1.
Album
–
Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Bing Crosby
–
Harry Lillis Bing Crosby, Jr. was an American singer and actor. The first multimedia star, from 1931 to 1954 Crosby was a leader in sales, radio ratings. His early career coincided with technical recording innovations such as the microphone and this allowed him to develop a laid-back, intimate singing style that influenced many of the popular male singers who followed him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Also in 1948, the Music Digest estimated that Crosby recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music, in 1963, Crosby received the first Grammy Global Achievement Award. He is one of only 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, Crosby influenced the development of the postwar recording industry. He became the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. In addition to his work with early tape recording, he helped to finance the development of videotape, bought television stations, bred racehorses, Crosby died at the age of 74 on October 14,1977, from a sudden heart attack in Alcobendas, Spain. Crosby was born on May 2,1903 in Tacoma, Washington, in 1906, Crosbys family moved to Spokane, and in 1913, Crosbys father built a house at 508 E. Sharp Avenue. The house now sits on the campus of Crosbys alma mater Gonzaga University and he was the fourth of seven children, brothers Larry, Everett, Ted, and Bob, and two sisters, Catherine and Mary Rose. His parents were Harry Lowe Crosby, Sr. a bookkeeper, Crosbys mother was a second generation Irish-American. In 1910, seven-year-old Harry Crosby Jr. was forever renamed, the Sunday edition of the Spokesman-Review published a feature called The Bingville Bugle. Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter filled with gossipy tidbits, minstrel quips, creative spelling, and mock ads. A neighbor, 15-year-old Valentine Hobart, shared Crosbys enthusiasm for The Bugle, and noting Crosbys laugh, took a liking to him, eventually, the last vowel was dropped and the nickname stuck. Crosby later described Jolsons delivery as electric, Crosby graduated from Gonzaga High School in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years, but did not earn a bachelors degree, as a freshman, he played on the universitys baseball team. The university granted him a doctorate in 1937. In 1923, Crosby was invited to join a new band composed of school students a few years younger than himself. Al Rinker, Miles Rinker, James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, the group performed on Spokane radio station KHQ, but disbanded after two years
3.
Rosemary Clooney
–
Rosemary Clooney was an American singer. She also had success as a jazz vocalist and she continued recording until her death in 2002. Rosemary Clooney was born in Maysville, Kentucky, the daughter of Marie Frances and she was one of five children. Her father was of Irish and German descent and her mother was of Irish and English ancestry, when Clooney was 15, her mother and brother Nick moved to California. She and her sister Betty remained with their father, the family resided in the John Brett Richeson House in the late 1940s. Rosemary and Betty became entertainers, whereas Nick became a newsman, in 1945, the Clooney sisters won a spot on Cincinnati, Ohios radio station WLW as singers. Her sister Betty sang in a duo with Rosemary for much of the early career. Clooneys first recordings, in May 1946, were for Columbia Records and she sang with Tony Pastors big band. Clooney continued working with the Pastor band until 1949, making her last recording with the band in May of that year and her first as a solo artist a month later, in 1950–51 she was a regular on the radio and television versions of Songs For Sale on CBS. In 1951, her record of Come On-a My House, produced by Mitch Miller and it was her first of many singles to hit the charts—despite the fact that Clooney hated the song passionately. She had been told by Columbia Records to record the song, Clooney recorded several duets with Marlene Dietrich and appeared in the early 1950s on Faye Emersons Wonderful Town series on CBS. Clooney also did several guest appearances on the Arthur Godfrey radio show and they did duets as he played his ukulele, and other times she would sing one of her latest hits. In 1954, she starred, along with Bing Crosby, Danny Kaye and she starred, in 1956, in a half-hour syndicated television musical-variety show The Rosemary Clooney Show. The show featured The Hi-Los singing group and Nelson Riddles orchestra, the following year, the show moved to NBC prime time as The Lux Show Starring Rosemary Clooney but only lasted one season. The new show featured the singing group The Modernaires and Frank DeVols orchestra, in later years, Clooney would often appear with Bing Crosby on television, such as in the 1957 special The Edsel Show, and the two friends made a concert tour of Ireland together. On November 21,1957, she appeared on NBCs The Ford Show, Starring Tennessee Ernie Ford, in 1960, Clooney and Crosby co-starred in a 20-minute CBS radio program aired before the midday news each weekday. Clooney left Columbia Records in 1958, doing a number of recordings for MGM Records, finally, toward the end of 1958, she signed with RCA Victor Records, where she stayed until 1963. In 1964, she went to Reprise Records, and in 1965 to Dot Records, upon her recovery from a nervous breakdown in 1968, Clooney signed with United Artists Records in 1976 for two albums
4.
