final, both the hosts sang Katrina and the Waves contest-winning Love Shine A Light, for one of the intervals, Sakis Rouvas sang an English version of his Greek hit Seho Erotefthi called Im in love with you. Helena Paparizou, who performed the song in Kiev, returned to the Eurovision stage in Athens. An official CD and DVD was released and a new introduction was a fan book released from this year. The 2006 contest also saw the 1, 000th song to be performed in the contest, Armenia also entered for the first time in the contest. The venue that was chosen as the host venue, was the Olympic Indoor Hall in Athens, the official logo of the contest remained the same from 2004 and 2005 with the countrys flag in the heart being changed. The 2006 sub-logo created by the design company Karamela for Greek television was based on the Phaistos Disc which is a popular symbol of ancient Greece. According to ERT, it was inspired by the wind and the sea, the golden sunlight, following Istanbuls Under The Same Sky and Kievs Awakening, the slogan for the 2006 show was Feel The Rhythm. This theme was also the basis for the postcards for the 2006 show, to save time in the final, the voting time lasted ten minutes and the voting process was changed, points 1-7 were shown immediately on-screen. The spokespersons only announced the countries scoring 8,10 and 12 points, constantinos Christoforou saluted from Nicosia, the last divided capital in Europe, during Cyprus reading, the telecast displayed Switzerland by mistake. This voting process has been criticized because suspense was lost by only reading three votes instead of ten, and for the first time, the display for the Macedonian entry had the title spelled out in its entirety instead of being abbreviated as it has been in previous years. Participating countries in a Eurovision Song Contest must be members of the EBU. The semi-final was held on 18 May 2006 at 21,00,23 countries performed and all 37 participants and Serbia & Montenegro voted. Shaded countries qualified for the Eurovision Final Notes 1. ^ The song also contained phrases in Spanish,2. ^ The song also contained phrases in French. The finalists were, the four automatic qualifiers France, Germany, Spain and the United Kingdom, the top 10 countries from the 2005 final, the final was held on 20 May 2006 at 21,00 and was won by Finland
9.
Stereo Love
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The refrain is from Bayatılar, composed by Azerbaijani musician Eldar Mansurov. It became a hit in nightclubs and rose to the top of Brazil, French, Dutch, Turkish, Finnish, UK, Norwegian. The song and the video were both included on the compilation NRJ Music Awards 2010. In 2011, the song was awarded as top dance song at the Billboard Music Awards, Stereo Love is set in common time with a moderate tempo of 125 beats per minute. It is set in the key of C# minor with a chord progression of C#m-A-E-G#m. Its notable for featuring a riff played with an accordion by Maya, lyrically the song speaks of a passionate love between two people that is now dying, and their struggle to rekindle that flame. In the video clip, the composer of Stereo Love was indicated as anonymous, both the Office and Edward Maya later confirmed that Mansurovs work was in fact used in the making of Stereo Love. On 19 January 2010, Edward Maya arrived in Baku, Azerbaijan, on the issue date 17 October 2009, the song debuted at number 12 on the French Digital Singles Chart. It became number one on 22 November 2009, with more than 6,142 copies sold and it reached its highest-weekly sales on 3 January 2010 with 9,763 sales. The song remained at one for a total of eight-consecutive weeks. On the issue date 22 November 2009, Stereo Love debuted at number 2 on the French Physical Singles Chart, in Belgium, the single entered at number 40 on 28 November 2009 and reached a peak of number 2 eleven weeks later. In the Netherlands, it was ranked for two weeks atop, eleven weeks in the top 10 and 17 weeks in the top 40, in Switzerland, the single debuted at number 3 and peaked at number 2. In the UK, the song entered the UK Singles Chart at number 4, outside of Europe, Stereo Love also enjoyed success in the Middle East, US, and Canada. It debuted on the U. S. Billboard Hot 100 at number 93 on the week ending 23 October 2010, in 2011, it peaked at number 11 on the Mainstream Top 40 chart. In the United States, the single entered the Billboard Hot Dance Airplay chart at number 23 in the 17 April 2010 issue and it would become the number one Dance Airplay single of 2010 on the Billboard Year-End issue. As of September 2012, the song has sold 2,226,000 copies in the US, on the Italian FIMI chart the song peaked at number 4 for two non-consecutive weeks in April 2010 and spent 17 weeks within the top 10. Stereo Love is the song in the history of the European Hot 100. The official Stereo Love music video has received over 250 million YouTube views on just one video, with copies and forms of the song
10.
