1.
Vyborg
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The area where Vyborg is located used to be a trading center on the Vuoksi Rivers western branch, which has dried up. The region was inhabited by the Karelians, a Balto-Finnic tribe which came under the domination of Novgorod. Settlement in the area of Vyborg is generally regarded to date from 13th century onwards when Hanseatic traders started to travel to Novgorod, the Viborg Castle was founded during the so-called Third Swedish Crusade in 1293 by marsk Torkel Knutsson on the site of older Karelian fort which was burned. The castle was fought over for decades between Sweden and the Novgorod Republic, by the Treaty of Nöteborg in 1323 between the Republic of Novgorod and Sweden, Vyborg was finally recognized as a part of Sweden. The towns trade privileges were chartered by the Pan-Scandinavian King Eric of Pomerania in 1403 and it withstood a prolonged siege by Daniil Shchenya during the Russo–Swedish War of 1496–1497. Under Swedish rule, Vyborg was closely associated with the family of Bååt. The late-medieval commanders and fief holders of Vyborg were descended from or married to the Bååt family, Vyborg remained in Swedish hands until its capture in 1710 after the Siege of Vyborg by Tsar Peter the Great in the Great Northern War. In the course of Peters second administrative reform, Vyborg became the seat of Vyborg Province of St. Petersburg Governorate, the 1721 Treaty of Nystad, which concluded the war with Sweden, finalized the transfer of the town and a part of Old Finland to Russia. In 1744, Vyborg became the seat of Vyborg Governorate, in 1783, the governorate was transformed into Vyborg Viceroyalty, then in 1801 back into Vyborg Governorate. In 1802, Vyborg Governorate was renamed Finland Governorate, One of the largest naval battles in history, the Battle of Vyborg Bay, was fought off the shore of the Vyborg Bay on July 4,1790. After the rest of Finland was ceded to Russia in 1809, Emperor Alexander I incorporated the town, in the course of the 19th century, the town developed as the center of administration and trade for the eastern part of Finland. The inauguration of the Saimaa Canal in 1856 benefited the economy as it opened the vast waterways of Eastern Finland to the sea. Following the Russian Revolution of 1917 and the fall of the Russian Empire, during the Finnish Civil War, Vyborg was in the hands of the Finnish Red Guards until it was captured by the White Guard on the Battle of Vyborg, April 29,1918. In April–May 1918, 360–420 civilians, mainly Russian men are murdered by White Guards during the Vyborg massacre, in the inter-war decades, the town, Viipuri, was the second biggest town in Finland and the seat of Viipuri Province. In 1939, Vyborg had some 80,000 inhabitants, including sizable minorities of Swedes, Germans, Russians, Gypsies, Tatars, during this time, Alvar Aalto built the Vyborg Library—a masterpiece of modern architecture. During the Winter War between the Soviet Union and Finland in 1939–1940, over seventy people were evacuated from Vyborg to western Finland. As the town was held by the Finns, the remaining Finnish population. Thus, practically the whole population of Finnish Vyborg was resettled elsewhere in Finland, the town became the administrative center of Vyborgsky District
2.
Helsinki
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Helsinki is the capital and largest city of Finland. It is in the region of Uusimaa, in southern Finland, on the shore of the Gulf of Finland. Helsinki has a population of 629,512, a population of 1,231,595. Helsinki is located some 80 kilometres north of Tallinn, Estonia,400 km east of Stockholm, Sweden, Helsinki has close historical connections with these three cities. The Helsinki metropolitan area includes the core of Helsinki, Espoo, Vantaa, Kauniainen. It is the worlds northernmost metro area of one million people. The Helsinki metropolitan area is the fourth largest metropolitan area in the Nordic countries, Helsinki is Finlands major political, educational, financial, cultural, and research center as well as one of northern Europes major cities. Approximately 75% of foreign companies operating in Finland have settled in the Helsinki region, the nearby municipality of Vantaa is the location of Helsinki Airport, with frequent service to various destinations in Europe and Asia. In 2009, Helsinki was chosen to be the World Design Capital for 2012 by the International Council of Societies of Industrial Design, the city was the venue for the 1952 Summer Olympics and the 52nd Eurovision Song Contest 2007. In 2011, the Monocle magazine ranked Helsinki the most liveable city in the world in its Liveable Cities Index 2011, in the Economist Intelligence Units August 2015 Liveability survey, assessing the best and worst cities to live in globally, Helsinki placed among the worlds top ten cities. Helsinki is used to refer to the city in most languages, the Swedish name Helsingfors is the original official name of the city. The Finnish name probably comes from Helsinga and similar names used for the river that is known as the Vantaa River. Helsingfors comes from the name of the parish, Helsinge and the rapids, which flowed through the original village. As part of the Grand Duchy of Finland in the Russian Empire, one suggestion for the origin of the name Helsinge is that it originated with medieval Swedish settlers who came from Hälsingland in Sweden. Others have proposed that the name derives from the Swedish word helsing, other Scandinavian cities located at similar geographic locations were given similar names at the time, for example Helsingør and Helsingborg. The name Helsinki has been used in Finnish official documents and in Finnish language newspapers since 1819, the decrees issued in Helsinki were dated with Helsinki as the place of issue. This is how the form Helsinki came to be used in written Finnish, in Helsinki slang the city is called Stadi. Hesa, is not used by natives to the city, helsset is the Northern Sami name of Helsinki
3.
