1.
Composer
–
A composer is a person who creates or writes music, which can be vocal music, instrumental music or music which combines both instruments and voices. The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation, many composers are also skilled performers, either as singers, instrumentalists, and/or conductors. Examples of composers who are well known for their ability as performers include J. S. Bach, Mozart. In many popular genres, such as rock and country. For a singer or instrumental performer, the process of deciding how to perform music that has previously composed and notated is termed interpretation. Different performers interpretations of the work of music can vary widely, in terms of the tempos that are chosen. Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others, although a musical composition often has a single author, this is not always the case. A piece of music can also be composed with words, images, or, in the 20th and 21st century, a culture eventually developed whereby faithfulness to the composers written intention came to be highly valued. This musical culture is almost certainly related to the esteem in which the leading classical composers are often held by performers. The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise. In Classical music, the composer typically orchestrates her own compositions, in some cases, a pop songwriter may not use notation at all, and instead compose the song in her mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The level of distinction between composers and other musicians varies, which issues such as copyright and the deference given to individual interpretations of a particular piece of music. In the development of European classical music, the function of composing music initially did not have greater importance than that of performing it. The preservation of individual compositions did not receive attention and musicians generally had no qualms about modifying compositions for performance. In as much as the role of the composer in western art music has seen continued solidification, for instance, in certain contexts the line between composer and performer, sound designer, arranger, producer, and other roles, can be quite blurred. The term composer is often used to refer to composers of music, such as those found in classical, jazz or other forms of art. In popular and folk music, the composer is usually called a songwriter and this is distinct from a 19th-century conception of instrumental composition, where the work was represented solely by a musical score to be interpreted by performers
Composer
–
French composer
Louis-Nicolas Clérambault composing at the keyboard
2.
Pianist
–
A pianist is an individual musician who plays the piano. Most forms of Western music can make use of the piano, consequently, pianists have a wide variety of repertoire and styles to choose from, including traditionally classical music, Jazz, blues and all sorts of popular music, including rock music. Most pianists can, to an extent, play other keyboard-related instruments such as the synthesizer, harpsichord, celesta. Perhaps the greatest pianist of all time was Franz Liszt, whose mastery was described by Anton Rubinstein, In comparison with Liszt. Modern classical pianists dedicate their careers to performing, recording, teaching, researching as well as learning new works/expanding their repertoire and they generally do not write or transcribe music as pianists did in the 19th century. Some classical pianists might specialize in accompaniment and chamber music while others perform as full-time piano soloists. Mozart could be considered the first concert pianist as he performed widely on the piano, composers Beethoven and Clementi from the classical era were also famed for their playing, as were, from the romantic era, Liszt, Brahms, Chopin, Mendelssohn and Rachmaninoff. From that era, leading performers less known as composers were Clara Schumann, however, as we do not have modern audio recordings of most of these pianists, we rely mainly on written commentary to give us an account of their technique and style. Jazz pianists almost always perform with other musicians and their playing is freer than that of classical pianists and they create an air of spontaneity in their performances. They generally do not write down their compositions, improvisation is a significant part of their work, well known Jazz pianists include Art Tatum, Duke Ellington, Thelonious Monk, Oscar Peterson and Bud Powell. Popular pianists might work as performers, session musicians, arrangers most likely feel at home with synthesizers. A single listing of pianists in all genres would be impractical, the following is an incomplete list of such musicians. As a result, there are prominent communities of amateur pianists all over the world play at quite a high level and give concerts just because of their love to music. The International Piano Competition for Outstanding Amateurs, held annually in Paris and it was only after the competition that he started pursuing a career as a classical pianist. The German pianist Davide Martello is known for traveling around conflict zones to play his moving piano, Martello has previously been recognised by the European parliament for his “outstanding contribution to European cooperation and the promotion of common values”
Pianist
3.
New York City
–
The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2015 population of 8,550,405 distributed over an area of about 302.6 square miles. Located at the tip of the state of New York. Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has described as the cultural and financial capital of the world. Situated on one of the worlds largest natural harbors, New York City consists of five boroughs, the five boroughs – Brooklyn, Queens, Manhattan, The Bronx, and Staten Island – were consolidated into a single city in 1898. In 2013, the MSA produced a gross metropolitan product of nearly US$1.39 trillion, in 2012, the CSA generated a GMP of over US$1.55 trillion. NYCs MSA and CSA GDP are higher than all but 11 and 12 countries, New York City traces its origin to its 1624 founding in Lower Manhattan as a trading post by colonists of the Dutch Republic and was named New Amsterdam in 1626. The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, New York served as the capital of the United States from 1785 until 1790. It has been the countrys largest city since 1790, the Statue of Liberty greeted millions of immigrants as they came to the Americas by ship in the late 19th and early 20th centuries and is a symbol of the United States and its democracy. In the 21st century, New York has emerged as a node of creativity and entrepreneurship, social tolerance. Several sources have ranked New York the most photographed city in the world, the names of many of the citys bridges, tapered skyscrapers, and parks are known around the world. Manhattans real estate market is among the most expensive in the world, Manhattans Chinatown incorporates the highest concentration of Chinese people in the Western Hemisphere, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is one of the most extensive metro systems worldwide, with 472 stations in operation. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, and Rockefeller University, during the Wisconsinan glaciation, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth. The ice sheet scraped away large amounts of soil, leaving the bedrock that serves as the foundation for much of New York City today. Later on, movement of the ice sheet would contribute to the separation of what are now Long Island and Staten Island. The first documented visit by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown and he claimed the area for France and named it Nouvelle Angoulême. Heavy ice kept him from further exploration, and he returned to Spain in August and he proceeded to sail up what the Dutch would name the North River, named first by Hudson as the Mauritius after Maurice, Prince of Orange
New York City
–
Clockwise, from top:
Midtown Manhattan,
Times Square, the
Unisphere in
Queens, the
Brooklyn Bridge,
Lower Manhattan with
One World Trade Center,
Central Park, the
headquarters of the United Nations, and the
Statue of Liberty
New York City
–
New Amsterdam, centered in the eventual
Lower Manhattan, in 1664, the year
England took control and renamed it "New York".
New York City
–
The
Battle of Long Island, the largest battle of the
American Revolution, took place in
Brooklyn in 1776.
New York City
–
Broadway follows the Native American Wickquasgeck Trail through Manhattan.
4.
Classical music
–
Classical music is art music produced or rooted in the traditions of Western music, including both liturgical and secular music. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period, Western staff notation is used by composers to indicate to the performer the pitches, tempo, meter and rhythms for a piece of music. This can leave less room for such as improvisation and ad libitum ornamentation. The term classical music did not appear until the early 19th century, the earliest reference to classical music recorded by the Oxford English Dictionary is from about 1836. This score typically determines details of rhythm, pitch, and, the written quality of the music has enabled a high level of complexity within them, J. S. The use of written notation also preserves a record of the works, Musical notation enables 2000s-era performers to sing a choral work from the 1300s Renaissance era or a 1700s Baroque concerto with many of the features of the music being reproduced. That said, the score does not provide complete and exact instructions on how to perform a historical work, even if the tempo is written with an Italian instruction, we do not know exactly how fast the piece should be played. Bach was particularly noted for his complex improvisations, during the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto, during the Romantic era, Beethoven would improvise at the piano. The instruments currently used in most classical music were largely invented before the mid-19th century and they consist of the instruments found in an orchestra or in a concert band, together with several other solo instruments. The symphony orchestra is the most widely known medium for music and includes members of the string, woodwind, brass. The concert band consists of members of the woodwind, brass and it generally has a larger variety and number of woodwind and brass instruments than the orchestra but does not have a string section. However, many bands use a double bass. Many of the used to perform medieval music still exist. Medieval instruments included the flute, the recorder and plucked string instruments like the lute. As well, early versions of the organ, fiddle, Medieval instruments in Europe had most commonly been used singly, often self accompanied with a drone note, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut, during the earlier medieval period, the vocal music from the liturgical genre, predominantly Gregorian chant, was monophonic, using a single, unaccompanied vocal melody line. Polyphonic vocal genres, which used multiple independent vocal melodies, began to develop during the medieval era, becoming prevalent by the later 13th
Classical music
Classical music
–
Nineteenth-century composer and pianist
Clara Schumann is one of only a few female composers mentioned in the Concise Oxford History of Music.