George Enescu
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George Enescu, known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher. He is regarded by many as Romanias most important musician, Enescu was born in Romania, in the village of Liveni, in Dorohoi County at the time, today Botoşani County. He showed musical talent from early in his childhood, a child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short pieces survive, all of them for violin, the earliest work of significant length bears the title Pămînt românesc, and is inscribed opus for piano and violin by George Enescu, Romanian composer, aged five years and a quarter. Shortly thereafter, his father presented him to the professor and composer Eduard Caudella. On 5 October 1888, at the age of seven, he became the youngest student ever admitted to the Vienna Conservatory, where he studied with Joseph Hellmesberger, Jr. Robert Fuchs, and Sigismund Bachrich. He was the person ever admitted to this university by a dispensation of age, after only Fritz Kreisler. In 1891, the ten-year-old Enescu gave a concert at the Court of Vienna. Joseph Hellmesberger, Sr. one of his teachers and the director of the Vienna Conservatory, hosted Enescu at his home and he graduated before his 13th birthday, earning the silver medal. In his Viennese concerts young Enescu played works by Brahms, Sarasate, in 1895 he went to Paris to continue his studies. He studied violin with Martin Pierre Marsick, harmony with André Gedalge, Enescu then studied from 1895 to 1899 at the Conservatoire de Paris. André Gedalge said that he was the one who truly had ideas. On 6 February 1898, at the age of only 16, George Enescu presented in Paris his first mature work, Poema Română, played by the Colonne Orchestra and conducted by Édouard Colonne. Many of Enescus works were influenced by Romanian folk music, his most popular compositions being the two Romanian Rhapsodies, the opera Œdipe, and the suites for orchestra and he also wrote five symphonies, a symphonic poem Vox maris, and much chamber music. A young Ravi Shankar recalled in the 1960s how Enescu, who had developed a deep interest in Oriental music, rehearsed with Shankars brother Uday Shankar and his musicians. Around the same time, Enescu took the young Yehudi Menuhin to the Colonial Exhibition in Paris and it was in America, in the 1920s, that Enescu was first persuaded to make recordings as a violinist. He also appeared as a conductor with many American orchestras, in 1932, Enescu was elected a titular member of the Romanian Academy. In 1935, he conducted the Orchestre Symphonique de Paris and Yehudi Menuhin in Mozarts Violin Concerto No.3 in G major and he also conducted the New York Philharmonic between 1937 and 1938
11.
