1.
Lyon
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Lyon or Lyons is a city in east-central France, in the Auvergne-Rhône-Alpes region, about 470 km from Paris and 320 km from Marseille. Inhabitants of the city are called Lyonnais, Lyon had a population of 506,615 in 2014 and is Frances third-largest city after Paris and Marseille. Lyon is the capital of the Metropolis of Lyon and the region of Auvergne-Rhône-Alpes, the metropolitan area of Lyon had a population of 2,237,676 in 2013, the second-largest in France after Paris. The city is known for its cuisine and gastronomy and historical and architectural landmarks and is a UNESCO World Heritage Site, Lyon was historically an important area for the production and weaving of silk. It played a significant role in the history of cinema, Auguste, the city is also known for its famous light festival, Fête des Lumières, which occurs every 8 December and lasts for four days, earning Lyon the title of Capital of Lights. Economically, Lyon is a centre for banking, as well as for the chemical, pharmaceutical. The city contains a significant software industry with a focus on video games. Lyon hosts the headquarters of Interpol, Euronews, and International Agency for Research on Cancer. Lyon was ranked 19th globally and second in France for innovation in 2014 and it ranked second in France and 39th globally in Mercers 2015 liveability rankings. These refugees had been expelled from Vienne by the Allobroges and were now encamped at the confluence of the Saône and Rhône rivers, dio Cassius says this task was to keep the two men from joining Mark Antony and bringing their armies into the developing conflict. The Roman foundation was at Fourvière hill and was officially called Colonia Copia Felix Munatia, a name invoking prosperity, the city became increasingly referred to as Lugdunum. The earliest translation of this Gaulish place-name as Desired Mountain is offered by the 9th-century Endlicher Glossary, in contrast, some modern scholars have proposed a Gaulish hill-fort named Lugdunon, after the Celtic god Lugus, and dúnon. It then became the capital of Gaul, partly due to its convenient location at the convergence of two rivers, and quickly became the main city of Gaul. Two emperors were born in city, Claudius, whose speech is preserved in the Lyon Tablet in which he justifies the nomination of Gallic senators. Today, the archbishop of Lyon is still referred to as Primat des Gaules, the Christians in Lyon were martyred for their beliefs under the reigns of various Roman emperors, most notably Marcus Aurelius and Septimus Severus. Local saints from this period include Blandina, Pothinus, and Epipodius, in the second century AD, the great Christian bishop of Lyon was the Easterner, Irenaeus. Burgundian refugees fleeing the destruction of Worms by the Huns in 437 were re-settled by the commander of the west, Aëtius. This became the capital of the new Burgundian kingdom in 461, in 843, by the Treaty of Verdun, Lyon, with the country beyond the Saône, went to Lothair I
2.
Academic art
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Academic art, or Academicism, is a style of painting and sculpture produced under the influence of European academies of art. In this context it is often called academism, academicism, Lart pompier, and eclecticism, in this medicean institution students learned the arti del disegno and heard lectures on anatomy and geometry. Another academy, the Accademia di San Luca, was founded about a later in Rome. The Accademia di San Luca served a function and was more concerned with art theory than the Florentine one. Accademia di San Luca later served as the model for the Académie royale de peinture et de sculpture founded in France in 1648, and which later became the Académie des beaux-arts. The Académie royale de peinture et de sculpture was founded in an effort to distinguish artists who were practicing a liberal art from craftsmen. This emphasis on the component of artmaking had a considerable impact on the subjects. This battle of styles was a conflict over whether Peter Paul Rubens or Nicolas Poussin was a model to follow. Debates also occurred over whether it was better to learn art by looking at nature, academies using the French model formed throughout Europe, and imitated the teachings and styles of the French Académie. In England, this was the Royal Academy, one effect of the move to academies was to make training more difficult for women artists, who were excluded from most academies until the last half of the 19th century. This was partly because of concerns over the propriety of life classes with nude models, special arrangements were often made for female students until the 20th century. Since the onset of the debate, many artists worked between the two styles. In the 19th century, in the form of the debate, the attention. One artist after another was claimed by critics to have achieved the synthesis, among them Théodore Chassériau, Ary Scheffer, Francesco Hayez, Alexandre-Gabriel Decamps, and Thomas Couture. William-Adolphe Bouguereau, an academic artist, commented that the trick to being a good painter is seeing color. Another development during this period included adopting historical styles in order to show the era in history that the painting depicted, called historicism and this is best seen in the work of Baron Jan August Hendrik Leys, a later influence on James Tissot. Its also seen in the development of the Neo-Grec style, historicism is also meant to refer to the belief and practice associated with academic art that one should incorporate and conciliate the innovations of different traditions of art from the past. The art world also grew to give increasing focus on allegory in art, as artists attempted to synthesize these theories in practice, the attention on the artwork as an allegorical or figurative vehicle was emphasized
3.
