1.
Flemish
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The term Flemish is used in at least five ways. These are, in order of increasing order, as an informal term meaning Dutch language in Belgium. Linguists tend to avoid the use of the term Flemish in this context, as a synonym for the so-called intermediate speech known as tussentaal. to denote any of the local Dutch dialects anywhere in the Flanders region. There are four principal Dutch dialects in the Flemish region, Brabantian, East Flemish, the latter two are sometimes considered separate languages. Despite its name, Brabantian is the dominant contributor to the Flemish Dutch tussentaal, the combined region, culture, and people of Dutch-speaking Belgium has come to be known as Flemish. Flemish is also used to refer to one of the languages spoken in the former County of Flanders. Linguistically and formally, Flemish refers to the region, culture, Flemish people speak Dutch in Flanders, the Flemish part of Belgium. Belgian Dutch is slightly different from Dutch spoken in The Netherlands, mainly in pronunciation, lexicon, similar differences exist within other languages, such as English, French, Spanish, and Portuguese. The differences are not significant enough to constitute an individual language, Dutch is the majority language in northern Belgium, being spoken natively by three-fifths of the population. It is one of the three languages of Belgium, together with French and German, and is the only official language of the Flemish Region. The various Dutch dialects spoken in Belgium contain a number of lexical, as in the Netherlands, the pronunciation of Standard Dutch is affected by the native dialect of the speaker. All Dutch dialect groups spoken in Belgium are spoken in adjacent areas of the Netherlands as well, East Flemish forms a continuum with both Brabantic and West Flemish. Standard Dutch is primarily based on the Hollandic dialect and to an extent on Brabantian. Among vowels is the diphthong ou / au, ou as in bout and au as in fauna is realized as in formal situations. In informal situations, the sound tends to be pronounced as or as a monophthong, depending on the dialect, in contrast, these are generally pronounced as in the north and middle parts of the Netherlands. Among consonants, the northern Dutch pronunciation of w is, in some southern Dutch dialects it is or, probably the most obvious difference between northern and southern Dutch is in the sounds spelled ⟨ch⟩ and ⟨g⟩. The sound spelled ⟨ch⟩ is a velar fricative in northern Dutch. ⟨w⟩ realised as ⟨ch⟩ and ⟨g⟩ pronounced as front-velars, not as palatals, Belgian Dutch includes different French loanwords in its vocabulary compared to Netherlands Dutch
2.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
3.
Frans Pourbus the Elder
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Frans Pourbus the elder was a Flemish Renaissance painter. He was known primarily for his religious and portrait painting and worked mainly in Antwerp and his father was painter Pieter Pourbus and his son was painter Frans Pourbus the younger. Frans Pourbus the Elder on Artcyclopedia
4.
Pieter Pourbus
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Pourbus was a Dutch Flemish Renaissance painter, sculptor, draftsman and cartographer. According to Karel van Mander Pourbus was born in Gouda but moved to Bruges at a young age, though he painted many good works in Bruges, his best work was in the Sint Janskerk in Gouda, the History of Saint Hubertus. He was later eclipsed by his own son, Frans Pourbus the Elder, besides painting, he was also a surveyor and engineer. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had settled before 1543 and his pupils were his son, Frans Pourbus the Elder, Antonius Claeissens, and his grandson Frans Pourbus the younger. The works of Pourbus and his teacher Blondeel belong the Mannerism style, the Groeningemuseum in Bruges displays many of his works. The Museum Het Catharina Gasthuis in Gouda possesses a few of his works, the Sint Janskerk and the Church of Our Lady, Bruges have some of his art
5.
Antwerp
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Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, lord, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river. Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, however, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is also possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century. In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
6.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
7.
Brussels
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Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels which is the capital of Belgium. The Brussels-Capital Region is a part of both the French Community of Belgium and the Flemish Community, but is separate from the region of Flanders or Wallonia. The region has a population of 1.2 million and an area with a population of over 1.8 million. Brussels is the de facto capital of the European Union as it hosts a number of principal EU institutions, the secretariat of the Benelux and the headquarters of the North Atlantic Treaty Organization are also located in Brussels. Today, it is considered an Alpha global city, historically a Dutch-speaking city, Brussels has seen a language shift to French from the late 19th century onwards. Today, the majority language is French, and the Brussels-Capital Region is a bilingual enclave within the Flemish Region. All road signs, street names, and many advertisements and services are shown in both languages, Brussels is increasingly becoming multilingual with increasing numbers of migrants, expatriates and minority groups speaking their own languages. The most common theory of the origin of Brussels name is that it derives from the Old Dutch Broekzele or Broeksel, meaning marsh, Saint Vindicianus, the bishop of Cambrai made the first recorded reference to the place Brosella in 695 when it was still a hamlet. The origin of the settlement that was to become Brussels lies in Saint Gaugericus construction of a chapel on an island in the river Senne around 580. The official founding of Brussels is usually situated around 979, when Duke Charles of Lower Lotharingia transferred the relics of Saint Gudula from Moorsel to the Saint Gaugericus chapel, Charles would construct the first permanent fortification in the city, doing so on that same island. Lambert I of Leuven, Count of Leuven gained the County of Brussels around 1000 by marrying Charles daughter, as it grew to a population of around 30,000, the surrounding marshes were drained to allow for further expansion. The Counts of Leuven became Dukes of Brabant at about this time, in the 13th century, the city got its first walls. After the construction of the city walls in the early 13th century, to let the city expand, a second set of walls was erected between 1356 and 1383. Today, traces of it can still be seen, mostly because the small ring, Brabant had lost its independence, but Brussels became the Princely Capital of the prosperous Low Countries, and flourished. In 1516 Charles V, who had been heir of the Low Countries since 1506, was declared King of Spain in St. Michael and St. Gudula Cathedral in Brussels. Upon the death of his grandfather, Maximilian I, Holy Roman Emperor in 1519 and it was in the Palace complex at Coudenberg that Charles V abdicated in 1555. This impressive palace, famous all over Europe, had expanded since it had first become the seat of the Dukes of Brabant. In 1695, during the Nine Years War, King Louis XIV of France sent troops to bombard Brussels with artillery, together with the resulting fire, it was the most destructive event in the entire history of Brussels
8.