Classical music
–
The Dublin Philharmonic Orchestra performs
Tchaikovsky 's
Fourth Symphony.
Classical music
–
A youth
concert band in performance.
5.
Baritone
–
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. It is the most common male voice, the baritone voice type is generally divided into the baryton-Martin baritone, lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone. The first use of the term baritone emerged as baritonans, late in the 15th century, at this early stage it was frequently used as the lowest of the voices, but in 17th-century Italy the term was all-encompassing and used to describe the average male choral voice. Baritones took roughly the range as it is today at the beginning of the 18th century. Indeed, many works of the 18th century have roles marked as bass that in reality are low baritone roles. Examples of this are to be found, for instance, in the operas, the greatest and most enduring parts for baritones in 18th-century operatic music were composed by Wolfgang Amadeus Mozart. They include Count Almaviva in The Marriage of Figaro, Guglielmo in Così fan tutte, Papageno in The Magic Flute and these included the likes of Filippo Galli, Giovanni Inchindi, and Henri-Bernard Dabadie. The basse-taille and the bass were commonly confused because their roles were sometimes sung by singers of either actual voice part. The bel canto style of vocalism which arose in Italy in the early 19th century supplanted the castrato-dominated opera seria of the previous century and it led to the baritone being viewed as a separate voice category from the bass. More often than not, however, baritones found themselves portraying villains, the principal composers of bel canto opera are considered to be, Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giacomo Meyerbeer, and the young Giuseppe Verdi. Figaro in Il barbiere is often called the first true baritone role, however, Donizetti and Verdi in their vocal writing went on to emphasize the top fifth of the baritone voice, rather than its lower notes—thus generating a more brilliant sound. The major international baritone of the first half of the 19th century was the Italian Antonio Tamburini and he was a famous Don Giovanni in Mozarts eponymous opera as well as being a Bellini and Donizetti specialist. Commentators praised his voice for its beauty, flexibility and smooth tonal emission, Tamburinis range, however, was probably closer to that of a bass-baritone than to that of a modern Verdi baritone. His French equivalent was Henri-Bernard Dabadie, who was a mainstay of the Paris Opera between 1819 and 1836 and the creator of several major Rossinian baritone roles, including Guillaume Tell. Dabadie sang in Italy, too, where he originated the role of Belcore in Lelisir damore in 1832, the most important of Tamburinis Italianate successors were all Verdians. In France, Paul Barroilhet succeeded Dabadie as the Paris operas best known baritone, like Dabadie, he also sang in Italy and created an important Donizetti role, in his case, Alphonse in La favorite. Antonio Pini-Corsi was the standout Italian buffo baritone in the period between about 1880 and World War I, reveling in comic roles by Rossini, Donizetti and Paer. In 1893, he created the part of Ford in Verdis last opera, notable among their contemporaries were the cultured and technically adroit French baritones Jean Lassalle, Victor Maurel, Paul Lhérie, and Maurice Renaud
Baritone
–
Baritone voice range (A2–A4) indicated in sheet music (left) and on piano keyboard in green with dot marking middle C (C4).
6.
Cellist
–
The cello or violoncello is a bowed or plucked string instrument with four strings tuned in perfect fifths. The strings from low to high are generally tuned to C2, G2, D3 and A3 and it is a member of the violin family of musical instruments, which also includes the violin and viola and the double bass. The cello is used as a musical instrument, as well as in chamber music ensembles, string orchestras, as a member of the string section of symphony orchestras. It is the second-largest and second lowest bowed string instrument in the symphony orchestra. Cello parts are written in the bass clef, but both tenor clef and treble clefs are used for higher-range parts, both in orchestral/chamber music parts and in solo cello works. A person who plays the cello is called a cellist or violoncellist, in a small Classical ensemble, such as a string quartet, the cello typically plays the bass part, the lowest-pitched musical line of the piece. In orchestra, in Baroque era and Classical music period, the cello plays the bass part. In Baroque era music, the cello is used to play the basso continuo bassline, in a Baroque performance, the cello player might be joined by other bass instruments, playing double bass, viol or other low-register instruments. The name cello is a contraction of the Italian violoncello, which means little violone, in modern symphony orchestras, it is the second largest stringed instrument. Thus, the name contained both the augmentative -one and the diminutive -cello. By the turn of the 20th century, it had become common to shorten the name to cello and it is now customary to use cello without apostrophe as the full designation. Viol is derived from the viola, which was derived from Medieval Latin vitula. Cellos are tuned in fifths, starting with C2, followed by G2, D3 and it is tuned in the same intervals as the viola, but an octave lower. Unlike the violin or viola but similar to the double bass, the cello is most closely associated with European classical music, and has been described as the closest sounding instrument to the human voice. The instrument is a part of the orchestra, as part of the string section. A large number of concertos and sonatas have been written for the cello, among the most well-known Baroque works for the cello are Johann Sebastian Bachs six unaccompanied Suites. The Prelude from the First Suite is particularly famous, romantic era repertoire includes the Robert Schumann Concerto, the Antonín Dvořák Concerto as well as the two sonatas and the Double Concerto by Johannes Brahms. The cello is increasingly common in traditional music, especially Scottish fiddle music
Cellist
–
Cello close-up
Cellist
–
Cello, front and side view. The endpin at the bottom is retracted or removed for easier storage and transportation, and adjusted for height in accordance to the player.
Cellist
–
A baroque cello strung with gut strings. Note the absence of fine-tuning pins on the tailpiece.
Cellist
–
The cello section of the Orchestra of the Munich University of Applied Sciences is shown here.
7.
Metropolitan Opera
–
The Metropolitan Opera, commonly referred to as The Met, is a company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager, the music director position is in transition as of 2016. The music director designate is Yannick Nézet-Séguin and the director emeritus is James Levine. The Met was founded in 1880 as an alternative to the previously established Academy of Music opera house, the Metropolitan Opera is the largest classical music organization in North America. It presents about 27 different operas each year in a season lasts from late September through May. The operas are presented in a rotating schedule with up to seven performances of four different works staged each week. Moving to the new Lincoln Center location in 1966, performances are given in the evening Monday through Saturday with a matinée on Saturday, several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera houses, the rest of the years operas are given in revivals of productions from previous seasons. The 2015-16 season comprised 227 performances of 25 operas, the operas in the Mets repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs, the Mets performing company consists of a large symphony-sized orchestra, a chorus, childrens choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, the Mets roster of singers includes both international and American artists, some of whose careers have been developed through the Mets young artists programs. The Metropolitan Opera Company was founded in 1880 to create an alternative to New Yorks old established Academy of Music opera house, the subscribers to the Academys limited number of private boxes represented the highest stratum in New York society. By 1880, these old families were loath to admit New Yorks newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Operas founding subscribers determined to build a new house that would outshine the old Academy in every way. A group of some 22 men assembled at Delmonicos restaurant on April 28,1880 and they elected officers and established subscriptions for ownership in the new company. The first Met subscribers included members of the Morgan, Roosevelt, the new Metropolitan Opera House opened on October 22,1883, and was an immediate success, both socially and artistically. The Academy of Musics opera season folded just three years after the Met opened, in its early decades the Met did not produce the opera performances itself but hired prominent manager/impresarios to stage a season of opera at the new Metropolitan Opera House. Henry Abbey served as manager for the season, 1883–84
Metropolitan Opera
–
The
Metropolitan Opera House at
Lincoln Center for the Performing Arts, home of the Metropolitan Opera
Metropolitan Opera
–
A full house at the old Metropolitan Opera House, seen from the rear of the stage, at a concert by pianist
Josef Hofmann, November 28, 1937
Metropolitan Opera
–
Auditorium of the Metropolitan Opera House at
Lincoln Center for the Performing Arts
Metropolitan Opera
–
The gold curtain in the auditorium
8.
