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FLCL

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FLCL
FLCL (Fooly Cooly) anime logo.svgFLCL image.jpg
Promotional artwork used on a number of DVD releases of FLCL featuring the three primary characters from the anime, from top, Canti (the blue robot), Haruko, and Naota.
フリクリ
(Furi Kuri)
Genre Action, comedy, science fiction[1]
Original video animation
Directed by Kazuya Tsurumaki
Produced by Masanobu Sato
Masatomo Nishizawa
Hiroki Sato
Written by Yōji Enokido
Music by Shinkichi Mitsumune
The Pillows
Studio Production I.G
Gainax
Licensed by
Released April 26, 2000 – March 16, 2001
Runtime 23–31 minutes
Episodes 6 (List of episodes)
Novel series
Written by Yoji Enokido
Illustrated by Kazuya Tsurumaki
Hiroyuki Imaishi
Published by Kadokawa Shoten
English publisher
Demographic Male
Imprint Kadokawa Sneaker Bunko
Original run June 1, 2000 – March 1, 2001
Volumes 3
Manga
Written by Hajime Ueda
Published by Kodansha
English publisher
Demographic Seinen
Magazine Magazine Z
Original run 2000 – 2001
Volumes 2
Anime television series
FLCL Progressive
Directed by Katsuyuki Motohiro (Chief)
Kazuto Arai[2]
Toshihisa Kaiya[2]
Yuki Ogawa[2]
Yoshihide Ibata[2]
Kei Suezawa[2]
Hiroshi Ikehata[2]
Produced by Mitsuhisa Ishikawa[a]
Jason DeMarco[a]
Keiji Ohta[a]
Maki Terashima-Furuta
Mike Lazzo
Masaya Saito
Written by Hideto Iwai
Music by R・O・N (VERYGOO)[2]
The Pillows
Studio Production I.G[2]
English network
Original run June 2, 2018 – July 7, 2018
Episodes 6 (List of episodes)
Anime television series
FLCL Alternative
Directed by Katsuyuki Motohiro (Chief)
Kiyotaka Suzuki (Assistant)
Yutaka Uemura[3]
Produced by Mitsuhisa Ishikawa[a]
Jason DeMarco[a]
Keiji Ohta[a]
Maki Terashima-Furuta
Mike Lazzo
Masaya Saito
Written by Hideto Iwai
Music by R・O・N (VERYGOO)[3]
The Pillows
Studio Production I.G[3]
NUT
Revoroot
English network
Original run March 31, 2018 (April Fools' Day airing)
September 8, 2018 – scheduled
Episodes 6 (List of episodes)
Wikipe-tan face.svg Anime and Manga portal

FLCL (Japanese: フリクリ, Hepburn: Furi Kuri, pronounced in English as Fooly Cooly) is an original video animation (OVA) anime series written by Yōji Enokido, directed by Kazuya Tsurumaki and produced by the FLCL Production Committee, which consisted of Gainax, Production I.G, and King Records. FLCL is a story following Naota Nandaba, a twelve-year-old boy whose suburban life is disturbed by the arrival of the alien woman Haruko Haruhara.[4]

The six-episode series was released in Japan from April 2000 to March 2001 alongside a manga and novel. It originally aired in the United States on Adult Swim in August 2003, where it managed to gain a significant cult following[5][6] and was widely acclaimed, despite its short length.[7][8] It aired in the U.S. again in the next years and later also on the network's Toonami block from October 2013 to January 2014,[9] and then again in April 2018.[10] The series is also available via iTunes, Adult Swim.com and Funimation's website.

In 2016, two new seasons totaling 12 episodes were announced as a co-production between Production I.G, Toho and Adult Swim.[11][12] The second season, FLCL Progressive, premiered on June 2, 2018 on Adult Swim's Toonami block while the third season, FLCL Alternative, will air in September 2018. In Japan, Alternative and Progressive will have theatrical screenings in September 2018. The first episode of FLCL Alternative unexpectedly premiered on April Fool's Day 2018 at midnight on Toonami in Japanese with English subtitles.

