1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Bologna
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Bologna is the largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, located in the heart of an area of about one million. The first settlements back to at least 1000 BC. The city has been a centre, first under the Etruscans. Home to the oldest university in the world, University of Bologna, founded in 1088, Bologna is also an important transportation crossroad for the roads and trains of Northern Italy, where many important mechanical, electronic and nutritional industries have their headquarters. According to the most recent data gathered by the European Regional Economic Growth Index of 2009, Bologna is the first Italian city, Bologna is home to numerous prestigious cultural, economic and political institutions as well as one of the most impressive trade fair districts in Europe. In 2000 it was declared European capital of culture and in 2006, the city of Bologna was selected to participate in the Universal Exposition of Shanghai 2010 together with 45 other cities from around the world. Bologna is also one of the wealthiest cities in Italy, often ranking as one of the top cities in terms of quality of life in the country, after a long decline, Bologna was reborn in the 5th century under Bishop Petronius. According to legend, St. Petronius built the church of S. Stefano. After the fall of Rome, Bologna was a stronghold of the Exarchate of Ravenna in the Po plain. In 728, the city was captured by the Lombard king Liutprand, the Germanic conquerors formed a district called addizione longobarda near the complex of S. Stefano. Charlemagne stayed in this district in 786, traditionally said to be founded in 1088, the University of Bologna is widely considered to be the first university. The university originated as a centre of study of medieval Roman law under major glossators. It numbered Dante, Boccaccio and Petrarca among its students, the medical school is especially famous. In the 12th century, the families engaged in continual internecine fighting. Troops of Pope Julius II besieged Bologna and sacked the artistic treasures of his palace, in 1530, in front of Saint Petronio Church, Charles V was crowned Holy Roman Emperor by Pope Clement VII. Then a plague at the end of the 16th century reduced the population from 72,000 to 59,000, the population later recovered to a stable 60, 000–65,000. However, there was also great progress during this era, in 1564, the Piazza del Nettuno and the Palazzo dei Banchi were built, along with the Archiginnasio, the centre of the University
3.
Fountain
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A fountain is a piece of architecture which pours water into a basin or jets it into the air to supply drinking water and/or for a decorative or dramatic effect. Fountains were originally purely functional, connected to springs or aqueducts and used to drinking water and water for bathing and washing to the residents of cities, towns. Until the late 19th century most fountains operated by gravity, and needed a source of higher than the fountain, such as a reservoir or aqueduct. In addition to providing drinking water, fountains were used for decoration, Roman fountains were decorated with bronze or stone masks of animals or heroes. In the Middle Ages, Moorish and Muslim garden designers used fountains to create versions of the gardens of paradise. King Louis XIV of France used fountains in the Gardens of Versailles to illustrate his power over nature, the baroque decorative fountains of Rome in the 17th and 18th centuries marked the arrival point of restored Roman aqueducts and glorified the Popes who built them. By the end of the 19th century, as indoor plumbing became the source of drinking water. Mechanical pumps replaced gravity and allowed fountains to recycle water and to force it high into the air, the Jet dEau in Lake Geneva, built in 1951, shoots water 140 metres in the air. The highest such fountain in the world is King Fahds Fountain in Jeddah, Saudi Arabia, fountains are used today to decorate city parks and squares, to honor individuals or events, for recreation and for entertainment. A Splash pad or spray pool allows city residents to enter, get wet, the musical fountain combines moving jets of water, colored lights and recorded music, controlled by a computer, for dramatic effects. Drinking fountains provide clean drinking water in buildings, parks. Ancient civilizations built stone basins to capture and hold precious drinking water, a carved stone basin, dating to around 2000 BC, was discovered in the ruins of the ancient Sumerian city of Lagash in modern Iraq. The ancient Assyrians constructed a series of basins in the gorge of the Comel River, carved in rock, connected by small channels. The lowest basin was decorated with carved reliefs of two lions, the ancient Greeks were apparently the first to use aqueducts and gravity-powered fountains to distribute water. In the 6th century BC the Athenian ruler Peisistratos built the fountain of Athens. It had nine large cannons, or spouts, which supplied drinking water to local residents. Greek fountains were made of stone or marble, with water flowing through bronze pipes, most Greek fountains flowed by simple gravity, but they also discovered how to use principle of a siphon to make water spout, as seen in pictures on Greek vases. The Ancient Romans built a system of aqueducts from mountain rivers and lakes to provide water for the fountains
4.
