1.
Fra Lippo Lippi (poem)
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Fra Lippo Lippi is an 1855 dramatic monologue written by the Victorian poet Robert Browning which first appeared in his collection Men and Women. Throughout this poem, Browning depicts a 15th-century real-life painter, Filippo Lippi, the poem asks the question whether art should be true to life or an idealized image of life. The poem is written in verse, non-rhyming iambic pentameter. A secondary theme of the monologue is the Churchs influence on art. Although Fra Lippo paints real life pictures, it is the Church that requires him to much of it, instructing him to paint the soul. Questions of celibacy, church law, and the canon are considered as well by means of secondary characters, full text of the published poem is available at, U of Toronto Library Essay/article on the role of celibacy in Fra Lippo Lippi Literature Annotations Victorian Web
Fra Lippo Lippi (poem)
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2.
Filippino Lippi
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Filippino Lippi was an Italian painter working during the High Renaissance in Florence, Italy. Born Filippo Lippi in Prato, Tuscany, the son of the painter Fra Filippo Lippi and Lucrezia Buti. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral there, when his father died in 1469, he completed the frescos with Storie della Vergine in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippinos father, in 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticellis, but with less sensitivity and subtlety, the very first ones were initially attributed to an anonymous Amico di Sandro. Eventually Lippis style evolved into a personal and effective one in the years 1480-1485. Together with Perugino, Ghirlandaio and Botticelli, Lippi worked on the decoration of Lorenzo de Medicis villa at Spedaletto. On December 31,1482 he was commissioned to work on a wall of Sala dellUdienza of Palazzo Vecchio in Florence, a work never begun. Soon after, probably in 1483-84, he was called to complete Masaccios decoration of Brancacci Chapel in the church of the Carmine, the work on the Sala degli Otto di Pratica, in the Palazzo Vecchio, started on February 20,1486. It is now in the Uffizi Gallery, in the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with the Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence. This is Lippis most popular picture, a composition of unreal items, with its very particular elongated figures, backed by a scenario of rocks. The work is dated to 1480–86, eventually he worked for Tanai de Nerli in Florences Santo Spirito church. On April 21,1487, Filippo Strozzi asked him to decorate the chapel in Santa Maria Novella with the Stories of St. John Evangelist. He worked on this piece intermittently, only completing it in 1503, the windows with musical themes, also designed by Filippino, were completed between June and July 1503. Filippino showed his characters in a landscape which recreated the ancient world in its finest details and he created in this way an animated, mysterious, fantastic but also disquieting style, showing the unreality of something as a nightmare. In this way, Filippino portrayed ruthless executioners deformed by grim faces, in the scene with St. Philip expelling a monster from the temple, the statue of the pagan god is a living figure which seems to dare the Christian saint. In 1488, Lippi moved to Rome, where Lorenzo de Medici had advised Cardinal Oliviero Carafa to entrust him the decoration of the chapel in Santa Maria sopra Minerva. These frescoes show a new kind of inspiration, quite different from the earlier works, Lippi finished the cycle by 1493
Filippino Lippi
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Self-portrait. Detail from The Dispute with Simon Magus (1481–1482) Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence, Italy.
Filippino Lippi
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Apparition of The Virgin to St. Bernard (1486).
Filippino Lippi
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Mystic Wedding of St Catherine Virgin and Martyr (1501)
Basilica of San Domenico, Bologna, Italy
Filippino Lippi
3.
Republic of Florence
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The Republic of Florence, also known as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda, the Florentines formed a commune in her successors place. The republic was ruled by a council, known as the signoria, the signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members. The republic had a history of coups and counter-coups against various factions. The Medici faction gained governance of the city in 1434, upon Cosimo de Medicis counter-coup against the faction that had sent him into exile the previous year, the Medici kept control of Florence until 1494. Giovanni de Medici re-conquered the republic in 1512, Florence repudiated Medici authority for a second time in 1527, during the War of the League of Cognac. The Medici re-assumed their rule in 1531, after an 11-month siege of the city, the republican government was disestablished in 1532, when Pope Clement VII appointed Alessandro de Medici Duke of the Florentine Republic, making the republic a hereditary monarchy. The city of Florence was established in 59 B. C. by Julius Caesar, the city had been part of the Marquisate of Tuscany before the death of Margravine Matilda in 1115. The city did not submit readily to her successor, Rabodo, the first official mention of the republic was in 1138 when several cities around Tuscany formed a league against Henry X of Bavaria. The country was part of the Holy Roman Empire. Florence prospered in the 12th century, trading extensively with foreign countries and this, in turn, provided a platform for demographic growth of the city. The growth of Florences population mirrored the rate of construction, many churches and this prosperity was shattered when Emperor Frederick I Barbarossa invaded the Italian peninsula in 1185. The Margraves of Tuscany re-acquired Florence and its townlands, the Florentines re-asserted their independence when Holy Roman Emperor Henry VI died in 1197. Florences population continued to grow into the 13th century, reaching 30,000 inhabitants, as has been said, the extra inhabitants supported the citys trade and vice versa. Several new bridges and churches were built, most prominently the cathedral of Santa Maria del Fiore, the buildings from the era serve as Florences best example of Gothic Architecture. Politically, Florence was barely able to maintain peace between factions, the precarious peace that existed at the beginning of the century was destroyed in 1216 when two factions known as the Guelphs and the Ghibellines began to war. The Ghibellines were the rulers of Florence. The Ghibellines, who under Frederick of Antioch had ruled the city since 1244, were deposed in 1250 by the Guelphs, the Guelphs led Florence to prosper further
Republic of Florence
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Front and back of a Florentine florin
Republic of Florence
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Flag
Republic of Florence
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Cosimo de' Medici, founder of the
House of Medici
Republic of Florence
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Lorenzo de' Medici
4.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
Florence
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A collage of Florence showing the
Galleria degli Uffizi (top left), followed by the
Palazzo Pitti, a sunset view of the city and the
Fountain of Neptune in the
Piazza della Signoria
Florence
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A wooden model of Florence as it would have probably looked during Roman times, showing the ancient amphitheatre
Florence
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The façade of the Cathedral
Florence
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Leonardo da Vinci statue outside the
Uffizi Gallery.
5.
