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Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The portrayal of the image of the serpent as a mirror of Eve
The Fall and Expulsion from Paradise, fresco painted by Michelangelo in the Sistine Chapel, Vatican City (1510–1564)
The Fall and Expulsion from Paradise, fresco painted by Michelangelo in the Sistine Chapel, Vatican City (1510–1564)
A lion-faced, serpentine deity found on a Gnostic gem in Bernard de Montfaucon's L'antiquité expliquée et représentée en figures may be a depiction of
A lion-faced, serpentine deity found on a Gnostic gem in Bernard de Montfaucon's L'antiquité expliquée et représentée en figures may be a depiction of the Demiurge.
Persian miniature depicting the expulsion of Adam and Eve, observed by the angel Riḍwan, the Serpent, the Peacock, and Iblīs.
Persian miniature depicting the expulsion of Adam and Eve, observed by the angel Riḍwan, the Serpent, the Peacock, and Iblīs.
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens)
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens)
Michelangelo's painting of the sin of Adam and Eve from the Sistine Chapel ceiling
Michelangelo's painting of the sin of Adam and Eve from the Sistine Chapel ceiling
The Fall of Adam and Eve, by Antonio Rizzo, 1476
The Fall of Adam and Eve, by Antonio Rizzo, 1476
Augustine of Hippo wrote that original sin is transmitted by concupiscence and enfeebles freedom of the will without destroying it.
Augustine of Hippo wrote that original sin is transmitted by concupiscence and enfeebles freedom of the will without destroying it.