1.
Synoptic Gospels
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The gospels of Matthew, Mark, and Luke are referred to as the Synoptic Gospels because they include many of the same stories, often in a similar sequence and in similar wording. They stand in contrast to John, whose content is comparatively distinct, the term synoptic comes via Latin from the Greek σύνοψις, synopsis, i. e. This strong parallelism among the three gospels in content, arrangement, and specific language is attributed to literary interdependence. Broadly speaking, the gospels are similar to John, all are composed in Koine Greek, have a similar length. In content and in wording, though, the synoptics diverge widely from John but have a deal in common with each other. Though each gospel includes some material, the majority of Mark and roughly half of Matthew and Luke coincide in content, in much the same sequence. This common material is termed the triple tradition and this stands in contrast to the material found in only two of the gospels, which is much more variable in order. The classification of text as belonging to the tradition is not always definitive. For example, Matthew and Mark report the cursing of the fig tree, clearly a single incident, despite some differences of wording. Searching Luke, however, we find only the parable of the fig tree. Some would say that Luke has extensively adapted an element of the triple tradition, an illustrative example of the three texts in parallel is the healing of the leper, More than half the wording in this passage is identical. Just as interesting, though, is that each gospel includes words absent in the two and omits something included by the other two. It has been observed that the tradition itself constitutes a complete gospel quite similar to the shortest gospel. Mark, unlike Matthew and Luke, adds little to the triple tradition. Pericopae unique to Mark are scarce, notably two healings involving saliva and the naked runaway, Marks additions within the triple tradition tend to be explanatory elaborations or Aramaisms. The pericopae Mark shares with only Luke are also few, the Capernaum exorcism and departure from Capernaum, the strange exorcist. A greater number, but still not many, are shared with only Matthew, most notably the so-called Great Omission from Luke of Mk 6, most scholars take these observations as a strong clue to the literary relationship among the synoptics and Marks special place in that relationship. The hypothesis favored by most experts is Marcan priority, that Mark was composed first, a leading alternative hypothesis is Marcan posteriority, that Mark was formed primarily by extracting what Matthew and Luke shared in common
2.
Jacob Jordaens
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Jacob Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day, unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few trips to locations in the Low Countries. As well as being a painter, he was a prominent designer of tapestries. Jordaens main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio. Jacob Jordaens was born on 19 May 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. little is known about Jordaens early education. It can be assumed that he received the advantages of the education provided for children of his social class. This assumption is supported by his handwriting, his competence in French. Like Rubens, he studied under Adam van Noort, who was his only teacher, during this time Jordaens lived in Van Noorts house in the Everdijstraat and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a waterschilder and this medium was often used for preparing tapestry cartoons in the seventeenth century. Although examples of his earliest watercolour works are no longer extant, in the same year as his entry into the guild,1616, he married his teachers eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat and he would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens house built two decades earlier. He lived and worked here until his death in 1678, Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio and his commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of oil paintings he was a prolific tapestry designer. Jordaens importance can also be seen by his number of pupils, among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens studio relied on his assistants, not many of these pupils went on to fame themselves, however a position in Jordaens studio was highly desirable for young artists from across Europe
3.