Marie de' Medici
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Marie de Medici was Queen of France as the second wife of King Henry IV of France, of the House of Bourbon. She was a member of the wealthy and powerful House of Medici, following the assassination of her husband in 1610, which occurred the day after her coronation, she acted as regent for her son, King Louis XIII of France, until he came of age. She was noted for her ceaseless political intrigues at the French court and she was born as Maria at the Palazzo Pitti of Florence, Italy, the sixth daughter of Francesco I de Medici, Grand Duke of Tuscany, and Archduchess Joanna of Austria. Marie was one of seven children, but only she and her sister Eleonora survived to adulthood, Marie is not a male-line descendant of Lorenzo the Magnificent but from Lorenzo the Elder, a branch of the Medici family sometimes referred to as the cadet branch. She does descend from Lorenzo in the female-line however, through his daughter Lucrezia de Medici, nonetheless this cadet branch produced every Grand Duke of Tuscany from 1537 to 1737, and the kings of France from Louis XIII in 1601 to Louis XVI in 1793. This cadet branch is already 700 years old, beginning with Averardo de Medici in 1320 and flourishes to this day with Louis Alphonse and her daughter, Henrietta Maria was queen consort of England, Scotland, and Ireland as the wife of King Charles I. Henrietta Maria, in turn, was mother of two successors, Charles II and James II. Lorenzo the Magnificents line instead became extinct shortly after the death of Lorenzo in 1492, at the time of his death the Medici Bank was already in bankruptcy. A portrait of Marie as a girl shows her with regular features. Her wavy hair was light brown in colour, and she had honey-brown eyes, the painter was from the school of Santi di Tito. She married Henry IV of France in October 1600 following the annulment of his marriage to Margaret of Valois. The wedding ceremony in Florence, Italy was celebrated with 4,000 guests and lavish entertainments, including examples of the newly invented musical genre of opera and she brought as part of her dowry 600,000 crowns. Her eldest son, the future King Louis XIII, was born at Fontainebleau the following year and her husband was almost 47 at the marriage and had a long succession of mistresses. Dynastic considerations required him to take a second wife, the marriage was successful in producing children, but it was not a happy one. The queen feuded with Henrys mistresses in language that shocked French courtiers, when he failed to do so, and instead married Marie, the result was constant bickering and political intrigues behind the scenes. Catherine referred to Maria as the fat bankers daughter, Henry used Maria for breeding purposes exactly as Henry II had treated Catherine de Medici, although the king could have easily banished his mistress, supporting his queen, he never did so. She, in turn, showed sympathy and support to her husbands banished ex-wife Marguerite de Valois. Marie was crowned Queen of France on 13 May 1610, a day before her husbands death, hours after Henrys assassination, she was confirmed as regent by the Parliament of Paris
9.
Royal Collection
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The Royal Collection is the art collection of the British Royal Family and the largest private art collection in the world. The Queen owns some objects in the collection in right of the Crown, the Queens Gallery at Buckingham Palace in London was built specially to exhibit pieces from the collection on a rotating basis. There is an art gallery next to the Palace of Holyroodhouse in Edinburgh. The Crown Jewels are on display in the Jewel House at the Tower of London. About 3,000 objects are on loan to museums throughout the world, few items from before King Henry VIII survive. The most important additions to the collection were made by Charles I, a collector of Italian paintings. Many works have been given from the collection to museums, especially by George III and Victoria, in particular, most of the then royal library was given by George III to the British Museum, now the British Library, where many books are still catalogued as Royal. The core of this collection was the purchase by James I of the collections of Humphrey Llwyd, Lord Lumley. Throughout the reign of Elizabeth II, there have been significant additions to the collection through purchases, bequests and through gifts from nation states. Numbering over 7,000 works, spread across the Royal Residences, numbering over 300 items, the Royal Collection holds one of the greatest and most important collections of French furniture ever assembled. The collection is noted for its range as well as counting the greatest cabinet-makers of the Ancien Régime. The Royal Collection is privately owned, although some of the works are displayed in areas of palaces, some of the collection is owned by the monarch personally, and everything else is described as being held in trust by the monarch in right of the Crown. All works of art acquired by monarchs up to the death of Queen Victoria in 1901 are heirlooms which fall into the latter category. Items the British royal family acquired later, including official gifts, ambiguity surrounds the status of objects that have come into Queen Elizabeth IIs possession during her reign. The Royal Collection Trust has confirmed that all pieces left to the Queen by the Queen Mother belong to her personally, non-personal items are said to be inalienable as they can only be willed to the monarchs successor. The legal accuracy of this claim has never been substantiated in court, in a 2000 television interview, the Duke of Edinburgh said that the Queen was technically, perfectly at liberty to sell them. In 1995, Iain Sproat, then Secretary of State for National Heritage, a registered charity, the Royal Collection Trust was set up in 1993 after the Windsor Castle fire with a mandate to conserve the works and enhance the publics appreciation and understanding of art. It employs around 500 staff and is one of the five departments of the Royal Household, buildings do not come under its remit
10.