Koli National Park
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Koli National Park is a national park in the municipalities of Joensuu, Lieksa and Kontiolahti in the North Karelia region of Finland. It covers 30 square kilometres of forested hills on the shore of Lake Pielinen. Contrary to the national parks in Finland, Koli National Park was originally governed by the Finnish Forest Research Institute Metla. It is now governed by the Metsähallitus like the national parks. Koli has lots to offer cultural heritage-wise, formerly, it was a sacrificial site, but was later used for slash-and-burn agriculture. The purpose of Koli National Park isnt to preserve wild nature, some fields are slashed, burnt and re-cultivated, hay is cut yearly. Traditional Finnish breeds of cow and sheep graze in the meadows of Koli, the Koli National Park is divided into three different zones according to central protection objectives. Attention is paid to the landscape and geology in a zone which covers the highest tops of Koli. The cultural zone is located quite near a village, in the culture zone, the multiformity of the traditional landscapes is maintained by burn-beating, by grazing, and by managing open fields by among other methods, mowing. The multiform flora of open fields, in particular, need annual maintenance mowing in order to be preserved, to the nature zone the forest nature of dangers is protected. The nature of Kolis terrain is well-varied, and thanks to it, there are a number of different biotopes even in a small area. The rocky terrain is rugged, but with dense growths of old spruces and birches on valley slopes. The most well-known vantage point in the park is Ukko-Koli, with a view to the East over lake Pielinen. Near the top there is the Heritage Center Ukko and Hotel Koli, two long scenery lifts operate during the summer. There are also caves in Koli area, e. g. the cave named Pirunkirkko. It is 34 metres long and 1–7 metres high, Koli has inspired many painters and composers, e. g. Jean Sibelius, Juhani Aho and Eero Järnefelt. Eero Järnefelt painted a scene together with A. W. Finch and Ilmari Aalto in 1911, which can be seen in the Helsinki railway station restaurant, painters discovered Koli in the 19th century and has been called one of the national sceneries of Finland
4.
Aino Sibelius
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Aino Sibelius was the wife of Finnish composer Jean Sibelius. They lived most of their 65 years of married life at their home Ainola near Lake Tuusula, Järvenpää and they had six daughters, Eva, Ruth, Kirsti, Katarina, Margareta and Heidi. Aino Järnefelt was born in Helsinki, into the strict and disciplined family of General Alexander Järnefelt and she had six older siblings, including the writer Arvid Järnefelt, the painter Eero Järnefelt and the composer and conductor Armas Järnefelt. It was her brother Armas who brought his friend and fellow student, Jean Sibelius, at the time, the writer Juhani Aho was expressing affection towards Aino, but he did not receive the response he sought. Within the next few years, Aino became engaged to Jean Sibelius, from the time of their engagement they had talked of a house of their own in the country, and had looked for a house near Lake Tuusula as early as 1898. They moved there in the autumn of 1904, having borrowed a substantial amount of money to buy the land, Ainos early years in Järvenpää were stressful and difficult, caused partly by financial worries and partly by her husbands drinking and partying lifestyle. She sought to eke out the budget by creating a vegetable garden from the stony ground near the house. And since they could not afford schooling for the children, Aino taught them at home and she spent a period in 1907 convalescing in Hyvinkää Sanatorium. In 1908 her husband had an operation and gave up alcohol for almost seven years. By the 1930s the children had all home, and Aino wanted to move to Helsinki. Jean and Aino Sibelius lived there for the rest of their days, where Aino continued to devote herself to her husband and family, Jean Sibelius died at Ainola, Järvenpää, on 20 September 1957 and is buried in a garden there. Aino continued to live in Ainola after his death, she sorted out family papers and helped Santeri Levas and she died at Ainola on 8 June 1969, aged nearly 98, and is buried there with Jean. In 1972 Jean Sibeliuss daughters, Eva, Ruth, Katarina, Margareta and she wrote about their life together, Aino Sibelius correspondence has been published, Talas, Suvisirkku, Sibelius, Aino. Sibelius, Jean, Talas, Suvisirkku, Sibelius, Aino, sydämen aamu, Aino Järnefeltin ja Jean Sibeliuksen kihlausajan kirjeitä. Sibelius, Jean, Talas, Suvisirkku, Sibelius, Aino, tulen synty, Aino ja Jean Sibeliuksen kirjeenvaihtoa 1892–1904. Media related to Aino Sibelius at Wikimedia Commons Ainola – The home of Aino and Jean Sibelius
5.
