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Jin Dynasty (1115–1234) statues of the Five Tathagathas in Shanhua Temple in Datong, Shanxi, China. From left to right: Amoghasiddhi, Amitābha, Vairoc
Jin Dynasty (1115–1234) statues of the Five Tathagathas in Shanhua Temple in Datong, Shanxi, China. From left to right: Amoghasiddhi, Amitābha, Vairocana, Ratnasambhava, Akshobhya
The Garbhadhatu Mandala depicts the adibuddha Vairochana, surrounded by four Buddhas (golden) and four Bodhisattvas (white); clockwise from top: Ratna
The Garbhadhatu Mandala depicts the adibuddha Vairochana, surrounded by four Buddhas (golden) and four Bodhisattvas (white); clockwise from top: Ratnaketu, Samantabhadra, Samkusumitaraja, Manjushri, Amitabha, Avalokiteshvara, Divyadundhubhimeghanirghosa, Maitreya.
Jin Dynasty (1115–1234) statue of Amoghasiddhi in Shanhua Temple in Datong, Shanxi, China
Jin Dynasty (1115–1234) statue of Amoghasiddhi in Shanhua Temple in Datong, Shanxi, China
Jin Dynasty (1115–1234) statue of Amitabha in Shanhua Temple in Datong, Shanxi, China
Jin Dynasty (1115–1234) statue of Amitabha in Shanhua Temple in Datong, Shanxi, China
A vajra and bell (ghanta), which are classic ritual symbols of Vajrayāna
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational dei
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational deity Samvara and the figure at the bottom left holding a skull-staff (khaṭvāṅga) and a flaying knife (kartika).
Diamond Realm mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Diamond Realm mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala