Schlager music is a style of popular music, a catchy instrumental accompaniment to vocal pieces of pop music with simple, happy-go-lucky, sentimental lyrics. It is prevalent in Central and Northern Europe, Southeast Europe, in France, Belgium and the UK. In the United States it is known as'entertainer music' or'German hit mix'; the style emerged in Europe after the Second World War as a backlash against American rock and roll. Typical schlager tracks are either sweet, sentimental ballads with a simple, catchy melody or light pop tunes. Lyrics center on love and feelings; the northern variant of schlager has taken elements from Nordic and Slavic folk songs, with lyrics tending towards melancholic and elegiac themes. Musically, schlager bears similarities to styles such as easy listening; the German word Schlager is a loanword in some other languages, where it retained its meaning of a " hit". The style has been represented at the Eurovision Song Contest and has been popular since the contest began in 1956, although it is being replaced by other pop music styles.
Over time, schlager music has shifted on to electronic music rather than generic pop music, due to its widespread use of synthesizers throughout its various implementations in recent decades. Dutch schlager is called levenslied, it is a Dutch-language subgenre of pop music. Typical levenslied lyrics treat subjects such as love and nostalgia, besides longing for sunny, exotic holiday places. A typical levenslied has catchy, simple rhythms and melodies and is structured in couplets and refrains. Traditional instruments in levenslied music are the accordion and the barrel organ: for example and Hugo; the roots of Finnish schlager date back to the interwar period and popular singers such as Georg Malmstén and Matti Jurva. A notable song was opera singer Ture Ara's "Emma" in 1929. Schlager tradition has an important place in Finnish popular music, its melodic language has influenced Finnish rock. Schlager shares its audience with Finnish tango music. A particular feature of Finnish schlager music are "translation schlagers".
Noteworthy Finnish schlager composers include Juha Vainio. According to polls of Finnish audiences, "Hopeinen kuu", recorded in Finnish by Olavi Virta and "Satulinna" are the most popular Finnish schlagers of all time; the roots of German schlager are old: the word refers to songs by Heinz Rühmann and other singing movie stars of the 1930s. One ancestor of schlager may be operetta, popular in the early twentieth century. In the 1920s and 1930s, the Comedian Harmonists and Rudi Schuricke laid the foundations for this new music. Well-known schlager singers of the 1950s and early 1960s include Lale Andersen, Freddy Quinn, Ivo Robić, Gerhard Wendland, Caterina Valente, Margot Eskens and Conny Froboess. Schlager reached a peak of popularity in Austria in the 1960s and the early 1970s. From the mid-1990s through the early 2000s, schlager saw an extensive revival in Germany by, for example, Guildo Horn, Dieter Thomas Kuhn and Petra Perle. Dance clubs would play a stretch of schlager titles during the course of an evening, numerous new bands were formed specialising in 1970s schlager cover versions and newer material.
In Hamburg in the 2010s, schlager fans still gathered annually by the hundreds of thousands, dressing in 1970s clothing for street parades called "Schlager Move". The Schlager Move designation is used for a number of smaller schlager music parties in several major German cities throughout the year. Germans view schlager as their country music, American country and Tex-Mex music are both major elements in schlager culture. Popular schlager singers include Michael Wendler, Roland Kaiser, Hansi Hinterseer, Jürgen Drews, Andrea Berg, Helene Fischer, Claudia Jung, Andrea Jürgens, Kristina Bach, Marianne Rosenberg, Simone Stelzer, Christian Lais, Semino Rossi, Vicky Leandros, Leonard, DJ Ötzi, Andreas Gabalier, voted best schlager singer in 2012. Stylistically, schlager continues to influence German "party pop": that is, music most heard in après-ski bars and Majorcan mass discos. Contemporary schlager is mingled with Volkstümliche Musik. If it is not part of an ironic kitsch revival, a taste for both styles of music is associated with folksy pubs, fun fairs, bowling league venues.