Classicism
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Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. Classicism is a genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources. It was particularly expressed in the Neoclassicism of the Age of Enlightenment, Classicism is a recurrent tendency in the Late Antique period, and had a major revival in Carolingian and Ottonian art. Until that time the identification with antiquity had been seen as a history of Christendom from the conversion of Roman Emperor Constantine I. Renaissance classicism introduced a host of elements into European culture, including the application of mathematics and empiricism into art, humanism, literary and depictive realism, importantly it also introduced Polytheism, or paganism, and the juxtaposition of ancient and modern. The classicism of the Renaissance led to, and gave way to and this period sought the revival of classical art forms, including Greek drama and music. Opera, in its modern European form, had its roots in attempts to recreate the combination of singing and dancing with theatre thought to be the Greek norm, examples of this appeal to classicism included Dante, Petrarch, and Shakespeare in poetry and theatre. Tudor drama, in particular, modeled itself after classical ideals, studying Ancient Greek became regarded as essential for a well-rounded education in the liberal arts. They also began reviving plastic arts such as bronze casting for sculpture, for example, the painting of Jacques-Louis David which was seen as an attempt to return to formal balance, clarity, manliness, and vigor in art. Various movements of the period saw themselves as classical revolts against a prevailing trend of emotionalism and irregularity. The 20th century saw a number of changes in the arts, thus, both pre-20th century disciplines were labelled classical and modern movements in art which saw themselves as aligned with light, space, sparseness of texture, and formal coherence. Examples of classicist playwrights are Pierre Corneille, Jean Racine and Moliere, the influence of these French rules on playwrights in other nations is debatable. In the English theatre, Restoration playwrights such as William Wycherly and those of Shakespeares plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity. Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and this style quickly spread to other Italian cities and then to France, Germany, England, Russia and elsewhere. In the 16th century, Sebastiano Serlio helped codify the classical orders, building off of these influences, the 17th-century architects Inigo Jones and Christopher Wren firmly established classicism in England. For the development of classicism from the mid-18th-century onwards, see Neoclassical architecture, for Greek art of the 5th century B. C. E. See Classical art in ancient Greece and the Severe style Italian Renaissance painting and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realised product with Raphaels School of Athens during the High Renaissance
4.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
5.
Napoleon
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Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
6.
Army
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An army or ground force is a fighting force that fights primarily on land. In the broadest sense, it is the military branch. It may also include other branches of the such as the air force via means of aviation corps. Within a national force, the word army may also mean a field army. They differ from army reserves who are activated only during such times as war or natural disasters, in several countries, the army is officially called the Land Army to differentiate it from an air force called the Air Army, notably France. In such countries, the army on its own retains its connotation of a land force in common usage. By convention, irregular military is understood in contrast to regular armies which grew slowly from personal bodyguards or elite militia, regular in this case refers to standardized doctrines, uniforms, organizations, etc. Regular military can also refer to full-time status, versus reserve or part-time personnel, other distinctions may separate statutory forces, from de facto non-statutory forces such as some guerrilla and revolutionary armies. Armies may also be expeditionary or fencible, india has had some of the earliest armies in the world. During the Indus Valley Civilization however, there was just a small force as they didnt fear invasion at the time. After the Aryan invasion, kingdoms and city-states started forming armies to protect their cities, one of the first known recorded battles, the Battle of the Ten Kings, happened when a Hindu king defeated an alliance of ten kings. During the Iron Age, the Maurya and Nanda Empires had large armies, in the Gupta age, large armies of longbowmen were recruited to fight off invading horse archer armies. Elephants, pikemen and cavalry were other featured troops, in Rajput times, the main piece of equipment was iron or chain-mail armour, a round shield, either a curved blade or a straight-sword, a chakra disc and a katar dagger. China has existed as a culture for thousands of years, the states of China raised armies for at least 1000 years before the Spring and Autumn Annals. By the Warring States period, the crossbow had been perfected enough to become a military secret, thus any political power of a state rested on the armies and their organization. China underwent political consolidation of the states of Han, Wei, Chu, Yan, Zhao and Qi, until by 221 BCE, Qin Shi Huang, sun Tzus The Art of War remains one of Chinas Seven Military Classics, even though it is two thousand years old. Since no political figure could exist without an army, measures were taken to only the most capable leaders could control the armies. Civil bureaucracies arose to control the power of the states
7.