Jean Sibelius
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Jean Sibelius, born Johan Julius Christian Sibelius, was a Finnish composer and violinist of the late Romantic and early-modern periods. The core of his oeuvre is his set of seven symphonies which, like his major works, continue to be performed and recorded in his home country. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, throughout his career, the composer found inspiration in nature and Nordic mythology, especially the heroic legends of the national epic, the Kalevala. Although he is reputed to have stopped composing, he attempted to continue writing, including abortive efforts on an eighth symphony, in later life, he wrote Masonic music and re-edited some earlier works while retaining an active but not always favourable interest in new developments in music. The Finnish 100 mark note featured his image until 2002, when the euro was adopted, since 2011, Finland has celebrated a Flag Day on 8 December, the composers birthday, also known as the Day of Finnish Music. In 2015, the 150th anniversary of the birth, a number of special concerts and events were held. Sibelius was born on 8 December 1865 in Hämeenlinna in the Grand Duchy of Finland and he was the son of the Swedish-speaking medical doctor Christian Gustaf Sibelius and Maria Charlotta Sibelius née Borg. The family name stems from the Sibbe estate in Eastern Uusimaa which was owned by his paternal great-grandfather, Sibeliuss father died of typhoid in July 1868, leaving substantial debts. As a result, his mother—who was again pregnant—had to sell their property and move the family into the home of Katarina Borg, her widowed mother, who also lived in Hämeenlinna. Sibelius was therefore brought up in a decidedly female environment, the only male influence coming from his uncle, Pehr Ferdinand Sibelius and it was he who gave the boy a violin when he was ten years old and later encouraged him to maintain his interest in composition. For Sibelius, Uncle Pehr not only took the place of a father, from an early age, Sibelius showed a strong interest in nature, frequently walking around the countryside when the family moved to Loviisa on the coast for the summer months. In his own words, For me, Loviisa represented sun, Hämeenlinna was where I went to school, Loviisa was freedom. It was in Hämeenlinna, when he was seven, that his aunt Julia was brought in to give him piano lessons on the familys upright instrument and he progressed by improvising on his own, but still learned to read music. He later turned to the violin, which he preferred and he participated in trios with his elder sister Linda on piano, and his younger brother Christian on the cello. Furthermore, Sibelius often played in quartets with neighboring families, adding to his experience in chamber music, fragments survive of his early compositions of the period, a trio, a piano quartet and a Suite in D Minor for violin and piano. Around 1881, he recorded on paper his short pizzicato piece Vattendroppar for violin, in 1881, he started to take violin lessons from the local bandmaster, Gustaf Levander, immediately developing a particularly strong interest in the instrument. Despite such success as an instrumentalist, he chose to become a composer. Although his mother tongue was Swedish, in 1874 Sibelius attended Lucina Hagmans Finnish-speaking preparatory school, despite having to repeat a year, he succeeded in passing the schools final examination in 1885 which allowed him to enter a university
6.
