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Francis Picabia, 1919, inside Danse de Saint-Guy
Francis Picabia, 1919, inside Danse de Saint-Guy
Francis Picabia, 1912, La Source (The Spring), oil on canvas, 249.6 × 249.3 cm, Museum of Modern Art, New York. Exhibited at the 1912 Salon d'Automne,
Francis Picabia, 1912, La Source (The Spring), oil on canvas, 249.6 × 249.3 cm, Museum of Modern Art, New York. Exhibited at the 1912 Salon d'Automne, Paris
Francis Picabia, c. 1909, Caoutchouc, Centre Pompidou, Musée National d'Art Moderne
Francis Picabia, c. 1909, Caoutchouc, Centre Pompidou, Musée National d'Art Moderne
Salon d'Automne, Grand Palais des Champs-Élysées, Paris, Salle XI, between 1 October and 8 November 1912. Joseph Csaky (Groupe de femmes, sculpture fr
Salon d'Automne, Grand Palais des Champs-Élysées, Paris, Salle XI, between 1 October and 8 November 1912. Joseph Csaky (Groupe de femmes, sculpture front the left); Amedeo Modigliani (sculptures behind that of Csaky); paintings by František Kupka (Amorpha, Fugue in Two Colors); Francis Picabia (The Spring); Jean Metzinger (Dancer in a café); and Henri Le Fauconnier (Mountaineers Attacked by Bears)
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Movable type being assembled on a composing stick using pieces that are stored in the type case shown below it
Movable type being assembled on a composing stick using pieces that are stored in the type case shown below it
A sixteenth century workshop in Germany showing a printing press and many of the activities involved in the process of printing
A sixteenth century workshop in Germany showing a printing press and many of the activities involved in the process of printing
A specimen sheet by William Caslon shows printed examples of Roman typefaces.
A specimen sheet by William Caslon shows printed examples of Roman typefaces.
Nineteenth century wanted poster for John Wilkes Booth (the assassin of U.S. President Abraham Lincoln) printed with lead and woodcut type, and incorp
Nineteenth century wanted poster for John Wilkes Booth (the assassin of U.S. President Abraham Lincoln) printed with lead and woodcut type, and incorporating photography