Spoleto
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Spoleto is an ancient city in the Italian province of Perugia in east central Umbria on a foothill of the Apennines. It is 20 km S. of Trevi,29 km N. of Terni,63 km SE of Perugia,212 km SE of Florence, and 126 km N of Rome. Spoleto was situated on the branch of the Via Flaminia. An ancient road also ran hence to Nursia, the Ponte Sanguinario of the 1st century BC still exists. The Forum lies under todays marketplace, located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, after the Battle of Lake Trasimene Spoletium was attacked by Hannibal, who was repulsed by the inhabitants During the Second Punic War the city was a useful ally to Rome. It suffered greatly during the wars of Gaius Marius and Sulla. The latter, after his victory over Marius, confiscated the territory of Spoletium, from this time forth it was a municipium. Under the empire it seems to have flourished once again, but is not often mentioned in history, aemilianus, who had been proclaimed emperor by his soldiers in Moesia, was slain by them here on his way from Rome, after a reign of three or four months. Rescripts of Constantine and Julian are dated from Spoleto, owing to its elevated position Spoleto was an important stronghold during the Vandal and Gothic wars, its walls were dismantled by Totila. Under the Lombards, Spoleto became the capital of an independent duchy, the Duchy of Spoleto, in 774 it became part of Holy Roman Empire. Together with other fiefs, it was bequeathed to Pope Gregory VII by the powerful countess Matilda of Tuscany, in 1155 it was destroyed by Frederick Barbarossa. In 1213 it was occupied by Pope Gregory IX. After Napoleons conquest of Italy, in 1809 Spoleto became capital of the short-lived French department of Trasimène, returning to the Papal States after Napoleons defeat, in 1860, after a gallant defence, Spoleto was taken by the troops fighting for the unification of Italy. Giovanni Pontano, founder of the Accademia Pontaniana of Naples, was born here, the stage is occupied by the former church of St. Agatha, currently housing the National Archaeological Museum. Ponte Sanguinario, a Roman bridge 1st century BCE, the name is traditionally attributed to the persecutions of Christians in the nearby amphiteatre. A restored Roman house with floors, indicating it was built in the 1st century. An inscription by Polla to Emperor Caligula suggests the house was that of Vespasia Polla and it was turned into a fortress by Totila in 545 and in Middle Ages times was used for stores and shops, while in the cavea the church of San Gregorio Minore was built
Spoleto
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The Rocca Albornoziana fortress.
Spoleto
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View of Spoleto.
Spoleto
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Roman theatre.
Spoleto
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The Rocca Albornoziana.
6.
Papal States
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The Papal States, officially the State of the Church, were territories in the Italian Peninsula under the sovereign direct rule of the pope, from the 8th century until 1870. They were among the states of Italy from roughly the 8th century until the Italian Peninsula was unified in 1861 by the Kingdom of Piedmont-Sardinia. At their zenith, they covered most of the modern Italian regions of Lazio, Marche, Umbria and Romagna and these holdings were considered to be a manifestation of the temporal power of the pope, as opposed to his ecclesiastical primacy. By 1861, much of the Papal States territory had been conquered by the Kingdom of Italy, only Lazio, including Rome, remained under the Popes temporal control. In 1870, the pope lost Lazio and Rome and had no physical territory at all, Italian Fascist leader Benito Mussolini ended the crisis between unified Italy and the Vatican by signing the Lateran Treaty, granting the Vatican City State sovereignty. The Papal States were also known as the Papal State, the territories were also referred to variously as the State of the Church, the Pontifical States, the Ecclesiastical States, or the Roman States. For its first 300 years the Catholic Church was persecuted and unrecognized and this system began to change during the reign of the emperor Constantine I, who made Christianity legal within the Roman Empire, and restoring to it any properties that had been confiscated. The Lateran Palace was the first significant new donation to the Church, other donations followed, primarily in mainland Italy but also in the provinces of the Roman Empire. But the Church held all of these lands as a private landowner, the seeds of the Papal States as a sovereign political entity were planted in the 6th century. Beginning In 535, the Byzantine Empire, under emperor Justinian I, launched a reconquest of Italy that took decades and devastated Italys political, just as these wars wound down, the Lombards entered the peninsula from the north and conquered much of the countryside. While the popes remained Byzantine subjects, in practice the Duchy of Rome, nevertheless, the pope and the exarch still worked together to control the rising power of the Lombards in Italy. As Byzantine power weakened, though, the took a ever larger role in defending Rome from the Lombards. In practice, the papal efforts served to focus Lombard aggrandizement on the exarch, a climactic moment in the founding of the Papal States was the agreement over boundaries embodied in the Lombard king Liutprands Donation of Sutri to Pope Gregory II. When the Exarchate of Ravenna finally fell to the Lombards in 751, the popes renewed earlier attempts to secure the support of the Franks. In 751, Pope Zachary had Pepin the Younger crowned king in place of the powerless Merovingian figurehead king Childeric III, zacharys successor, Pope Stephen II, later granted Pepin the title Patrician of the Romans. Pepin led a Frankish army into Italy in 754 and 756, Pepin defeated the Lombards – taking control of northern Italy – and made a gift of the properties formerly constituting the Exarchate of Ravenna to the pope. The cooperation between the papacy and the Carolingian dynasty climaxed in 800, when Pope Leo III crowned Charlemagne Emperor, the precise nature of the relationship between the popes and emperors – and between the Papal States and the Empire – is disputed. Events in the 9th century postponed the conflict, the Holy Roman Empire in its Frankish form collapsed as it was subdivided among Charlemagnes grandchildren
Papal States
–
The
Quirinal Palace, papal residence and home to the civil offices of the Papal States from the
Renaissance until their annexation
Papal States
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Flag in 1870
Papal States
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Antichristus (1521) by
Lucas Cranach the Elder is a woodcut of the Papal States at war during the Renaissance.
Papal States
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The Breach of Porta Pia, on the right, in 1870.
7.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
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The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
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The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
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Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
8.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
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The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
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Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
9.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
Fresco
–
Fresco in the church Mariä Verkündigung in Fuchstal,
Bavaria, Germany from Thomas Springer
Fresco
–
Fresco
Sistine Chapel in the
Vatican, Rome, Italy.
Fresco
–
Etruscan fresco of Velia Velcha from the
Tomb of Orcus,
Tarquinia.
Fresco
–
Fresco of "
Sappho " from
Pompeii, c. 50 CE.
10.
Madonna and Child Enthroned (Fra Lippo Lippi)
–
The Madonna and Child Enthroned is a painting by the Italian Renaissance painter Fra Filippo Lippi. It is housed in the Galleria Nazionale dArte Antica of Palazzo Barberini, the work, dated A. D. M. MCCCCXXXVII on the cartouche, was commissioned by Giovanni Vitelleschi, Papal military commander and archbishop of Florence. The painting was probably destined to his palace in his city of Corneto. The centre of the composition is the face of the Madonna, who sits of a precious throne holding the Child
Madonna and Child Enthroned (Fra Lippo Lippi)
–
Madonna with Child Enthroned
11.
Annunciation (Lippi, Munich)
–
The Annunciation is a painting by the Italian Renaissance painter Filippo Lippi, finished around 1443–1450. It is housed in the Alte Pinakothek, Munich, Germany and it depicts the Virgin humbly accepting her role as mother of Jesus, with a hand on her breast, while the dove, symbol of the Holy Spirit, is given to her. The angel is kneeling next to her, also with a hand on his breast a greeting sign, the scene is framed into a portico opening to a close garden
Annunciation (Lippi, Munich)
–
Annunciation
12.
Early Renaissance
–
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
Early Renaissance
–
David, by
Michelangelo (
Accademia di Belle Arti,
Florence) is a masterpiece of Renaissance and world art.
Early Renaissance
–
Renaissance
Early Renaissance
–
Leonardo da Vinci 's
Vitruvian Man (c. 1490) shows clearly the effect writers of Antiquity had on Renaissance thinkers. Based on the specifications in
Vitruvius '
De architectura (1st century BC), Leonardo tried to draw the perfectly proportioned man.
Early Renaissance
–
Portrait of a young woman (c. 1480-85) (
Simonetta Vespucci) by
Sandro Botticelli
13.