Plot[edit]

The characters of FLCL's first season.
Main article: List of FLCL characters

The first season of FLCL is a coming-of-age story and revolves around Naota Nandaba, a 12-year-old, working-class boy living with his widowed father and grandfather. His life in the city of Mabase is interrupted by the arrival of a Vespa-riding maniac named Haruko Haruhara, who runs over Naota and revives him with CPR before hitting him on the head with her blue vintage Rickenbacker 4001 left-handed electric bass guitar before proceeding to stalk him.[13][14][15] Finding Haruko weaseling her way into his life as a live-in maid, Naota discovers that his head injury by her created an "N.O." portal, from which giant robots produced by a company known as Medical Mechanica emerge periodically. The first of these robots is hit on the head by Haruko and becomes a friendly service robot later named Canti, which ingests Naota for Canti to assume the reddened form he first appeared as when fighting the robots sent after him.

While Haruko claims herself as an alien investigator from the Galactic Space Police Brotherhood as her presence places Naota and those around him in constant danger, she is later revealed by the Interstellar Immigration Bureau's Commander Amarao, with whom she has a history, as an apathetic seductress seeking a space-manipulating being called Atomsk who was partially contained within Canti and is gradually brought to Earth each time Naota is absorbed by the robot. But as Atomsk is held in Medical Mechanica's custody and Haruko ultimately places Earth under threat, the company eventually turns their factory stationed on the planet into a doomsday terraforming device, having Naota and Canti get absorbed by the doomsday device's Terminal Core. But Haruko's plan fails as Naota ends up becoming Atomsk's host and then releases him into the universe after a brief battle that ends Medical Mechanica's attack on Earth, with Haruko leaving after Atomsk while Mabase returned to some normalcy.

In the second season of FLCL, FLCL Progressive, Haruko returns to Mabase years later after a failed attempt to contain Atomsk after she managed to finally absorb him. Placing herself as a middle school homeroom teacher, Haruko targets a 14-year-old girl named Hidomi Hibajiri through her classmate and eventual love interest Ko Ide. But Haruko finds opposition in both the headphones Hidomi wears and Julia Jinyu, a more stoic offshoot of Haruko that splintered from her during her initial attempt to control Atomsk's power. But like before, eventually eating Julia to restore herself and using Ide to get to Hidomi, Haruko's actions cause conflict between Medical Mechanica and the Interstellar Immigration Bureau as the latter group were reverse-engineering Canti's technology to utilize the N.O. Channel's energies for their own use. Atomsk appears on Earth as planned but Haruko ends up failing again with a freed Julia taking her leave, though Haruko regains her composure and resumes her hunt for Atomsk as Hidomi and Ide begin their relationship while Mabase rebuilds after much of it was destroyed by Medical Mechanica.

Production[edit]

Main article: List of FLCL episodes

The first season of FLCL was directed by Kazuya Tsurumaki and produced by the FLCL Production Committee, which included Gainax, Production I.G,[16] and Starchild Records.[17]

Tsurumaki has said that he tried to "break the rules" of anime when making FLCL, for example, by choosing a contemporary Japanese band to provide the soundtrack, and patterning the style more after "a Japanese TV commercial or promotional video", creating a work that is "short, but dense-packed".[18]

FLCL's localization director and script writer Marc Handler stated that localization of the script was the hardest part of the show. The in-jokes in the show included obscure pop culture references that had to be decoded and transferred to English audiences. One example was a reference to Cheerio, a discontinued soft drink in Japan, for the English release the choice was made to use a discontinued American soft drink at the time, Crystal Pepsi.[19] Director Kazuya Tsurumaki responded to criticism of FLCL, stating "comprehension should not be an important factor in FLCL".[20]

The Medical Mechanica building featured is in the shape of a large iron. The character Amarao describes Medical Mechanica's goal as the destruction of all thought. FLCL uses the iron as a symbolic breakdown of "thought" by smoothing out the wrinkles as equated to the removing of the brain's wrinkles. For English localization, the Japanese team had to explain the concept because a direct translation of script did not convey the ideology.[21]

Release[edit]

Six DVD compilations, each containing one episode, have been released in Japan by Gainax.[22] In addition, a DVD collection box, containing all six DVD compilations, was released in Japan on August 13, 2005.[23] Three DVD compilations were released by Synch-Point in North America. A DVD collection box, containing all the DVD compilations of the English episodes, was released on January 23, 2007, but have since gone out of print.[24][25][26] In January 2010, Funimation announced that they had acquired the license for the series and would be releasing it on DVD and Blu-ray Disc in February 2011.[27] Shortly after, it has been released in Australia and New Zealand by Madman Entertainment on a 3-disc DVD set and on Blu-ray Disc.[28][29] It is also licensed in the United Kingdom by MVM Films.[30] The series also aired in the United States on Cartoon Network's Adult Swim programming block from August 4[31] to August 13, 2003.[32]

Media[edit]

Novels[edit]

A three-volume novel series was written by the anime's screenwriter Yoji Enokido, illustrated by Kazuya Tsurumaki and Hiroyuki Imaishi, and published by Kadokawa Shoten. The novels were released in Japan in June 2000, October 2000, and March 2001 respectively. The English-language versions were published by Tokyopop and were released in North America on March 11, 2008; September 9, 2008; and March 10, 2009 respectively. The novels cover all 6 episodes of the anime, introducing elements that were not present in the anime.

No.Japanese release dateJapanese ISBNEnglish release dateEnglish ISBN
1 June 1, 2000[33]ISBN 4-04-423601-1March 11, 2008[34]ISBN 978-1-427-80498-3
2 October 1, 2000[35]ISBN 4-04-423602-XSeptember 9, 2008[36]ISBN 978-1-427-80499-0
3 March 1, 2001[37]ISBN 4-04-423603-8March 10, 2009[38]ISBN 978-1-427-80500-3

Manga[edit]

A two-volume manga was created by artist Hajime Ueda. The manga interprets the series with certain elements altered and removed, and tells the events of the anime using a reductive art style and unsteady pacing. Jack Kotin defended the unique artstyle of the manga, saying "It can be crudely drawn at times, but this style fits in well with the overall story and atmosphere...".[39]

The manga was published by Kodansha and serialized in monthly Magazine Z. The two volumes were released on October 23, 2000 and August 23, 2001 respectively.[40][41] The manga was re-released in bunkoban format with the two volumes labeled "Jō" (上, First) and "Ge" (下, Final) in two individual box sets titled "Kodansha Box". Jō volume was on May 7, 2007 and the Ge volume was released on June 4, 2007.[42][43] An edited tankōbon version of the manga that was released in box sets, were released on January 10, 2012 and February 9, 2012 respectively.[44][45]

The English-language editions of the manga was released by Tokyopop on September 16, 2003 and on November 4, 2003 respectively.[46][47] In March 2011, Dark Horse Comics announced to re-release the manga in omnibus edition.[48] The omnibus edition was released on May 16, 2012 and includes remastered story pages, a remastered script, and bonus color pages.[49]

Soundtracks[edit]

Six pieces of theme music are used for the episodes; five opening themes and one closing theme, all by Japanese rock band, The Pillows. The battle themes are "Advice", "Little Busters" and "I Think I Can"; the opening themes are: "One Life", used in episode one, "Instant Music" in episodes two and three, "Happy Bivouac" in episode four, "Runners High", in episode five, and "Carnival" in episode six. The closing theme of each episode is "Ride on Shooting Star".