Bronze
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These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as stiffness, ductility, or machinability. The archeological period where bronze was the hardest metal in use is known as the Bronze Age. In the ancient Near East this began with the rise of Sumer in the 4th millennium BC, with India and China starting to use bronze around the same time, everywhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BC and reaching most of Eurasia by about 500 BC, the discovery of bronze enabled people to create metal objects which were harder and more durable than previously possible. Bronze tools, weapons, armor, and building such as decorative tiles were harder and more durable than their stone. It was only later that tin was used, becoming the major ingredient of bronze in the late 3rd millennium BC. Tin bronze was superior to arsenic bronze in that the process could be more easily controlled. Also, unlike arsenic, metallic tin and fumes from tin refining are not toxic, the earliest tin-alloy bronze dates to 4500 BCE in a Vinča culture site in Pločnik. Other early examples date to the late 4th millennium BC in Africa, Susa and some ancient sites in China, Luristan, ores of copper and the far rarer tin are not often found together, so serious bronze work has always involved trade. Tin sources and trade in ancient times had a influence on the development of cultures. In Europe, a source of tin was the British deposits of ore in Cornwall. In many parts of the world, large hoards of bronze artefacts are found, suggesting that bronze also represented a store of value, in Europe, large hoards of bronze tools, typically socketed axes, are found, which mostly show no signs of wear. With Chinese ritual bronzes, which are documented in the inscriptions they carry and from other sources and these were made in enormous quantities for elite burials, and also used by the living for ritual offerings. Pure iron is soft, and the process of beating and folding sponge iron to wrought iron removes from the metal carbon. Careful control of the alloying and tempering eventually allowed for wrought iron with properties comparable to modern steel, Bronze was still used during the Iron Age, and has continued in use for many purposes to the modern day. Among other advantages, it does not rust, the weaker wrought iron was found to be sufficiently strong for many uses. Archaeologists suspect that a disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean, limiting supplies, there are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin
5.
Neptune (mythology)
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Neptune was the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon, in the Greek-influenced tradition, Neptune was the brother of Jupiter and Pluto, the brothers presided over the realms of Heaven, the earthly world, and the Underworld. Depictions of Neptune in Roman mosaics, especially those of North Africa, are influenced by Hellenistic conventions, Neptune was likely associated with fresh water springs before the sea. Like Poseidon, Neptune was worshipped by the Romans also as a god of horses, under the name Neptunus Equester, Neptune is the creator of horses and is the god of the sea as well as the owner of a powerful weapon, the Trident. Poseidon is the greek Neptune and is one of the big three gods Zeus, Hades, and Poseidon and he accidentally created horses when he had an affair with Medusa, and also created a boy who roams the seas as a pirate past the pillar of Hercules. The etymology of Latin Neptunus is unclear and disputed, the ancient grammarian Varro derived the name from nuptus i. e. covering, with a more or less explicit allusion to the nuptiae, marriage of Heaven and Earth. Among modern scholars Paul Kretschmer proposed a derivation from IE *neptu- moist substance, similarly Raymond Bloch supposed it might be an adjectival form in -no from *nuptu-, meaning he who is moist. Georges Dumézil though remarked words deriving root *nep- are not attested in IE languages other than Vedic and he proposed an etymology that brings together Neptunus with Vedic and Avestan theonyms Apam Napat, Apam Napá and Old Irish theonym Nechtan, all meaning descendant of the waters. By using the approach the Indo-Iranian, Avestan and Irish figures would show common features with the Roman historicised legends about Neptune. Dumézil thence proposed to derive the nouns from IE root *nepot-, descendant, IE root *nebh-, having the original meaning of damp, wet, has given Sanskrit nábhah, Hittite nepis, Latin nubs, nebula, German Nebel, Slavic nebo etc. The concept would be close to that expressed in the name of Greek god Όυράνος, derived from IE root *h2wórso-, to water, irrigate and *h2worsó- and this etymology would be more in accord with Varros. The district was connected to the cult of the god, Messapus and Halesus. Messapus led the Falisci and others to war in the Aeneid, nepi and Falerii have been famed since antiquity for the excellent quality of the water of their springs, scattered in meadows. Nepet is considered a hydronymic toponym of preIndoeuropean origin widespread in Europe and from an appellative meaning damp wide valley, plain, cognate with pre-Greek νάπη, such an identification may well be grounded in the strict relationship between the Latin and Greek theologies of the two deities. Servius the grammarian also explicitly states Neptune is in charge of all the rivers, springs and he also is the lord of horses because he worked with Minerva to make the chariot. He may find a parallel in Irish god Nechtan, master of the well from all the rivers of the world flow out. Poseidon on the other hand underwent the process of becoming the main god of the sea at an earlier time. For a time he was paired with Salacia, the goddess of the salt water, Neptune was also considered the legendary progenitor god of a Latin stock, the Faliscans, who called themselves Neptunia proles
6.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
7.