Violin
–
The violin is a wooden string instrument in the violin family. It is the smallest and highest-pitched instrument in the family in regular use, smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused in the 2010s. The violin typically has four strings tuned in fifths, and is most commonly played by drawing a bow across its strings. Violins are important instruments in a variety of musical genres. They are most prominent in the Western classical tradition and in varieties of folk music. They are also used in genres of folk including country music and bluegrass music. Electric violins are used in forms of rock music, further. The violin is sometimes called a fiddle, particularly in Irish traditional music and bluegrass. The violin was first known in 16th-century Italy, with further modifications occurring in the 18th and 19th centuries. In Europe it served as the basis for stringed instruments used in classical music, the viola. According to their reputation, the quality of their sound has defied attempts to explain or equal it, many of these trade instruments were formerly sold by Sears, Roebuck and Co. and other mass merchandisers. A person who makes or repairs violins is called a luthier or violinmaker, the parts of a violin are usually made from different types of wood and on the use of a pickup and an amplifier and speaker). Violins can be strung with gut, Perlon or other synthetic, the earliest stringed instruments were mostly plucked. Similar and variant types were probably disseminated along East-West trading routes from Asia into the Middle East, the first makers of violins probably borrowed from various developments of the Byzantine lira. These included the rebec, the Arabic rebab, the vielle, the earliest pictures of violins, albeit with three strings, are seen in northern Italy around 1530, at around the same time as the words violino and vyollon are seen in Italian and French documents. One of the earliest explicit descriptions of the instrument, including its tuning, is from the Epitome musical by Jambe de Fer, by this time, the violin had already begun to spread throughout Europe. The violin proved very popular, both among street musicians and the nobility, the French king Charles IX ordered Andrea Amati to construct 24 violins for him in 1560, one of these noble instruments, the Charles IX, is the oldest surviving violin. The Messiah or Le Messie made by Antonio Stradivari in 1716 remains pristine and it is now located in the Ashmolean Museum of Oxford
Violin
–
A standard modern violin shown from the front and the side
Violin
–
A young violinist at
Ruthin School
Violin
–
The cupola of Madonna dei Miracoli in
Saronno, with angels playing violin, viola and cello, dates from 1535 and is one of the earliest depictions of the violin family
9.
Concertmaster
–
The Concertmaster is the second-most significant person in an orchestra, symphonic band or other musical ensemble after the conductor or director. Another common term in the U. S. is First Chair, in the U. K. the term commonly used is leader. In an orchestra, the concertmaster is the leader of the first violin section, there is another violin section, the second violins, led by the principal second violin. Any violin solo in a work is played by the concertmaster. The concertmaster sits to the left, closest to the audience, in what is called the first chair. The concertmaster makes decisions regarding bowing and other details of violin playing for the violins. He or she leads the orchestra in tuning before concerts and rehearsals, leading the orchestral tuning is not just a mere formality, if the concertmaster believes that a section is not adequately tuned, he or she will signal to the oboe player to play another A. Several larger orchestras have one or more assistant concertmasters, who lead the orchestra in the concertmasters absence, the concertmaster, along with the conductor and section principals, will normally participate in the auditions of important musicians in the orchestra. The concertmaster in a concert band is the principal clarinet, oboe, flute or saxophone. The first-chair clarinet concertmaster will, in practice, play all solos for their instrument. Often the lead flautist will receive similar responsibilities to the concertmaster, depending on several factors such as age, skill. The concertmaster will, in orchestral and wind band settings, also coordinate with other principals and section leaders, in most cases being their senior in terms of group pecking order. In brass bands, the role of concertmaster is often filled by the solo cornet or trumpet. The duties and tasks of the concertmaster are myriad, primarily, he or she acts as the conduit between conductor and orchestra and is accountable to both parties. One of the tasks of the concertmaster is to provide bowings for the 1st violins prior to rehearsal. This entails a great knowledge of playing styles in addition to complete idiomatic understanding of the mechanics of string playing. Ensemble cohesion emanates directly from the contact and connection between these vital front desk positions, the concertmaster assumes responsibility for the tone and execution of the entire section of 1st violins, in addition to performing any solo passages that occur in a given piece. Another primary duty of the concertmaster is to translate instructions from the conductor into specific technical language for the strings, full-time professional orchestras work with several conductors through the course of a regular season
Concertmaster
–
Lazar Shuster, Concertmaster of the
Israel Philharmonic Orchestra in 2012.
10.
Viola
–
The viola is a string instrument that is bowed or played with varying techniques. It is slightly larger than a violin and has a lower and deeper sound. Since the 18th century it has been the middle or alto voice of the family, between the violin and the cello. The strings from low to high are generally tuned to C3, G3, D4. In the past, the viola varied in size and style as did its names, the Italians often used the term, viola da braccio meaning literally, of the arm. Brazzo was another Italian word referring to the viola which the Germans adopted in the form, the French had their own names, Cinquiesme was a small viola, Haute Contre was a large viola and Taile meant Tenor. In the modern era, the French use the term Alto, the viola had enjoyed popularity in the heyday of five-part harmony up until the eighteenth century, taking three lines of the harmony and occasionally playing the melody line. Music that is written for the viola differs from that of most other instruments in that it uses the alto clef. Viola music switches to the treble clef when there are sections of music written in a higher register to make the notes easier to read. The viola often plays the voices in string quartets and symphonic writing. The viola occasionally plays a major, soloistic role in orchestral music, examples include Don Quixote by Richard Strauss and Harold en Italie by Hector Berlioz. In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis and William Primrose. English composers Arthur Bliss, York Bowen, Benjamin Dale, Frank Bridge, Benjamin Britten and Ralph Vaughan Williams all wrote substantial chamber, many of these pieces were commissioned by, or written for Lionel Tertis. William Walton, Bohuslav Martinů, Toru Takemitsu, Tibor Serly, Alfred Schnittke, Paul Hindemith wrote a substantial amount of music for viola, including the concerto Der Schwanendreher. The concerti by Paul Hindemith, Béla Bartók, and William Walton are the big three of viola repertoire, the viola is similar in material and construction to the violin. A full-size violas body is between 25 mm and 100 mm longer than the body of a violin, with an average length of 41 cm. Small violas typically made for children typically start at 30 cm, for a child who needs a smaller size, a fractional-sized violin is often strung with the strings of a viola. Unlike the violin, the viola does not have a full size. The body of a viola would need to measure about 51 cm long to match the acoustics of a violin, there have been several experiments intended to increase the size of the viola, in the interest of improving the instruments sound
Viola
–
A viola shown from the front and the side
Viola
–
Playing a 17" viola in 3rd position.
Viola
–
Bow frogs, top to bottom: violin, viola, cello
Viola
–
This article is about the classical musical instrument. For the flower, see
Viola (plant). For the Portuguese guitar, see
viola caipira. For other uses, see
Viola (disambiguation).
11.
Musical composition
–
People who create new compositions are called composers in classical music. In popular music and traditional music, the creators of new songs are usually called songwriters, with songs, Composition is the act or practice of creating a song or other piece of music. In popular music and traditional music, songwriting may involve the creation of an outline of the song, called the lead sheet. In classical music, orchestration is typically done by the composer, in some cases, a pop or traditional songwriter may not use written notation at all, and instead compose the song in her mind and then play, sing and/or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written or printed scores play in classical music. Although a musical composition often uses musical notation and has a single author, a piece of music can also be composed with words, images, or, since the 20th century, with computer programs that explain or notate how the singer or musician should create musical sounds. A more commonly known example of chance-based music is the sound of wind chimes jingling in a breeze, although in the 2000s, composition is considered to consist of the manipulation of each aspect of music, according to Jean-Benjamin de Laborde, Composition consists in two things only. The first is the ordering and disposing of several sounds. in such a manner that their succession pleases the ear and this is what the Ancients called melody. The second is the rendering audible of two or more simultaneous sounds in such a manner that their combination is pleasant and this is what we call harmony, and it alone merits the name of composition. In classical music, a piece of music exists in the form of a composition in musical notation or as a live acoustic event. Since the invention of recording, a classical piece or popular song may also exist as a recording. If music is composed before being performed, music can be performed from memory, by reading written musical notation, compositions comprise a huge variety of musical elements, which vary widely from between genres and cultures. Popular music genres after about 1960 make extensive use of electric and electronic instruments, such as electric guitar, electric and electronic instruments are used in contemporary classical music compositions and concerts, albeit to a lesser degree than in popular music. Music from the Baroque music era, for example, used only acoustic and mechanical such as strings, brass, woodwinds, timpani and keyboard instruments such as harpsichord. A 2000s-era pop band may use electric guitar played with electronic effects through a guitar amplifier, different musical styles permit singers or performers to use various amounts of musical improvisation during the performance of a composed song or piece. In free jazz, the performers may play without any sheet music, improvisation is the act of composing musical elements spontaneously during the performance, as opposed to having a composer write down the music beforehand. Improvisation was an important skill during the Baroque music era, instrumentalists and singers were expected to be able to improvise ornaments, during the classical period, solo instrumentalists were expected to be able to improvise virtuostic cadenzas during a concerto. During the Romantic music era, composers began writing out ornaments and cadenzas, in contemporary classical music, some composers began writing pieces which indicate that the performer should improvise during certain sections
Musical composition
–
People composing music
Musical composition
–
Scherzo in A flat (
Borodin) Play (
help ·
info)
12.
