Flemish Baroque painting
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Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the
Peter Paul Rubens, The Raising of the Cross, c. 1610–1611
Frans Hogenberg, the Calvinist Iconoclastic Riot of August 20, 1566 when many paintings and church decorations were destroyed and subsequently replaced by Late Northern Mannerist and Baroque artists.
Peter Paul Rubens and Frans Snyders, Prometheus Bound, 1611–12. Philadelphia Museum of Art. This painting is Flemish Baroque example of collaboration and specialization. Snyders, who specialized in animals, painted the eagle while Rubens painted the figure of Prometheus.
Frans Francken the Younger, Preziosenwand (Wall of Treasures), 1636. Kunsthistorischesmuseum, Vienna. This type of painting was one of the distinctly Flemish innovations that developed during the early 17th century.
Simon de Vos
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Simon de Vos was a Flemish painter, draughtsman and art collector. He started his career making small-format cabinet pictures of genre scenes, in particular of Caravaggesque merry companies. Later he
Portrait by van Dyck, 1630s
Merry Company, 1631
Gathering of Smokers and Drinkers, 1626
Martyrdom of St Philip, 1645–1648