Imperial Academy of Arts
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The Russian Academy of Arts in Saint Petersburg, informally known as the Saint Petersburg Academy of Arts, was founded in 1757 by Ivan Shuvalov under the name Academy of the Three Noblest Arts. Catherine the Great renamed it the Imperial Academy of Arts and commissioned a new building, the academy promoted the neoclassical style and technique, and sent its promising students to European capitals for further study. Training at the academy was virtually required for artists to make successful careers, formally abolished in 1918 after the Russian Revolution, the academy was renamed several times. It established free tuition, students from across the country competed fiercely for its few places annually, in 1947 the national institution was moved to Moscow, and much of its art collection was moved to the Hermitage. The building in Leningrad was devoted to the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture, since 1991 it has been called the St. Petersburg Institute for Painting, Sculpture and Architecture. The academy was located in the Shuvalov Palace on Sadovaya Street, in 1764, Catherine the Great renamed it the Imperial Academy of Arts and commissioned its first rector, Alexander Kokorinov, to design a new building. It took 25 years to complete the Neoclassical edifice, which opened in 1789, konstantin Thon was responsible for the sumptuous decoration of the interiors. He also designed a quayside in front of the building, with stairs down to the Neva River, Ivan Betskoy reorganized the academy into a de facto government department, it supervised matters concerning art throughout the country, distributing orders and awarding ranks to artists. The academy vigorously promoted the principles of Neoclassicism by sending the most notable Russian painters abroad, in order to learn the ancient and Renaissance styles of Italy and it also had its own sizable collection of choice artworks intended for study and copying. The adherents of this movement became known as peredvizhniki, led by Ivan Kramskoi, they publicly broke with the Academy and organized their own exhibitions, which traveled from town to town across Russia. Ilya Repin, Mikhail Vrubel and some other painters still regarded the academys training as indispensable for the development of professional and technical skills. After the Russian Revolution of 1917, the Imperial Academy passed through a series of transformations, after the Academys move to Moscow that year, the building in what was then called Leningrad was renamed Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture. The national academy has stayed in Moscow, in 1991 it was renamed the Russian Academy of Arts. The old academys art collection, which included works by Poussin, David. During the Soviet era, academies were free of tuition fees as they were financed by the government, many would-be students would apply to the Academy for as many as six or seven years in a row without success. With just twenty places available and thousands of applicants, the competition was brutal, well-known graduates of Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture in 1930–1950s include, The Russian Academy of Arts has been headquartered in Moscow since 1947. Its current president is Zurab Tsereteli and its vice-president is Tair Salakhov and it is also called the St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture. - Saint Petersburg, NP-Print Edition,2007, the Leningrad School Russian Academy of Arts The St. Petersburg State Academic Institute of Fine Arts Sergei V. Ivanov
7.
Mikhail Clodt
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Mikhail Konstantinovich Clodt baron von Jürgensburg was a Russian realistic painter. He learnt drawing at the Saint Petersburg Mining Cadet Corps, then at the Imperial Academy of Arts, after receiving a Large Gold Medal he received a scholarship for three years to study painting in France, Switzerland and Italy but abandoned his foreign trip in a year. He complained that the foreign landscapes would not inspire him and that French, after returning Clodt got permissions to use the rest of the scholarship funds in his travel over Russia. In 1863 Clodt got recognition for his painting Highway in Autumn, even higher praise was given for his work In the Field and the Forest view in Midday. Observers celebrated his devotion to Russian landscape, attention to the details, on the other hand, popular art critic Vladimir Stasov noted petty naturalism and the slavish following to reality in many Clodt works. As an example of such a work he stated Cows at Watering, in both his devotion to the Russian landscape and some petty naturalism Clodt was probably the forerunner of Ivan Shishkin. Mikhail Clodt was a member of the Peredvizhniki movement. That was partially due to the criticisms from Clodt and partially because of him keeping his professorship of the Imperial Academy of Arts. After Clodts particularly sharp criticism over Arkhip Kuindzhi Clodt was forced to break with the Peredvizhniki, soon he retired from the Academy as well. Clodt did not paint anything of value after the 1870s, half-blind and financially broken, he died in 1902
8.
Tony Robert-Fleury
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Tony Robert-Fleury was a French painter, known primarily for historical scenes. He was also a prominent art teacher, with famous artists among his students. He was born just outside Paris, and studied under his father Joseph-Nicolas Robert-Fleury and under Paul Delaroche, in the following year, his Old Women in the Place Navone, Rome was purchased by the Musée du Luxembourg. In 1870, he painted a canvas of Le Dernier Jour de Corinthe and this painting was also purchased by the Musée du Luxembourg, it is on display at the Musée dOrsay. In 1880, he painted a ceiling for the Luxembourg Palace in Paris, Robert-Fleury painted Pinel a la Salpêtrière, which depicts the famed Father of Modern Psychiatry among the inmates of the asylum. Philippe Pinel in 1795, had been named chief doctor at the asylum, he had instituted more charitable and rational treatments, in 1875, Robert-Fleury painted Charlotte Corday at Caen, which shows the woman coming to the passionate conclusion that Marat needed to be murdered. Robert-Fleury taught as professor for many years at the Académie Julian in Paris, Robert-Fleury became president of the Société des artistes français in succession to Bouguereau. He was honoured with Commander of the Legion of Honour in 1907, in 1908 he was elected president of the Taylor Foundation, a position he held until the end of his life. Some of Robert-Fleurys more prominent pupils were, This article incorporates text from a now in the public domain, Chisholm, Hugh
9.
