Emiliano Augusto Cavalcanti de Albuquerque Melo, known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s.
Emiliano Di Cavalcanti
Cover of exhibition program for the Week of Modern Art, by Di Cavalcanti.
Mário Raul de Morais Andrade was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada, published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.
Di Cavalcanti's cover of an exhibition catalog from the Semana de Arte Moderna, 1922
Di Cavalcanti's cover for Paulicéia Desvairada, 1922
Andrade's house in Rua Lopes Chaves, São Paulo, where he describes himself "crouched at my desk" in a 1927 poem.
Andrade on both sides of a 500,000 Brazilian cruzeiros banknote