Charles Borromeo
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Charles Borromeo was a cardinal who was archbishop of Milan from 1564 to 1584. Among the great reformers of the sixteenth century, Borromeo, with St. Ignatius of Loyola, St. Philip Neri. He was a leading figure during the Counter-Reformation and was responsible for significant reforms in the Catholic Church and he is honoured as a saint in the Catholic Church and his feast day is November 4. Charles biography was written by three of his contemporaries, Agostino Valerio and Carlo Bascape, who wrote their contributions in Latin, and Pietro Giussanno. Father Giussannos account was the most detailed of the three, Charles was a descendant of nobility, the family of Borromeo was one of the most ancient and wealthy in Lombardy, made famous by several notable men, both in the church and state. The aristocratic Borromeo familys coat of arms included the Borromean rings, Charles father Gilbert was Count of Arona, his mother Margaret was a member of the Milan branch of the House of Medici. The third son in a family of six children, he was born in the castle of Arona on Lake Maggiore, thirty-six miles from Milan, Borromeo received the tonsure when he was about twelve years old. At this time his uncle, Julius Caesar Borromeo, turned over to him the income from the rich Benedictine abbey of Sts. Gratinian and Felin, one of the ancient perquisites of this noble family, the young man attended the University of Pavia, where he applied himself to the study of civil and canon law. Due to a slight impediment of speech, he was regarded as slow, yet his thoroughness, in 1554 his father died, and although he had an elder brother, Count Federico, he was requested by the family to take the management of their domestic affairs. After a time, he resumed his studies, and on 6 December 1559 he earned a doctorate in utroque iure, on 25 December 1559, his uncle, Cardinal Giovanni Angelo Medici, was raised to the pontificate as Pope Pius IV. The newly elected pope required his nephew Charles Borromeo to come to Rome, shortly thereafter, on 31 January 1560, the pope created him cardinal, and thus Charles as cardinal-nephew was entrusted with both the public and the privy seal of the ecclesiastical state. He was also entrusted in the government of the Papal States and appointed supervisor of the Franciscans, Carmelites, Charles committed to organize the third and last section of the Council of Trent, in 1562-63. He took a share in the creation of the Tridentine Catechism. In 1561, Borromeo founded and endowed a college at Pavia, today known as Almo Collegio Borromeo, on 19 November 1562, his older brother, Federico, suddenly died. His family urged Charles to leave the church to marry and have children, so that the name would not become extinct. Charles was appointed administrator of the Archdiocese of Milan on 7 February 1560, after his decision to put into practice the role of bishop, he decided to be ordained priest and on 7 December 1563 he was consecrated bishop in the Sistine Chapel by Cardinal Giovanni Serbelloni. Charles made his entry into Milan as archbishop on 23 September 1565
8.