Carmelites
–
However, historical records about its origin remain uncertain. The charism of the Carmelite Order is contemplation, Carmelites understand contemplation in a broad sense encompassing prayer, community, and service. These three elements are at the heart of the Carmelite charism, the most recent statement about the charism of Carmel was in the 1995 Constitutions of the Order, in which Chapter 2 is entirely devoted to the idea of charism. Carmel understands contemplation and action to be complementary, not contradictory, the Order is considered by the Church to be under the special protection of the Blessed Virgin Mary, and thus has a strong Marian devotion to Our Lady of Mount Carmel. There are also such as active Carmelite sisters. Carmelite tradition traces the origin of the order to a community of hermits on Mount Carmel, There are no certain records of hermits on this mountain before the 1190s. By this date a group of men had gathered at the well of Elijah on Mount Carmel and these men, who had gone to Palestine from Europe either as pilgrims or as crusaders, chose Mount Carmel in part because it was the traditional home of Elijah. The foundation is believed to have dedicated to the Blessed Virgin Mary. Some time between 1206 and 1214 the hermits, about very little is known, approached St. Albert of Jerusalem. The Rule of St. Albert addresses a prior name is only listed as B. When later required to name their founders, the Brothers referred to both Elijah and the Blessed Virgin as early models of the community. Later, under pressure from other European Mendicant orders to be more specific, virtually nothing is known of the Carmelites from 1214, when Albert died, until 1238. The Rule of St. Albert was approved by Pope Honorius III in 1226, the Carmelites next appear in the historical record, in 1238, when with the increasing cleavage between the West and the East, the Carmelites found it advisable to leave the Near East. Many moved to Cyprus and Sicily, in 1242, the Carmelites migrated west, establishing a settlement at Aylesford, Kent, England, and Hulne, near Alnwick in Northumberland. Two years later, they established a chapter in southern France, settlements were established at Losenham, Kent, and Bradmer, on the north Norfolk coast, before 1247. By 1245 the Carmelites were so numerous in England that they were able to hold their first general chapter at Aylesford, where Saint Simon Stock, then eighty years old, was chosen general. During his rule of twenty years the order prospered, foundations were made at London and Cambridge, Marseilles, Cologne, York, Monpellier, Norwich, Oxford and Bristol, Paris, and elsewhere. By 1274, there were 22 Carmelite houses in England, about the number in France, eleven in Catalonia
Carmelites
–
Pietro Novelli,
Our Lady of Mount Carmel and Carmelite Saints (
Simon Stock (c. 1165–1265) (standing),
Angelus of Jerusalem (1185–1220) (kneeling),
Mary Magdalene de Pazzi (1566–1607),
Teresa of Ávila (1515–82)), 1641 (Museo Diocesano, Palermo).
Carmelites
–
Order of the Brothers of the Blessed Virgin Mary of Mount Carmel
Carmelites
–
Carmelite nuns.
Carmelites
–
Saint Teresa of Ávila (1515–82).
14.
Quattrocento
–
Quattrocento encompasses the artistic styles of the late Middle Ages and the early Renaissance. After the decline of the Western Roman Empire in 476, economic disorder and this was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade picked up, population began to expand and the papacy regained its authority. In Italy, urban centers arose that were populated by merchant and trade classes, money replaced land as the medium of exchange, and increasing numbers of serfs became freedmen. The changes in Medieval Italy and the decline of feudalism paved the way for social, cultural, the Quattrocento is viewed as the transition from the Medieval period to the age of the Renaissance, principally in the cities of Rome, Florence, Milan, Venice and Naples. Instead, Quattrocento artists and sculptors incorporated the more classic forms developed by Roman, since the Quattrocento overlaps with part of the Renaissance movement, it would be inaccurate to say that a particular artist was Quattrocento or Renaissance. Artists of the time probably would not have identified themselves as members of a movement, also see the list of 27 prominent 15th century painters made contemporaneously by Giovanni Santi, Raphael Sanzios father as part of a poem for the Duke of Urbino. The Robert Lehman Collection I, Italian Paintings, new York, Princeton, The Metropolitan Museum of Art in association with Princeton University Press. CS1 maint, Multiple names, authors list
Quattrocento
–
Sandro Botticelli 's
Annunciation, painted from 1489-1490, is an example of Quattrocento art.
Quattrocento
–
Tommaso Masaccio 's fresco,
The Tribute Money
15.
Carmelite
–
However, historical records about its origin remain uncertain. The charism of the Carmelite Order is contemplation, Carmelites understand contemplation in a broad sense encompassing prayer, community, and service. These three elements are at the heart of the Carmelite charism, the most recent statement about the charism of Carmel was in the 1995 Constitutions of the Order, in which Chapter 2 is entirely devoted to the idea of charism. Carmel understands contemplation and action to be complementary, not contradictory, the Order is considered by the Church to be under the special protection of the Blessed Virgin Mary, and thus has a strong Marian devotion to Our Lady of Mount Carmel. There are also such as active Carmelite sisters. Carmelite tradition traces the origin of the order to a community of hermits on Mount Carmel, There are no certain records of hermits on this mountain before the 1190s. By this date a group of men had gathered at the well of Elijah on Mount Carmel and these men, who had gone to Palestine from Europe either as pilgrims or as crusaders, chose Mount Carmel in part because it was the traditional home of Elijah. The foundation is believed to have dedicated to the Blessed Virgin Mary. Some time between 1206 and 1214 the hermits, about very little is known, approached St. Albert of Jerusalem. The Rule of St. Albert addresses a prior name is only listed as B. When later required to name their founders, the Brothers referred to both Elijah and the Blessed Virgin as early models of the community. Later, under pressure from other European Mendicant orders to be more specific, virtually nothing is known of the Carmelites from 1214, when Albert died, until 1238. The Rule of St. Albert was approved by Pope Honorius III in 1226, the Carmelites next appear in the historical record, in 1238, when with the increasing cleavage between the West and the East, the Carmelites found it advisable to leave the Near East. Many moved to Cyprus and Sicily, in 1242, the Carmelites migrated west, establishing a settlement at Aylesford, Kent, England, and Hulne, near Alnwick in Northumberland. Two years later, they established a chapter in southern France, settlements were established at Losenham, Kent, and Bradmer, on the north Norfolk coast, before 1247. By 1245 the Carmelites were so numerous in England that they were able to hold their first general chapter at Aylesford, where Saint Simon Stock, then eighty years old, was chosen general. During his rule of twenty years the order prospered, foundations were made at London and Cambridge, Marseilles, Cologne, York, Monpellier, Norwich, Oxford and Bristol, Paris, and elsewhere. By 1274, there were 22 Carmelite houses in England, about the number in France, eleven in Catalonia
Carmelite
–
Pietro Novelli,
Our Lady of Mount Carmel and Carmelite Saints (
Simon Stock (c. 1165–1265) (standing),
Angelus of Jerusalem (1185–1220) (kneeling),
Mary Magdalene de Pazzi (1566–1607),
Teresa of Ávila (1515–82)), 1641 (Museo Diocesano, Palermo).
Carmelite
–
Order of the Brothers of the Blessed Virgin Mary of Mount Carmel
Carmelite
–
Carmelite nuns.
Carmelite
–
Saint Teresa of Ávila (1515–82).
16.