National Museum, Warsaw
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The National Museum in Warsaw, popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. The museum is home to numismatic collections, a gallery of applied arts. The National Museum in Warsaw was established on 20 May 1862, as the Museum of Fine Arts, Warsaw, the collection, on Jerusalem Avenue, is housed in a building designed by Tadeusz Tolwiński, developed between 1927 and 1938. In 1932 an exhibition of decorative art opened in the two earlier erected wings of the building, the new building was inaugurated on 18 June 1938. The purpose-built modernistic edifice, was situated on the edge of Na Książęcem Park established between 1776–79 for Prince Kazimierz Poniatowski, from 1935 the museum director was Stanisław Lorentz, who directed an effort to save the most valuable works of art during World War II. The Gestapo headquarters presented Rembrandts portrait of Maerten Soolmans as a gift to Hans Frank in occupied Kraków, after the war the Polish Government, under the supervision of Professor Lorentz, retrieved many of the works seized by the Germans. More than 5,000 artifacts are still missing, in 2008 the Polish Archaeological Mission Tyritake of National Museum in Warsaw commenced works at Tyritake, Crimea. It is headed by Alfred Twardecki curator of the Ancient Art Gallery, in 2010 the National Museum, as one of the first state institutions in the world, held an exhibition entirely consecrated to homoerotic art - Ars Homo Erotica. Since the 2011–12 renovation, the museum is considered as one of the most modern in Europe with a computer-led LED lighting allowing to enhance unique qualities of every painting. In 2012 the permanent galleries underwent revolutionary changes, the curators of the museum re-arranged it and supplemented it with new works from the museums warehouses. Paintings were not hung chronologically, but thematically, genre painting, still lifes, landscapes, cityscapes, biblical, mythological, works by Italian, Flemish, Dutch, German and Polish artists were hung together, making it easy to observe and compare similarities and differences. The Gallery of Medieval Art mainly presents objects from the late Middle Ages, originating from different regions of todays Poland and these works were originally designed almost exclusively for churches. The exhibition was designed to allow the audience to understand the role of art in the life of the Middle Ages. The new techniques implemented in the gallery allow the presentation of large polyptychs, such as the famous Grudziądz Polyptych. The new arrangement of the exhibition was designed by WWAA, the Gallery of Old Masters on the second floor was conceived from the former Gallery of Decorative Art, Gallery of Old European Painting and the Gallery of Old Polish and European Portrait in 2016. It combines species of pictorial art - painting, sculpture, drawings and these social spaces have provided the key to the division of the gallery,1. Church, chapel and domestic altar,3, in the redesigned gallery, the works are presented not according to national schools, but as a confrontation of artistic circles of the South and North. The new system reflects the hierarchy of the created by Renaissance art theory
11.
Warsaw
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Warsaw is the capital and largest city of Poland. It stands on the Vistula River in east-central Poland, roughly 260 kilometres from the Baltic Sea and 300 kilometres from the Carpathian Mountains. Its population is estimated at 1.750 million residents within a metropolitan area of 3.101 million residents. The city limits cover 516.9 square kilometres, while the area covers 6,100.43 square kilometres. Once described as Paris of the East, Warsaw was believed to be one of the most beautiful cities in the world until World War II. On 9 November 1939, the city was awarded Polands highest military decoration for heroism, Warsaw is one of Europe’s most dynamic metropolitan cities. In 2012 the Economist Intelligence Unit ranked Warsaw as the 32nd most liveable city in the world, in 2017 the city came 4th in the “Business-friendly” category and 8th in the “Human capital and life style”. It was also ranked as one of the most liveable cities in Central, Warsaw is considered an Alpha– global city, a major international tourist destination and a significant cultural, political and economic hub. The city is a significant centre of research and development, BPO, ITO, the Warsaw Stock Exchange is the largest and most important in Central and Eastern Europe. Frontex, the European Union agency for external security, has its headquarters in Warsaw. Together with Frankfurt, London and Paris, Warsaw is also one of the cities with the highest number of skyscrapers in the European Union, the city is the seat of the Polish Academy of Sciences, Warsaw National Philharmonic Orchestra and the University of Warsaw. The historic city-centre of Warsaw with its picturesque Old Town in 1980 was listed as a UNESCO World Heritage Site, buildings represent examples of nearly every European architectural style and historical period. Warsaw provides many examples of architecture from the gothic, renaissance, baroque, neoclassical and modern periods, furthermore, the city is positioning itself as Europes chic cultural capital with thriving art and club scenes and renowned restaurants. Folk etymology attributes the city name to a fisherman, Wars, according to legend, Sawa was a mermaid living in the Vistula River with whom Wars fell in love. In actuality, Warsz was a 12th/13th-century nobleman who owned a village located at the site of Mariensztat neighbourhood. See also the Vršovci family which had escaped to Poland, the official city name in full is miasto stołeczne Warszawa. A native or resident of Warsaw is known as a Varsovian – in Polish warszawiak, warszawianin, warszawianka, warszawiacy, other names for Warsaw include Varsovia and Varsóvia, Varsovie, Varsavia, Warschau, װאַרשע /Varshe, Варшава /Varšava /Varshava, Varšuva, Varsó. The first fortified settlements on the site of todays Warsaw were located in Bródno, after Jazdów was raided by nearby clans and dukes, a new similar settlement was established on the site of a small fishing village called Warszowa
12.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
13.