Gospel
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A gospel is an account describing the life, death, and resurrection of Jesus of Nazareth. Christianity places a value on the four canonical gospels, which it considers to be revelations from God. This position however, requires a view of Biblical inerrancy. The word gospel derives from the Old English gōd-spell, meaning good news or glad tidings, the gospel was considered the good news of the coming Kingdom of Messiah, and of redemption through the life and death and resurrection of Jesus, the central Christian message. The Greek word euangelion is also the source of the terms evangelist, the authors of the four canonical Christian gospels are known as the Four Evangelists. Paul the Apostle used the term εὐαγγέλιον when he reminded the people of the church at Corinth of the gospel I preached to you, the earliest extant use of gospel to denote a particular genre of literature dates to the 2nd century. Justin Martyr in the Apology wrote of. the apostles, in the memoirs composed by them, more generally, gospels compose a genre of early Christian writings. Gospels that did not become canonical also circulated in Early Christianity, many, such as the work known today as Gospel of Thomas, lack the narrative framework typical of a gospel. Scholars hold a wide spectrum of views on the origins and composition of the gospels, for example, the vast majority of material in Mark is also present in either Luke or Matthew or both, suggesting that Mark was a source for Matthew and Luke. He writes that the four gospels were probably all written by the end of the first century. But they did not yet at that time have a consistent narrative, in 170 Tatian sought to find a solution by composing a single narrative out of Matthew, Mark, and Luke, with some additional oral material. Richies concludes that the gospel passages themselves can be unclear, and some of the messages within are straightforwardly ambiguous, the gospels of Matthew, Mark, and Luke are considered synoptic gospels on the basis of many similarities between them that are not shared by the Gospel of John. Synoptic means here that they can be seen or read together, the fourth gospel, the Gospel of John, presents a very different picture of Jesus and his ministry from the synoptics. Of the many gospels written in antiquity, only four came to be accepted as part of the New Testament. An insistence upon there being a canon of four gospels, and no others, was a theme of Irenaeus of Lyons. Irenaeus was ultimately successful in declaring that the four gospels collectively and he also supported reading each gospel in light of the others. This canon, which corresponds to the modern Catholic canon, was used in the Vulgate, Gospel of Matthew Gospel of John Gospel of Luke Gospel of Mark This order is found in the following manuscripts, Bezae, Monacensis, Washingtonianus, Tischendorfianus IV, Uncial 0234. Although there is no set order of the four gospels in patristic lists or discussions, moody Smith suggests that the standard order of Matthew-Mark-Luke-John projects a kind of intention that can scarcely be ignored
4.
New Testament
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The New Testament is the second major part of the Christian biblical canon, the first part being the Old Testament, based on the Hebrew Bible. The New Testament discusses the teachings and person of Jesus, as well as events in first-century Christianity, Christians regard both the Old and New Testaments together as sacred scripture. The New Testament has frequently accompanied the spread of Christianity around the world and it reflects and serves as a source for Christian theology and morality. Both extended readings and phrases directly from the New Testament are also incorporated into the various Christian liturgies, the New Testament has influenced religious, philosophical, and political movements in Christendom and left an indelible mark on literature, art, and music. In almost all Christian traditions today, the New Testament consists of 27 books, John A. T. Robinson, Dan Wallace, and William F. Albright dated all the books of the New Testament before 70 AD. Others give a date of 80 AD, or at 96 AD. Over time, some disputed books, such as the Book of Revelation, other works earlier held to be Scripture, such as 1 Clement, the Shepherd of Hermas, and the Diatessaron, were excluded from the New Testament. However, the canon of the New Testament, at least since Late Antiquity, has been almost universally recognized within Christianity. The term new testament, or new covenant first occurs in Jeremiah 31,31, the same Greek phrase for new covenant is found elsewhere in the New Testament. Modern English, like Latin, distinguishes testament and covenant as alternative translations, John Wycliffes 1395 version is a translation of the Latin Vulgate and so follows different terms in Jeremiah and Hebrews, Lo. Days shall come, saith the Lord, and I shall make a new covenant with the house of Israel, for he reproving him saith, Lo. Days come, saith the Lord, when I shall establish a new testament on the house of Israel, use of the term New Testament to describe a collection of first and second-century Christian Greek Scriptures can be traced back to Tertullian. In Against Marcion, written circa 208 AD, he writes of the Divine Word, by the 4th century, the existence—even if not the exact contents—of both an Old and New Testament had been established. Lactantius, a 3rd–4th century Christian author wrote in his early-4th-century Latin Institutiones Divinae and that which preceded the advent and passion of Christ—that is, the law and the prophets—is called the Old, but those things which were written after His resurrection are named the New Testament. The canon of the New Testament is the collection of books that most Christians regard as divinely inspired, several of these writings sought to extend, interpret, and apply apostolic teaching to meet the needs of Christians in a given locality. The book order is the same in the Greek Orthodox, Roman Catholic, the Slavonic, Armenian and Ethiopian traditions have different New Testament book orders. Each of the four gospels in the New Testament narrates the life, death, the word gospel derives from the Old English gōd-spell, meaning good news or glad tidings. The gospel was considered the good news of the coming Kingdom of Messiah, and the redemption through the life and death of Jesus, Gospel is a calque of the Greek word εὐαγγέλιον, euangelion
5.