Friar
–
The most significant orders of friars are the Dominicans, Franciscans, Augustinians and Carmelites. Friars are different from monks in that they are called to live the evangelical counsels in service to society, rather than through cloistered asceticism, whereas monks live in a self-sufficient community, friars work among laypeople and are supported by donations or other charitable support. A monk or nun makes their vows and commits to a community in a particular place. The English term Friar is derived from the Norman French word frere, from the Latin frater, Fray is sometimes used in former Spanish colonies such as the Philippines or the American Southwest as a title, such as in Fray Juan de Torquemada. In the Roman Catholic Church, there are two classes of orders known as friars, or mendicant orders, the four great orders, the four great orders were mentioned by the Second Council of Lyons, and are, The Carmelites, founded c. They are also known as the White Friars because of the cloak which covers their brown habit. They received papal approval from Honorius III in 1226 and later by Innocent IV in 1247, the Carmelites were founded as a purely contemplative order, but became mendicants in 1245. There are two types of Carmelites, those of the Ancient Observance and those of the Discalced Carmelites and they are also known as the Friars Minor. The Franciscans were founded by St. Francis of Assisi and received papal approval by Innocent III in 1209. Today the Friars Minor is composed of three branches, the Order of Friars Minor, Order of Friars Minor Capuchin and the Order of Friars Minor Conventual wearing grey or black habits. They are also known as the Friar Preachers, or the Black Friars, the Dominicans were founded by St. Dominic and received papal approval from Honorius III in 1216 as the Ordo Praedicatorum under the Rule of St. Augustine. They became a mendicant order in 1221, the Augustinians, founded in 1244 and enlarged in 1256. They are also known as the Hermits of St. Augustine and their rule is based on the writings of Augustine of Hippo. The Augustinians were assembled from various groups of hermits as a mendicant order by Pope Innocent IV in 1244, additional groups were added by Alexander IV in 1256. Francis, a branch of the Third Order of St, in the Anglican Communion there are also a number of mendicant groups such as the Anglican Friars Preachers and The Society of St. Francis. Several high schools, as well as Providence College, use friars as their school mascot, the Major League Baseball team San Diego Padres have the Swinging Friar. The University of Michigans oldest a cappella group is a male known as The Friars. The University of Pennsylvania has an honor society known as Friars
Friar
–
A group of friars; novices of the Order of
Augustinian Recollects at the Monastery of Marcilla,
Navarre
Friar
–
Conventual Franciscans in their variant grey habits
17.
Priory
–
A priory is a monastery of men or women under religious vows that is headed by a prior or prioress. Priories may be houses of mendicant friars or religious sisters, or monasteries of monks or nuns, houses of canons regular and canonesses regular also use this term, the alternative being canonry. In pre-Reformation England, if an Abbey church was raised to cathedral status, the bishop, in effect, took the place of the abbot, and the monastery itself was headed by a prior. Priories first came to existence as subsidiaries to the Abbey of Cluny, many new houses were formed that were all subservient to the abbey of Cluny and called Priories. As such, the priory came to represent the Benedictine ideals espoused by the Cluniac reforms as smaller, lesser houses of Benedictines of Cluny. There were likewise many conventual priories in Germany and Italy during the Middle Ages, the Benedictines and their offshoots, the Premonstratensians, and the military orders distinguish between conventual and simple or obedientiary priories. Conventual priories are those autonomous houses which have no abbots, either because the required number of twelve monks has not yet been reached. Simple or obedientiary priories are dependencies of abbeys and their superior, who is subject to the abbot in everything, is called a prior. These monasteries are satellites of the mother abbey, the Cluniac order is notable for being organised entirely on this obedientiary principle, with a single abbot at the Abbey of Cluny, and all other houses dependent priories. Priory may also refer to schools operated or sponsored by the Benedictines, Priory is also used to refer to the geographic headquarters of several commanderies of knights. This article incorporates text from a now in the public domain, Herbermann, Charles
Priory
–
The Priory de Graville, France
18.
Santa Maria del Carmine, Florence
–
Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, the church, dedicated to the Beatæ Virginis Mariæ de monte Carmelo, was built from 1268 as part of Carmelite convent, which is still existing today. Of the original edifice only some Romanesque-Gothic remains can be seen on the sides, the complex was enlarged a first time in 1328 and again in 1464, when the capitular hall and the refectory added, though the church maintained the Latin Cross, one nave plan. Renovated in the Baroque style in the 16th–17th centuries, it was damaged by a fire in 1771, the façade, like in many Florentine churches, remained unfinished. The fire did not touch the sacristy, therefore have survived the Stories of St. Cecilia attributed to Lippo dAndrea, the vault of the nave has a trompe-loeil, quadratura fresco by Domenico Stagi. Also the Brancacci Chapel survived the fire, and was saved by the subsequent restoration by the intervention of a Florentine noblewoman who was opposed to the covering of the frescoes. The Chapel is home to the frescoes by Masaccio and Masolino. Masaccios master Masolino, commissioned by a merchant, Felice Brancacci, began work on the chapel in 1425 and was soon joined in the project by his pupil. The scenes by Masolino are St Peter Healing a Lame Man and Raising Tabitha from the Dead, St Peter Preaching, and Adam and Eve. Those by mostly Masaccio are The Tribute Money, St Peter Healing with his Shadow, The Crucifixion of St Peter, The Baptism of the Neophytes and their treatment of figures in believable space made the frescoes among the most important to have come out of the Early Renaissance. The cycle was finished by Filippino Lippi, the elaborated Italian Rococo ceiling is from one of the most important 18th century artists in the city, Giovanni Domenico Ferretti. The architect Pier Francesco Silvani choose for it the Baroque style then popular in Rome, the altar has a marble bas-relief depicting the Glory of St Andrea Corsini, sculpted by Foggini, and above a God the Father sculpted by Carlo Marcellini. The small dome was frescoed by Giordano in 1682, the frescoes suffered in the great church fire, and were restored by Stefano Fabbrini. The convent suffered in its history from numerous disasters, from the 1771 fire to the 1966 River Arno flood, the second refectory is decorated with the Supper in Simon the Pharisees house by Giovanni Battista Vanni, it also houses fragments of frescoes by Lippo dAndrea. Neri Corsini Holy Places in Tuscany Media related to Santa Maria del Carmine at Wikimedia Commons
Santa Maria del Carmine, Florence
–
The unfinished façade.
Santa Maria del Carmine, Florence
–
The interior.
Santa Maria del Carmine, Florence
–
The Corsini Chapel.
19.