Leipzig
–
Leipzig is the largest city in the federal state of Saxony, Germany. With a population of 570,087 inhabitants it is Germanys tenth most populous city, Leipzig is located about 160 kilometres southwest of Berlin at the confluence of the White Elster, Pleisse, and Parthe rivers at the southern end of the North German Plain. Leipzig has been a city since at least the time of the Holy Roman Empire. The city sits at the intersection of the Via Regia and Via Imperii, Leipzig was once one of the major European centers of learning and culture in fields such as music and publishing. Leipzig became an urban center within the German Democratic Republic after the Second World War. Leipzig later played a significant role in instigating the fall of communism in Eastern Europe, through events which took place in, Leipzig today is an economic center and the most livable city in Germany, according to the GfK marketing research institution. Since the opening of the Leipzig City Tunnel in 2013, Leipzig forms the centerpiece of the S-Bahn Mitteldeutschland public transit system, Leipzig is currently listed as Gamma World City and Germanys Boomtown. Outside of Leipzig the Neuseenland district forms a lake area of approximately 300 square kilometres. Leipzig is derived from the Slavic word Lipsk, which means settlement where the linden trees stand, an older spelling of the name in English is Leipsic. The Latin name Lipsia was also used, the name is cognate with Lipetsk in Russia and Liepāja in Latvia. In 1937 the Nazi government officially renamed the city Reichsmessestadt Leipzig, the common usage of this nickname for Leipzig up until the present is reflected, for example, in the name of a popular blog for local arts and culture, Heldenstadt. de. Leipzig was first documented in 1015 in the chronicles of Bishop Thietmar of Merseburg as urbs Libzi and endowed with city, Leipzig Trade Fair, started in the Middle Ages, became an event of international importance and is the oldest remaining trade fair in the world. During the Thirty Years War, two battles took place in Breitenfeld, about 8 kilometres outside Leipzig city walls, the first Battle of Breitenfeld took place in 1631 and the second in 1642. Both battles resulted in victories for the Swedish-led side, on 24 December 1701, an oil-fueled street lighting system was introduced. The city employed light guards who had to follow a schedule to ensure the punctual lighting of the 700 lanterns. The Leipzig region was the arena of the 1813 Battle of Leipzig between Napoleonic France and a coalition of Prussia, Russia, Austria and Sweden. It was the largest battle in Europe prior to the First World War, in 1913 the Monument to the Battle of the Nations celebrating the centenary of this event was completed. The railway station has two entrance halls, the eastern one for the Royal Saxon State Railways and the western one for the Prussian state railways
Leipzig
Leipzig
Leipzig
Leipzig
13.
Baritone horn
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The baritone horn, or sometimes just called baritone, is a low-pitched brass instrument in the saxhorn family. It is a brass instrument with a bore that is mostly conical, like the flugelhorn and alto horn. It uses a cup mouthpiece like that of its peers. Like the trombone and the euphonium, the horn can be considered either a transposing or non-transposing instrument. In the UK, the horn is frequently found in brass bands. In concert band music, there is often a part marked baritone, a person who plays a baritone horn is a baritone player or baritonist. The baritone, like the trombone and euphonium, is a brass tube. It is predominately of conical bore, like the euphonium, but has a narrow bore than the euphonium. The smaller bore renders its attack more distinct than the attack of the euphonium. The baritone is pitched in concert B♭, meaning that when no valves are actuated, music for the baritone horn can be written in either the bass clef or the treble clef. When written in the bass clef, the horn is a non-transposing instrument. It is often used to play parts written for the similarly pitched tenor trombone or euphonium, the baritone is part of the tenor section of a band. Its second partial with no valves pressed is concert B♭ on the line from the bottom of the bass clef. The eighth partial with no valves pressed is concert B♭ in the center of the treble clef, the baritone sounds with a timbre between the brightness of the trombone and the more mellow tone of the euphonium. The baritone horn usually has a wrap and a smaller bell, and is thus smaller and lighter overall. This practice has not yet stopped, there is a common misconception that three-valve instrument is a baritone and that the four-valve instrument is a euphonium. Euphoniums often have a valve as an alternate fingering for 1&3 split fingering with improved intonation. The fourth valve can also be viewed in the way as an F trigger on trombone
Baritone horn
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Baritone horn
Baritone horn
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Four-valve continental baritone horn (center)
Baritone horn
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Marching baritone horn
14.
Alto horn
–
The tenor horn is a brass instrument in the saxhorn family, and is usually pitched in E♭. It has a bore that is conical, like the flugelhorn and baritone horn. It is most commonly used in British brass bands, whereas the French horn tends to take the parts in concert bands. However, the horn has occasionally been used as an alternative to the French horn in concert bands. The tenor horn is a brass instrument which has a predominantly conical bore like the baritone horn and flugelhorn. It uses a deep funnel- or cup-shaped mouthpiece and its valves are typically, though not exclusively, piston valves. In contrast, the solo horn looks like a flugelhorn, with the bell pointing forward. Another older and lesser known variant has the bell facing backward, still another variant has a detachable bell easily rotated to point in the direction of the players choice. The standard bell-up horn comes in two shapes, one with the beginning of the bell looping over the top of the valves. These types are the most frequently encountered in the United States, only the standard upright instrument is seen in UK brass bands. In Europe, Cerveny have been manufacturing tenor horns since 1852 and they currently offer models of the instrument looped like a classic horn and an oval model shaped like a Wagner tuba, all models having rotary valves as opposed to the more common piston valves. Within a British brass band, the horn section usually plays a unique part in the middle of the band. However, it is often featured as a solo instrument. The instruments timbre, with little attack or resonance, as well as the parts it usually plays, makes the difficult to hear individually. Despite this, the horn section contributes greatly to the mellow sound of a brass band. A few of these instruments have become especially popular within the UK, the Besson Sovereign. Today, different makes of tenor horns have a range of bore sizes. Good, well-made instruments should however, regardless of size, retain a light, velvety
Alto horn
–
Alto horn
15.
Cornet
–
The cornet /ˈkɔːrnɪt/ is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is an instrument in B♭, though there is also a soprano cornet in E♭. Both are unrelated to the renaissance and early baroque cornett, the cornet was initially derived from the post horn around 1820 in France. Among the first manufacturers of modern cornets was Parisian Jean Asté in 1828, cornets first appeared as separate instrumental parts in 19th century French compositions. This instrument could not have developed without the improvement of piston valves by Silesian oboe player Friedrich Blühmel. These two instrument makers almost simultaneously invented valves, though it is likely that Blühmel was the inventor and they jointly applied for a patent and were granted this for a period of ten years. Later, and most importantly, François Périnet received a patent in 1838 for a valve which is the basis of all modern brass instrument piston valves. Up until the early 20th century, the trumpet and cornet coexisted in musical ensembles, symphonic repertoire often involves separate parts for trumpet and cornet. As several instrument builders made improvements to instruments, they started to look and sound more alike. The modern day cornet is used in bands, concert bands. The name cornet derives from corne, meaning horn, itself from Latin cornu, while not musically related, instruments of the Zink family are named cornetto or cornett in modern English to distinguish them from the valved cornet described here. The 11th edition of the Encyclopædia Britannica referred to serpents as old wooden cornets, the Roman/Etruscan cornu is the lingual ancestor of these. It is a predecessor of the post horn from which the evolved and was used like a bugle to signal orders on the battlefield. The instrument was once referred to as a cornopean, referencing the earliest cornets with the Stölzel valve system. The cornet was invented by adding valves to the post horn in 1814, the valves allowed for melodic playing throughout the register of the cornet. Trumpets were slower to adopt the new technology, so for the next 100 years or more. The trumpet would play fanfare-like passages, while the cornet played more melodic passages, the modern trumpet has valves that allow it to play the same notes and fingerings as the cornet. Cornets and trumpets made in a key play at the same pitch
Cornet
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A B ♭ cornet
Cornet
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Connie Jones playing a long-model cornet.