GfK Entertainment Charts
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The GfK Entertainment Charts are the official music charts in Germany and are gathered and published by GfK Entertainment GmbH on behalf of Bundesverband Musikindustrie. Following a lawsuit in March 2014 by Media Control AG, Media Control® GfK International had to change its name, dissemination of the charts is conducted by various media outlets, some of which include VIVA music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and MIX1, furthermore, GfK Entertainment also runs a dedicated website providing chart-related news and access to most of the charts. Charts have been published in Germany since 1959, in a magazine called Der Musikmarkt, since 1959, the growing desire to have a well-developed music program has made Bundesverband Musikindustrie work together with charts providers to improve the way the charts are determined. For this purpose, different research institutes were tested, out of which Media Control, hence, the first official charts were made available in the magazine Der Musikmarkt in September 1977. Initially, there used to be 50 positions only, which later in January 1980, was extended to 75 slots, since 1989, however, GfK Entertainment has adapted the international standards providing 100 positions, now called Offizielle Top 100 Charts. In 2001, the Top-100 singles charts was modified to reflect the sales of the singles, Media Control developed Music Video charts in 2001, which later, in 2004, was renamed as DVD charts. While music-videos have their own charts, in 2001, GfK Entertainment made it possible for the music-video singles to have the ability to enter the Top-100 singles chart. Similarly, in 2002, it was available for music-video albums to chart on the Top-100 album chart. If not, then, the DVD album could qualify for the DVD chart only, in the same vein, if an audio CD contains at least 50% of video recording, then, it could qualify to chart on the DVD chart. In 2003, Media Control joined forces with GfK, thus the name officially being changed to Media Control GfK International GmbH. In 2004, Germany became one of the first music markets wherein sales charts were reflected by online digital downloads, digital-only releases came into existence on 13 July 2007, for online downloads only, which also altered the way the sales figures were conducted up to that point. Consequently, chart positions would no longer be affected by the number of music downloads as before. Thus, the albums would not necessarily be the ones ending up in the number-one position on the charts. In March 2014, GfK announced that the official chart providers name in Germany will change from Media Control GfK International GmbH to GfK Entertainment, there are currently 3,000 outlets that report their sales on weekly bases in Germany. The weekly sales data is transmitted to GfK Entertainment via communication network channel and this is the list of categories, for each of which charts are provided by GfK Entertainment
12.
Dutch Top 40
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The Dutch Top 40 is a weekly music chart compiled by Stichting Nederlandse Top 40. It started as a program titled Veronica Top 40, on the offshore station Radio Veronica in 1965. It remained The Veronica Top 40 until 1974, when the station was forced to stop broadcasting, joost den Draaijer was the initiator of the top 40 in the Netherlands. On January 2,1965, the first Top 40 was compiled, in 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it De Nederlandse Top 40. Currently, Radio 538 is airing the Dutch Top 40 on radio, jeroen Nieuwenhuize presents the program every Friday afternoon from 14.00 until 18.00. As of February 2014 the chart is a combination of airplay, streaming, the more often a song gets played on the radio, the higher its place in the Top 40. For year end chart positions, #1 position gets 40 points and this way you just count up all numbers and sort them from most points till least points. There is a set of rules, of some have existed since 1972. Some of these have been criticised as a hindrance, singles must remain minimal two weeks in the chart. If a single officially no longer belongs in the top 40, example, Missy Elliotts Lose Control, Remained two weeks on #40 in the chart, because it did not sell enough and also wasnt played enough on the radio. Singles that highly change position upwards are noted as having superstip status and these singles are not allowed to fall down in chart position the following week. Recent example, Guus Meeuwis Ik Wil Dat Ons Land Juicht, The song entered the chart at #11, the following week it was meant to drop in chart position, but remained on the #5 position. The following two weeks, it went from #5 to #39, because of this rule, this single is the biggest fall down in the Dutch Top 40. However this is not always the case, sometimes singles with a superstip do drop for some reason Re-entry only takes place when the single re-enters within the top 30, if differently, these re-entried singles are ignored. Example, Racoon recently re-entered the Dutch Top 40 at #31 though with the song Love You More, singles with double A-side are noted separately in the top 40, due the different number of airplay the two songs get. Example, Robbie Williams first single off his 2005 album Intensive Care was Tripping with the B-side being Make Me Pure, while Tripping topped the chart by peaking at #1, Make Me Pure peaked at #15 in the Top 40. This is a listing of significant achievements and milestones based upon the Dutch Top 40 charts. & Pharrell Williams — Blurred Lines Avicii — Wake Me Up Clean Bandit featuring Jess Glynne — Rather Be OMI — Cheerleader 10 weeks Heintje — Ich bau dir ein Schloß4 Non Blondes — Whats Up
13.
Billboard Hot 100
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The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on sales, radio play and online streaming, the weekly sales period was originally Monday to Sunday, when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. Radio airplay, which, unlike sales figures and streaming data, is available on a real-time basis. A new chart is compiled and officially released to the public by Billboard on Tuesdays, as of the issue for the week ending on April 15,2017, the Hot 100 has had 1,061 different number one hits. The current number one song is Shape of You by Ed Sheeran, prior to 1955, Billboard did not have a unified, all-encompassing popularity chart, instead measuring songs by individual metrics. At the start of the era in 1955, three such charts existed, Best Sellers in Stores was the first Billboard chart, established in 1936. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country, Most Played by Jockeys was Billboards original airplay chart. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys, Most Played in Jukeboxes ranked the most played songs in jukeboxes across the United States. On the week ending November 12,1955, Billboard published The Top 100 for the first time, the Top 100 combined all aspects of a singles performance, based on a point system that typically gave sales more weight than radio airplay. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. The week ending July 28,1958 was the publication of the Most Played By Jockeys and Top 100 charts. On August 4,1958, Billboard premiered one main all-genre singles chart, the Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13,1958. The Billboard Hot 100 is still the standard by which a songs popularity is measured in the United States, the Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan and streaming activity provided by online music sources. There are several component charts that contribute to the calculation of the Hot 100. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data. Hot Singles Sales, the top selling singles compiled from a sample of retail store, mass merchant and internet sales reports collected, compiled. The chart is released weekly and measures sales of commercial singles. With the decline in sales of singles in the US
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Belgian Entertainment Association
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The Belgian Entertainment Association is the organization that represents the interests of the music, video and video game industries in Belgium. BEA is listed as the record industry association in Belgium by the IFPI. The publication of sales charts in Belgium is done through Ultratop, due to the cultural differences in Belgium, separate charts are published for the Dutch-speaking Flanders region and the French-speaking Wallonia region. In Flanders the most important charts are the Ultratop 50 singles, in Wallonia the most important charts are the Ultratop 40 singles. Through Ultratop, BEA certifies albums, singles and DVDs, the current thresholds for albums, in effect at least since April 2008, distinguish between local, French or Dutch speaking albums, and international or non French or Dutch speaking ones. For domestic repertoire the threshold for Gold album is 10,000 units, for international repertoire the threshold for Gold is 15,000 units and the threshold for Platinum is 30,000. Jazz and Classical repertoire shares the thresholds with the domestic repertoire, the same levels apply for singles as well. The IFPI award certification list of October 2007 lists the same thresholds for albums, for domestic repertoire the threshold for Gold single was 15,000 units and the threshold for Platinum single was 30,000 units. For international repertoire the threshold for Gold was 25,000 units, an earlier list from the beginning of 2006 lists these older thresholds for albums as well. The current thresholds for DVDs distinguish between Belgian products sold in one locality, Belgian products sold nationwide, and foreign products, for Belgian-local products, the thresholds are 7,500 units for Gold,15,500 units for Platinum and 25,500 units for Diamond. For Belgian-nationwide products, the thresholds are 15,000 units for Gold,30,000 units for Platinum and 50,000 units for Diamond. For foreign products, the thresholds are 25,000 units for Gold,50,000 units for Platinum and 100,000 units for Diamond, the same levels are listed since at least October 2007. An archive of past certifications going back to 1997 is available at the Ultratop website, the following is a list of albums that have been certified by the Belgian Entertainment Association. List of music recording certifications Official website
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British Phonographic Industry
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The BPI Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industrys trade association. Its membership comprises hundreds of companies including all three major record companies in the UK, and hundreds of independent music labels and small to medium-sized music businesses. It has represented the interests of British record companies since being formally incorporated in 1973 when the aim was to promote British music. In 2007, the legal name was changed from British Phonographic Industry Limited. It founded the annual BRIT Awards for the British music industry in 1977, the organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John, the BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992. In September 2008, the BPI became one of the members of UK Music. The BRIT Trust is the music charity actively supporting all types of education across the entire spectrum of music. Through the projects it supports, which include Nordoff-Robbins Music Therapy and the BRIT School, proceeds from the BRIT Awards and the Classic BRITs shows go to the BRIT Trust, which has donated almost £15m to charitable causes nationwide since its foundation. Opened in September 1991, the BRIT School is a joint venture between The BRIT Trust and the Department for Education and Skills, based at Selhurst in Croydon, the school is the only non fee-paying performing arts school in the UK. It teaches up to 1,100 students each year aged from 14–19 years in music, dance, drama, musical theatre, production, media and art & design. Students are from diverse backgrounds and are not required to stick to their own discipline, dancers learn songwriting. Nor do students have to work/perform in the evening to pay for the tuition, the BPI administers the Platinum, Gold and Silver awards scheme for music releases in the United Kingdom. The level of the award varies depending on the format of the release, member companies do, however, still have the option to certify titles based on shipment levels if they choose to. Since July 2014, audio streaming has also included for singles at a ratio of 100 streams equivalent to 1 unit. From June 2015, audio streams were added to album certifications, according to BPI, they would take the 12 most-streamed tracks from the standard version of an album, with the top two songs down-weighted in line with the average of the rest. The total of these streams will be divided by 1,000, additionally, personnel are also seconded to the City of London Police Intellectual Property Crime Unit top support anti-piracy operations
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Recording Industry Association of America
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The Recording Industry Association of America is a continental North and South American trade organization that represents the recording industry in the United States. Its members consist of record labels and distributors, which the RIAA says create, the RIAA headquarters is in Washington, D. C. The RIAA was formed in 1952 and its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the record groove and the dimensions of 33 1/3 rpm,45 rpm. Since 2001, the RIAA has spent $2 to $6 million each year on lobbying in the United States, the RIAA also participates in the collective rights management of sound recordings, and it is responsible for certifying Gold and Platinum albums and singles in the United States. Cary Sherman has been the RIAAs chairman and CEO since 2011, Sherman joined the RIAA as its general counsel in 1997 and became president of the board of directors in 2001, serving in that position until being made chairman and CEO. Mitch Glazier has been the RIAAs senior executive vice president since 2011 and he served as executive vice president for public policy and industry relations from 2000 to 2011. The past RIAA chairman and CEO is Mitch Bainwol, who served from 2003 to 2011 and he left in 2011 to become president and CEO of the Alliance of Automobile Manufacturers. The board of directors consists of 26 members of the board, the RIAA operates an award program for albums that sell a large number of copies. The program originally began in 1958, with a Gold Award for singles, the criterion was changed in 1975 to the number of copies sold, with albums selling 500,000 copies awarded the Gold Award. In 1976, a Platinum Award was added for one million sales, the awards are open to both RIAA members and non-members. Since 2000, the RIAA also operates a program for Latin music sales. Currently, a Disco De Oro is awarded for 30,000 units, the RIAA defines Latin music as a type of release with 51% or more of its content recorded in Spanish. In 2006, digital ringtones were added to branch of certification. In the same year, the RIAA introduced the Latin Digital Award for digital recordings in Spanish and this release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria is different from other styles. Gold,50,000 Platinum,100,000 Multi-Platinum,200,000 copies The RIAA opposes unauthorized sharing of its music, studies conducted since the association began its campaign against peer-to-peer file-sharing have concluded that losses incurred per download range from negligible to moderate. The association has commenced high-profile lawsuits against file sharing service providers and it has also commenced a series of lawsuits against individuals suspected of file sharing, notably college students and parents of file sharing children
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AllMusic
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AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
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TiVo Corporation