Military
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The armed forces of a country are its government-sponsored defense, fighting forces, and organizations. They exist to further the foreign and domestic policies of their body and to defend that body. Armed force is the use of armed forces to achieve political objectives, the study of the use of armed forces is called military science. Broadly speaking, this involves considering offense and defense at three levels, strategy, operational art, and tactics, all three levels study the application of the use of force in order to achieve a desired objective. In most countries the basis of the forces is the military. However, armed forces can include other paramilitary structures, the obvious benefit to a country in maintaining armed forces is in providing protection from foreign threats and from internal conflict. In recent decades armed forces personnel have also used as emergency civil support roles in post-disaster situations. On the other hand, they may harm a society by engaging in counter-productive warfare. Expenditure on science and technology to develop weapons and systems sometimes produces side benefits, although some claim that greater benefits could come from targeting the money directly
8.
Siege
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A siege is a military blockade of a city or fortress with the intent of conquering by attrition or assault. This derives from sedere, Latin for to sit, Siege warfare is a form of constant, low-intensity conflict characterized by one party holding a strong, static defensive position. Consequently, an opportunity for negotiation between combatants is not uncommon, as proximity and fluctuating advantage can encourage diplomacy, a siege occurs when an attacker encounters a city or fortress that cannot be easily taken by direct assault and refuses to surrender. Failing a military outcome, sieges can often be decided by starvation, thirst, or disease and this form of siege, though, can take many months or even years, depending upon the size of the stores of food the fortified position holds. During the process of circumvallation, the force can be set upon by another force of enemies due to the lengthy amount of time required to starve a position. During the Warring States era of ancient China, there is textual and archaeological evidence of prolonged sieges and siege machinery used against the defenders of city walls. Siege machinery was also a tradition of the ancient Greco-Roman world, during the Renaissance and the early modern period, siege warfare dominated the conduct of war in Europe. Leonardo da Vinci gained as much of his renown from the design of fortifications as from his artwork, Medieval campaigns were generally designed around a succession of sieges. In the Napoleonic era, increasing use of more powerful cannon reduced the value of fortifications. In the 20th century, the significance of the classical siege declined, with the advent of mobile warfare, a single fortified stronghold is no longer as decisive as it once was. Modern sieges are more commonly the result of smaller hostage, militant, the Assyrians deployed large labour forces to build new palaces, temples, and defensive walls. Some settlements in the Indus Valley Civilization were also fortified, by about 3500 BC, hundreds of small farming villages dotted the Indus River floodplain. Many of these settlements had fortifications and planned streets, mundigak in present-day south-east Afghanistan has defensive walls and square bastions of sun-dried bricks. City walls and fortifications were essential for the defence of the first cities in the ancient Near East, the walls were built of mudbricks, stone, wood, or a combination of these materials, depending on local availability. They may also have served the purpose of showing presumptive enemies the might of the kingdom. The great walls surrounding the Sumerian city of Uruk gained a widespread reputation, the walls were 9.5 km in length, and up to 12 m in height. Later, the walls of Babylon, reinforced by towers, moats, in Anatolia, the Hittites built massive stone walls around their cities atop hillsides, taking advantage of the terrain. In Shang Dynasty China, at the site of Ao, large walls were erected in the 15th century BC that had dimensions of 20 m in width at the base and enclosed an area of some 2,100 yards squared
9.
John Ruskin
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John Ruskin was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and his writing styles and literary forms were equally varied. Ruskin also penned essays and treatises, poetry and lectures, travel guides and manuals, letters, the elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society and he also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. He was hugely influential in the half of the 19th century. After a period of decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability, from the 1850s he championed the Pre-Raphaelites who were influenced by his ideas. His work increasingly focused on social and political issues, Unto This Last marked the shift in emphasis. In 1869, Ruskin became the first Slade Professor of Fine Art at the University of Oxford, in 1871, he began his monthly letters to the workmen and labourers of Great Britain, published under the title Fors Clavigera. In the course of this complex and deeply personal work, he developed the principles underlying his ideal society, as a result, he founded the Guild of St George, an organisation that endures today. Ruskin was the child of first cousins. His father, John James Ruskin, was a sherry and wine importer founding partner and de facto manager of Ruskin, Telford. John James was born and brought up in Edinburgh, Scotland, to a mother from Glenluce and his wife, Margaret Cox, née Cock, was the daughter of an aunt on the English side of the family and a publican in Croydon. She had joined the Ruskin household when she became companion to John Jamess mother, John James had hoped to practice law, but was instead articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer, was an inadequate businessman, to save the family from bankruptcy, John James, whose prudence and success were in stark contrast to his father, took on all debts, settling the last of them in 1832. John James and Margaret were engaged in 1809, but opposition to the union from John Thomas, Ruskin was born at 54 Hunter Street, Brunswick Square, London, south of St Pancras railway station. His childhood was characterised by the influences of his father and mother. John James Ruskin helped to develop his sons Romanticism and they shared a passion for the works of Byron, Shakespeare and especially Walter Scott
10.
