1.
Stockholm
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The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time
2.
Royal Dramatic Theatre
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The Royal Dramatic Theatre is Swedens national stage for spoken drama, founded in 1788. Around one thousand shows are put on annually on the theatres eight running stages, the theatre has been at its present location in the Art Nouveau building at Nybroplan, Stockholm, since 1908. The theatre was built by the architect Fredrik Lilljekvist, famous artists like Carl Milles and Carl Larsson were involved in making the decorations, and some of the interior decorations were made by Prince Eugen. The school was split off as an institution in 1967. The first Swedish theatre opened in Bollhuset and Lejonkulan in 1667, while the plays were sometimes open to the public, it remained more or less a court theatre. The first Swedish play, Den Svenska Sprätthöken, was performed in 1737 by the first Swedish theatre company, the Swedish theatre was turned out of their playhouse by Queen Louisa Ulrika of Prussia after the 1753-54 season, and the playhouse was given to a French company. In 1773, king Gustav III fired the French company and encouraged Swedish talents, and thus, a theatre of spoken drama was founded in the same building in 1787, but was not to last long. In 1788 the director fled the country to escape his creditors, so the actors formed a company and asked for the kings protection, Swedens national stage for dramatic art was established by King Gustav III in 1788. It was then that the Royal Theatre in Sweden was officially split in two, and the Royal Theatre became thereafter solely an opera stage, for spoken drama a new theatre was built specifically, called Kungliga Dramatiska Teatern—the Royal Dramatic Theatre, to distinguish it from the Royal Theatre. In 1798, the theatres and operas of Stockholm were united by a monopoly. In 1825, the old Palace building of the theatre caught fire, the theatre was now located in the same building as the Opera, an arrangement that was to continue for almost forty years. The middle of the 19th century was to mean changes both within and without the theatre and this time, however, the strike was broken by the government, which gave some of them raised salaries and fired the others with pensions. There was much criticism about the sharing of localities between the opera and the theatre, as the localities of the Opera were built for singing and considered unsuitable for spoken drama. In 1863, the Royal Dramatic Theatre purchased the playhouse of an old theatre, Mindre teatern. But at the beginning of the 20th century, the playhouse was rundown and in desperate need of renovation, there was lively debate in the press on the subject of refurbishing the national stage at Kungsträdgården. Many different kinds of restoration were proposed, but King Oscar II was not satisfied any of the suggestions. Instead, the decision was made to completely tear down the old theatre building and to build a new, bigger, fresher. From the 1850s onwards, Stockholm as a city and as Swedens definitive capital had changed considerably as had its centre, Fredrik Lilljekvist was appointed head architect, and on February 18,1908 the national stages new theatre building at Nybroplan opened with Strindbergs new play Mäster Olof
3.
Actor
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An actor is a person who portrays a character in a performance. Simplistically speaking, the person denominated actor or actress is someone beautiful who plays important characters, the actor performs in the flesh in the traditional medium of the theatre, or in modern mediums such as film, radio, and television. The analogous Greek term is ὑποκριτής, literally one who answers, the actors interpretation of their role pertains to the role played, whether based on a real person or fictional character. Interpretation occurs even when the actor is playing themselves, as in forms of experimental performance art, or, more commonly, to act, is to create. Formerly, in societies, only men could become actors. When used for the stage, women played the roles of prepubescent boys. The etymology is a derivation from actor with ess added. However, when referring to more than one performer, of both sexes, actor is preferred as a term for male performers. Actor is also used before the name of a performer as a gender-specific term. Within the profession, the re-adoption of the term dates to the 1950–1960s. As Whoopi Goldberg put it in an interview with the paper, Im an actor – I can play anything. The U. K. performers union Equity has no policy on the use of actor or actress, an Equity spokesperson said that the union does not believe that there is a consensus on the matter and stated that the. subject divides the profession. In 2009, the Los Angeles Times stated that Actress remains the term used in major acting awards given to female recipients. However, player remains in use in the theatre, often incorporated into the name of a group or company, such as the American Players. Also, actors in improvisational theatre may be referred to as players, prior to Thespis act, Grecian stories were only expressed in song, dance, and in third person narrative. In honor of Thespis, actors are commonly called Thespians, the exclusively male actors in the theatre of ancient Greece performed in three types of drama, tragedy, comedy, and the satyr play. Western theatre developed and expanded considerably under the Romans, as the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted to Constantinople and the Byzantine Empire. Records show that mime, pantomime, scenes or recitations from tragedies and comedies, dances, from the 5th century, Western Europe was plunged into a period of general disorder
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Author
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An author is narrowly defined as the originator of any written work and can thus also be described as a writer. More broadly defined, an author is the person who originated or gave existence to anything, in the copyright laws of various jurisdictions, there is a necessity for little flexibility regarding what constitutes authorship. The United States Copyright Office, for example, defines copyright as a form of protection provided by the laws of the United States to authors of works of authorship. After a fixed amount of time, the copyright expires on intellectual work and it enters the public domain, however, copyright is merely the legal reassurance that one owns his/her work. Technically, someone owns their work from the time its created, an interesting aspect of authorship emerges with copyright in that, in many jurisdictions, it can be passed down to another upon ones death. The person who inherits the copyright is not the author, questions arise as to the application of copyright law. How does it, for example, apply to the issue of fan fiction. If the media responsible for the authorized production allows material from fans, what is the limit before legal constraints from actors, music. Additionally, how does copyright apply to fan-generated stories for books, what powers do the original authors, as well as the publishers, have in regulating or even stopping the fan fiction. In literary theory, critics find complications in the term author beyond what constitutes authorship in a legal setting, in the wake of postmodern literature, critics such as Roland Barthes and Michel Foucault have examined the role and relevance of authorship to the meaning or interpretation of a text. Barthes challenges the idea that a text can be attributed to any single author and he writes, in his essay Death of the Author, that it is language which speaks, not the author. The words and language of a text itself determine and expose meaning for Barthes, with this, the perspective of the author is removed from the text, and the limits formerly imposed by the idea of one authorial voice, one ultimate and universal meaning, are destroyed. The psyche, culture, fanaticism of an author can be disregarded when interpreting a text, because the words are rich enough themselves with all of the traditions of language. To expose meanings in a work without appealing to the celebrity of an author, their tastes, passions, vices, is, to Barthes, to allow language to speak. Michel Foucault argues in his essay What is an author and that all authors are writers, but not all writers are authors. He states that a letter may have a signatory—it does not have an author. For a reader to assign the title of author upon any written work is to certain standards upon the text which. Foucaults author function is the idea that an author exists only as a function of a work, a part of its structure
5.
