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El Greco
Portrait of a Man (presumed self-portrait of El Greco, c. 1595–1600) in Metropolitan Museum of Art, New York City
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros)
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Domén
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Doménicos), was painted in Candia on part of an old chest.
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
Rilke in 1900
Paula Modersohn-Becker (1876–1907), an early expressionist painter, became acquainted with Rilke in Worpswede and Paris, and painted his portrait in 1
Paula Modersohn-Becker (1876–1907), an early expressionist painter, became acquainted with Rilke in Worpswede and Paris, and painted his portrait in 1906.
Duino Castle near Trieste, Austria, was where Rilke began writing the Duino Elegies in 1912, recounting that he heard the famous first line as a voice
Duino Castle near Trieste, Austria, was where Rilke began writing the Duino Elegies in 1912, recounting that he heard the famous first line as a voice in the wind while walking along the cliffs and that he wrote it quickly in his notebook.
Château de Muzot in Veyras, Switzerland, was where Rilke completed writing the Duino Elegies in "a savage creative storm" in February 1922.
Château de Muzot in Veyras, Switzerland, was where Rilke completed writing the Duino Elegies in "a savage creative storm" in February 1922.