Cornet
–
Cornet that looks like a
French horn
16.
Piano
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The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches
Piano
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A grand piano (left) and an upright piano (right)
Piano
Piano
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Grand piano by Louis Bas of
Villeneuve-lès-Avignon, France, 1781. Earliest French grand piano known to survive; includes an inverted wrestplank and action derived from the work of Bartolomeo Cristofori (ca. 1700) with ornately decorated soundboard.
Piano
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Early piano replica by the modern builder Paul McNulty, after Walter & Sohn, 1805
17.
Bar (establishment)
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Some types of bars, such as pubs, may also serve food from a restaurant menu. The term bar also refers to the countertop and area where drinks are served, bars provide stools or chairs that are placed at tables or counters for their patrons. Bars that offer entertainment or live music are often referred to as music bars, live venues, types of bars range from inexpensive dive bars to elegant places of entertainment often accompanying restaurants for dining. Many bars have a discount period, designated a happy hour to encourage off-peak-time patronage, bars that fill to capacity sometimes implement a cover charge or a minimum drink purchase requirement during their peak hours. Bars may have bouncers to ensure patrons are of age, to eject drunk or belligerent patrons. Such bars often feature entertainment, which may be a band, vocalist, comedian. The term bar is derived from the counter on which drinks are served. Patrons may sit or stand at the bar and be served by the bartender, depending on the size of a bar and its approach, alcohol may be served at the bar by bartenders, at tables by servers, or by a combination of the two. The back bar is a set of shelves of glasses and bottles behind that counter, in some establishments, the back bar is elaborately decorated with woodwork, etched glass, mirrors, and lights. There have been different names for public drinking spaces throughout history. In the colonial era of the United States taverns were an important meeting place, during the 19th century saloons were very important to the leisure time of the working class. Today, even when an establishment uses a different name, such as tavern or saloon, the sale and/or consumption of alcoholic beverages was prohibited in the first half of the 20th century in several countries, including Finland, Iceland, Norway, and the United States. In the United States, illegal bars during Prohibition were called speakeasies, blind pigs, laws in many jurisdictions prohibit minors from entering a bar. If those under legal drinking age are allowed to enter, as is the case with pubs that serve food, in some jurisdictions, bars cannot serve a patron who is already intoxicated. Cities and towns usually have restrictions on where bars may be located. Some bars may have a license to serve beer and wine, in some jurisdictions, patrons buying alcohol must also order food. In some jurisdictions, bar owners have a liability for the conduct of patrons who they serve. A bars owners and managers choose the name, décor, drink menu, lighting
Bar (establishment)
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A bar in Switzerland.
Bar (establishment)
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A
Depression-era bar in
Melrose, Louisiana.
Bar (establishment)
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Liquor and wine bottles behind a bar in Baden, Austria
Bar (establishment)
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The bar in the coach terminal at
Udine, Italy.
18.
Accompanist
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Accompaniment is the musical parts which provide the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music, in homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the beat for the music, the accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. A solo singer can accompany herself by playing guitar or piano while she sings, and in rare cases. With choral music, the accompaniment to a vocal solo can be provided by other singers in the choir, accompaniment parts range from so simple that a beginner can play them to so complex that only an advanced player or singer can perform them. An accompanist is a musician who plays an accompaniment part, accompanists often play keyboard instruments (e. g. piano, pipe organ, synthesizer or, in folk music and traditional styles, a guitar. A number of classical pianists have found success as accompanists rather than soloists, arguably the best known example is Gerald Moore, the accompaniment instrumentalists and/or singers can be provided with a fully notated accompaniment part written or printed on sheet music. This is the norm in Classical music and in most large ensemble writing, chord-playing musicians can improvise chords, fill-in melodic lines and solos from the chord chart. It is rare for chords to be written out in music notation in pop. Some guitarists, bassists and other stringed instrumentalists read accompaniment parts using tabulature, drummers can play accompaniment by following the lead sheet, a sheet music part in music notation, or by playing by ear. In some cases, an arranger or composer may give a bassist a bass part that is written out in music notation. Comping Counter-melody Figure Figured bass Guitar picking Hauptstimme Strum The dictionary definition of accompaniment at Wiktionary
Accompanist
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A typical accompaniment pattern of a Mozart concerto or aria. Play (
help ·
info)
19.
Brass bands
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A brass band is a musical ensemble generally consisting entirely of brass instruments, most often with a percussion section. Ensembles that include brass and woodwind instruments can in certain traditions also be termed brass bands, balkan-style Brass Bands play a distinctive style of music originating in 19th-century Balkans when Roma trumpeters influenced by Turkish marching bands transposed Folk music into brass. It is popular throughout the Balkans, especially Serbia, Albania, Macedonia, Romania and Bulgaria, the beats are usually fast and accompanied by kolo. The performers each have their instrument of the orchestra and are called trubači, the best known examples of acclaimed music in this style are from Goran Bregović and Boban Marković Orkestar. The Serbian film maker Emir Kusturica has, through his films, all parts apart from the Bass Trombone and percussion are now written in Treble Clef. Note that despite its musical range, the horn in E♭ is traditionally called the tenor horn in British bands. Brass bands have a tradition of competition between bands, often based around local industry and communities. Annual competitions are held in countries to select champion bands at various levels of musical competence. The Salvation Army, part of the Christian church, has deployed brass bands since 1878, the most well-known Salvation Army brass band is The International Staff Band which is based in London. Salvation Army bands vary considerably in size and complement as they are based on the personnel available. The cornet section of a Salvation Army band does not include a Repiano, a Salvation Army band may have 3-6 tenor horns, 2-4 baritones and 2-6 tenor trombones. Salvation Army bands have a tradition of training children in brass playing from an early age. In larger Salvation Army churches there will often be a Junior Band for children as well as a Senior Band for adults, fanfare orchestras are a type of brass band mainly found in Belgium and the Netherlands, while several ensembles exist in Germany, France and Luxembourg. Unlike British bands, they also sport saxophones, there are fanfares affiliated to the military and civil fanfare orchestras which are an important element of cultural tradition in some areas. The tradition of bands in New Orleans, Louisiana dates to the late 19th. Traditionally, New Orleans brass bands could feature various instrumentations, often including trumpets, trombones, clarinets, saxophones, sousaphones and percussion. The Treme Brass Band, while not as old, has members who have been influential throughout New Orleans Brass Band music, a well-known use of these bands is for the New Orleans jazz funeral. Also, a number of groups outside the United States have begun playing this style of music, the style of the music is often characterized by the use of the sousaphone in place of a Double bass to play the bass-line
Brass bands
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Tanzanian Police Force brass band
Brass bands
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Soprano cornet
Brass bands
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Cornet
Brass bands
–
Flugelhorn
20.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
Jazz
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Louis Armstrong (1901–1971) is considered one of the pivotal musicians in jazz for his contributions as a trumpet player, composer and singer.
Jazz
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Double bassist
Reggie Workman, saxophone player
Pharoah Sanders, and drummer
Idris Muhammad performing in 1978
Jazz
–
Albert Gleizes, 1915, Composition pour Jazz, gouache on cardboard, mounted on Masonite, 73 x 73 cm,
Solomon R. Guggenheim Museum, New York
Jazz
–
In the late 18th-century painting
The Old Plantation, African-Americans dance to banjo and percussion.
21.