RCA Records
–
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
5.
Mary Martin
–
Mary Virginia Martin was an American actress, singer, and Broadway star. A muse of Rodgers and Hammerstein, she originated many leading roles over her career, including Nellie Forbush in South Pacific and she was named a Kennedy Center Honoree in 1989. She was the mother of actor Larry Hagman, Martin was born in Weatherford, Texas. Her life as a child, as she describes it in her autobiography My Heart Belongs, was secure and she had close relationships with both her mother and father, as well as her siblings. Her autobiography details how the young actress had an ear for recreating musical sounds. Martins father, Preston Martin, was a lawyer, and her mother, although the doctors told Juanita that she would risk her life if she attempted to have another baby, she was determined to have a boy. Instead, she had Mary, who became quite a tomboy and her family had a barn and orchard that kept her entertained. She played with her elder sister Geraldine, climbing trees and riding ponies and he was tall, good-looking, silver-haired, with the kindest brown eyes. Mother was the disciplinarian, but it was Daddy who could turn me into an angel with just one look, Martin, who said I’d never understand the law, began singing outside the courtroom where her father worked every Saturday night at a bandstand. She sang in a trio with her sister and Marion Swofford, even in those days without microphones, my high piping voice carried all over the square. I have always thought that I inherited my carrying voice from my father and she remembered having a photographic memory as a child, making it easy to memorize songs, as well as get her through school tests. She got her first taste of singing solo at a fire hall, sometimes I think that I cheated my own family and my closest friends by giving to audiences so much of the love I might have kept for them. But thats the way I was made, I truly dont think I could help it, Martins craft was developed by seeing movies and becoming a mimic. She would win prizes for looking, acting and dancing like Ruby Keeler, never, never, never can I say I had a frustrating childhood. Mother used to say she never had such a happy child—that I awakened each morning with a smile. I dont remember that, but I do remember that I never wanted to go to bed, to go to sleep, during high school, Martin dated Benjamin Hagman, before she was packed off to finishing school at Ward–Belmont in Nashville, Tennessee. During that time, she enjoyed imitating Fanny Brice at singing gigs and she was homesick for Weatherford, her family, and Hagman. During a visit, Mary and Benjamin persuaded Marys mother to them to marry
6.