Between 1975 and 1981 German-style schlager became disco-oriented, in many ways merging with the mainstream disco music of the time. Singers such as Marianne Rosenberg recorded both disco hits; the song "Moskau" by German band Dschinghis Khan was one of the earliest of modern, dance-based schlager, again showing how schlager of the'70s and early'80s merged with mainstream disco and Euro-disco. Dschinghis Khan, while a disco band played disco-influen
Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s. It takes its roots from genres such as folk blues. Country music consists of ballads and dance tunes with simple forms, folk lyrics, harmonies accompanied by string instruments such as banjos and acoustic guitars, steel guitars, fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. According to Lindsey Starnes, the term country music gained popularity in the 1940s in preference to the earlier term hillbilly music. In 2009 in the United States, country music was the most listened to rush hour radio genre during the evening commute, second most popular in the morning commute; the term country music is used today to describe many subgenres. The origins of country music are found in the folk music of working class Americans, who blended popular songs and Celtic fiddle tunes, traditional English ballads, cowboy songs, the musical traditions of various groups of European immigrants.
Immigrants to the southern Appalachian Mountains of eastern North America brought the music and instruments of Europe along with them for nearly 300 years. Country music was "introduced to the world as a Southern phenomenon." The U. S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music", based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum. Historians have noted the influence of the less-known Johnson City sessions of 1928 and 1929, the Knoxville sessions of 1929 and 1930. In addition, the Mountain City Fiddlers Convention, held in 1925, helped to inspire modern country music. Before these, pioneer settlers, in the Great Smoky Mountains region, had developed a rich musical heritage; the first generation emerged in the early 1920s, with Atlanta's music scene playing a major role in launching country's earliest recording artists. New York City record label Okeh Records began issuing hillbilly music records by Fiddlin' John Carson as early as 1923, followed by Columbia Records in 1924, RCA Victor Records in 1927 with the first famous pioneers of the genre Jimmie Rodgers and the first family of country music The Carter Family.
Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. During the second generation, radio became a popular source of entertainment, "barn dance" shows featuring country music were started all over the South, as far north as Chicago, as far west as California; the most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville and continuing to the present day. During the 1930s and 1940s, cowboy songs, or Western music, recorded since the 1920s, were popularized by films made in Hollywood. Bob Wills was another country musician from the Lower Great Plains who had become popular as the leader of a "hot string band," and who appeared in Hollywood westerns, his mix of country and jazz, which started out as dance hall music, would become known as Western swing. Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938. Country musicians began recording boogie in 1939, shortly after it had been played at Carnegie Hall, when Johnny Barfield recorded "Boogie Woogie".
The third generation started at the end of World War II with "mountaineer" string band music known as bluegrass, which emerged when Bill Monroe, along with Lester Flatt and Earl Scruggs were introduced by Roy Acuff at the Grand Ole Opry. Gospel music remained a popular component of country music. Another type of stripped-down and raw music with a variety of moods and a basic ensemble of guitar, dobro or steel guitar became popular among poor whites in Texas and Oklahoma, it became known as honky tonk, had its roots in Western swing and the ranchera music of Mexico and the border states. By the early 1950s a blend of Western swing, country boogie, honky tonk was played by most country bands. Rockabilly was most popular with country fans in the 1950s, 1956 could be called the year of rockabilly in country music, with Johnny Cash emerging as one of the most popular and enduring representatives of the rockabilly genre. Beginning in the mid-1950s, reaching its peak during the early 1960s, the Nashville sound turned country music into a multimillion-dollar industry centered in Nashville, Tennessee.
