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El Greco
Portrait of a Man, a presumed self-portrait c. 1595–1600, Metropolitan Museum of Art
Portrait of a Man, a presumed self-portrait c. 1595–1600, Metropolitan Museum of Art
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros)
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Domén
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Doménicos), was painted in Candia on part of an old chest.
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
View of Toledo
View and Plan of Toledo is the only other known landscape portrait by El Greco. It is believed to have been completed sometime between 1600 and 1610.
View and Plan of Toledo is the only other known landscape portrait by El Greco. It is believed to have been completed sometime between 1600 and 1610.