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History
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Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women of the royal family were allowed greater political influence and power during Esarhaddon's reign than in any previous period of Assyrian history.
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the B
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the British Museum, BM 91027.
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A Neo-Assyrian sun disk traditionally viewed to symbolize Ashur
A Neo-Assyrian sun disk traditionally viewed to symbolize Ashur