Bob Hope
–
Bob Hope KBE, KC*SG, KSS was an American comedian, vaudevillian, actor, singer, dancer, athlete, centenarian and author. With a career spanning nearly 80 years, Hope appeared in over 70 feature films and short films, in addition to hosting the Academy Awards 19 times, he appeared in many stage productions and television roles and was the author of 14 books. The song Thanks for the Memory is widely regarded as Hopes signature tune, born in Eltham, Kent, Hope arrived in America with his family at the age of four and grew up in Cleveland, Ohio. He began his career in business in the early 1920s, initially on stage. He was praised for his timing, specializing in one-liners and rapid-fire delivery of jokes. He also appeared in numerous specials for NBC television, starting in 1950, Hope participated in the sports of golf and boxing and owned a small stake in his hometown baseball team, the Cleveland Indians. He died at age 100 at his home in Toluca Lake, Hope was born in Eltham, Kent the fifth of seven sons. They married in April 1891 and lived at 12 Greenwood Street in Barry, before moving to Whitehall, Bristol, and then St George, Bristol. In 1908, the family emigrated to the United States aboard the SS Philadelphia and passed through Ellis Island on March 30,1908, before moving to Cleveland, from age 12, Hope earned pocket money by busking, singing, dancing, and performing comedy. He entered many dancing and amateur talent contests and won a prize in 1915 for his impersonation of Charlie Chaplin, for a time, he attended the Boys Industrial School in Lancaster, Ohio. As an adult, he donated sizable sums of money to the institution, Hope had a brief career as a boxer in 1919, fighting under the name Packy East. He had three wins and one loss and participated in a few staged charity bouts later in life, Hope worked as a butchers assistant and a lineman in his teens and early twenties. Hope also had a stint at Chandler Motor Car Company. Deciding on a business career, he and his girlfriend signed up for dancing lessons. Encouraged after they performed in an engagement at a club, Hope formed a partnership with Lloyd Durbin. Silent film comedian Fatty Arbuckle saw them perform in 1925 and found work with a touring troupe called Hurleys Jolly Follies. Within a year, Hope had formed an act called the Dancemedians with George Byrne, Hope and Byrne had an act as a pair of Siamese twins as well and danced and sang while wearing blackface before friends advised Hope that he was funnier as himself. In 1929, Hope informally changed his first name to Bob, in one version of the story, he named himself after racecar driver Bob Burman
7.
Jo Stafford
–
Jo Elizabeth Stafford was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Her 1952 song You Belong to Me topped the charts in the United States and United Kingdom, born in Coalinga, California, Stafford made her first musical appearance at age twelve. While still at school she joined her two older sisters to form a vocal trio named The Stafford Sisters, who found moderate success on radio. In 1938, while the sisters were part of the cast of Twentieth Century Foxs production of Alexanders Ragtime Band, Stafford met the members of The Pied Pipers. Bandleader Tommy Dorsey hired them in 1939 to perform vocals for his orchestra. In addition to her recordings with the Pied Pipers, Stafford featured in performances for Dorsey. After leaving the group in 1944, she recorded a series of pop standards for Capitol Records, many of her recordings were backed by the orchestra of Paul Weston. She also performed duets with Gordon MacRae and Frankie Laine and her work with the United Service Organizations giving concerts for soldiers during World War II earned her the nickname G. I. Jo. S. and in 1961 in the U. K. Stafford married twice, first in 1937 to musician John Huddleston, then in 1952 to Paul Weston, with whom she had two children. She and Weston developed a routine in which they assumed the identity of an incompetent lounge act named Jonathan and Darlene Edwards. The act proved popular at parties and among the public when the couple released an album as the Edwardses in 1957. In 1961, the album Jonathan and Darlene Edwards in Paris won Stafford her only Grammy Award for Best Comedy Album, Stafford largely retired as a performer in the mid-1960s, but continued in the music business. She had a resurgence in popularity in the late 1970s when she recorded a cover of the Bee Gees hit. In the 1990s, she began re-releasing some of her material through Corinthian Records and she died in 2008 in Century City, Los Angeles, and is interred with Weston at Holy Cross Cemetery, Culver City. Her work in radio, television and music is recognized by three stars on the Hollywood Walk of Fame, Jo Elizabeth Stafford was born in Coalinga, California, in 1917, to Grover Cleveland Stafford and Anna Stafford —a second cousin of World War I hero Sergeant Alvin York. She was the third of four children, both her parents enjoyed singing and sharing music with their family. Staffords father hoped for success in the California oil fields when he moved his family from Gainesboro, Tennessee and her mother was an accomplished banjo player, playing and singing many of the folk songs which influenced Staffords later career. Anna insisted that her children should take lessons, but Jo was the only one among her sisters who took a keen interest in it
8.