Geneon Entertainment has released three original soundtracks encompassing the songs by The Pillows, and the score by composer Shinkichi Mitsumune. The first soundtrack, titled FLCL No.1: Addict (フリクリNo.1 アディクト), contains tracks featured in the first three episodes of FLCL. The soundtrack was released on October 4, 2000 in Japan and January 20, 2004 in the US.[50][51] The second soundtrack, titled FLCL No.2: King of Pirates (フリクリNo.2 海賊王, Furi Kuri No.2 Kaizoku-ō), contains tracks featured in the last three episodes of FLCL. The soundtrack was released on July 25, 2001 Japan and September 7, 2004 in the US.[50][52] This volume features several audio dramas, with the cast of FLCL playing the various parts. Due to the dramas included, this album acts as a sequel of sorts to the anime. The third soundtrack, titled FLCL No.3 (フリクリNo.3), is a compilation of the first two soundtracks, featuring only music by The Pillows. The released on June 8, 2005 and June 7, 2005 in the US.[50][53] Unlike the previous two soundtracks, the songs are the original vocal versions from the band's LPs.

Reception[edit]

A Vespa scooter, as used by Haruko.

FLCL has received a mostly positive reception. The series has been described as "bizarre" and "surreal",[54][55] and has been noted for its symbolic content,[56] unusual plot,[57] and its soundtrack composed by The Pillows.[58] Its experimental nature has also been noted, which includes an entire scene made in the cutout animation of animated American series South Park,[59][60] or The Matrix-like camera rotation tricks.[61]

Christopher McDonald of Anime News Network called it "downright hilarious" and "visually superb" with great music, citing the packaging of 2 episodes per DVD as the only weakness of Synch-Point's original release.[62] Robert Nelson of T.H.E.M. Anime Reviews gave the anime 4 out of 5 stars stating, "FLCL may not have a straightforward or deep plot. It may not have complex characterizations. Hell, it may not have any meaning. But FLCL does succeed in its true objective. It is fun to watch!"[63] Chris Beveridge of Mania gave it an A- stating, "FLCL is something that allowed those involved to try a wide variety of styles and techniques and does come off as quite experimental. But nearly everything worked in their favor and you end up with three hours of nearly break neck speed action, comedy and commentary on modern life."[64] Brian Ruh praised the series stating, "It was very frenetic and kept pushing the envelope on what was possible in Japanese animation."[65]

IGN columnist Davis Smith reviewed the anime shortly after its English premiere, in the article Smith praised the series' unusual story telling, extremely high quality animation and the soundtrack provided by The Pillows; rewarding the series a score of 9 out of 10 concluding, "Logic dictates that FLCL should be an undisciplined and unaffecting mess, given all the insanity that its creators are attempting to weld into a functioning whole. Yet while it's hard to explain exactly why, it works. It entertains me. At times, it makes me laugh; at times, it makes me a little misty-eyed; at times, it makes me want to scream and howl and light things on fire and break windows with baseball bats and yes, maybe even buy a Vespa. That's the kind of success that you just can't argue with."[66]

From January 3 to February 7, 2012, Hayden Childs, of the online magazine The A.V. Club, composed a six-part weekly analysis and review of each FLCL episode in celebration of The Legend of Korra's then upcoming third season, a series that was heavily influenced by FLCL animation style. In the article Childs gave an extremely positive review of the series understanding it as a surrealist inspired coming of age story[67] stating, "For all of its wild and initially bewildering aspects, the major purpose of FLCL is the impressionistic and often naturalistic documentation of Naota’s passage into maturity."[68]

Avatar: The Last Airbender director Giancarlo Volpe says the staff "were all ordered to buy FLCL and watch every single episode of it."[69]

Awards and acclaims[edit]