Gospel according to Matthew
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The Gospel According to Matthew is the first book of the New Testament. The narrative tells how the Messiah, Jesus, rejected by Israel, most scholars believe the Gospel of Matthew was composed between AD80 and 90, with a range of possibility between AD70 to 110. The title Son of David identifies Jesus as the healing and miracle-working Messiah of Israel, as Son of Man he will return to judge the world, an expectation which his disciples recognise but of which his enemies are unaware. As Son of God he is God revealing himself through his son, the gospel reflects the struggles and conflicts between the evangelists community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees. The original versions of the Gospel of Matthew and the gospels are lost. The oldest relatively complete extant manuscripts of the Bible are the Codex Vaticanus and the Codex Sinaiticus, besides these, there exist manuscript fragments ranging from a few verses to whole chapters. P104 and P67 are notable fragments of Matthew, in the process of recopying, variations slipped in, different regional manuscript traditions emerged, and corrections and adjustments were made. The Gospel of Matthew is anonymous, the author is not named within the text, the consensus is that Papias does not describe the Gospel of Matthew as we know it, and it is generally accepted that Matthew was written in Greek, not in Aramaic or Hebrew. The majority view of scholars is that Mark was the first gospel to be composed. The author of Matthew did not, however, simply copy Mark, an additional 220 verses, shared by Matthew and Luke but not found in Mark, from a second source, a hypothetical collection of sayings to which scholars give the name Quelle, or the Q source. The author also had at his disposal the Greek scriptures, both as book-scrolls and in the form of collections, and, if Papias is correct. The majority view among scholars is that Matthew was a product of the last quarter of the 1st century, the Christian community to which Matthew belonged, like many 1st-century Christians, were still part of the larger Jewish community, hence the designation Jewish Christian to describe them. The author of Matthew wrote for a community of Greek-speaking Jewish Christians located probably in Syria, Matthew, alone among the gospels, alternates five blocks of narrative with five of discourse, marking each off with the phrase When Jesus had finished. The Gospel of Matthew begins with the words The Book of Genealogy of Jesus Christ, John baptizes Jesus, and the Holy Spirit descends upon him. Jesus prays and meditates in the wilderness for forty days, and is tempted by Satan and his early ministry by word and deed in Galilee meets with much success, and leads to the Sermon on the Mount, the first of the discourses. The sermon presents the ethics of the kingdom of God, introduced by the Beatitudes and it concludes with a reminder that the response to the kingdom will have eternal consequences, and the crowds amazed response leads into the next narrative block. From the authoritative words of Jesus the gospel turns to three sets of three miracles interwoven with two sets of two stories, followed by a discourse on mission and suffering. Opposition to Jesus comes to a head with accusations that his deeds are done through the power of Satan, Jesus in turn accuses his opponents of blaspheming the Holy Spirit
6.