Jerome Kern
–
Jerome David Kern was an American composer of musical theatre and popular music. A native New Yorker, Kern created dozens of Broadway musicals and his musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the musicals of his day. Although dozens of Kerns musicals and musical films were hits, only Show Boat is now regularly revived, songs from his other shows, however, are still frequently performed and adapted. Many of Kerns songs have been adapted by jazz musicians to become standard tunes, Kern was born in New York City, on Sutton Place, in what was then the citys brewery district. His parents were Henry Kern, a Jewish German immigrant, and Fannie Kern née Kakeles, at the time of Kerns birth, his father ran a stable, later he became a successful merchant. Kern grew up on East 56th Street in Manhattan, where he attended public schools and he showed an early aptitude for music and was taught to play the piano and organ by his mother, an accomplished player and teacher. In 1897, the moved to Newark, New Jersey. He wrote songs for the schools first musical, a show, in 1901. Kern left high school graduation in the spring of his senior year in 1902. In response, Kerns father insisted that his son work with him in business, Kern, however, failed miserably in one of his earliest tasks, he was supposed to purchase two pianos for the store, but instead he ordered 200. His father relented, and later in 1902, Kern became a student at the New York College of Music, studying the piano under Alexander Lambert and Paolo Gallico and his first published composition, a piano piece, At the Casino, appeared in the same year. Between 1903 and 1905, he continued his training under private tutors in Heidelberg, Germany. For a time, Kern worked as a rehearsal pianist in Broadway theatres, while in London, he secured a contract from the American impresario Charles Frohman to provide songs for interpolation in Broadway versions of London shows. He began to provide these additions in 1904 to British scores for An English Daisy, by Seymour Hicks and Walter Slaughter, in 1905, Kern contributed the song Howd you like to spoon with me. To Ivan Carylls hit musical The Earl and the Girl when the transferred to Chicago. He also contributed to the New York production of The Catch of the Season, The Little Cherub and The Orchid, Kern was much taken with the proprietors daughter, Eva Leale, who was working behind the bar. He wooed her, and they were married at the Anglican church of St. Marys in Walton on October 25,1910, the couple then lived at the Swan when Kern was in England
9.
Conducting
–
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. A conductors directions will almost invariably be supplemented or reinforced by verbal instructions or suggestions to their musicians in rehearsal prior to a performance. The conductor typically stands on a podium with a large music stand for the full score. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras, communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be played or sung, Conductors act as guides to the orchestras or choirs they conduct. They choose the works to be performed and study their scores, to which they may make adjustments, work out their interpretation. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions and selecting members. Orchestras, choirs, concert bands and other musical ensembles such as big bands are usually led by conductors. The principal conductor of an orchestra or opera company is referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent. Conductors of choirs or choruses are sometimes referred to as director, chorus master, or choirmaster. Conductors of concert bands, military bands, marching bands and other bands may hold the title of director, bandmaster. Respected senior conductors are sometimes referred to by the Italian word, an early form of conducting is cheironomy, the use of hand gestures to indicate melodic shape. This has been practiced at least as far back as the Middle Ages, in the 17th century, other devices to indicate the passing of time came into use. Rolled up sheets of paper, smaller sticks and unadorned hands are all shown in pictures from this period, the large staff was responsible for the death of Jean-Baptiste Lully, who injured his foot with one while conducting a Te Deum for the Kings recovery from illness. The wound became gangrenous and Lully refused amputation, whereupon the gangrene spread to his leg, in instrumental music throughout the 18th century, a member of the ensemble usually acted as the conductor. This was sometimes the concertmaster, who could use his bow as a baton and it was common to conduct from the harpsichord in pieces that had a basso continuo part. In opera performances, there were sometimes two conductors – the keyboard player was in charge of the singers, and the principal violinist or leader was in charge of the orchestra. By the early 19th century, it became the norm to have a dedicated conductor, the size of the usual orchestra expanded during this period, and the use of a baton became more common, as it was easier to see than bare hands or rolled-up paper
.jpg)