Paul Whiteman
–
Paul Samuel Whiteman was an American bandleader, composer, orchestral director and violinist. He also co-wrote the 1925 jazz classic Flamin Mamie and his popularity faded in the swing music era of the middle 1930s, and by the 1940s Whiteman was semi-retired from music. But he experienced a revival and had a comeback in the 1950s with his own television series on ABC, Paul Whitemans Goodyear Revue. He also hosted the 1954 ABC talent contest show On the Boardwalk with Paul Whiteman, Whitemans place in the history of early jazz is somewhat controversial. Detractors suggest that Whitemans ornately-orchestrated music was jazz in name only, in his autobiography, Duke Ellington declared, Paul Whiteman was known as the King of Jazz, and no one as yet has come near carrying that title with more certainty and dignity. Whitemans crowning of the term King of Jazz was likely not meant to take anything away from the performers of the more pure jazz style, Whiteman was born in Denver, Colorado. His father insisted that he learn an instrument, preferably the violin, but young Paul preferred the viola, and that was what he learned to play. His skill at playing the viola led him to an opportunity to perform in the Denver Symphony Orchestra, he was a member from 1907, from 1917 to 1918, Whiteman conducted a 40-piece U. S. Navy band. After the war, he formed the Paul Whiteman Orchestra, moreover, with his classical violinist and violist start, he led a jazz-influenced dance band, which became popular locally in San Francisco, California in 1918. In 1920 he moved with his band to New York City where they started recording for the Victor Talking Machine Company which made the Paul Whiteman Orchestra famous nationally, Whiteman became the most popular band director of that decade. In a time when most dance bands consisted of six to ten men, Whiteman directed a much larger, by 1922, Whiteman already controlled some 28 ensembles on the East Coast and was earning over a $1,000,000 a year. Whiteman recorded Hoagy Carmichael singing and playing Washboard Blues to the accompaniment of his orchestra in 1927, in May 1928 Whiteman signed with Columbia Records, and recorded for the label until September 1931, when he returned to RCA Victor. He would remain with Victor until March 1937, in the early 1960s, he played in Las Vegas before retiring. In the 1920s the media referred to Whiteman as The King of Jazz, Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion. There were musicians, such as Eddie Condon, who criticized Whiteman for being a bad influence on the due to his attempts to make a lady out of jazz. However, Whitemans recordings were still popular critically and successful commercially, in all, the King of Jazz wrote more than 3000 arrangements. For more than 30 years Whiteman, referred to as Pops, sought and encouraged musicians, vocalists, composers, arrangers, in 1924 Whiteman commissioned George Gershwins Rhapsody in Blue, which was premiered by Whitemans orchestra with George Gershwin at the piano. Another familiar piece in Whitemans repertoire was Grand Canyon Suite, by Ferde Grofé, however, Whiteman crossed racial lines behind-the-scenes, hiring black arrangers like Fletcher Henderson and engaging in mutually beneficial efforts with recording sessions and scheduling of tours
Paul Whiteman
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Whiteman and his orchestra, 1921
Paul Whiteman
–
A frame from the trailer for the film
Rhapsody in Blue (1945)
Paul Whiteman
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1920 release of "Whispering" by Paul Whiteman and His Ambassador Orchestra, Victor 18690A. 1998 Grammy Hall of Fame inductee.
Paul Whiteman
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Original 1924 "acoustical" release of "Rhapsody in Blue" by Paul Whiteman and His Concert Orchestra with George Gershwin on piano, Victor 55225A. 2003
National Recording Registry selection.
22.
George Gershwin
–
George Jacob Gershwin was an American composer and pianist. Gershwins compositions spanned both popular and classical genres, and his most popular melodies are widely known, among his best-known works are the orchestral compositions Rhapsody in Blue and An American in Paris as well as the opera Porgy and Bess. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell and he began his career as a song plugger, but soon started composing Broadway theatre works with his brother Ira Gershwin, and Buddy DeSylva. He moved to Paris intending to study with Nadia Boulanger, who refused him, after returning to New York City, he wrote Porgy and Bess with Ira and the author DuBose Heyward. Initially a commercial failure, Porgy and Bess is now considered one of the most important American operas of the twentieth century, Gershwin moved to Hollywood and composed numerous film scores until his death in 1937 from a malignant brain tumor – glioblastoma multiforme. Gershwins compositions have been adapted for use in films and for television. Many celebrated singers and musicians have covered his songs, Gershwin was of Russian Jewish and Ukrainian Jewish ancestry. His grandfather, Jakov Gershowitz, had served for 25 years as a mechanic for the Imperial Russian Army to earn the right of travel and residence as a Jew. His teenage son, Moishe Gershowitz, worked as a cutter for womens shoes. Moishe Gershowitz met and fell in love with Roza Bruskina, the daughter of a furrier in Vilnius. She and her family moved to New York due to increasing anti-Jewish sentiment in Russia, Moishe, faced with compulsory military service if he remained in Russia, moved to America as soon as he could afford to. Once in New York, he changed his first name to Morris, Gershowitz lived with a maternal uncle in Brooklyn, working as a foreman in a womens shoe factory. When he married Rose on July 21,1895, Gershowitz soon Americanized his name to Gershwine. Their first child was born on December 6,1896, Gershwin then moved his family into a second-floor apartment on Brooklyns Snediker Avenue. Their second son, soon to be renamed George, was born at there on September 26,1898 and his birth certificate identifies him as Jacob Gershwine, with the surname pronounced Gersh-vin in the Russian and Yiddish immigrant community. He was named after his grandfather, the one time Russian army mechanic, American practice by then was to give children a first and a middle name, but had no other. He changed the spelling of his name to Gershwin when he became a professional musician, George and Ira lived in many different residences, as their father changed dwellings with each new enterprise which he became involved in. Mostly, the boys grew up around the Yiddish Theater District and they frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra
George Gershwin
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George Gershwin in 1937
George Gershwin
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George Gershwin, c. 1935.
George Gershwin
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Gershwin's mausoleum in
Westchester Hills Cemetery
George Gershwin
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Birthday party honoring
Maurice Ravel in New York City, March 8, 1928. From left:
Oskar Fried;
Éva Gauthier; Ravel at piano;
Manoah Leide-Tedesco; and George Gershwin.
23.
Rhapsody in Blue
–
Rhapsody in Blue is a 1924 musical composition by American composer George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. He asked Gershwin to contribute a piece for an all-jazz concert he would give in Aeolian Hall in February 1924. Gershwin declined on the grounds that, as there would certainly be need for revisions to the score, an article entitled What Is American Music. In a phone call to Whiteman next morning, Gershwin was told that Whitemans rival Vincent Lopez was planning to steal the idea of his experimental concert, Gershwin was finally persuaded to compose the piece. Since there were only five left, Gershwin hastily set about composing a piece, and on the train journey to Boston. And there I suddenly heard, and even saw on paper – the complete construction of the Rhapsody, no new themes came to me, but I worked on the thematic material already in my mind and tried to conceive the composition as a whole. I heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, by the time I reached Boston I had a definite plot of the piece, as distinguished from its actual substance. Gershwin began his work on January 7 as dated on the manuscript for two pianos. The piece was titled American Rhapsody during composition, many important and influential composers of the time such as John Philip Sousa and Sergei Rachmaninoff were present. The event has since become historic specifically because of its premiere of the Rhapsody, the purpose of the experiment, as told by Whiteman in a pre-concert lecture in front of many classical music critics and highbrows, was to be purely educational. It would at least provide a stone which will make it very simple for the masses to understand. The program was long, including 26 separate musical movements, divided into 2 parts and 11 sections, bearing such as True form of jazz and Contrast. Gershwins latest composition was the second to last piece, many of the numbers sounded similar and the ventilation system in the concert hall was broken. People in the audience were losing their patience, until the clarinet glissando that opened Rhapsody in Blue was heard, the Rhapsody was performed by Whitemans band, with an added section of string players, and George Gershwin on piano. Gershwin improvised some of what he was playing, and he did not write out the part until after the performance. The opening clarinet glissando came into being during rehearsal when, as a joke on Gershwin, Gorman played the opening measure with a noticeable glissando, adding what he considered a humorous touch to the passage. Reacting favourably to Gormans whimsy, Gershwin asked him to perform the opening measure that way at the concert, by the end of 1927, Whitemans band had played the Rhapsody eighty-four times, and its recording sold a million copies. To get the piece onto two sides of a 12-inch record it had to be played at a faster speed than it would usually have in concert
Rhapsody in Blue
–
Cover of the original sheet music of the two-piano version of Rhapsody in Blue
Rhapsody in Blue
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Reissue of the 1927 "electrical" release of "Rhapsody in Blue" as Victor 35822A by Paul Whiteman and His Concert Orchestra with George Gershwin on piano. 1974 Grammy Hall of Fame inductee.