Poissy
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Poissy is a commune in the Yvelines department in the Île-de-France in north-central France. It is located in the suburbs of Paris,23.8 km from the centre of Paris. In 1561 it was the site of a fruitless Catholic-Huguenot conference and it is known for hosting successively the Automobiles Gregoire, Matford, Ford SAF, Simca, Chrysler, Talbot factories, and now hosts one of Frances largest Peugeot factories. The Simca Poissy engine was made here, Poissy is served by Poissy station on Paris RER line A and on the Transilien Paris – Saint-Lazare suburban rail line. It occupies about 66 acres on the northeast of PSA Peugeot Citroën factory, the Park welcomes 150 companies employing a total of 2,000 employees. It also hosts The Charles-de-Gaulle High School and The Training Centre for the Employees in Pharmacy gathering 1,500 high school students and students. Two business incubator, a heliport, the Chamber of Commerce of Yvelines-Val dOise, villa Savoye, considered by many to be the seminal work of the Swiss architect Le Corbusier. The Noyau de Poissy is a based on macerated or distilled apricot pits. Musée du jouet, shows 800 games and toys dating between 1850 and 1950, La salle Molière, Cinema, Library Christine de Pizan, Library André-Malraux. La Porteuse de pain, La Demoiselle dAvignon, La Tribu Les Grands Ducs, Le Ciel, les oiseaux et. ta mère. S
11.
Alexandre Dumas
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Alexandre Dumas, also known as Alexandre Dumas, père, was a French writer. His works have translated into nearly 100 languages, and he is one of the most widely read French authors. His novels have been adapted since the twentieth century for nearly 200 films. Dumas last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005 and it was published in English in 2008 as The Last Cavalier. Prolific in several genres, Dumas began his career by writing plays and he also wrote numerous magazine articles and travel books, his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris and his father, General Thomas-Alexandre Davy de la Pailleterie, was born in the French colony of Saint-Domingue to a French nobleman and an enslaved African woman. At age 14 Thomas-Alexandre was taken by his father to France, Dumas fathers aristocratic rank helped young Alexandre acquire work with Louis-Philippe, Duke of Orléans. He later began working as a writer, finding early success, decades later, in the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favour and left France for Belgium, where he stayed for several years. Upon leaving Belgium, Dumas moved to Russia for a few years before going to Italy, in 1861, he founded and published the newspaper LIndipendente, which supported the Italian unification effort. In 1864, he returned to Paris, though married, in the tradition of Frenchmen of higher social class, Dumas had numerous affairs. In his lifetime, he was known to have at least four illegitimate or natural children and he acknowledged and assisted his son, Alexandre Dumas, to become a successful novelist and playwright. They are known as Alexandre Dumas père and Alexandre Dumas fils, among his affairs, in 1866, Dumas had one with Adah Isaacs Menken, an American actress then less than half his age and at the height of her career. The English playwright Watts Phillips, who knew Dumas in his life, described him as the most generous. He also was the most delightfully amusing and egotistical creature on the face of the earth and his tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself. Dumas Davy de la Pailleterie was born in 1802 in Villers-Cotterêts in the department of Aisne, in Picardy and he had two older sisters, Marie-Alexandrine and Louise-Alexandrine. Their parents were Marie-Louise Élisabeth Labouret, the daughter of an innkeeper, at the time of Alexandres birth, his father was impoverished. It is not known whether she was born in Saint-Domingue or in Africa, brought as a boy to France by his father and legally freed there, Thomas-Alexandre Dumas Davy was educated in a military school and joined the army as a young man. As an adult, Thomas-Alexandre used his mothers name, Dumas, as his surname after a break with his father, Dumas was promoted to general by the age of 31, the first soldier of Afro-Antilles origin to reach that rank in the French army
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Herbermann, Charles, ed. (1913). "Ernest Meissonier". Catholic Encyclopedia. New York: Robert Appleton Company.
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This article incorporates text from a publication now in the public domain: Frantz, Henri (1911). "Meissonier, Jean Louis Ernest". In Chisholm, Hugh. Encyclopædia Britannica. 18 (11th ed.). Cambridge University Press. pp. 85–86.