Palermo
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Palermo is a city of Southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence, Palermo is located in the northwest of the island of Sicily, right by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as Ziz, Palermo then became a possession of Carthage, before becoming part of the Roman Republic, the Roman Empire and eventually part of the Byzantine Empire, for over a thousand years. The Greeks named the city Panormus meaning complete port, from 831 to 1072 the city was under Arab rule during the Emirate of Sicily when the city first became a capital. The Arabs shifted the Greek name into Balarme, the root for Palermos present-day name, eventually Sicily would be united with the Kingdom of Naples to form the Kingdom of the Two Sicilies until the Italian unification of 1860. The population of Palermo urban area is estimated by Eurostat to be 855,285, in the central area, the city has a population of around 676,000 people. The inhabitants are known as Palermitani or, poetically, panormiti, the languages spoken by its inhabitants are the Italian language, Sicilian language and the Palermitano dialect. Palermo is Sicilys cultural, economic and touristic capital and it is a city rich in history, culture, art, music and food. Palermo is the main Sicilian industrial and commercial center, the industrial sectors include tourism, services, commerce. Palermo currently has an airport, and a significant underground economy. In fact, for cultural, artistic and economic reasons, Palermo was one of the largest cities in the Mediterranean and is now among the top tourist destinations in both Italy and Europe. It is the seat of the UNESCO World Heritage Site of Arab-Norman Palermo. The city is going through careful redevelopment, preparing to become one of the major cities of the Euro-Mediterranean area. Roman Catholicism is highly important in Palermitano culture, the Patron Saint of Palermo is Santa Rosalia whose Feast Day is celebrated on 15 July. The area attracts significant numbers of each year and is widely known for its colourful fruit, vegetable and fish markets at the heart of Palermo, known as Vucciria, Ballarò. Palermo lies in a basin, formed by the Papireto, Kemonia, the basin was named the Conca dOro by the Arabs in the 9th century. The city is surrounded by a range which is named after the city itself. These mountains face the Tyrrhenian Sea, Palermo is home to a natural port and offers excellent views to the sea, especially from Monte Pellegrino
9.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
10.
Bartolommeo Bandinelli
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Bartolommeo Bandinelli, actually Bartolommeo Brandini, was a Renaissance Italian sculptor, draughtsman and painter. Bandinelli was the son of a prominent Florentine goldsmith, and first apprenticed in his shop, as a boy, he was apprenticed under Giovanni Francesco Rustici, a sculptor friend of Leonardo da Vinci. Among his earliest works was a Saint Jerome in wax, made for Giuliano de Medici, having counterfeited the key of the chamber. 1512, Piero Soderini was deposed and the, in the tumult, therefore, Baccio, being by himself, secretly cut the cartoon into several pieces. The loss anyhow to the city was no one. Bandinellis lifelong obsession with Michelangelo is a theme in assessments of his career. A brilliant draughtsman and excellent small-scale sculptor, he had a fascination for colossi which he was ill-equipped to execute. His failure as a sculptor on a scale was accentuated by his desire to imitate Michelangelo. Hercules and Cacus was commissioned by the Medici pope Clement VII, the supplied block of Carrara marble was not big enough to execute Bandinellis wax model. He had to make new wax models, one of which was chosen by the pope as the final draft, Bandinelli had already carved the sculpture as far as the abdomen of Hercules, when during the 1527 Sack of Rome, the pope was taken prisoner. Meanwhile, in Florence, republican enemies of the Medici took advantage of the chaos to exile Ippolito de Medici, Bandinelli, a supporter of the Medici, was also exiled. In 1530 Emperor Charles V retook Florence after a long siege, Pope Clement VII subsequently installed his illegitimate son Alessandro de Medici as duke of Tuscany. Bandinelli then returned to Florence and continue work on the statue completed in 1534. But from the moment it was unveiled, it faced ridicule, afterwards, the Bandinelli tried to sabotage Cellinis career. The statue was restored between February and April 1994, Bandinellis drawings, which have in the past masqueraded as Michelangelos in connoisseurs collections, have come into their own in the later twentieth century. Among Bandinellis pupils were Vasari and Francesco de Rossi and his sons Clemente, a collaborator in his studio, and Michelangelo Bandinelli were also sculptors. Baccio Bandinellis works include, copy of Laocoon, at the time in the Cortile del Belvedere, tombs of the Medici popes Leo X and Clement VII in Santa Maria sopra Minerva. Bust of Cosimo I de Medici This had been locked away in a vault in a Swiss bank until a tip led the curator Olga Raggio to its rediscovery
11.