Prado
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The Prado Museum is the main Spanish national art museum, located in central Madrid. Founded as a museum of paintings and sculpture in 1819, it contains important collections of other types of works. El Prado is one of the most visited sites in the world, and it is considered one of the greatest art museums in the world. The collection currently comprises around 8,200 drawings,7,600 paintings,4,800 prints, and 1,000 sculptures, in addition to a large number of other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the buildings, while around 3,100 works were on temporary loan to various museums. The museum received 2.8 million visitors in 2012 and it is one of the largest museums in Spain. The best-known work on display at the museum is Las Meninas by Velázquez, Velázquez and his keen eye and sensibility were also responsible for bringing much of the museums fine collection of Italian masters to Spain, now the largest outside of Italy. The museum is planning a 16% extension in the nearby Salón de Reinos and their efforts and determination led to the Royal Collection being enriched by some of the masterpieces now to be seen in the Prado. In addition to works from the Spanish royal collection, other holdings increased and enriched the Museum with further masterpieces, such as the two Majas by Goya. Among the now closed museums whose collections have been added to that of the Prado were the Museo del la Trinidad in 1872, in addition, numerous legacies, donations and purchases have been of crucial importance for the growth of the collection. Upon the deposition of Isabella II in 1868, the museum was nationalized and acquired the new name of Museo del Prado, the building housed the royal collection of arts, and it rapidly proved too small. The first enlargement to the museum took place in 1918, particularly important donations include Barón Emile dErlangers gift of Goyas Black Paintings in 1881. Between 1873 and 1900, the Prado helped decorate city halls, new universities, during the Second Spanish Republic from 1931 to 1936, the focus was on building up provincial museums. The art had to be returned across French territory in night trains to the museum upon the commencement of World War II, during the early years of the dictatorship of Francisco Franco, many paintings were sent to embassies. The main building was enlarged with short pavilions in the rear between 1900 and 1960, in 1993, an extension proposed by the Prados director at the time, Felipe Garin, was quickly abandoned after a wave of criticism. In the late 1990s, a $14 million roof work forced the Velázquez masterpiece Las Meninas to change galleries twice, in 1998, the Prado annex in the nearby Casón del Buen Retiro closed for a $10 million two-year overhaul that included three new underground levels. In 2007, the finally executed Rafael Moneos project to expand its exposition room to 16,000 square meters. A glass-roofed and wedge-shaped foyer now contains the shops and cafeteria
14.
Rijksmuseum
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The Rijksmuseum is a Dutch national museum dedicated to arts and history in Amsterdam. The museum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague in 1800 and moved to Amsterdam in 1808, the current main building was designed by Pierre Cuypers and first opened its doors in 1885. On 13 April 2013, after a renovation which cost €375 million. In 2013 and 2014, it was the most visited museum in the Netherlands with record numbers of 2.2 million and 2.47 million visitors and it is also the largest art museum in the country. The museum also has a small Asian collection, which is on display in the Asian pavilion, in 1795, the Batavian Republic was proclaimed. The Minister of Finance Isaac Gogel argued that a museum, following the French example of The Louvre. On 19 November 1798, the government decided to found the museum, on 31 May 1800, the National Art Gallery, precursor of the Rijksmuseum, opened its doors in Huis ten Bosch in The Hague. The museum exhibited around 200 paintings and historic objects from the collections of the Dutch stadtholders, in 1805, the National Art Gallery moved within The Hague to the Buitenhof. In 1806, the Kingdom of Holland was established by Napoleon Bonaparte, on the orders of king Louis Bonaparte, brother of Napoleon, the museum moved to Amsterdam in 1808. The paintings owned by city, such as The Night Watch by Rembrandt. In 1809, the museum opened its doors in the Royal Palace in Amsterdam, in 1817, the museum moved to the Trippenhuis. The Trippenhuis turned out to be unsuitable as a museum, in 1820, the historical objects were moved to the Mauritshuis in The Hague, and in 1838 the 19th-century paintings were moved to Paviljoen Welgelegen in Haarlem. In 1863, there was a design contest for a new building for the Rijksmuseum, Pierre Cuypers also participated in the contest and his submission reached the second place. In 1876 a new contest was held and this time Pierre Cuypers won, the design was a combination of gothic and renaissance elements. The construction began on 1 October 1876, on both the inside and the outside, the building was richly decorated with references to Dutch art history. Another contest was held for these decorations, the winners were B. van Hove and J. F. Vermeylen for the sculptures, G. Sturm for the tile tableaus and painting and W. F. Dixon for the stained glass. The museum was opened at its new location on 13 July 1885, in 1890 a new building was added a short distance to the south-west of the Rijksmuseum
15.
Royal College of Art
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The Royal College of Art or RCA is a public research university in London, in the United Kingdom. This was the third year that QS had awarded it the number 1 position for Art & Design. The RCA was founded in Somerset House in 1837 as the Government School of Design or Metropolitan School of Design, richard Burchett became head of the school in 1852. In 1853 it was expanded and moved to Marlborough House, and then, in 1853 or 1857 and it was renamed the Normal Training School of Art in 1857 and the National Art Training School in 1863. During the later 19th century it was primarily a training college, pupils during this period included George Clausen, Christopher Dresser, Luke Fildes, Kate Greenaway. In 1896 or 1897 the school received the name Royal College of Art, teaching of graphic design, industrial design and product design began in the mid-twentieth century. The school expanded further in the 1960s, and in 1967 it received a Royal Charter which gave it the status of an independent university with the power to grant its own degrees, the RCA has two campuses, in South Kensington and in Battersea. The Darwin Building in Kensington Gore dates from the 1960s and is a Grade II listed building and it was designed by a team of RCA staff members, H. T. Cadbury-Brown, Hugh Casson and Robert Goodden. In 1991 the sculpture department moved to a converted factory across the river Thames in Battersea, in the early 2000s the college conceived a substantial second campus being created on the site, with a minibus service linking it to Kensington. Thus, after a redevelopment of the premises by Wright & Wright. A masterplan was commissioned by Haworth Tompkins and phase 1 of their three phase design was completed with the opening of the Sackler Building on 19 November 2009 and its name commemorates a major gift by The Dr Mortimer and Theresa Sackler Foundation. The Dyson Building, named in honour of James Dyson, whose educational charity donated £5m to the development, was opened on 24 September 2012 and it is the home for printmaking and photography, and contains an innovation wing where start-up designers can launch their businesses. The Woo Building was opened on 30 September 2015, completing the Battersea project and it is named in honour of Sir Po-Shing and Lady Helen Woo, who have funded scholarships at the RCA since the 1990s. It accommodates the Ceramics & Glass and Jewellery & Metal programmes, the buildings anodised aluminium gates were designed by alumnus Max Lamb. The RCA offers MA, MPhil and PhD degrees in twenty-four subject areas, divided into six schools, architecture, communication, design, fine art, humanities, and materials. In April 2011 the RCA was ranked first on a list of UK graduate art schools compiled by Modern Painters magazine from a survey of professionals in the art world. In August 2015 it was ranked first on a list of courses in fashion by Business of Fashion. In 2015 the RCA placed first in the art and design subject area in the QS World University Rankings published by Quacquarelli Symonds, in 2016 and 2017 it held onto the position, increasing its overall score from 96. 0/100 to 98. 4/100
16.
Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
17.
Henry IV of France
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Henry IV, also known by the epithet Good King Henry, was King of Navarre from 1572 to 1610 and King of France from 1589 to 1610. He was the first French monarch of the House of Bourbon, baptised as a Catholic but raised in the Protestant faith by his mother Jeanne dAlbret, Queen of Navarre, he inherited the throne of Navarre in 1572 on the death of his mother. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomews Day massacre, and later led Protestant forces against the royal army. Henry, as Head of the House of Bourbon, was a direct descendant of Louis IX of France. Upon the death of his brother-in-law and distant cousin Henry III of France in 1589 and he initially kept the Protestant faith and had to fight against the Catholic League, which denied that he could wear Frances crown as a Protestant. To obtain mastery over his kingdom, after four years of stalemate, as a pragmatic politician, he displayed an unusual religious tolerance for the era. Notably, he promulgated the Edict of Nantes, which guaranteed religious liberties to Protestants and he was assassinated in 1610 by François Ravaillac, a fanatical Catholic, and was succeeded by his son Louis XIII. Considered a usurper by some Catholics and a traitor by some Protestants, an unpopular king immediately after his accession, Henrys popularity greatly improved after his death, in light of repeated victories over his enemies and his conversion to Catholicism. The Good King Henry was remembered for his geniality and his concern about the welfare of his subjects. He was celebrated in the popular song Vive le roi Henri, Henry was born in Pau, the capital of the joint Kingdom of Navarre with the sovereign principality of Béarn. His parents were Queen Joan III of Navarre and her consort, Antoine de Bourbon, Duke of Vendôme, although baptised as a Roman Catholic, Henry was raised as a Protestant by his mother, who had declared Calvinism the religion of Navarre. As a teenager, Henry joined the Huguenot forces in the French Wars of Religion, on 9 June 1572, upon his mothers death, he became King of Navarre. At Queen Joans death, it was arranged for Henry to marry Margaret of Valois, daughter of Henry II, the wedding took place in Paris on 18 August 1572 on the parvis of Notre Dame Cathedral. On 24 August, the Saint Bartholomews Day Massacre began in Paris, several thousand Protestants who had come to Paris for Henrys wedding were killed, as well as thousands more throughout the country in the days that followed. Henry narrowly escaped death thanks to the help of his wife and he was made to live at the court of France, but he escaped in early 1576. On 5 February of that year, he formally abjured Catholicism at Tours and he named his 16-year-old sister, Catherine de Bourbon, regent of Béarn. Catherine held the regency for nearly thirty years, Henry became heir presumptive to the French throne in 1584 upon the death of Francis, Duke of Anjou, brother and heir to the Catholic Henry III, who had succeeded Charles IX in 1574. Because Henry of Navarre was the senior agnatic descendant of King Louis IX, King Henry III had no choice
18.
