Lazar Markovich Lissitzky, better known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.
Lissitzky's The Constructor, 1924, London, Victoria & Albert Museum
Beat the Whites with the Red Wedge, 1920
A Proun, c. 1925. Commenting on Proun in 1921, Lissitzky stated, "We brought the canvas into circles ... and while we turn, we raise ourselves into the space."
Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry, painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects.
Kazimir Malevich's Suprematism, 1916–17, Krasnodar Museum of Art
Kazimir Malevich, Black Square, 1915, oil on linen, 79.5 × 79.5 cm, Tretyakov Gallery, Moscow
Kazimir Malevich, Black Circle, motive 1915, painted 1924, oil on canvas, 106.4 × 106.4 cm, State Russian Museum, St. Petersburg