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TiVo Corporation is an American technology company. The company holds over 6,000 pending and registered patents, the company also provides analytics and recommendation platforms for the video industry. In 2016, Rovi acquired digital video recorder maker TiVo Inc. Macrovision Corporation was established in 1983. The 1984 film The Cotton Club was the first video to be encoded with Macrovision technology when it was released in 1985, by the end of the 1980s, most major Hollywood studios were utilizing their services. John O. Ryan and William A. Krepick led the company through an IPO in 1997 priced at $9.00 a share. In July 2005, the company hired Alfred J. Amoroso as chief officer and president to succeed William A. Krepick. Macrovision acquired Gemstar-TV Guide on May 2,2008, in a deal worth about $2.8 billion. The combined company would seek to be “the homepage for the TV experience, the divestiture of the software business unit closed on April 1,2008, becoming Acresso Software. Macrovision also ultimately sold off parts of Gemstar-TV Guide not focused on entertainment, including TryMedia, eMeta, TV Guide Magazine, TV Guide Network. The company also bought two companies providing entertainment metadata, All Media Guide on November 6,2007, and substantially all the assets of Muze, on July 16,2009, Macrovision Solution Corporation announced the official change of its name to Rovi Corporation. Rovi announced its first product on January 7,2010 – TotalGuide, on March 16,2010, Rovi acquired MediaUnbound for an undisclosed amount. MediaUnbound had helped build static and dynamic personalization and recommendation engines for such as Napster, eMusic. On June 16,2010, the announced the Rovi Advertising Network which bundled guide advertising. On December 23,2010, the announced its intention to acquire Sonic Solutions. Sonic provided digital video processing, playback and distribution technologies and owned RoxioNow an OTT technology provider, on March 1,2011, Rovi announced its acquisition of online video guide SideReel. The company announced Amorosos intention to retire on May 26,2011, tom Carson, formerly the executive vice president of sales and marketing, was appointed CEO and President in December 2011. Continuing on this path, the made a similar announcement in January 2014 indicating its intent to sell the DivX. On April 1,2013, Rovi acquired Integral Reach, a provider of predictive analysis services, the technology would be integrated into Rovis audience analysis services
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Billboard (magazine)
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Billboard is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events and it is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows, Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegens interest in 1900 for $500, in the 1900s, it covered the entertainment industry, such as circuses, fairs and burlesque shows. It also created a service for travelling entertainers. Billboard began focusing more on the industry as the jukebox, phonograph. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegans children, until it was sold to investors in 1985. The first issue of Billboard was published in Cincinnati, Ohio, on November 1,1894 by William Donaldson, initially, it covered the advertising and bill posting industry and was called Billboard Advertising. At the time, billboards, posters and paper advertisements placed in public spaces were the means of advertising. Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co. managed magazine production, the first issues were just eight pages long. The paper had columns like The Bill Room Gossip and The Indefatigable, a department for agricultural fairs was established in 1896. The title was changed to The Billboard in 1897, after a brief departure over editorial differences, Donaldson purchased Hennegans interest in the business in 1900 for $500, to save it from bankruptcy. That May, Donaldson changed it from a monthly to a paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, Chicago, San Francisco, London and he also re-focused the magazine on outdoor entertainment like fairs, carnivals, circuses, vaudeville and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of events in 1901. Billboard also covered topics including regulation, a lack of professionalism, economics and it had a stage gossip column covering the private lives of entertainers, a tent show section covering traveling shows and a sub-section called Freaks to order. According to The Seattle Times, Donaldson also published articles attacking censorship, praising productions exhibiting good taste
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Bibsys
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BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a provider, focusing on the exchange, storage and retrieval of data pertaining to research. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions, Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway. The board of directors is appointed by Norwegian Ministry of Education, BIBSYS offer researchers, students and others an easy access to library resources by providing the unified search service Oria. no and other library services. They also deliver integrated products for the operation for research. As a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norways higher education, all their products and services are developed in cooperation with their member institutions. The purpose of the project was to automate internal library routines, since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries. The target group has expanded to include the customers of research and special libraries. BIBSYS is an administrative agency answerable to the Ministry of Education and Research. In addition to BIBSYS Library System, the product consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri. All operation of applications and databases is performed centrally by BIBSYS, BIBSYS also offer a range of services, both in connection with their products and separate services independent of the products they supply
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
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