Maserati
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Maserati is an Italian luxury vehicle manufacturer established on 1 December 1914, in Bologna. The companys headquarters are now in Modena, and its emblem is a trident and it has been owned by the Italian-American car giant Fiat Chrysler Automobiles and FCAs Italian predecessor Fiat S. p. A. since 1993. In May 2014, due to plans and product launches. This caused them to production of the Quattroporte and Ghibli models. Maserati is placing a production output cap at 75,000 vehicles globally, the Maserati brothers, Alfieri, Bindo, Carlo, Ettore, and Ernesto were all involved with automobiles from the beginning of the 20th century. Alfieri, Bindo and Ernesto built 2-litre Grand Prix cars for Diatto, in 1926, Diatto suspended the production of race cars, leading to the creation of the first Maserati and the founding of the Maserati marque. One of the first Maseratis, driven by Alfieri, won the 1926 Targa Florio, Maserati began making race cars with 4,6,8 and 16 cylinders. The trident logo of the Maserati car company is based on the Fountain of Neptune in Bolognas Piazza Maggiore, in 1920, one of the Maserati brothers, artist Mario, used this symbol in the logo at the suggestion of family friend Marquis Diego de Sterlich. Alfieri Maserati died in 1932, but three brothers, Bindo, Ernesto and Ettore, kept the firm going, building cars that won races. The brothers continued in engineering roles with the company, Racing successes continued, even against the giants of German racing, Auto Union and Mercedes. In back-to-back wins in 1939 and 1940, a Maserati 8CTF won the Indianapolis 500, the war then intervened, Maserati abandoned car making to produce components for the Italian war effort. During this time, Maserati worked in fierce competition to construct a V16 town car for Benito Mussolini before Ferry Porsche of Volkswagen built one for Adolf Hitler and this failed, and the plans were scrapped. Once peace was restored, Maserati returned to making cars, the Maserati A6 series did well in the racing scene. Key people joined the Maserati team, alberto Massimino, an old Fiat engineer, with both Alfa Romeo and Ferrari experiences oversaw the design of all racing models for the next ten years. With him joined engineers Giulio Alfieri, Vittorio Bellentani, and Gioacchino Colombo, the focus was on the best engines and chassis to succeed in car racing. These new projects saw the last contributions of the Maserati brothers and this new team at Maserati worked on several projects, the 4CLT, the A6 series, the 8CLT, and, pivotally for the future success of the company, the A6GCS. Other racing projects in the 1950s were the 200S, 300S, 350S, Maserati retired from factory racing participation because of the Guidizzolo tragedy during the 1957 Mille Miglia, though they continued to build cars for privateers. Maserati became more and more focused on building road-going grand tourers, the 1957 Maserati 3500 GT marked a turning point in the marques history, as its first ground-up grand tourer design and first series produced car
12.
Fountain of Neptune, Florence
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The Fountain of Neptune is a fountain in Florence, Italy, situated on the Piazza della Signoria, in front of the Palazzo Vecchio. The fountain was commissioned in 1565 and is the work of the sculptor Bartolomeo Ammannati, Ammannati and his assistants, such as Giambologna, were commissioned to design and complete the work on the occasion of the wedding of Francesco I de Medici with Joanna of Austria in 1565. The assignment had first been given to Baccio Bandinelli, who designed the model, the Neptune figure, whose face resembles that of Cosimo I de Medici, was meant to be an allusion to the dominion of the Florentines over the sea. The figure stands on a pedestal in the middle of an octagonal fountain. The pedestal is decorated with the figures of Scylla and Charybdis. The statue of Neptune is a made in the nineteenth century. However, when the work was finished, it was not appreciated in particular by the Florentines, work continued on this fountain during the next ten years. The monumental marble and the dynamic bronzes give nevertheless a coherent impression, the fountain served as an example for future fountain-makers. The fountain has suffered a great deal of damage during the centuries and it was used as a washbasin for laundry at the end of the 16th century. It was vandalized on January 25,1580, a satyr was stolen during the carnival in 1830. It was damaged again by the Bourbon bombardments of 1848, consequently, it has been the object of several restorations and substitutions. On August 4,2005, the statue was the target of three vandals who climbed it, damaging one of the hands and the trident of Neptune, the act was recorded by security cameras. The statue was restored by 2007, since then, security on the fountain has been taken very seriously. In late 2007, the statue was the target of attempted vandalism by four teens, the security cameras and nearby police ensured that no damage came to the fountain again and the four were arrested. As would be expected, the Sea-God, Neptune is a frequent theme for fountains, in Florence, there is another fountain of Neptune is found in the Boboli Gardens, behind the Palazzo Pitti in Florence. Giambologna sculpted a statue for the similar fountain in Bologna in the 1560s. Giovanni Angelo Montorsoli created a nearly contemporary fountain in Messina, Sicily
Bologna, Italy