The late 1960s in American music produced a unique blend as a result of traditionalist backlash within separate genres. In the aftermath of the British Invasion, many desired a return to the "old values" of rock n' roll. At the same time there was a lack of enthusiasm in the country sector for Nashville-produced music. What resulted was a crossbred genre known as country rock. Fourth generation music included outlaw country with roots in the Bakersfield sound, country pop with roots in the countrypolitan, folk music and soft rock. Between 1972 and 1975 singer/guitarist John Denver released a se
Sweden the Kingdom of Sweden, is a Scandinavian Nordic country in Northern Europe. It borders Norway to the west and north and Finland to the east, is connected to Denmark in the southwest by a bridge-tunnel across the Öresund, a strait at the Swedish-Danish border. At 450,295 square kilometres, Sweden is the largest country in Northern Europe, the third-largest country in the European Union and the fifth largest country in Europe by area. Sweden has a total population of 10.2 million. It has a low population density of 22 inhabitants per square kilometre; the highest concentration is in the southern half of the country. Germanic peoples have inhabited Sweden since prehistoric times, emerging into history as the Geats and Swedes and constituting the sea peoples known as the Norsemen. Southern Sweden is predominantly agricultural, while the north is forested. Sweden is part of the geographical area of Fennoscandia; the climate is in general mild for its northerly latitude due to significant maritime influence, that in spite of this still retains warm continental summers.
Today, the sovereign state of Sweden is a constitutional monarchy and parliamentary democracy, with a monarch as head of state, like its neighbour Norway. The capital city is Stockholm, the most populous city in the country. Legislative power is vested in the 349-member unicameral Riksdag. Executive power is exercised by the government chaired by the prime minister. Sweden is a unitary state divided into 21 counties and 290 municipalities. An independent Swedish state emerged during the early 12th century. After the Black Death in the middle of the 14th century killed about a third of the Scandinavian population, the Hanseatic League threatened Scandinavia's culture and languages; this led to the forming of the Scandinavian Kalmar Union in 1397, which Sweden left in 1523. When Sweden became involved in the Thirty Years War on the Reformist side, an expansion of its territories began and the Swedish Empire was formed; this became one of the great powers of Europe until the early 18th century. Swedish territories outside the Scandinavian Peninsula were lost during the 18th and 19th centuries, ending with the annexation of present-day Finland by Russia in 1809.
The last war in which Sweden was directly involved was in 1814, when Norway was militarily forced into personal union. Since Sweden has been at peace, maintaining an official policy of neutrality in foreign affairs; the union with Norway was peacefully dissolved in 1905. Sweden was formally neutral through both world wars and the Cold War, albeit Sweden has since 2009 moved towards cooperation with NATO. After the end of the Cold War, Sweden joined the European Union on 1 January 1995, but declined NATO membership, as well as Eurozone membership following a referendum, it is a member of the United Nations, the Nordic Council, the Council of Europe, the World Trade Organization and the Organisation for Economic Co-operation and Development. Sweden maintains a Nordic social welfare system that provides universal health care and tertiary education for its citizens, it has the world's eleventh-highest per capita income and ranks in numerous metrics of national performance, including quality of life, education, protection of civil liberties, economic competitiveness, equality and human development.
The name Sweden was loaned from Dutch in the 17th century to refer to Sweden as an emerging great power. Before Sweden's imperial expansion, Early Modern English used Swedeland. Sweden is derived through back-formation from Old English Swēoþēod, which meant "people of the Swedes"; this word is derived from Sweon/Sweonas. The Swedish name Sverige means "realm of the Swedes", excluding the Geats in Götaland. Variations of the name Sweden are used in most languages, with the exception of Danish and Norwegian using Sverige, Faroese Svøríki, Icelandic Svíþjóð, the more notable exception of some Finnic languages where Ruotsi and Rootsi are used, names considered as referring to the people from the coastal areas of Roslagen, who were known as the Rus', through them etymologically related to the English name for Russia; the etymology of Swedes, thus Sweden, is not agreed upon but may derive from Proto-Germanic Swihoniz meaning "one's own", referring to one's own Germanic tribe. Sweden's prehistory begins in the Allerød oscillation, a warm period around 12,000 BC, with Late Palaeolithic reindeer-hunting camps of the Bromme culture at the edge of the ice in what is now the country's southernmost province, Scania.