Naturalism (art)
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Realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in part a matter of technique and training. In the visual arts, illusionistic realism is the depiction of lifeforms, perspective. Realist works of art may emphasize the mundane, ugly or sordid, such as works of realism, regionalism. There have been various movements in the arts, such as the opera style of verismo, literary realism, theatrical realism. The realism art movement in painting began in France in the 1850s, the realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century. Realism is the precise, detailed and accurate representation in art of the appearance of scenes. Realism in this sense is also called naturalism, mimesis or illusionism, realistic art was created in many periods, and it is in large part a matter of technique and training, and the avoidance of stylization. It becomes especially marked in European painting in the Early Netherlandish painting of Jan van Eyck, however such realism is often used to depict, for example, angels with wings, which were not things the artists had ever seen in real life. It is the choice and treatment of matter that defines Realism as a movement in painting. The development of increasingly accurate representation of the appearances of things has a long history in art. It includes elements such as the depiction of the anatomy of humans and animals, of perspective and effects of distance. Ancient Greek art is recognised as having made great progress in the representation of anatomy. Pliny the Elders famous story of birds pecking at grapes painted by Zeuxis in the 5th century BC may well be a legend, roman portraiture, when not under too much Greek influence, shows a greater commitment to a truthful depiction of its subjects. The art of Late Antiquity famously rejected illusionism for expressive force, scientific methods of representing perspective were developed in Italy and gradually spread across Europe, and accuracy in anatomy rediscovered under the influence of classical art. As in classical times, idealism remained the norm, intriguingly, having led the development of illusionic painting, still life was to be equally significant in its abandonment in Cubism. The depiction of ordinary, everyday subjects in art also has a history, though it was often squeezed into the edges of compositions. However these objects are at least largely there because they carry layers of complex significance, pieter Bruegel the Elder pioneered large panoramic scenes of peasant life
10.
Jules Bastien-Lepage
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Jules Bastien-Lepage was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. Bastien-Lepage was born in the village of Damvillers, Meuse, bastiens father grew grapes in a vineyard to support the family. His grandfather also lived in the village, his garden had fruit trees of apple, pear, Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Jules Bastien-Lepages first teacher was his father, himself an artist and his first formal training was at Verdun, and prompted by a love of art he went to Paris in 1867, where he was admitted to the École des Beaux-arts, working under Cabanel. He was awarded first place for drawing but spent most of his time working alone, nevertheless, he completed three years at the école. In a letter to his parents, he complained that the model was a man in the pose of a mediaeval lutanist. During the Franco-Prussian war in 1870, Bastien fought and was wounded, after the war, he returned home to paint the villagers and recover from his wound. In 1873 he painted his grandfather in the garden, a work that would bring the artist his first success at the Paris Salon. After exhibiting works in the Salons of 1870 and 1872 which attracted no attention, in 1874 his Portrait of my Grandfather garnered critical acclaim and received a third-class medal. He also showed Song of Spring, a study of rural life, representing a peasant girl sitting on a knoll above a village. His initial success was confirmed in 1875 by the First Communion, a picture of a little girl minutely worked up in manner that was compared to Hans Holbein, and a Portrait of M. Hayern. In 1875 he took place in the competition for the Prix de Rome with his Angels appearing to the Shepherds. His next attempt to win the Prix de Rome in 1876 with Priam at the Feet of Achilles was again unsuccessful, and the painter determined to return to country life. To the Salon of 1877 he sent a full-length Portrait of Lady L. and My Parents, the last picture, now in the Musée dOrsay, was widely praised by critics and the public alike. It secured his status as one of the first painters in the Naturalist school, after the success of Haymaking, Bastien-Lepage was recognized in France as the leader of the emerging Naturalist school. By 1883, a critic could proclaim that The whole world paints so much today like M. Bastien-Lepage that M. Bastien-Lepage seems to paint like the whole world and this fame brought him prominent commissions. His Portrait of Mlle Sarah Bernhardt, painted in a light key, in 1879 he was commissioned to paint the Prince of Wales. In 1880 he exhibited a portrait of M. Andrieux and Joan of Arc listening to the Voices, and in the same year, at the Royal Academy
11.
Juhani Aho
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Juhani Aho, originally Johannes Brofeldt, was a Finnish author and journalist. He was nominated for the Nobel prize in literature twelve times, Juhani Aho was born at Lapinlahti in 1861. His parents were Theodor and Emma Brofeldt, the Brofeldts were a priestly family, Theodor was a relatively well-known revivalist preacher whose sermons were published in 1917 as Rovasti H. G. Th. Brofeldtin saarnoja and his father had been a chaplain and his grandfather a vicar, Juhani had two younger brothers Kaarlo and Petter who, following Juhanis example, adopted the Finnish names Kalle and Pekka as well as the surname Aho. From 1872 to 1880 Juhani Aho attended the Kuopion Lyseo, one of the few secondary schools offering education in Finnish. During his time at the school he adopted the pen name Juhani Aho for many of his school works, in the 1880s he studied at the University of Helsinki and was associated with political radicals. His literary pursuits were aided by Elisabeth Järnefelt and her circle, the Järnefelt school, Ahos literary output is wide-ranging since he pursued different styles as time passed. He started as a realist and his first novel Rautatie, which is considered one of his works, is from this period. Later he moved towards neoromanticism with novels Panu and Kevät ja takatalvi as well as Juha. The last one is one of his most famous works and has twice as adapted an opera, by Aare Merikanto and by Leevi Madetoja. His novel Yksin, published in 1890, controversially bold by the standards of Finnish literature in that epoch, is a roman à clef. Its tale of unfulfilled love is the novel of Ahos passion for Aino Järnefelt who, at that time, was secretly engaged to Jean Sibelius. In addition to his novels Aho wrote a number of stories of distinct style. Their topics could vary from political allegories to depictions of everyday life, the first and most famous of the short stories is When Father Brought Home the Lamp, depicting the effect of the innovation on people living in the countryside. Nowadays the title is a Finnish saying used when something related to new technology is introduced, Aho was one of the founders of Päivälehti, the predecessor of the biggest newspaper in Finland today, Helsingin Sanomat. In 1906 he got to know Huopanankoski rapids in Viitasaari, after that he went there every spring and autumn for 14 years. Aho died in Helsinki in 1921, the photographer Claire Aho is his granddaughter
12.
Crimea
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The peninsula is located south of the Ukrainian region of Kherson and west of the Russian region of Kuban. It is connected to Kherson Oblast by the Isthmus of Perekop and is separated from Kuban by the Strait of Kerch, the Arabat Spit is located to the northeast, a narrow strip of land that separates a system of lagoons named Sivash from the Sea of Azov. Crimea has historically been at the boundary between the world and the Pontic–Caspian steppe. Crimea and adjacent territories were united in the Crimean Khanate during the 15th to 18th century, in 1783, Crimea was annexed by the Russian Empire. It became the Autonomous Republic of Crimea within newly independent Ukraine in 1991, with Sevastopol having its own administration, within Ukraine, since 1997, after the Peace and Friendship Treaty signed by Russia and Ukraine, Crimea hosts the Russian Black Sea Fleet naval base in Sevastopol. The ex-Soviet Black Sea Fleet and its facilities were divided between Russias Black Sea Fleet and the Ukrainian Naval Forces, the two navies shared some of the citys harbours and piers, while others were demilitarised or used by either country. Sevastopol remained the location of the Russian Black Sea Fleet headquarters with the Ukrainian Naval Forces Headquarters also based in the city, most of the international community does not recognize the annexation and considers Crimea to be Ukrainian territory. Russia currently administers the peninsula as two federal subjects, the Republic of Crimea and the city of Sevastopol. Ukraine continues to assert its right over the peninsula, the classical name Tauris or Taurica is from the Greek Ταυρική, after the peninsulas Scytho-Cimmerian inhabitants, the Tauri. In English usage since the modern period the Crimean Khanate is referred to as Crim Tartary. The Italian form Crimea also becomes current during the 18th century, the omission of the definite article in English became common during the later 20th century. The name Crimea follows the Italian form from the Crimean Tatar name for the city Qırım which served as a capital of the Crimean province of the Golden Horde, the name of the capital was extended to the entire peninsula at some point during Ottoman suzerainty. The origin of the word Qırım is uncertain, suggestions argued in various sources include, a corruption of Cimmerium. A derivation from the Turkic term qirum, from qori-, other suggestions that have not been supported by sources but are apparently based on similarity in sound include, a derivation from the Greek Cremnoi. However, he identifies the port, not in Crimea, no evidence has been identified that this name was ever in use for the peninsula. The classical name was revived in 1802 in the name of the Russian Taurida Governorate, in the 8th century BCE the Cimmerians migrated to the region and subsequently the Scythians as well it being the site of Greek colonies. The most important city was Chersonesos at the edge of todays Sevastopol, the Persian Achaemenid Empire expanded to Crimea. Later occupiers included the Romans, Goths, Huns, Bulgars, the Byzantine Empire, Khazars, the Kipchaks, the Golden Horde, consideration of the succeeding residents of the peninsula by their linguistic grouping is also of relevance
13.