24.
ASCAP
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ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In 2012, ASCAP collected over US$941 million in licensing fees and distributed $828.7 million in royalties to its members, as of July 2013, ASCAP membership included over 460,000 songwriters, composers, and music publishers. In the United States, ASCAP competes with two other PROs — Broadcast Music, Inc. and the Society of European Stage Authors and Composers. Unlike collecting societies outside of the United States, ASCAP contract is non-exclusive, ASCAP has an office in the United Kingdom. As the artist agreement is non-exclusive, authors can license using a Creative Commons license, the ASCAP bill of rights states, we have the right to choose when and where our creative works may be used for free. If an author is going to use a Creative Commons license with anothers works, subsequently, many other prominent songwriters became members. In 1919, ASCAP and the Performing Rights Society of Great Britain, today, ASCAP has global reciprocal agreements and licenses the U. S. performances of hundreds of thousands of international music creators. The advent of radio in the 1920s brought an important new source of income for ASCAP, radio stations originally only broadcast performers live, the performers working for free. Later, performers wanted to be paid, and recorded performances became more prevalent, ASCAP started collecting license fees from the broadcasters. The Justice Department sued ASCAP in 1937 but abandoned the case, BMI also signed a consent decree in 1941, although the terms were much more favorable to BMI than those applied to ASCAP. In 1940, when ASCAP tried to double its license fees again, radio broadcasters formed a boycott of ASCAP and founded a competing royalty agency, Broadcast Music Incorporated. During a ten-month period lasting from January 1 to October 29,1941, no music licensed by ASCAP was broadcast on NBC, instead, the stations played regional music and styles that had been traditionally disdained by ASCAP. When the differences between ASCAP and the broadcasters were resolved in October 1941, ASCAP agreed to settle for a lower fee than they had initially demanded. ASCAPs membership diversified further in the 1940s, bringing along jazz and swing greats, including Duke Ellington, Count Basie, Benny Goodman, classical-music composers Aaron Copland, Igor Stravinsky, and Leonard Bernstein brought their compositions into the ASCAP repertory in the 1940s. The rise of rock and roll derived from country music and rhythm and blues music caused airplay of BMI licensed songs to double that of ASCAP licensed songs. ASCAP officials decided that the practice of payola was the reason, so ASCAP spearheaded a congressional investigation into the practice of payola in 1959. In the 1950s and 1960s, television was introduced as a new revenue stream for ASCAP, with the birth of FM radio, new ASCAP members, including John Denver, Jimi Hendrix, Quincy Jones, Janis Joplin, and Carly Simon scored massive hits. Many Motown hits were written by ASCAP members Ashford & Simpson, Marvin Gaye, Smokey Robinson, both The Beatles and The Rolling Stones licensed their works through ASCAP, and the very first country Grammy Award went to ASCAP writer Bobby Russell for Little Green Apples
ASCAP
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ASCAP and
Manhattan School of Music summer campers participate in daily symphonic band rehearsals. Since 1999, the two institutions have partnered with to offer a free music camp for students who attend New York City's public schools.
ASCAP
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American Society of Composers Authors and Publishers
25.
The New York Times
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The New York Times is an American daily newspaper, founded and continuously published in New York City since September 18,1851, by The New York Times Company. The New York Times has won 119 Pulitzer Prizes, more than any other newspaper, the papers print version in 2013 had the second-largest circulation, behind The Wall Street Journal, and the largest circulation among the metropolitan newspapers in the US. The New York Times is ranked 18th in the world by circulation, following industry trends, its weekday circulation had fallen in 2009 to fewer than one million. Nicknamed The Gray Lady, The New York Times has long been regarded within the industry as a newspaper of record. The New York Times international version, formerly the International Herald Tribune, is now called the New York Times International Edition, the papers motto, All the News Thats Fit to Print, appears in the upper left-hand corner of the front page. On Sunday, The New York Times is supplemented by the Sunday Review, The New York Times Book Review, The New York Times Magazine and T, some other early investors of the company were Edwin B. Morgan and Edward B. We do not believe that everything in Society is either right or exactly wrong, —what is good we desire to preserve and improve, —what is evil, to exterminate. In 1852, the started a western division, The Times of California that arrived whenever a mail boat got to California. However, when local California newspapers came into prominence, the effort failed, the newspaper shortened its name to The New-York Times in 1857. It dropped the hyphen in the city name in the 1890s, One of the earliest public controversies it was involved with was the Mortara Affair, the subject of twenty editorials it published alone. At Newspaper Row, across from City Hall, Henry Raymond, owner and editor of The New York Times, averted the rioters with Gatling guns, in 1869, Raymond died, and George Jones took over as publisher. Tweed offered The New York Times five million dollars to not publish the story, in the 1880s, The New York Times transitioned gradually from editorially supporting Republican Party candidates to becoming more politically independent and analytical. In 1884, the paper supported Democrat Grover Cleveland in his first presidential campaign, while this move cost The New York Times readership among its more progressive and Republican readers, the paper eventually regained most of its lost ground within a few years. However, the newspaper was financially crippled by the Panic of 1893, the paper slowly acquired a reputation for even-handedness and accurate modern reporting, especially by the 1890s under the guidance of Ochs. Under Ochs guidance, continuing and expanding upon the Henry Raymond tradition, The New York Times achieved international scope, circulation, in 1910, the first air delivery of The New York Times to Philadelphia began. The New York Times first trans-Atlantic delivery by air to London occurred in 1919 by dirigible, airplane Edition was sent by plane to Chicago so it could be in the hands of Republican convention delegates by evening. In the 1940s, the extended its breadth and reach. The crossword began appearing regularly in 1942, and the section in 1946
The New York Times
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Cover of The New York Times (November 15, 2012), with the headline story reporting on
Operation Pillar of Defense.
The New York Times
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First published issue of New-York Daily Times, on September 18, 1851.
The New York Times
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The Times Square Building, The New York Times ' publishing headquarters, 1913–2007
The New York Times
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The New York Times newsroom, 1942
26.
Piano rolls
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A piano roll is a music storage medium used to operate a player piano, piano player or reproducing piano. A piano roll is a roll of paper with perforations punched into it. The perforations represent note control data, the roll moves over a reading system known as a tracker bar and the playing cycle for each musical note is triggered when a perforation crosses the bar and is read. The majority of piano rolls play on three distinct musical scales, the 65-note format was introduced in 1896 in the USA specifically for piano music. In 1900 an American format playing all 88 notes of the standard piano scale was introduced, in 1902 a German 72-note scale was introduced. All of these scales were subject to being operated by piano rolls of varying dimensions, the 1908 Buffalo Convention of US manufacturers standardized the US industry to the 88-note scale and fixed the physical dimensions for that scale. Largely replacing piano rolls, which are no longer mass-produced today, MIDI files accomplish digitally and electronically what piano rolls do mechanically. Software for editing a performance stored as MIDI data often has a feature to show the music in a piano roll representation, the first paper rolls were used commercially by Welte & Sons in their Orchestrions beginning in 1883. A rollography is a listing of piano rolls, especially made by a single performer, the Buffalo Convention of December 10,1908 established two future roll formats for the US-producers of piano rolls for self-playing pianos. This made it possible to play the piano rolls on any self-playing instrument built according to the convention and this format became a loose world standard. Metronomic or arranged rolls are produced by positioning the music slots without real-time input. The music, when played back, is typically purely metronomical, hand played rolls are created by capturing in real time the hand-played performance of one or more pianists upon a piano connected to a recording machine. The production roll reproduced the real-time performance of the recording when played back at a constant speed. The player piano gives the opportunity to create music that is impossible for humans to play, or, more correctly, over one hundred composers wrote music specially for the player piano during the course of the 20th century. Many mainstream composers experimented with its possibilities, including Igor Stravinsky, Alfredo Casella, rolls for the reproducing piano were generally made from the recorded performances of famous musicians. Recorded rolls play at a specific, marked speed, where for example,70 signifies 7 feet of travel in one minute. On all pneumatic player pianos, the paper is pulled on to a spool, and as more paper winds on, so the effective diameter of the spool increases. The playing of many pianists and composers is preserved on reproducing piano roll, Duo-Art featured artists such as Ignace Jan Paderewski, George Gershwin, Maurice Ravel, Teresa Carreño, Percy Grainger, Leopold Godowsky and Ferruccio Busoni
Piano rolls
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A stack of piano rolls, some in boxes, some not.