Gospel according to Mark
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The Gospel According to Mark, the second book of the New Testament, is one of the four canonical gospels and the three synoptic gospels. It portrays Jesus as a man of action, an exorcist, a healer. Jesus is also the Son of God, but he keeps his identity secret, all this is in keeping with prophecy, which foretold the fate of the messiah as Suffering Servant. The gospel ends, in its version, with the discovery of the empty tomb, a promise to meet again in Galilee. Traditionally thought to be an epitome of Matthew, which accounts for its place as the gospel in the Bible. The Gospel of Mark is anonymous, early Christian tradition ascribes it to John Mark, a companion and interpreter of the apostle Peter. Hence its author is often called Mark, even though most modern scholars are doubtful of the Markan tradition and instead regard the author as unknown. It was probably written c. AD 66–70, during Neros persecution of the Christians in Rome or the Jewish revolt, as suggested by references to war in Judea. The author used a variety of pre-existing sources, such as stories, apocalyptic discourse. Mark was written in Greek, for an audience of Greek-speaking Christians, Rome, Galilee, Antioch. The gospels of Matthew, Mark and Luke bear a resemblance to each other. Their close relationship is termed the problem, and has led to a number of hypotheses explaining their interdependence. The most widely accepted hypothesis is that Mark was the first gospel and was used as a source by both Matthew and Luke, together with additional material. The strongest argument for this is the fact that Matthew and Luke agree with other in their sequence of stories. The 19th century recognition of Mark as the earliest gospel led to the belief that it must therefore be the most reliable, the modern consensus is that Marks purpose was to present a theological message rather than to write history. Marks gospel is nevertheless seen as the most reliable of the four in terms of its overall description of Jesuss life. This recognition allows scholars to chart the evolution of Jesus in the scriptures, Marks Christ, for example, dies with the cry, My God, my God, historical reconstruction suggests that the original despairing death of Jesus has become more and more victorious over time. From the outset, Christians depended heavily on Jewish literature, supporting their convictions through the Jewish scriptures and those convictions involved a nucleus of key concepts, the messiah, the son of God and the son of man, the Day of the Lord, the kingdom of God
7.
Gospel according to Luke
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The Gospel According to Luke, also called the Gospel of Luke, or simply Luke, is the third of the four canonical Gospels. It tells of the origins, birth, ministry, death, resurrection, Luke is the second-longest of the four gospels, and together with Acts of the Apostles, the pair make up a two-volume work from the same pen, called Luke–Acts. The cornerstone of Luke-Acts theology is salvation history, the understanding that Gods purpose is seen in the way he has acted. The gospels sources are the Gospel of Mark, the collection called the Q source, and a collection of material called the L source. Luke-Acts does not name its author, the most probable date for its composition is around 80–100 AD, and there is evidence that it was still being revised well into the 2nd century. Autographs of Luke and the other Gospels have not been preserved, as is typical for ancient documents, the gospel of Luke and the Acts of the Apostles make up a two-volume work which scholars call Luke–Acts. The author is not named in either volume and he admired Paul, but his theology was significantly different from Pauls on key points and he does not represent Pauls views accurately. The eclipse of the attribution to Luke the companion of Paul has meant that an early date for the gospel is now rarely put forward. Luke-Acts is a history of the Founder of the church and his successors. All three authors anchor the histories of their respective peoples by dating the births of the founders and narrate the stories of the founders births from God, each founder taught authoritatively, appeared to witnesses after death, and ascended to heaven. Crucial aspects of the teaching of all three concerned the relationship between rich and poor and the question of whether foreigners were to be received into the people. The author used as his sources the gospel of Mark, the collection called the Q source. Mark, written around 70 AD, provided the narrative outline, for these Luke turned to Q, which consisted mostly, although not exclusively, of sayings. Mark and Q account for about 64% of Luke, the remaining material, known as the L source, is of unknown origin and date. Most Q and L-source material is grouped in two clusters, Luke 6, 17-8,3 and 9, 51-18,14, Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lords supper. The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large. He begins his gospel with a preface addressed to Theophilus, the name means Lover of God, here he informs Theophilus of his intention, which is to lead his reader to certainty through an orderly account of the events that have been fulfilled among us. He did not, however, intend to provide Theophilus with a justification of the Christian faith – did it happen
8.