Albert VII, Archduke of Austria
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Albert VII was the ruling Archduke of Austria for a few months in 1619 and, jointly with his wife, Isabella Clara Eugenia, sovereign of the Habsburg Netherlands between 1598 and 1621. Prior to this, he had been a cardinal, archbishop of Toledo, viceroy of Portugal and he succeeded his brother Matthias as reigning archduke of Lower and Upper Austria, but abdicated in favor of Ferdinand II the same year, making it the shortest reign in Austrian history. Archduke Albert was the son of Holy Roman Emperor Maximilian II and Maria of Spain, daughter of Holy Roman Emperor Charles V. He was sent to the Spanish Court at the age of eleven, initially he was meant to pursue an ecclesiastical career. On 3 March 1577 he was appointed cardinal by Pope Gregory XIII, with a dispensation because of his age of eighteen, and was given Santa Croce in Gerusalemme as his titular church. Philip II planned to make Albert archbishop of Toledo as soon as possible, in the meantime Albert only took lower orders. He was never ordained priest or bishop, and thus he resigned the See of Toledo in 1598 and he resigned the cardinalate in 1598. His clerical upbringing did however have an influence on his lifestyle. After the dynastic union with Portugal, Albert became the first viceroy of the kingdom, at the same time he was appointed Papal Legate and Grand Inquisitor for Portugal. As viceroy of Portugal he took part in the organization of the Great Armada of 1588, in 1593 Philip II recalled him to Madrid, where he would take a leading role in the government of the Spanish Monarchy. Two years later, the rebellious Hugh ONeill, Earl of Tyrone, after the death of Archduke Ernst in 1595, Albert was sent to Brussels to succeed his elder brother as Governor General of the Habsburg Netherlands. He made his entry in Brussels on 11 February 1596 and his first priority was restoring Spains military position in the Low Countries. Spain was facing the forces of the Dutch Republic, England and France and had known nothing. During his first campaign season, Albert surprised his enemies by capturing Calais and nearby Ardres from the French and these successes were however offset by the third bankruptcy of the Spanish crown later that year. As a consequence,1597 was marked by a series of military disasters, stadholder Maurice of Orange captured the last Spanish strongholds that remained north of the great rivers, as well as the strategic town of Rheinberg in the Electorate of Cologne. Finally the Spanish Army of Flanders lost Amiens in September the same year to King Henry IV of France despite desperate efforts to relieve the place by Albert, with no more money to pay the troops, Albert was also facing a series of mutinies. While pursuing the war as well as he could, Albert made overtures for peace with Spains enemies, under the mediation of the papal legate Cardinal Alessandro deMedici — the future Pope Leo XI — Spain and France concluded the Peace of Vervins on 2 May 1598. Spain gave up its conquests, thereby restoring the situation of Cateau Cambrésis, France tacitly accepted the Spanish occupation of the prince-archbishopric of Cambray and pulled out of the war, but maintained the financial support for the Dutch Republic
19.
Isabella Clara Eugenia
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Isabella Clara Eugenia was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France, together with her husband Albert VII, Archduke of Austria. In some sources, she is referred to as Clara Isabella Eugenia, by birth, she was an infanta of Spain and Portugal. Isabella Clara Eugenia of Austria was born in the Palacio del bosque de Valsaín, Segovia on 12 August 1566, daughter of Philip II of Spain and her paternal grandparents were Emperor Charles V and Isabella of Portugal. Her maternal grandparents were Henry II of France and Catherine de Medici and her father, Philip II, was reportedly overjoyed at her birth and declared himself to be happier on the occasion than he would have been at the birth of a son. Isabellas mother, Elisabeth of Valois, had originally been betrothed to Don Carlos, despite the significant age difference between them, Philip was very attached to Elisabeth, staying close by her side even when she was ill with smallpox. Elisabeths first pregnancy in 1564 ended in a miscarriage of twin daughters and she later gave birth to Isabella Clara Eugenia on 12 August 1566, and then to Isabellas younger sister Infanta Catherine Michelle of Spain 10 October 1567. Elisabeth miscarried a daughter in 1568 and died the same day, Isabella grew up with her sister Infanta Catherine Michelle of Spain, beloved by her father and her stepmother Anna of Austria, Queen of Spain, Philips fourth wife. Philip ultimately fathered five children by Anna, all of whom died in childhood except his heir. Isabella was also the person whom Philip permitted to help him with his work, sorting his papers. Since 1568, at the age of two, Isabella Clara Eugenia was promised to marry Rudolf II, Holy Roman Emperor, son of Maximilian II, Holy Roman Emperor, Maria was a daughter of her paternal grandparents Charles V, Holy Roman Emperor, and Isabella of Portugal. Isabella Clara Eugenia, however, had to wait for more than 20 years before the eccentric Rudolf declared that he had no intention of marrying anybody, at any rate, Isabella Clara Eugenias mother had ceded any claim to the French crown with her marriage to Philip II. However the Parlement de Paris, in power of the Catholic party and her father decided to cede the Spanish Netherlands to her on condition that she marry her cousin, Albert VII, Archduke of Austria. They were to reign over the Netherlands jointly as duke/count and duchess/countess and it was also stipulated that, should they have no children, the Netherlands would revert to the King of Spain upon the death of either spouse. On 18 April 1599, being 33 years old, she married Albert, Albert was the joint sovereign of the Seventeen Provinces and the former viceroy of Portugal. As Albert also was the Archbishop of Toledo, he had to be released from his religious commitments by Pope Clement VIII before the wedding could take place. Shortly before Philip II died on 13 September 1598, he renounced his rights to the Netherlands in favor of his daughter Isabella and her fiancé. Beginning in 1601, the couple ruled the Spanish Netherlands together, a false anecdote links Isabella, the siege of Ostend, and the horse coat colour isabelline. The reign of Albert and Isabella is considered the Golden Age of the Spanish Netherlands, the reign of the Archduke Albert of Austria and Archduchess Isabella Clara Eugenia is a key period in the history of the Spanish Netherlands
20.