Mir Iskusstva
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In fact, few Europeans outside Russia actually saw issues of the magazine itself. From 1909, several of the miriskusniki also participated in productions of Sergei Diaghilevs Ballets Russes company based in Paris, the artistic group was founded in November 1898 by a group of students that included Alexandre Benois, Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The starting moments for the new group was organization of the Exhibition of Russian. The magazine was co-founded in 1899 in St. Petersburg by Alexandre Benois, Léon Bakst and they aimed at assailing low artistic standards of the obsolescent Peredvizhniki school and promoting artistic individualism and other principles of Art Nouveau. Apart from three founding fathers, active members of the World of Art included Mstislav Dobuzhinsky, Eugene Lansere, exhibitions organized by the World of Art attracted many illustrious painters from Russia and abroad, notably Mikhail Vrubel, Mikhail Nesterov, and Isaac Levitan. Representative works In its classical period the art group organized six exhibitions,1899,1900,1901,1902,1903,1906, in 1904-1910, Mir iskusstva did not exist as a separate artistic group. Its place was inherited by the Union of Russian Artists which continued officially until 1910, the Union included painters, illustrators, restorators, and scenic designers. In 1910 Benois published an article in the magazine Rech about the Union of Russian Artists. Nicholas Roerich became the new chairman, the group admitted new members including Nathan Altman, Vladimir Tatlin, and Martiros Saryan. Some said that the inclusion of Russian avant-garde painters demonstrated that the group had become an organization rather than an art movement. In 1917 the chairman of the group became Ivan Bilibin, the same year most members of the Jack of Diamonds entered the group. The group organized numerous exhibitions,1911,1912,1913,1915,1916,1917,1918,1921,1922 Saint-Petersburg, the last exhibition of Mir iskusstva was organized in Paris in 1927. Some members of the group entered the Zhar-Tsvet and Four Arts artistic movements, like the Romantics before them, the miriskusniki promoted understanding and conservation of the art of previous epochs, particularly traditional folk art and the 18th-century rococo. Antoine Watteau was probably the single artist whom they admired the most, such Revivalist projects were treated by the miriskusniki humorously, in a spirit of self-parody. They were fascinated with masks and marionettes, with carnaval and puppet theater, with dreams, everything grotesque and playful appealed to them more than the serious and emotional. Their favorite city was Venice, so much so that Diaghilev, as for media, the miriskusniki preferred the light, airy effects of watercolor and gouache to full-scale oil paintings. Seeking to bring art into every house, they designed interiors. Bakst and Benois revolutionized theatrical design with their ground-breaking decor for Cléopâtre, Carnaval, Petrushka, potter, Michelle, ‘Mir iskusstva, Serge Diaghilev’s Art Journal’, in NLA News, July 2005, Volume XV, Number 10 Mir iskusstva Artists at the Russian Art Gallery
14.
Lake Tuusula
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Lake Tuusula or Lake Tuusulanjärvi is a lake on the border of the municipalities of Tuusula and Järvenpää in Southern Finland. The lake has an area of 6.0 square kilometres, since the beginning of the twentieth century the shores of Lake Tuusula has been an artists colony. The houses of Jean Sibelius, Juhani Aho, Pekka Halonen, Eero Järnefelt, Joonas Kokkonen, the Lake Tuusulanjärvi Water Protection Association has taken action to save the lake from eutrophication effects since the early 1970s. Apart from wintertime water aeration and cyprinid fish removal, some water is being fed into the Lake via the Päijänne Water Tunnel. Media related to Lake Tuusulanjärvi at Wikimedia Commons
15.
University of Helsinki
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The University of Helsinki is a university located in Helsinki, Finland since 1829, but was founded in the city of Turku in 1640 as the Royal Academy of Åbo, at that time part of the Swedish Empire. It is the oldest and largest university in Finland with the widest range of disciplines available, around 36,500 students are currently enrolled in the degree programs of the university spread across 11 faculties and 11 research institutes. As of August 1,2005, the University complies with the structure of the Europe-wide Bologna Process and offers Bachelor, Master, Licenciate. Admission to degree programmes is determined by entrance examinations, in the case of bachelors degrees. It has been ranked a top 100 university in the according to the 2016 ARWU, QS. The university is bilingual, with teaching officially provided both in Finnish and Swedish, generally speaking, however, the university is monolingual Finnish, as courses taught in Swedish are very few and far apart. Teaching in English is extensive throughout the university at Master, Licentiate, remaining true to its traditionally strong Humboldtian ethos, the University of Helsinki places heavy emphasis on high-quality teaching and research of a top international standard. It is a member of various prominent international university networks, such as Europaeum, UNICA, the Utrecht Network, the first predecessor of the university, The Cathedral School of Åbo, was presumably founded in 1276 for education of boys to become servants of the Church. It was the university founded in the Swedish Empire, following Uppsala University. The second period of the Universitys history covers the period when Finland was a Grand Duchy of the Russian Empire, as Finland became part of the Russian Empire in 1809, Emperor Alexander I expanded the University and allocated substantial funds to it. In the capital the primary task of the University was to educate the Grand Duchy’s civil servants, the University became a community subscribing to the new Humboldtian ideals of science and culture, studying humanity and its living environment by means of scientific methods. The Alexander University was a centre of life that promoted the birth of an independent Finnish State. The great men of 19th century Finland, Johan Vilhelm Snellman, Johan Ludvig Runeberg, Elias Lönnrot, in the 19th century university research changed from being collection-centred to being experimental, empirical, and analytical. The more scientific approach of the university led to specialisation and created new disciplines, as the scientific disciplines developed, Finland received ever more scholarly knowledge and highly educated people, some of whom entered rapidly evolving industry or the government. The third period of the universitys history began with the creation of the independent Republic of Finland in 1917, once Finland gained her independence in 1917 the University was given a crucial role in building the nation state and, after World War II, the welfare state. Members of the community promoted the international relations of the new state. Furthermore, they were involved in national politics and the struggle for equality. In the 20th century, scholarly research at the University of Helsinki reached the level of the European elite in many disciplines. I, virtanen and the Nobel Prize in Medicine shared by Professor Ragnar Granit
16.