Swedes
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Swedes are a Germanic ethnic group native to Sweden. They mostly inhabit Sweden and the other Nordic countries, in particular Finland, with a substantial diaspora in other countries, the English term Swede has been attested in English since the late 16th century and is of Middle Dutch or Middle Low German origin. The term is believed to have derived from the Proto-Indo-European reflexive pronominal root, *se. The word must have meant ones own, the same root and original meaning is found in the ethnonym of the Germanic tribe Suebi, preserved to this day in the name Swabia. Sweden enters proto-history with the Germania of Tacitus in AD98, in Germania 44,45 he mentions the Swedes as a powerful tribe with ships that had a prow in both ends. Which kings ruled these Suiones is unknown, but Norse mythology presents a line of legendary and semi-legendary kings going back to the last centuries BC. In the 6th century Jordanes named two tribes, which he calls the Suehans and the Suetidi, who lived in Scandza and these two names are both considered to refer to the same tribe. The Suehans, he says, has very fine horses just as the Thyringi tribe, the Icelander Snorri Sturluson wrote of the 6th-century Swedish king Adils that he had the finest horses of his days. The Suehans supplied black fox-skins for the Roman market, then Jordanes names the Suetidi which is considered to be the Latin form of Svitjod. He writes that the Suetidi are the tallest of men - together with the Dani, later he mentions other Scandinavian tribes as being of the same height. Originating in semi-legendary Scandza, a Gothic population had crossed the Baltic Sea before the 2nd century AD and they reaching Scythia on the coast of the Black Sea in modern Ukraine, where Goths left their archaeological traces in the Chernyakhov culture. In the 5th and 6th centuries, they divided as the Visigoths and the Ostrogoths. Crimean Gothic communities appear to have survived intact in the Crimea until the late 18th century, the Swedish Viking Age lasted roughly between the 8th and 11th centuries. During this period, it is believed that the Swedes expanded from eastern Sweden and it is believed that Swedish Vikings and Gutar mainly travelled east and south, going to Finland, the Baltic countries, Russia, Belarus, Ukraine the Black Sea and further as far as Baghdad. Their routes passed through the Dnieper down south to Constantinople, on which they did numerous raids, the Byzantine Emperor Theophilos noticed their great skills in war and invited them to serve as his personal bodyguard, known as the varangian guard. The Swedish Vikings, called Rus are also believed to be the fathers of Kievan Rus. The Arabic traveller Ibn Fadlan described these Vikings as following, I have seen the Rus as they came on their merchant journeys, each man has an axe, a sword, and a knife, and keeps each by him at all times. The swords are broad and grooved, of Frankish sort, the adventures of these Swedish Vikings are commemorated on many runestones in Sweden, such as the Greece Runestones and the Varangian Runestones
6.
Cannes Film Festival Award for Best Actress
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The Best Actress Award is an award presented at the Cannes Film Festival. It is chosen by the jury from the films in competition at the festival. It was first awarded in 1946, the ceremony was cancelled in 1948,1950, and 1968. No awards were given to actresses in 1947, on four occasions, the jury has awarded multiple women the prize from one film. The four films were A World Apart, Brink of Life, A Big Family, the jury also on occasion cites actresses with a special citation that is separate from the main award. From 1979 to 1981 the festival awarded a Best Supporting Actress prize. Isabelle Adjani is the actress to ever win the award for two films in one festival, which she did in 1981. The award can be for lead or supporting roles, barbara Hershey won the award consecutively in 1987 and 1988. ‡ - indicates the performance was nominated for an Academy Award 2 wins Vanessa Redgrave – Morgan
7.
Brink of Life
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Brink of Life, is a 1958 Swedish drama film directed by Ingmar Bergman. Bergman won the Best Director Award and Anderson, Dahlbeck, Ornäs, nordlander Ann-Marie Gyllenspetz as Counsellor Gran Inga Landgré as Greta Ellius Brink of Life received generally mixed reviews from critics. In order for the film to be screened publicly, the Committee imposed the removal of the scene in which Stina is in due to labour. The official document number is,31260, it was signed on 20 April 1960 by Minister Domenico Magrì, Brink of Life, So Close to Life at the Internet Movie Database Brink of Life at the Swedish Film Institute Database
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