Edward William Godwin was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement in the 1870s, after coming into contact with Japanese culture in the 1862 International Exhibition in London. Godwin's influence can be detected in the later Arts and Crafts movement.
Northampton Guildhall, built 1861–64, displays Godwin's "Ruskinian Gothic" style
Design, 1872 (V&A Museum no. E.515-1963)
Sideboard of 1867–70 (V&A Museum no. CIRC.38:1 to 5-1953)
Aestheticism was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment best illustrated by the slogan "art for art's sake." Aestheticism flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde.
The Peacock Room, designed in the Anglo-Japanese style by James Abbott McNeill Whistler and Edward Godwin, one of the most famous and comprehensive examples of Aesthetic interior design
Canaries by Albert Joseph Moore, ca. 1875–1880. Moore was among a group of artists whose work was exhibited at the Grosvenor Gallery in London.
“Lady Lilith” by Dante Gabriel Rossetti
Aesthetic Brass Table by Bradley & Hubbard Company (see A Brass Menagerie, Metalwork of the Aesthetic Movement)