Holy Orders
–
In the Christian churches, Holy Orders are ordained ministries such as bishop, priest or deacon. Except for Lutherans and some Anglicans, these churches regard ordination as a sacrament, the Anglo-Catholic tradition within Anglicanism identifies more with the Roman Catholic position about the sacramental nature of ordination. Denominations have varied conceptions of Holy Orders, in the Anglican churches and some Lutheran churches the traditional orders of bishop, priest and deacon are bestowed using ordination rites. The extent to which ordination is considered sacramental in these traditions has, however, many other denominations do not consider ministry as being sacramental in nature and would not think of it in terms of holy orders as such. Historically, the word order designated a civil body or corporation with a hierarchy. The word holy refers to the Church, in context, therefore, a holy order is set apart for ministry in the Church. The Eastern Orthodox Church considers ordination to be a Sacred Mystery, although all other mysteries may be performed by a presbyter, ordination may only be conferred by a bishop, and ordination of a bishop may only be performed by several bishops together. Cheirotonia always takes place during the Divine Liturgy and it was the mission of the Apostles to go forth into all the world and preach the Gospel, baptizing those who believed in the name of the Holy Trinity. In the Early Church those who presided over congregations were referred to variously as episcopos or presbyteros and this link is believed to continue in unbroken succession to this day. Over time, the ministry of bishops and presbyters or priests came to be distinguished, in Orthodox terminology, priesthood or sacerdotal refers to the ministry of bishops and priests. A bishop is the Teacher of the Faith, the carrier of Sacred Tradition, a bishop is consecrated through the laying on of hands by several bishops. The consecration of a bishop takes place near the beginning of the Liturgy, since a bishop can, in addition to performing the Mystery of the Eucharist, also ordain priests and deacons. Customarily, the consecrated bishop ordains a priest and a deacon at the Liturgy during which he is consecrated. A priest may serve only at the pleasure of his bishop, a bishop bestows faculties giving a priest chrism and an antimins, he may withdraw faculties and demand the return of these items. After the Aër is taken from the candidate to cover the chalice and diskos, the candidate is then taken to the southeast corner of the Holy Table and kneels on both knees, resting his forehead on the edge of the Holy Table. Afterwards, the bishop brings the newly ordained priest to stand in the Holy Doors and he then clothes the priest in each of his sacerdotal vestments, at each of which the people sing, Worthy. A deacon may not perform any Sacrament and performs no liturgical services on his own but serves only as an assistant to a priest and may not even vest without the blessing of a priest. After being vested as a deacon and given a liturgical fan, the Anglican churches hold their bishops to be in apostolic succession, although there is some difference of opinion with regard to whether ordination is to be regarded as a sacrament
Holy Orders
–
Metropolitan
Hilarion (Kapral) performs the laying on of hands (
Cheirotonia), conferring the holy order of
presbyter (priest) upon an Orthodox
deacon.
Holy Orders
–
After the transmutation of the Holy Gifts, the bishop presents to the newly ordained priest a portion of the Lamb (i.e., the Body of Christ)"
Holy Orders
–
The laying on of hands (
Cheirotonia), conferring the holy order of
deacon upon an Orthodox
subdeacon.
Holy Orders
–
Ordination to the Catholic priesthood (Latin rite). Devotional card, 1925.
20.
Giorgio Vasari
–
Vasari was born in Arezzo, Tuscany. Recommended at an age by his cousin Luca Signorelli, he became a pupil of Guglielmo da Marsiglia. He was befriended by Michelangelo whose painting style would influence his own, in 1529, he visited Rome where he studied the works of Raphael and other artists of the Roman High Renaissance. Vasaris own Mannerist paintings were admired in his lifetime than afterwards. In 1547 he completed the hall of the chancery in Palazzo della Cancelleria in Rome with frescoes that received the name Sala dei Cento Giorni and he was consistently employed by members of the Medici family in Florence and Rome, and worked in Naples, Arezzo and other places. He also helped to organize the decoration of the Studiolo, now reassembled in the Palazzo Vecchio, aside from his career as a painter, Vasari was also successful as an architect. In Florence, Vasari also built the long passage, now called Vasari Corridor, the enclosed corridor passes alongside the River Arno on an arcade, crosses the Ponte Vecchio and winds around the exterior of several buildings. He also renovated the medieval churches of Santa Maria Novella and Santa Croce, at both he removed the original rood screen and loft, and remodelled the retro-choirs in the Mannerist taste of his time. In Santa Croce, he was responsible for the painting of The Adoration of the Magi which was commissioned by Pope Pius V in 1566 and it was recently restored, before being put on exhibition in 2011 in Rome and in Naples. Eventually it is planned to return it to the church of Santa Croce in Bosco Marengo, in 1562 Vasari built the octagonal dome on the Basilica of Our Lady of Humility in Pistoia, an important example of high Renaissance architecture. In Rome, Vasari worked with Giacomo Barozzi da Vignola and Bartolomeo Ammanati at Pope Julius IIIs Villa Giulia, the Lives also included a novel treatise on the technical methods employed in the arts. The book was rewritten and enlarged in 1568, with the addition of woodcut portraits of artists. The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art – for example, Venetian art in particular, is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the edition gave more attention to Venetian art. Vasaris biographies are interspersed with amusing gossip, with a few exceptions, however, Vasaris aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as art historians do, and naturally his biographies are most dependable for the painters of his own generation. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, according to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term competition in its economic sense
Giorgio Vasari
–
Vasari's self-portrait
Giorgio Vasari
–
Giorgio Vasari, Italian humanists, Tuscan Poets: Dante, Petrarch, Guido Cavalcanti, Boccaccio, Cino da Pistoia and Guittone d'Arezzo
Giorgio Vasari
–
Giorgio Vasari, The Garden of Gethsemane
Giorgio Vasari
–
The Uffizi Loggia.
21.
Masaccio
–
Masaccio, born Tommaso di Ser Giovanni di Simone, was the first great Italian painter of the Quattrocento period of the Italian Renaissance. Masaccio died at twenty-six and little is known about the circumstances of his death. The name Masaccio is a version of Maso, meaning clumsy or messy Tom. The name may have created to distinguish him from his principal collaborator, also called Maso. Despite his brief career, he had a influence on other artists. He was one of the first to use linear perspective in his painting, employing techniques such as vanishing point in art for the first time, Masaccio was born to Giovanni di Simone Cassai and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno. His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello and his family name, Cassai, comes from the trade of his paternal grandfather Simone and granduncle Lorenzo, who were carpenters/cabinet makers. Masaccios father died in 1406, when he was five, later that same year a brother was born. He also was to become a painter, with the nickname of lo Scheggia meaning the splinter, there is no evidence for Masaccios artistic education, however Renaissance painters traditionally began an apprenticeship with an established master around the age of 12. Johannis Simonis pictor populi S. Nicholae de Florentia, the first works attributed to Masaccio are the San Giovenale Triptych, now in the Museum of Cascia di Reggello near Florence, and the Virgin and Child with Saint Anne at the Uffizi. The San Giovenale altarpiece was discovered in 1961 in the church of San Giovenale at Cascia di Reggello and it depicts the Virgin and Child with angels in the central panel, Sts. Bartholomew and Blaise on the panel, and Sts. Juvenal and Anthony Abbot in the right panel, the painting has lost much of its original framing, and its surface is badly abraded. The second work was perhaps Masaccios first collaboration with the older and already-renowned artist, Masolino is believed to have painted the figure of St. Anne and the angels that hold the cloth of honor behind her, while Masaccio painted the more important Virgin and Child on their throne. Masolinos figures are delicate, graceful and somewhat flat, while Masaccios are solid, in Florence, Masaccio could study the works of Giotto and become friends with Brunelleschi and Donatello. It was destroyed when the cloister was rebuilt at the end of the 16th century. With the two artists probably working simultaneously, the painting began around 1425, but for reasons the chapel was left unfinished. As a whole the frescoes represent human sin and its redemption through the actions of Peter, the style of Masaccios scenes shows the influence of Giotto especially
Masaccio
–
Detail of St. Peter Raising the Son of Theophilus and St. Peter Enthroned as First Bishop of Antioch, Brancacci Chapel, S. Maria del Carmine, Florence
Masaccio
–
San Giovenale Triptych (1422)
Masaccio
–
Masolino & Masaccio,
Virgin and Child with Saint Anne (c. 1424), Uffizi
Masaccio
–
The Tribute Money, fresco in the
Brancacci Chapel in Santa Maria del Carmine, Florence
22.
