The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
Marcel Duchamp Fountain, 1917, photograph by Alfred Stieglitz at 291 art gallery following the 1917 Society of Independent Artists exhibit, with entry tag visible. The backdrop is The Warriors by Marsden Hartley.
Marcel Duchamp Fountain, 1917, photograph by Alfred Stieglitz at 291 art gallery following the 1917 Society of Independent Artists exhibit, with entry
Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700
Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700
The urinal suspended in Marcel Duchamp's studio at 33 West 67th Street, New York, 1917–1918. Two other readymades by Duchamp are visible in the photog
The urinal suspended in Marcel Duchamp's studio at 33 West 67th Street, New York, 1917–1918. Two other readymades by Duchamp are visible in the photograph: In Advance of the Broken Arm (1915), and Hat rack (Porte-chapeau) (1917). This photograph is reproduced at the top right of one of the plates from Duchamp's La Boîte-en-valise.
The Blind Man, No. 2, New York, 1917, p. 5, by Louise Norton. The article included a photo of the piece and a letter by Alfred Stieglitz, and writings
The Blind Man, No. 2, New York, 1917, p. 5, by Louise Norton. The article included a photo of the piece and a letter by Alfred Stieglitz, and writings by Louise Norton, Beatrice Wood and Walter Arensberg.
Marcel Duchamp, 1913
Marcel Duchamp, 1913
Man Ray, 1920 21, Portrait of Marcel Duchamp, gelatin silver print, Yale University Art Gallery
Man Ray, 1920 21, Portrait of Marcel Duchamp, gelatin silver print, Yale University Art Gallery