On August 12, 2003, Time Warner press release noted the success of Cartoon Network, FLCL "ranked No. 42 among all shows on ad-supported cable among adults 18–34".[31] Also in 2003, FLCL won third place for Best Animation Film at the Fantasia Festival.[70][71] On February 24, 2007, FLCL was nominated for "Best Cast", and won "Best Comedy Series" and "Best Short Series" at the first American Anime Awards show.[72] Anime Insider ranked FLCL 4th in their list of the best English-licensed anime of all time in November 2007.[73]

Sequel series[edit]

American anime news service Anime News Network reported on August 31, 2015 that the production studio Production I.G may be planning a remake of the popular series after announcing their purchase of the rights to FLCL from production company Gainax. This led many to speculate on the potential of a remake or possible continuation of the series.[74]

The sequel anime series was announced on March 24, 2016 via the Toonami crew's Tumblr and Facebook page that 12 new episodes of FLCL would be produced in cooperation with Production I.G. The upcoming episodes will be split into two individual seasons: FLCL Progressive (フリクリ プログレ, Furikuri Purogure, "FLCL Progress") and FLCL Alternative (フリクリ オルタナ, Furikuri Orutana, "FLCL Alterna") which will serve as sequels to the popular series which was broadcast on Adult Swim's anime block in 2003. The crew includes Neon Genesis Evangelion character designer Yoshiyuki Sadamoto and original series director Kazuya Tsurumaki.

The synopsis of the series was published by Adult Swim:

In the new season of FLCL, many years have passed since Naota and Haruhara Haruko shared their adventure together. Meanwhile, the war between the two entities known as Medical Mechanica and Fraternity rages across the galaxy. Enter Hidomi, a young teenaged girl who believes there is nothing amazing to expect from her average life, until one day when a new teacher named Haruko arrives at her school. Soon enough, Medical Mechanica is attacking her town and Hidomi discovers a secret within her that could save everyone, a secret that only Haruko can unlock.

But why did Haruko return to Earth? What happened to her Rickenbacker 4001 she left with Naota? And where did the human-type robot 'Canti' go?[75]

Production I.G vice president Maki Terashima-Furuta announced at Anime Expo 2016 that original series character designer Yoshiyuki Sadamoto will return for the sequel and that Psycho-Pass director Katsuyuki Motohiro will supervise the production. The Pillows will return to contribute to the soundtrack,[76] although the score will be primarily composed by R・O・N from the music production company VERYGOO.[2][3]

The second season, FLCL Progressive, premiered on June 2, 2018 on Adult Swim's Toonami block;[77][78][79][75][80][81] the third and final season, FLCL Alternative, will air in September 8, 2018.[82] In Japan, Alternative and Progressive will have theatrical screenings[83][84] on September 7, 2018, and September 28, 2018, respectively.[85][86] The first episode of FLCL Alternative unexpectedly premiered early at midnight on April Fool's Day on Toonami, airing entirely in Japanese with English subtitles.[87] On June 2, Toonami announced via its Facebook page that it would be delaying the English subtitled versions of both new seasons until November 2018, in respect of the Japanese movie releases.[88][89]

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  86. ^ "劇場版「フリクリ」正式タイトル解禁、林原めぐみら新キャストも発表（動画あり） - 映画ナタリー" [Announcement of FLCL Theatrical Version official title reveal, Megumi Hayashibara cast]. Natalie (in Japanese). Natasha. Retrieved 23 March 2018. 
  87. ^ Valdez, Nick (April 1, 2018). "Internet Reacts To Toonami's April Fool's Day Anime Stunt". Anime. Retrieved April 1, 2018. 
  88. ^ "Adult Swim Delays Japanese Versions of 'FLCL:2/3' Until November". Crunchyroll. Retrieved 2018-06-04. 
  89. ^ "Toonami Delays FLCL Progressive, FLCL Alternative Anime's English-subtitled Version to November". Anime News Network. Retrieved 2018-06-04. 

Notes[edit]

  1. ^ a b c d e f executive producer

Further reading[edit]

External links[edit]

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