Lives of the Artists
–
The title is often abridged to just the Vite or the Lives. As the first Italian art historian, Vasari initiated the genre of an encyclopedia of artistic biographies that continues today, Vasaris work was first published in 1550 by Lorenzo Torrentino in Florence, and dedicated to Cosimo I de Medici, Grand Duke of Tuscany. It included a treatise on the technical methods employed in the arts. It was partly rewritten and enlarged in 1568 and provided with portraits of artists. The work has a consistent and notorious favour of Florentines and tends to attribute to them all the new developments in Renaissance art—for example, Venetian art in particular, let alone other parts of Europe, is systematically ignored. Between his first and second editions, Vasari visited Venice and the edition gave more attention to Venetian art without achieving a neutral point of view. Vasaris biographies are interspersed with amusing gossip, many of his anecdotes have the ring of truth, although likely inventions. He did not research archives for exact dates, as art historians do, and naturally his biographies are most dependable for the painters of his own generation. Modern criticism—with all the new materials opened up by research—has corrected many of his traditional dates, the work is widely considered a classic even today, though it is widely agreed that it must be supplemented by modern critical research. Vasari includes a sketch of his own biography at the end of his Vite. Vasaris Vite has been described as by far the most influential text for the history of Renaissance art. The Vite has been translated wholly or partially into many languages, including English, Dutch, German, Spanish, French, the Vite formed a model for encyclopedias of artist biographies. Different 17th century translators became artist biographers in their own country of origin and were called the Vasari of their country. In England, Aglionbys Painting Illustrated from 1685 was largely based on Vasari as well, the Vite is also important as the basis for discussions about the development of style. Finally, it has also been for centuries the most important source of information on Early Renaissance Italian painters and the attribution of their paintings. The Vite contains the biographies of many important Italian artists, and is adopted as a sort of classical reference guide for their names. The following list respects the order of the book, as divided into its three parts, the book starts with a dedication to Cosimo I de Medici and a preface, and then starts with technical and background texts about architecture, sculpture, and painting. A second preface follows, introducing the actual Vite in parts 2 to 5, what follows is the complete list from the second edition
Lives of the Artists
–
Title page of the 1568 edition of the Vite
23.
Prior
–
Prior, derived from the Latin for earlier, first, is an ecclesiastical title for a superior, usually lower in rank than an abbot or abbess. Its earlier generic usage referred to any monastic superior, in the Rule of Saint Benedict, the term appears several times, referring to any superior, whether an abbot, provost, dean, etc. In other old monastic rules the term is used in the generic sense. With the Cluniac Reforms, the prior received a specific meaning, it supplanted the provost or dean. As a result, it is not in use for the congregation as a whole, among them, the equivalent term of prior general is the one used. This applies, e. g. for the Camaldolese and the Carthusians, the term is also used by various mendicant orders, e. g. the Carmelites and the Dominicans. This applies both to the friars and the nuns of these orders and he has no ordinary jurisdiction by virtue of his office, since he performs the duties of his office entirely according to the will and under the direction of the abbot. His jurisdiction is, therefore, a one and extends just as far as the abbot desires. He is appointed by the abbot, generally after a consultation in chapter with the monks of the monastery. In many monasteries, especially larger ones, the prior is assisted by a sub-prior. In former times there were in larger monasteries, besides the prior and he had no authority to correct or punish the brethren, but was to report to the claustral prior whatever he found amiss or contrary to the rules. In the high days of Cluny, the abbot was assisted by a coadjutor styled Grand-Prior, the Conventual prior is the independent superior of a monastery that is not an abbey. In some orders, like the Benedictines, a remains a priory until it is considered stable enough. In other Orders, like the Camaldolese and Carthusians, conventual priors are the norm and this title, in its feminine form prioress, is used for monasteries of nuns in the Dominican and Carmelite orders. An Obedientiary Prior heads a monastery created as a satellite of an abbey, a Prior Provincial is the regional superior of certain Orders, such as the Order of Friars Preachers Dominicans or the Carmelite friars. In this last case, the head of the whole Order is called the prior general, among communities of friars, the second superior is called the sub-prior and his office is similar to that of the claustral prior in the Benedictine Order. Catholic religious order Priory This article incorporates text from a now in the public domain, Herbermann, Charles
Prior
–
Saint Peter
24.
Adoration in the Forest (Lippi)
–
There are no shepherds, kings, ox, ass – there is no Joseph. Lippi removes a whole range of details which would have been present in a standard Nativity - he creates a whole set of mysteries. It was painted for one of the wealthiest men in Renaissance Florence, in later times it had a turbulent history. Hitler ordered it to be hidden in WW2 and it part of the story of a mutiny in the U. S. Army - the only known case in the whole Second World War of American officers refusing an order. It is now again in the Gemäldegalerie, Berlin. Florence in the 1440s was at a moment in its history. A lot of money was going into building, including the home of Lippis Adoration. Cosimo was the wealthiest man in Florence, a man of power, yet, in private, he was also a troubled man. He had led a life, had fathered a bastard child on a slave girl. Tim Parks, He was a religious man, concerned about his soul. He set about making amends for his sins in building and art, inside his new palace, the first domestic chapel built in all of Italy, as a peace offering to God, a place for Cosimo to kneel and do penance. The walls were decorated with extravagant frescoes, including a portrait of Cosimo himself, but the heart of the room would be the altarpiece - this would be a Nativity, but of a kind never seen before, one that would echo Cosimos very deepest hopes and fears. He chose an artist famous not just for his art, but one eye for beauty extended beyond pictures, to women, with scandalous results. Born in Florence around 1406, Lippis father was a butcher, by the age of 8 Lippi was an orphan, and placed into the care of the local convent, Santa Maria del Carmine, which towered over the neighbourhood. So Lippi had not chosen to become a monk, but was to be trained to be one, in his art, Biblical characters suddenly seemed real people. lit by the sun. moving in the real world, convulsed by real emotions. Lippis earliest surviving work shows the influence of Masaccios bold sculptural figures, transformed by a grace, by the age of 30 Filippo Lippi had left the convent and begun to earn a living as a professional artist though he remained a friar. At first Cosimo paid Lippi to produce pleasing religious scenes for his new home. Lippi had, all the while, the reputation of a man who liked to live life to the full - but in the late 1450s real scandal broke, and Lippi embroiled in a Nativity all of his own
Adoration in the Forest (Lippi)
–
" dark intensity and bursts of golden light " -
Filippo Lippi 's Adoration in the Forest
Adoration in the Forest (Lippi)
–
In
Masaccio 's art, 'Biblical characters suddenly seemed real people, moving in the real world, convulsed by real emotions. Lippi's earliest surviving work shows the influence of Masaccio's bold sculptural figures. It was said the spirit of Masaccio had entered Filippo Lippi. (Above,
Masaccio 's The Tribute Money)
Adoration in the Forest (Lippi)
–
Bernard of Clairvaux – a monk who had a particular devotion to the Virgin Mary
Adoration in the Forest (Lippi)
–
By 1459 Lippi's work was done and the painting in place above
Cosimo 's private altar. By now a sick man, unable to walk, he spent more time in his chapel, the banker settling, as he put it, his accounts with God. Four years after the painting was completed, Cosimo died.