Anne of Denmark
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Anne of Denmark was Queen consort of Scotland, England, and Ireland as the wife of King James VI and I. The second daughter of King Frederick II of Denmark, Anne married James in 1589 at age 15, Anne appears to have loved James at first, but the couple gradually drifted and eventually lived apart, though mutual respect and a degree of affection survived. In England, Anne shifted her energies from factional politics to patronage of the arts and constructed her own magnificent court, after 1612, she suffered sustained bouts of ill health and gradually withdrew from the centre of court life. Though she was reported to have been a Protestant at the time of her death, historians have traditionally dismissed Anne as a lightweight queen, frivolous and self-indulgent. However, recent reappraisals acknowledge Annes assertive independence and, in particular, Anne was born on 12 December 1574 at the castle of Skanderborg on the Jutland Peninsula in the Kingdom of Denmark. Her birth came as a blow to her father, King Frederick II of Denmark, but her mother, Sophie of Mecklenburg-Güstrow, was only 17, three years later she did bear Frederick a son, the future Christian IV of Denmark. With her older sister, Elizabeth, Anne was sent to be raised at Güstrow in Germany by her maternal grandparents, the Duke and Duchess of Mecklenburg. Christian was also sent to be brought up at Güstrow but two later, in 1579, the Rigsraad successfully requested his removal to Denmark, and Anne. Anne enjoyed a close, happy family upbringing in Denmark, thanks largely to Queen Sophie, James other serious possibility, though 8 years his senior, was Catherine, sister of the Huguenot King Henry III of Navarre, who was favoured by Elizabeth I of England. The constitutional position of Sophie, Annes mother, became difficult after Fredericks death in 1588, when she found herself in a power struggle with the Rigsraad for control of King Christian. As a matchmaker, however, Sophie proved more diligent than Frederick and, overcoming sticking points on the amount of the dowry, Anne herself seems to have been thrilled with the match. Whatever the truth of the rumours, James required a match to preserve the Stuart line. On 20 August 1589, Anne was married by proxy to James at Kronborg Castle, Anne set sail for Scotland within 10 days, but her fleet was beset by a series of misadventures. Finally being forced back to the coast of Norway, from where she travelled by land to Oslo for refuge, accompanied by the Earl Marischal and others of the Scottish and Danish embassies. According to a Scottish account, he presented himself to Anne, with boots and all, Anne and James were formally married at the Old Bishops Palace in Oslo on 23 November 1589, with all the splendour possible at that time and place. So that both bride and groom could understand, Leith minister David Lindsay conducted the ceremony in French and she giveth great contentment to his Majesty. The couple moved on to Copenhagen on 7 March and attended the wedding of Annes older sister Elizabeth to Henry Julius, Duke of Brunswick and they arrived in the Water of Leith on 1 May. Five days later, Anne made her entry into Edinburgh in a solid silver coach brought over from Denmark
21.
James VI and I
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James VI and I was King of Scotland as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until his death. The kingdoms of Scotland and England were individual sovereign states, with their own parliaments, judiciary, and laws, though both were ruled by James in personal union. James was the son of Mary, Queen of Scots, James succeeded to the Scottish throne at the age of thirteen months, after his mother Mary was compelled to abdicate in his favour. Four different regents governed during his minority, which ended officially in 1578, in 1603, he succeeded the last Tudor monarch of England and Ireland, Elizabeth I, who died without issue. He continued to reign in all three kingdoms for 22 years, a period known after him as the Jacobean era, until his death in 1625 at the age of 58. After the Union of the Crowns, he based himself in England from 1603, only returning to Scotland once in 1617 and he was a major advocate of a single parliament for England and Scotland. In his reign, the Plantation of Ulster and British colonization of the Americas began, at 57 years and 246 days, Jamess reign in Scotland was longer than those of any of his predecessors. He achieved most of his aims in Scotland but faced difficulties in England, including the Gunpowder Plot in 1605. James himself was a scholar, the author of works such as Daemonologie, The True Law of Free Monarchies. He sponsored the translation of the Bible that would later be named after him, Sir Anthony Weldon claimed that James had been termed the wisest fool in Christendom, an epithet associated with his character ever since. Since the latter half of the 20th century, historians have tended to revise Jamess reputation and treat him as a serious, James was the only son of Mary, Queen of Scots, and her second husband, Henry Stuart, Lord Darnley. Both Mary and Darnley were great-grandchildren of Henry VII of England through Margaret Tudor, Marys rule over Scotland was insecure, and she and her husband, being Roman Catholics, faced a rebellion by Protestant noblemen. James was born on 19 June 1566 at Edinburgh Castle, and as the eldest son and heir apparent of the monarch automatically became Duke of Rothesay and Prince and he was baptised Charles James or James Charles on 17 December 1566 in a Catholic ceremony held at Stirling Castle. His godparents were Charles IX of France, Elizabeth I of England, Mary refused to let the Archbishop of St Andrews, whom she referred to as a pocky priest, spit in the childs mouth, as was then the custom. The subsequent entertainment, devised by Frenchman Bastian Pagez, featured men dressed as satyrs and sporting tails, Jamess father, Darnley, was murdered on 10 February 1567 at Kirk o Field, Edinburgh, perhaps in revenge for Rizzios death. James inherited his fathers titles of Duke of Albany and Earl of Ross, Mary was already unpopular, and her marriage on 15 May 1567 to James Hepburn, 4th Earl of Bothwell, who was widely suspected of murdering Darnley, heightened widespread bad feeling towards her. In June 1567, Protestant rebels arrested Mary and imprisoned her in Loch Leven Castle and she was forced to abdicate on 24 July 1567 in favour of the infant James and to appoint her illegitimate half-brother, James Stewart, Earl of Moray, as regent. The care of James was entrusted to the Earl and Countess of Mar, to be conserved, nursed, and upbrought in the security of Stirling Castle
22.