Gospel of John
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The Gospel According to John is one of the four canonical gospels in the New Testament. It traditionally appears fourth, after the gospels of Matthew, Mark. John begins with the witness and affirmation of John the Baptist and concludes with the death, burial, resurrection, although the Gospel of John is anonymous, Christian tradition historically has attributed it to John the Apostle, son of Zebedee and one of Jesus Twelve Apostles. C. K. Barrett, and later Raymond E. Brown, suggested that a tradition developed around the Johannine Community, and that this tradition gave rise to the gospel. The discovery of a number of papyrus fragments of manuscripts with Johannine themes has led more scholars to recognize that the texts were among the most influential in the early Church. The discourses contained with this gospel seem to be concerned with issues of the debate at the time of composition. It is notable that in John, the community appears to define itself primarily in contrast to Judaism, though Christianity started as a movement within Judaism, it gradually separated from Judaism because of mutual opposition between the two religions. The Gospel of John can be divided into four sections, a prologue, a Book of Signs, a Book of Glory, the narrative of Jesus public ministry, beginning with the introduction of the first disciples of Jesus. It consists of seven miracles, or signs, interspersed with long dialogues, discourses, Amen, amen sayings, in John it is this, and not the cleansing of the Temple, that prompts the authorities to have Jesus executed. The narrative of Jesus Passion, Resurrection, and post-Resurrection appearances and this is followed by Jesus Farewell Discourse, an account of his betrayal, arrest, trial, death, burial, post-Resurrection appearances, and final commission for his followers. Jesus mocking and crowning with thorns, the Ecce homo, the discovery of the empty tomb, the noli me tangere, the Great Commission, and the incredulity of Thomas. The section ends with a conclusion on the purpose of the gospel, that may believe that Jesus is the Christ, the Son of God, a large majority of scholars believes this chapter to be an addition to the gospel. The Gospel of John is anonymous, traditionally, Christians have identified the author as the Disciple whom Jesus loved mentioned in John 21,24, who is understood to be John son of Zebedee, one of Jesus Twelve Apostles. These identifications, however, are rejected by the majority of biblical scholars. Nevertheless, the author of the fourth Gospel is sometimes called John the Evangelist, a significant minority consider the traditional account of John the Apostles authorship to be genuine. In addition, the ancient external attestation for Johannine authorship is strong, John is usually dated to AD 90–110. It arose in a Jewish Christian community in the process of breaking from the Jewish synagogue, scholars believe that the text went through two to three redactions, or editions, before reaching its current form. John, which regularly describes Jesus opponents simply as the Jews, is more hostile to the Jews than any other body of New Testament writing
9.
Christ in Majesty
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The image develops from Early Christian art, which directly borrowed the formulae of depictions of the enthroned Roman Emperor. John the Baptist, and often other figures, the central group of the Sarcophagus of Junius Bassus of 359 is the earliest example with a clear date. This depiction is known as the Traditio legis, or Christ the lawgiver - the apostles are indeed officials and this depiction tends to merge into one of Christ the teacher, which also derives from classical images of bearded philosophers. Other Imperial depictions of Christ, standing as a general, or seated on a ball representing the world. Christ Triumphant had a future development, usually standing, often with both hands raised high. The Pantocrator figure first became half-length because large versions filled the semi-dome of the apse of many, if not most, a full-length figure would need to be greatly reduced for the head to make maximum impact from a distance. The gesture Christ makes has become one of blessing, but is originally an orators gesture of his right to speak. The Deesis became standard at the centre of the beam in Orthodox churches and the templons successor, the iconostasis. Generally the Pantocrator has no visible throne, but the earlier Deesis does, the Deesis continues to appear in Western art, but not as often or in such an invariable composition as in the East. In the Romanesque period the twenty-four elders of the Apocalypse are often seen, Christ also holds a book and makes the blessing gesture, no doubt under Byzantine influence. In both, Christs head is surrounded by a crossed halo and this development paralleled the movement towards a more realistic depiction of the heavenly court seen in the increasingly popular subjects of the Maestà and the Coronation of the Virgin by Christ. A Christ in Majesty became standard carved in the tympanum of a decorated Gothic church portal, by now surrounded by a large number of much smaller figures around the archivolts. In painting, the Ghent Altarpiece is the culmination of the Gothic image, although a minority of art historians believe that in case it is God the Father, not Christ. A variant figure, or the figure in a different context, of Christ as Judge, became common in Last Judgements. Generally Christ still looks straight forward at the viewer, but has no book, he gestures with his hands to direct the damned downwards
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