Piano rolls
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First part of a piano roll for
Welte-Mignon with lines for a pianolist
Piano rolls
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Tracker bar of a Welte-Mignon
27.
American Piano Company
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American Piano Company was an American piano manufacturer located in East Rochester, New York, which was known from the beginning for the production of high quality player pianos. From 1913 Ampico was one of the producers of reproducing pianos. The player piano and reproducing mechanism was designed by Charles Fuller Stoddard, by 1929 Ampico was in essential economic difficulties and was finally taken over by the Aeolian Company, a manufacturer of player pianos and organs. The combined company, known as Aeolian-American Corp. went through several changes before declaring bankruptcy in 1985. Despite the Ampicos decline, the company did not officially close until 1941, the last model introduced was the Ampico Spinet Reproducing Piano, which had all the functionality of a reproducing piano, and although having a low cost of $495, still failed in sales. In May 1918, The Music Roll Division of the American Piano Company became a company and henceforth was named Rythmodik Music Corporation, based in Belleville. Renowned for its craftsmanship, the American Piano Company was the largest distributor. While over 347,000 pianos were purchased in the United States in 1923, general references Larry Givens, Re-enacting the Artist, A Story of the Ampico Reproducing Piano, Vestal, N. Y. Elaine Obenchain, The Complete Catalog of Ampico Reproducing Piano Rolls, New York, ISBN 0-9601172-1-0 History of Ampico, by The Pianola Institute, London, Accessed April 1,2009 Inline citations
American Piano Company
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Ampico reproducing piano in the
Bayernhof Music Museum
28.
Nathaniel Shilkret
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Nathaniel Shilkret was an American composer, conductor, clarinetist, pianist, business executive, and music director. Shilkret was born in New York City to a family of Austrian immigrants. His father played a number of instruments, and made certain that Nat, older brother Lew Shilkret was a fine pianist, but also worked in the insurance industry. Younger brother Jack Shilkret had a career that paralleled Nathaniels career, he played clarinet and piano, recorded extensively, Shilkret was a child prodigy, touring the country with the New York Boys Orchestra from the ages of seven to thirteen as their clarinet soloist. He was also a rehearsal pianist for Walter Damrosch, playing for stars that included dancer Isadora Duncan and he joined the Foreign Department of the Victor Talking Machine Company around 1915, and soon was made manager of the department. In 1926 he became director of music for Victor. He made thousands of recordings, possibly more than anyone in recording history and his son Arthur estimated the sales of these records was of the order of 50 million copies. He was the conductor of choice for many of Victors innovative recordings, the premiere recording of George Gershwins symphonic poem An American in Paris, in 1929, was one of five conducted by Shilkret that eventually earned Grammy Awards. Between his conducting for records and for radio, virtually every musical star of the day performed under the baton of Nathaniel Shilkret and his orchestra members included Jimmy Dorsey, Tommy Dorsey, Benny Goodman, Lionel Hampton, Glenn Miller, Artie Shaw, Mike Mosiello and Del Staigers. George Gershwin, Jascha Heifetz, Mischa Elman and Andrés Segovia all played under his direction, the lists of popular singers and foreign artists that played under his direction are just as impressive. He composed and arranged thousands of pieces and he composed the theme song Lady Divine for the Academy Award winning film The Divine Lady in 1929. He also composed the theme song Some Sweet Day for the film Children of the Ritz in the same year and his Concerto for Trombone was premiered in 1945 by Tommy Dorsey, playing with the New York Symphony Orchestra, under the direction of Leopold Stokowski. The piece was unavailable to the public from the mid-1950s until Scottish trombonist Bryan Free rescued it from anonymity in the beginning of the 21st century and it was re-premiered at Carnegie Hall by the New York Pops, under the direction of Skitch Henderson, with Jim Pugh as soloist. Since its revival, the Concerto for Trombone has been performed about sixty times in the United States, Canada, Shilkret left RCA Victor in mid-1935, but continued to record occasionally for the company. His last recording released on the Victor label was the American Banjo Album recorded in October 1946 and this album was reissued shortly after the Victor issue as one side of an LP under the Aztec label. Shilkret moved to Los Angeles in late 1935 and there contributed music scores and musical direction for a string of Hollywood films for RKO, Walter Lantz Productions and Metro-Goldwyn-Mayer. His films included Mary of Scotland, Swing Time, The Plough and the Stars and he also received an Oscar nomination for his work scoring the film version of Maxwell Andersons stage drama Winterset. Due to an abdominal operation for cancer removal, he did not conduct for most of 1941
Nathaniel Shilkret
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Nat Shilkret circa 1920s
Nathaniel Shilkret
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Shilkret (center holding baton) with the Victor Salon Orchestra, c. 1925
Nathaniel Shilkret
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African Serenade, a 1930 issue of a Nat Shilkret composition recorded by his own band.
29.
RCA Victor
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
RCA Victor
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Label of an RCA Victor 78 RPM record from the 1950s; RCA manufactured 78s alongside the 45 until 1958.
RCA Victor
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RCA Records logo 1968–87; revived as of 2015
RCA Victor
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Label of an RCA Victor 45 RPM record from the 1950s; RCA used this label for its 45 RPM records from 1954 to at least 1964.
RCA Victor
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RCA used this label for its American 45 RPM records during the Dynagroove era.
30.
Fred Allen
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Roosevelt and novelists William Faulkner, John Steinbeck and Herman Wouk. Allen was honored with stars on the Hollywood Walk of Fame for contributions to television, John Florence Sullivan was born in Cambridge, Massachusetts, to Irish Catholic parents. Allen barely knew his mother, Cecilia Herlihy Sullivan, who died of pneumonia when he was not quite three years old and his father was so shattered by his mothers death that, according to Allen, he drank more heavily. Eventually, Allens father remarried and offered his sons the choice between coming with him and his new wife or staying with Aunt Lizzie, Allens younger brother chose to go with their father, but Allen decided to stay with his aunt. I never regretted it, he wrote, Allen took piano lessons as a boy, his father having brought an Emerson upright along when they moved in with his aunt. He learned exactly two songs – Hiawatha and Pitter, Patter, Little Raindrops – and would be asked to play half or all my repertoire when visitors came to the house. He also worked at the Boston Public Library, where he discovered a book about the origin, enduring various upheavals at home, Allen also took up juggling while learning as much as possible about comedy. Some library co-workers planned to put on a show and asked him to do a bit of juggling and some of his comedy. When a girl in the crowd told him, Youre crazy to keep working here at the library, you ought to go on stage, in 1914 at the age of 20 he took a job with a local piano company, in addition to his library work. Eventually he became Freddy James, often billing himself as the worlds worst juggler, Allen refined the mix of his deliberately clumsy juggling and the standard jokes and one-liners, directing much of the humor at his own poor juggling abilities. During a ten-year world tour, his vaudeville act evolved towards more monologue comedy, the Allen came from Edgar Allen, a booker for the Fox theaters. In 1922, Allen commissioned comic-strip artist Martin Branner to cover a theater curtain with a mural painting depicting a cemetery with a punchline on each gravestone. This was the Old Joke Cemetery, where overworked gags go to die, in Allens act, the audiences would see the curtain before Allen made his entrance. Audiences typically would be laughing at the curtain before Allen even appeared, Robert Taylors biography of Allen includes an impressive full-length photo of Branners curtain painting, and many of the punchlines are clearly legible in the photo. Allen used a variety of gimmicks in his act, from a ventriloquist dummy to juggling to singing, but the focus was always on his comedy. One recurring bit was to read a letter from home with material such as the following, The man next door has bought pigs. Your father had a fight with him about it. It didnt bother your father, he is deaf in that ear
Fred Allen
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Fred Allen circa 1940
Fred Allen
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Fred Allen (right) with dummy, circa 1916.
Fred Allen
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Allen playing the tuba, date unknown.
Fred Allen
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Publicity photo for the premiere of Texaco Star Theater, 1940.