This period was characterised by small bands of hunter-gatherer-fishers using flint technology. Sweden is first described in a written source in Germania by Tacitus in 98 AD. In Germania 44 and 45 he mentions the Swedes as a powerful tribe with ships that had a prow at each end. Which kings ruled these Suiones is unknown, but Norse mythology presents a long line of legendary and semi-legendary kings going back to the last centuries BC; as for literacy in Sweden itself, the runic script was in use among the south Scandinavian elite by at least the 2nd century AD, but all that has come down to the present from the Roman Period is curt inscriptions on artefacts of male names, demonstrating th
The guitar is a fretted musical instrument that has six strings. It is played with both hands by strumming or plucking the strings with either a guitar pick or the finger/fingernails of one hand, while fretting with the fingers of the other hand; the sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker. The guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning; the modern guitar was preceded by the gittern, the vihuela, the four-course Renaissance guitar, the five-course baroque guitar, all of which contributed to the development of the modern six-string instrument. There are three main types of modern acoustic guitar: the classical guitar, the steel-string acoustic guitar, the archtop guitar, sometimes called a "jazz guitar"; the tone of an acoustic guitar is produced by the strings' vibration, amplified by the hollow body of the guitar, which acts as a resonating chamber.
The classical guitar is played as a solo instrument using a comprehensive finger-picking technique where each string is plucked individually by the player's fingers, as opposed to being strummed. The term "finger-picking" can refer to a specific tradition of folk, blues and country guitar playing in the United States; the acoustic bass guitar is a low-pitched instrument, one octave below a regular guitar. Electric guitars, introduced in the 1930s, use an amplifier and a loudspeaker that both makes the sound of the instrument loud enough for the performers and audience to hear, given that it produces an electric signal when played, that can electronically manipulate and shape the tone using an equalizer and a huge variety of electronic effects units, the most used ones being distortion and reverb. Early amplified guitars employed a hollow body, but solid wood guitars began to dominate during the 1960s and 1970s, as they are less prone to unwanted acoustic feedback "howls"; as with acoustic guitars, there are a number of types of electric guitars, including hollowbody guitars, archtop guitars and solid-body guitars, which are used in rock music.
The loud, amplified sound and sonic power of the electric guitar played through a guitar amp has played a key role in the development of blues and rock music, both as an accompaniment instrument and performing guitar solos, in many rock subgenres, notably heavy metal music and punk rock. The electric guitar has had a major influence on popular culture; the guitar is used in a wide variety of musical genres worldwide. It is recognized as a primary instrument in genres such as blues, country, folk, jota, metal, reggae, rock and many forms of pop. Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, a flat back, most with incurved sides." The term is used to refer to a number of chordophones that were developed and used across Europe, beginning in the 12th century and in the Americas. A 3,300-year-old stone carving of a Hittite bard playing a stringed instrument is the oldest iconographic representation of a chordophone and clay plaques from Babylonia show people playing an instrument that has a strong resemblance to the guitar, indicating a possible Babylonian origin for the guitar.
The modern word guitar, its antecedents, has been applied to a wide variety of chordophones since classical times and as such causes confusion. The English word guitar, the German Gitarre, the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة and the Latin cithara, which in turn came from the Ancient Greek κιθάρα. Which comes from the Persian word "sihtar"; this pattern of naming is visible in setar and sitar. The word "tar" at the end of all of these words is a Persian word that means "string". Many influences are cited as antecedents to the modern guitar. Although the development of the earliest "guitars" is lost in the history of medieval Spain, two instruments are cited as their most influential predecessors, the European lute and its cousin, the four-string oud. At least two instruments called "guitars" were in use in Spain by 1200: the guitarra latina and the so-called guitarra morisca; the guitarra morisca had a rounded back, wide fingerboard, several sound holes.