Raahe
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Raahe is a town and municipality of Finland. Founded by Swedish statesman and Governor General of Finland Count Per Brahe the Younger in 1649, examples of other Finnish historic wooden towns are Kaskinen, Old Rauma, Porvoo, Jakobstad, and Vaasa. After a devastating fire in 1810, Raahe was rebuilt adhering to new design principles which minimized the risk of fire, Old Raahe is noted for its Renaissance-inspired rectilinear town plan featuring an unusual central-square with closed corners. Raahe is located on the shores of the Gulf of Bothnia in the Northern Ostrobothnia region. The municipality has a population of 25,126 and covers an area of 1,014.26 square kilometres of which 870.77 km2 is water, founded as a Swedish-and-Finnish-speaking town, the municipality is now unilingually Finnish. The asteroid 1786 Raahe was named after town and municipality. Count Per Brahe the Younger, governor general, gave charter to the town of Salo in the year of 1649 with the purpose of constructing a town at Satamakangas, however, the harbour area had become so low that the future town was decided to be transferred. A new and better location was further to the north. Having acquired the possession of the parish of Salo in 1652, the planning of the town for the purpose of building Raahe was given to the surveyor Claes Claesson. His town plan followed the ideals of the grid plan of the Renaissance. All of the streets of Raahe were of equal width of 20-21 cubits or 10–11 meters, the market square stood by Rantakatu and the Town Hall behind the square. At the northeast corner of the town stood the church and the schoolhouse, six blocks were realized of the town plan, i. e. the area surrounded by present-day Koulukatu, Kirkkokatu, Saaristokatu and Rantakatu. The later expansion and changes of the town have held the ambitions of Claessons town plan in respect until the beginning of the latest century, the oldest picture still remaining of the town of Raahe, a seventeenth-century drawing, dates back to the year of 1659. The busy harbour of the town was located on the shore by the customs warehouse, there were two public buildings in Raahe, a handsome, admirable, two-story town hall with a tower, and a wooden church, whose construction had already begun in 1651. The church was given a weather boarding already in 1684-1685 and this is one of the earliest examples of boarding known in Finland. The dwellings and houses were made from logs, as a rule, they were built close to the street facing plot boundary, the long side and the ridge of the roof parallel to the street. The unbuilt portion of the plot against the street was fitted up with a high, solid plank fence, the plots inside a block were not separated by fences. The average house usually consisted of one or two rooms, most of which were of the two-room cabin type, almost every house in the drawing of Raahe has the most remarkable novelty of the Seventeenth century, the chimney
17.
Wine bar
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A wine bar is a tavern-like business focusing on selling wine, rather than liquor or beer. A typical feature of wine bars is a wide selection of wines available by the glass. Some wine bars are profiled on wines of a type of origin. In countries where licensing regulations allow this, some bars also sell the wines they serve. Although the trend of wine bars in the United States was not well received in the 1980s, by early 2000, wine bars became very popular and started popping up in many metropolitan neighborhoods across the country. Wine bars now rival the local hangouts such as coffee shops, the wine bar phenomenon offers the taste before you buy philosophy. Wine bars put a new spin on wine tasting and they seek to remove the association of wine with upscale clientele and overwhelming wine lists and replace it with a more casual and relaxing atmosphere. Many of these bars are furnished with nooks and cozy booths encased in rich colors, wine bars look to embrace the intellectual stimulation linked to wine and offer an alternative to the bar scene. The laid-back environment lends itself to a good socializing setting with a less crowded feel, modern wine bars have begun to incorporate a larger variety of food choices. Traditionally associated with cheeses and desserts, wine bars are looking to combine wine with appetizer-sized gourmet selections to enhance the palate, the concept brings the tastes of fancy restaurants to a dressed-down setting. Restaurant owners and chefs take the approach and use wine bars as an opportunity for expansion
18.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
19.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
20.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
21.
Union List of Artist Names
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The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
22.
MusicBrainz
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MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
23.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
24.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
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