Euphemia Chalmers Millais, Lady Millais was a Scottish artists' model and writer who was married to Pre-Raphaelite painter John Everett Millais. She had previously married the art critic John Ruskin, but she left him with the marriage never having been consummated; it was subsequently annulled. This famous Victorian "love triangle" has been dramatised in plays, films, and an opera.
Gray portrait, 1851 (she thought the portrait made her look like "a graceful doll")
Waterfall, or Effie at Glenfinlas, 1853, by Millais
Albumen print photograph by Lewis Carroll from 21 July 1865 depicting Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, signed "Effie C. Millais"
Gray in middle age, painted by Millais. She is holding a copy of The Cornhill Magazine.
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse.
Proserpine, 1874, by Dante Gabriel Rossetti, with Jane Morris as model
Illustration by Holman Hunt of Thomas Woolner's poem "My Beautiful Lady", published in The Germ, 1850
Christ in the House of His Parents, by John Everett Millais, 1850
Ophelia, by John Everett Millais, 1851–52