The guitarra Latina had a narrower neck. By the 14th century the qualifiers "moresca" or "morisca" and "latina" had been dropped, these two cordophones were referred to as guitars; the Spanish vihuela, called in Italian the "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is considered to have been the single most important influence in the development of the baroque guitar. It had six courses, lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a cut waist, it was larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, more like a larger version of the contemporary four-course guita
Hanne Krogh Sundbø is a Norwegian singer and actress from Haugesund and Oslo. She is well known for winning the Eurovision Song Contest 1985 with Elisabeth Andreassen in the group Bobbysocks, she is the mother of poker player Sverre Krogh Sundbø. She started singing when she was 9 years old, released her first album when she was 14, she has received major acclaim through Norwegian awards. Among them are numerous Spellemann including the Honorary Award, the Peer Gynt Prize, awarded by members of the Parliament to those Norwegians who have done the most to gain Norway’s reputation abroad. In addition to her own projects, she is frequently asked to act as MC at conventions in relation to female entrepreneurship. In 2012 she toured Norway with two major sold out shows that she had directed, she made numerous television appearances. In 2013, Hanne decided to mark the 100-year anniversary of women's suffrage in Norway by focusing toward violence against women, brought to light of unknown admirable women.
This included recording a new studio album Ikke gi deg, jente. In 2015 her new-written show "World of Music" gained another standing ovation, both from the audience and from the critics. Krogh has released 27 albums, including a compilation, Hanne Krogh: 40 beste in 1994, many other singles. Hanne Krogh Nærbilde Alene Nordens vakreste Under samme sol Julens vakreste Hanne Ta meg til havet 40 beste Prøysens barnesanger Julestjerner Reisen til den levende parken Vestavind Egners barnesanger God jul - Hannes beste julesanger Sanger fra barnas skattkammer Ved juletid God jul - Hannes beste julesanger Barnas nasjonalskatt Ikke gi deg, jente Bobbysocks Waiting for the Morning Walkin' on Air Let It Swing – The Best of Bobbysocks Ren 60 Those Were the Days Vår julekonsert Krogh participated as an actress in these movies: 1974: Crash as Marianne 1976: Reisen til julestjernen as Sonja Eurovision Song Contest 1971 Eurovision Song Contest 1985 Eurovision Song Contest 1991 Melodi Grand Prix Bobbysocks!
Congratulations Europride Elisabeth Andreassen Official website Full discography Hanne Krogh on IMDb
Eurovision Song Contest
The Eurovision Song Contest simply called Eurovision, is an international song competition held among the member countries of the European Broadcasting Union. Each participating country submits an original song to be performed on live television and radio casts votes for the other countries' songs to determine the winner. At least 50 countries are eligible to compete as of 2018, since 2015, Australia has been allowed as a guest entrant. Winning the Eurovision Song Contest provides a short-term career boost for artists, but results in long-term success. Exceptions include ABBA, Bucks Fizz, Celine Dion, all of whom launched successful careers. Based on the Sanremo Music Festival held in Italy since 1951, Eurovision has been broadcast every year since its inauguration in 1956, making it the longest-running annual international television contest and one of the world's longest-running television programmes, it is one of the most watched non-sporting events, with audience figures of between 100 million and 600 million internationally.
It has been broadcast in several countries that do not compete, such as the United States, New Zealand, China. Since 2000, it has been broadcast online via the Eurovision website. Ireland holds the record for most victories, with seven wins, including four times in five years in 1992, 1993, 1994, 1996. Under the current voting system, in place since 2016, the highest-scoring winner is Salvador Sobral of Portugal who won the 2017 contest in Kiev, with 758 points; as a war-torn Europe was rebuilding itself in the 1950s, the European Broadcasting Union —based in Switzerland—set up an ad hoc committee to search for ways of bringing together the countries of the EBU around a "light entertainment programme". At a committee meeting held in Monaco in January 1955 with Marcel Bezençon of the Swiss television as chairman, the committee conceived the idea of an international song contest where countries would participate in one television programme to be transmitted across all countries of the union; the competition was based upon the existing Sanremo Music Festival held in Italy and was seen as a technological experiment in live television.
