Federico Heraclio Cantú Garza was a Mexican painter, engraver and sculptor. While considered to be a member of the Mexican muralism movement, his style was noticeably different, mostly for adhering to older and more academic forms of painting and sculpture. He had his most success exhibiting in the United States and Europe, but he did murals and sculptures in Mexico. His best known work is a sculpture called La maternidad which was adapted as the logo of the Instituto Mexicano de Seguro Social (IMSS).
Portrait of Cantú's first wife Luz Fabila
Stained glass piece called El Huerto de Getsemaní (1957) at the missionary chapel in the Sanctuary of Guadalupe in Monterrey
Illustration for Renato Leduc's work Poemas en Paris, from the Cantú Y de Teresa collection
Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910-1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes designed to reshape Mexicans' understanding of the nation's history. The murals, large artworks painted onto the walls themselves had social, political, and historical messages. Beginning in the 1920s, the muralist project was headed by a group of artists known as "The Big Three" or "The Three Greats". This group was composed of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although not as prominent as the Big Three, women also created murals in Mexico. From the 1920s to the 1970s, murals with nationalistic, social and political messages were created in many public settings such as chapels, schools, government buildings, and much more. The popularity of the Mexican muralist project started a tradition which continues to this day in Mexico; a tradition that has had a significant impact in other parts of the Americas, including the United States, where it served as inspiration for the Chicano art movement.
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán. In the Palacio Nacional in Mexico City.
Mural from Bonampak
1903 broadsheet by José Guadalupe Posada
Eagle and snake image from the Colegio San Ildefonso project by Jean Charlot.