25.
National Gallery of Art
–
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D. C. located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated an art collection and funds for construction. The Gallery often presents temporary special exhibitions spanning the world and the history of art and it is one of the largest museums in North America. In 1930 Mellon formed the A. W. Mellon Educational and Charitable Trust, when quizzed by Abbot, he explained that the project was in the hands of the Trust and that its decisions were partly dependent on the attitude of the Government towards the gift. Designed by architect John Russell Pope, the new structure was completed and accepted by President Franklin D. Roosevelt on behalf of the American people on March 17,1941. Neither Mellon nor Pope lived to see the completed, both died in late August 1937, only two months after excavation had begun. At the time of its inception it was the largest marble structure in the world, as anticipated by Mellon, the creation of the National Gallery encouraged the donation of other substantial art collections by a number of private donors. The Gallerys East Building was constructed in the 1970s on much of the land left over from the original congressional joint resolution. It was funded by Mellons children Paul Mellon and Ailsa Mellon Bruce, designed by famed architect I. M. Pei, the contemporary structure was completed in 1978 and was opened on June 1 of that year by President Jimmy Carter. The new building was built to house the Museums collection of paintings, drawings, sculptures. The design received a National Honor Award from the American Institute of Architects in 1981, the final addition to the complex is the National Gallery of Art Sculpture Garden. Completed and opened to the public on May 23,1999, the National Gallery of Art is supported through a private-public partnership. The United States federal government provides funds, through annual appropriations, to support the museums operations, all artwork, as well as special programs, are provided through private donations and funds. The museum is not part of the Smithsonian Institution, noted directors of the National Gallery have included David E. Finley, Jr. John Walker, and J. Carter Brown. Rusty Powell III is the current director, entry to both buildings of the National Gallery of Art is free of charge. From Monday through Saturday, the museum is open from 10 a. m. –5 p. m. it is open from 11 –6 p. m. on Sundays and it is closed on December 25 and January 1. The museum comprises two buildings, the West Building and the East Building linked by an underground passage
National Gallery of Art
–
National Gallery of Art
National Gallery of Art
–
The East Building
National Gallery of Art
–
Exhibitions in the West Building
National Gallery of Art
–
Exhibitions in the East Building
26.
Washington, D.C.
–
Washington, D. C. formally the District of Columbia and commonly referred to as Washington, the District, or simply D. C. is the capital of the United States. The signing of the Residence Act on July 16,1790, Constitution provided for a federal district under the exclusive jurisdiction of the Congress and the District is therefore not a part of any state. The states of Maryland and Virginia each donated land to form the federal district, named in honor of President George Washington, the City of Washington was founded in 1791 to serve as the new national capital. In 1846, Congress returned the land ceded by Virginia, in 1871. Washington had an population of 681,170 as of July 2016. Commuters from the surrounding Maryland and Virginia suburbs raise the population to more than one million during the workweek. The Washington metropolitan area, of which the District is a part, has a population of over 6 million, the centers of all three branches of the federal government of the United States are in the District, including the Congress, President, and Supreme Court. Washington is home to national monuments and museums, which are primarily situated on or around the National Mall. The city hosts 176 foreign embassies as well as the headquarters of international organizations, trade unions, non-profit organizations, lobbying groups. A locally elected mayor and a 13‑member council have governed the District since 1973, However, the Congress maintains supreme authority over the city and may overturn local laws. D. C. residents elect a non-voting, at-large congressional delegate to the House of Representatives, the District receives three electoral votes in presidential elections as permitted by the Twenty-third Amendment to the United States Constitution, ratified in 1961. Various tribes of the Algonquian-speaking Piscataway people inhabited the lands around the Potomac River when Europeans first visited the area in the early 17th century, One group known as the Nacotchtank maintained settlements around the Anacostia River within the present-day District of Columbia. Conflicts with European colonists and neighboring tribes forced the relocation of the Piscataway people, some of whom established a new settlement in 1699 near Point of Rocks, Maryland. 43, published January 23,1788, James Madison argued that the new government would need authority over a national capital to provide for its own maintenance. Five years earlier, a band of unpaid soldiers besieged Congress while its members were meeting in Philadelphia, known as the Pennsylvania Mutiny of 1783, the event emphasized the need for the national government not to rely on any state for its own security. However, the Constitution does not specify a location for the capital, on July 9,1790, Congress passed the Residence Act, which approved the creation of a national capital on the Potomac River. The exact location was to be selected by President George Washington, formed from land donated by the states of Maryland and Virginia, the initial shape of the federal district was a square measuring 10 miles on each side, totaling 100 square miles. Two pre-existing settlements were included in the territory, the port of Georgetown, Maryland, founded in 1751, many of the stones are still standing
Washington, D.C.
–
Clockwise from top left:
Smithsonian Institution Building,
Rock Creek Park,
National Mall (including the
Lincoln Memorial in the foreground),
Howard Theatre and the
Frederick Douglass National Historic Site
Washington, D.C.
–
Map of the District of Columbia in 1835, prior to the
retrocession
Washington, D.C.
–
Ford's Theatre in the 19th century, site of the 1865
assassination of
President Lincoln
Washington, D.C.
–
Crowds surrounding the
Reflecting Pool during the 1963
March on Washington
27.
Ancona
–
Ancona is a city and a seaport in the Marche region in central Italy, with a population of c.101,997 as of 2015. Ancona is the capital of the province of Ancona and of the region, the city is located 280 km northeast of Rome, on the Adriatic Sea, between the slopes of the two extremities of the promontory of Monte Conero, Monte Astagno and Monte Guasco. Ancona is one of the ports on the Adriatic Sea, especially for passenger traffic. Greek merchants established a Tyrian purple dye factory here, in Roman times it kept its own coinage with the punning device of the bent arm holding a palm branch, and the head of Aphrodite on the reverse, and continued the use of the Greek language. When it became a Roman colony is uncertain and it was occupied as a naval station in the Illyrian War of 178 BC. Julius Caesar took possession of it immediately after crossing the Rubicon and its harbour was of considerable importance in imperial times, as the nearest to Dalmatia, and was enlarged by Trajan, who constructed the north quay with his Syrian architect Apollodorus of Damascus. At the beginning of it stands the marble triumphal arch with a single archway, Ancona was successively attacked by the Goths, Lombards and Saracens between the 3rd and 5th centuries, but recovered its strength and importance. It was one of the cities of the Pentapolis of the Roman Exarchate of Ravenna in the 7th and 8th centuries, in 840, Saracen raiders sacked and burned the city. After Charlemagnes conquest of northern Italy, it became the capital of the Marca di Ancona, after 1000, Ancona became increasingly independent, eventually turning into an important maritime republic, often clashing against the nearby power of Venice. An oligarchic republic, Ancona was ruled by six Elders, elected by the three terzieri into which the city was divided, S. Pietro, Porto and Capodimonte. It had a coin of its own, the agontano, Ancona was usually allied with Ragusa and the Byzantine Empire. In 1137,1167 and 1174 it was enough to push back the forces of the Holy Roman Empire. Anconitan ships took part in the Crusades, and their navigators included Cyriac of Ancona, in the struggle between the Popes and the Holy Roman Emperors that troubled Italy from the 12th century onwards, Ancona sided with the Guelphs. Differently from other cities of northern Italy, Ancona never became a seignory, the sole exception was the rule of the Malatesta, who took the city in 1348 taking advantage of the black death and of a fire that had destroyed many of its important buildings. The Malatesta were ousted in 1383, in 1532 it definitively lost its freedom and became part of the Papal States, under Pope Clement VII. Symbol of the authority was the massive Citadel. Together with Rome, and Avignon in southern France, Ancona was the city in the Papal States in which the Jews were allowed to stay after 1569. The southern quay was built in 1880, and the harbour was protected by forts on the heights, from 1797 onwards, when the French took it, it frequently appears in history as an important fortress
Ancona
–
Aerial view of Ancona
Ancona
–
The Vanvitelli's Lazzaretto.