In those days it was a ambitious project to join many countries together in a wide-area international network. Satellite television did not exist and the Eurovision Network comprised a terrestrial microwave network; the concept known as "Eurovision Grand Prix", was approved by the EBU General Assembly in a meeting held in Rome on 19 October 1955, it was decided that the first contest would take place in spring 1956 in Lugano, Switzerland. The name "Eurovision" was first used in relation to the EBU's network by British journalist George Campey in the London Evening Standard in 1951; the first contest was held in the town of Lugano, Switzerland, on 24 May 1956. Seven countries participated—each submitting two songs, for a total of 14; this was the only contest in which more than one song per country was performed: since 1957, all contests have allowed one entry per country. The 1956 contest was won by Switzerland; the programme was first known as the "Eurovision Grand Prix". This "Grand Prix" name was adopted by Germany, Denmark and the Francophone countries, with the French designation being Le Grand-Prix Eurovision de la Chanson Européenne.
The "Grand Prix" was dropped in 1973 and replaced with Concours in French and in 2001 with the English name in German, but not in Danish or Norwegian. The Eurovision network is used to carry many news and sports programmes internationally, among other specialised events organised by the EBU. However, in the minds of the public, the name "Eurovision" is most associated with the Song Contest; the format of the contest has changed over the years, though the basic tenets have always been thus: participant countries submit original songs, performed live on a television programme broadcast across the Eurovision Network by the EBU to all countries. A "country" as a participant is represented by one television broadcaster from that country: but not always, that country's national public broadcasting organisation; the programme is hosted by one of the participant countries, the programme is broadcast from the auditorium in the host city. During this programme, after all the songs have been performed, the countries proceed to cast votes for the other countries' songs: nations are not allowed to vote for their own song.
At the end of the programme, the song with the most points is declared as the winner. The winner receives the prestige of having won—although it is usual for a trophy to be awarded to the winning songwriters, the winning country is formally invited to host the event the following year; the programme is invariably opened by one or more presenters. Between the songs and the announcement of the voting, an interval act is performed; these acts can be any form of entertainment. Interval entertainment has included such acts as the Wombles and the first international performance of Riverdance; as national broadcasters join and leave the Eurovision feed transmitted by the EBU, the EBU/Eurovision network logo ident is displayed. The accompanying theme music is the prelude to Marc-Antoine Charpentier's Te Deum; the same logo was used for both
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew on the genres of blues and blues, from country music. Rock music drew on a number of other genres such as electric blues and folk, incorporated influences from jazz and other musical styles. Musically, rock has centered on the electric guitar as part of a rock group with electric bass and one or more singers. Rock is song-based music with a 4/4 time signature using a verse–chorus form, but the genre has become diverse. Like pop music, lyrics stress romantic love but address a wide variety of other themes that are social or political. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, jazz-rock, many of which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene.
New genres that emerged included progressive rock. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and alternative rock. From the 1990s alternative rock began to dominate rock music and break into the mainstream in the form of grunge and indie rock. Further fusion subgenres have since emerged, including pop punk, electronic rock, rap rock, rap metal, as well as conscious attempts to revisit rock's history, including the garage rock/post-punk and techno-pop revivals at the beginning of the 2000s. Rock music has embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. 1970s punk culture spawned the goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race and drug use, is seen as an expression of youth revolt against adult consumerism and conformity.
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was influenced by the sounds of electric blues guitarists; the sound of an electric guitar in rock music is supported by an electric bass guitar, which pioneered in jazz music in the same era, percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has been complemented by the inclusion of other instruments keyboards such as the piano, the Hammond organ, the synthesizer; the basic rock instrumentation was derived from the basic blues band instrumentation. A group of musicians performing rock music is termed as a rock group. Furthermore, it consists of between three and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist and keyboard player or other instrumentalist. Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four.
Melodies originate from older musical modes such as the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s and from the mid 1960s onwards, rock music used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock; because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, rebellion against "The Establishment", social concerns, life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, rhythm and blues.
Music journalist Robert Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, asserts that rock's primary "function" "pertains to music, or, more noise." The predominance of white and middle class musicians in rock music has been noted, rock has been seen as an appropriation of black musical forms for a young and male audience. As a result, it has been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has been contrasted with pop music, with which it has shared many characteristics, but from wh