Eurospy film, or Spaghetti spy film, is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films was released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword and sandal genre.
James Tont operazione D.U.E. (1966) film poster spoofs the 007 hit Thunderball.
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
This poster for Goliath and the Barbarians (1959) by Carlo Campogalliani illustrates many people's expectations from films of this genre.
Kirk Douglas and Silvana Mangano in a pause during the shootings of Ulysses (1954) by Mario Camerini
Duel of the Titans (1961) by Sergio Corbucci
My Son, the Hero (1962) by Duccio Tessari