Ancona
–
The portal of the church of San Francesco.
Ancona
–
A cannon situated near the Arch of Trajan, with the Cattedrale San Ciriaco visible in the background.
28.
Naples
–
Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
Naples
–
Naples Napoli
Naples
–
Ancient map of the Bay of Naples area from Vatican Museum
Naples
–
A scene featuring the
siren Parthenope, the mythological founder of Naples.
Naples
–
The
Gothic Battle of Mons Lactarius on
Vesuvius, painted by
Alexander Zick.
29.
Barbary pirates
–
This area was known in Europe as the Barbary Coast, a term derived from the name of its Berber inhabitants. The main purpose of their attacks was to capture Christian slaves for the Ottoman slave trade as well as the general Muslim slavery market in North Africa and the Middle East. In that period Algiers, Tunis and Tripoli came under the sovereignty of the Ottoman Empire, similar raids were undertaken from Salé and other ports in Morocco. Corsairs captured thousands of ships and repeatedly raided coastal towns, as a result, residents abandoned their former villages of long stretches of coast in Spain and Italy. The raids were such a problem coastal settlements were seldom undertaken until the 19th century, from the 16th to 19th century, corsairs captured an estimated 800,000 to 1.25 million people as slaves. Some corsairs were European outcasts and converts such as John Ward, Hayreddin Barbarossa and Oruç Reis, Turkish Barbarossa Brothers, who took control of Algiers on behalf of the Ottomans in the early 16th century, were also notorious corsairs. The European pirates brought advanced sailing and shipbuilding techniques to the Barbary Coast around 1600, the effects of the Barbary raids peaked in the early to mid-17th century. However, the ships and coasts of Christian states without such effective protection continued to suffer until the early 19th century. Following the Napoleonic Wars and the Congress of Vienna in 1814–15, European powers agreed upon the need to suppress the Barbary corsairs entirely and the threat was largely subdued. Occasional incidents occurred, including two Barbary wars between the United States and the Barbary States, until terminated by the French conquest of Algiers in 1830. Piracy by Muslim populations had been known in the Mediterranean since at least the 9th century, in the 14th century Tunisian corsairs became enough of a threat to provoke a Franco-Genoese attack on Mahdia in 1390, also known as the Barbary Crusade. The Barbary pirates had long attacked English and other European shipping along the North Coast of Africa and they had been attacking English merchant and passengers ships since the 1600s. Regular fundraising for ransoms was undertaken generally by families and local church groups, the government did not ransom ordinary persons. The English became familiar with captivity narratives written by Barbary pirates prisoners and ransomed captives, during the American Revolution the pirates attacked American ships. The Moroccan-American Treaty of Friendship stands as the U. S. s oldest non-broken friendship treaty with a foreign power, in 1778 Morocco became the first nation to recognize the new United States. As late as 1798, an islet near Sardinia was attacked by the Tunisians, throughout history, geography was on the pirates side on the Northern coast of Africa. The coast was ideal for their wants and needs, with natural harbours often backed by lagoons, it provided a haven for guerrilla warfare, such as attacks on shipping vessels venturing through their territory. On the coast, mountainous areas provided ample reconnaissance for the corsairs as well, ships were spotted from afar, the pirates had time to prepare their attacks and surprise the ships
Barbary pirates
–
A Sea Fight with Barbary Corsairs by
Laureys a Castro, c. 1681
Barbary pirates
–
British sailors boarding an Algerine pirate ship
Barbary pirates
–
A man from the Barbary states
Barbary pirates
–
A Barbary pirate,
Pier Francesco Mola 1650
30.
Robert Browning
–
Robert Browning was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, Brownings early career began promisingly, but was not a success. His reputation took more than a decade to recover, during which time he moved away from the Shelleyan forms of his early period, in 1846 Browning married the older poet Elizabeth Barrett, who at the time was considerably better known than himself. So started one of historys most famous literary marriages and they went to live in Italy, a country he called my university, and which features frequently in his work. By the time of her death in 1861, he had published the crucial collection Men and Women, the collection Dramatis Personae and the book-length epic poem The Ring and the Book followed, and made him a leading British poet. He continued to write prolifically, but his reputation rests largely on the poetry he wrote in this middle period. Unusually for a poet, societies for the study of his work were founded while he was still alive, such Browning Societies remained common in Britain and the United States until the early 20th century. Brownings admirers have tended to temper their praise with reservations about the length and difficulty of his most ambitious poems, particularly The Ring and the Book. Nevertheless, they have included such eminent writers as Henry James, Oscar Wilde, George Bernard Shaw, G. K. Chesterton, Ezra Pound, Jorge Luis Borges, among living writers, Stephen Kings The Dark Tower series and A. S. Byatts Possession refer directly to Brownings work, today Brownings critically most esteemed poems include the monologues Childe Roland to the Dark Tower Came, Fra Lippo Lippi, Andrea Del Sarto, and My Last Duchess. Robert Browning was born in Walworth in the parish of Camberwell, Surrey and he was baptized on 14 June 1812, at Locks Fields Independent Chapel, York Street, Walworth, the only son of Sarah Anna and Robert Browning. His father was a clerk for the Bank of England. Brownings paternal grandfather was an owner in Saint Kitts, West Indies. Brownings father had sent to the West Indies to work on a sugar plantation. Brownings mother was the daughter of a German shipowner who had settled in Dundee in Scotland, the evidence, however, is inconclusive either way. Roberts father, a collector, amassed a library of around 6,000 books. As such, Robert was raised in a household of significant literary resources and his mother, to whom he was very close, was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brothers companion in his later years and his father encouraged his childrens interest in literature and the arts
Robert Browning
–
Robert Browning circa 1888
Robert Browning
–
Portraits of Elizabeth Barrett Browning and Robert Browning.
Robert Browning
–
Browning after death.
Robert Browning
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This article incorporates text from a publication now in the public domain: Rossetti, William Michael (1911). "Lippi". In Chisholm, Hugh. Encyclopædia Britannica. 16 (11th ed.). Cambridge University Press. pp. 741–742.