Vincenzo Gonzaga, Duke of Mantua
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Vincenzo Ι Gonzaga was ruler of the Duchy of Mantua and the Duchy of Montferrat from 1587 to 1612. He was a son of Guglielmo X Gonzaga, Duke of Mantua and his maternal grandparents were Ferdinand I, Holy Roman Emperor, and Anna of Bohemia and Hungary. Vincenzo was a patron of the arts and sciences. Vincenzo employed the composer Claudio Monteverdi and the painter Peter Paul Rubens, in 1590 Monteverdi became a viol-player and cantor in the music chapel of Vincenzo, in 1602 Vincenzo appointed him master of music on the death of Benedetto Pallavicino. Vincenzo was also a friend of the poet Torquato Tasso, Vincenzo was described as a colossus who would dominate the entire ideal gallery, called the Celestial Gallery of Minerva. The astronomer Giovanni Antonio Magini also served as tutor to Vincenzos sons, Francesco, maginis life’s work was the preparation of the Atlante geografico dItalia, printed posthumously by Magini’s son in 1620. This was intended to include maps of each Italian region with exact nomenclature, a major project, its production proved. Vincenzo, to whom the atlas is dedicated, assisted him with this project, Vincenzos spendthrift habits are considered to have accelerated Mantuas economic and cultural decline. Vincenzo was rumored to have been impotent and he is said to have sent an expedition to the New World in order to obtain a legendary aphrodisiac. On 20 July 1588, Emperor Rudolf II granted Vincenzo the right to an escutcheon of Austria, Vincenzo created the Order of the Redemptor, approved by Pope Paul V, on 25 May 1608. Vincenzo married Margherita Farnese in 1581, their marriage was childless, on 29 April 1584 he married his first cousin Eleonora de Medici, the daughter of Francesco I de Medici and Joanna of Austria. Vincenzo and Eleonoras marriage produced six children and they were, Francesco, who ruled as Francesco IV Gonzaga, Duke of Mantua, and Duke of Montferrat between 9 February and 22 December 1612. Ferdinando, who ruled as Ferdinando I Gonzaga, Duke of Mantua, Guglielmo Domenico, nicknamed, Marquis of Monferrato. Margherita, wife of Henry II, Duke of Lorraine Vincenzo, ruled as Vincenzo II Gonzaga, Duke of Mantua, Eleonora, second wife of Ferdinand II, Holy Roman Emperor. By the noble FelicitaGuerrieri, daughter of Tullo Guerrieri, master of room of Duke Vincent I, had a daughter, grand Master of the Order of the Redeemer Knight of the Order of the Golden Fleece Bellonci, Maria. A Prince of Mantua, The Life and Times of Vincenzo Gonzaga, music and Patronage in Sixteenth-Century Mantua. The Medici Archives Museo di Mantova, Heraldic Arms
23.
Peter Paul Rubens
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Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
24.
Henry VIII of England
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Henry VIII was King of England from 21 April 1509 until his death. Henry was the second Tudor monarch, succeeding his father, Henry VII, Henry is best known for his six marriages and, in particular, his efforts to have his first marriage, to Catherine of Aragon, annulled. Despite his resulting excommunication, Henry remained a believer in core Catholic theological teachings, domestically, Henry is known for his radical changes to the English Constitution, ushering in the theory of the divine right of kings to England. Besides asserting the supremacy over the Church of England, he greatly expanded royal power during his reign. Charges of treason and heresy were commonly used to quash dissent, and he achieved many of his political aims through the work of his chief ministers, some of whom were banished or executed when they fell out of his favour. Thomas Wolsey, Thomas More, Thomas Cromwell, Richard Rich and his contemporaries considered Henry in his prime to be an attractive, educated, and accomplished king, and he has been described as one of the most charismatic rulers to sit on the English throne. He was an author and composer, as he aged, Henry became severely obese and his health suffered, contributing to his death in 1547. He is frequently characterised in his life as a lustful, egotistical, harsh. He was succeeded by his son Edward VI, born 28 June 1491 at the Palace of Placentia in Greenwich, London, Henry Tudor was the third child and second son of Henry VII and Elizabeth of York. Of the young Henrys six siblings, only three – Arthur, Prince of Wales, Margaret, and Mary – survived infancy and he was baptised by Richard Fox, the Bishop of Exeter, at a church of the Observant Franciscans close to the palace. In 1493, at the age of two, Henry was appointed Constable of Dover Castle and Lord Warden of the Cinque Ports. He was subsequently appointed Earl Marshal of England and Lord Lieutenant of Ireland at age three, and was inducted into the Order of the Bath soon after. The day after the ceremony he was created Duke of York, in May 1495, he was appointed to the Order of the Garter. Henry was given an education from leading tutors, becoming fluent in Latin and French. Not much is known about his early life – save for his appointments – because he was not expected to become king, as Duke of York, Henry used the arms of his father as king, differenced by a label of three points ermine. In 1502, Arthur died at the age of 15 of sweating sickness, Arthurs death thrust all his duties upon his younger brother, the 10-year-old Henry. After a little debate, Henry became the new Duke of Cornwall in October 1502, Henry VII gave the boy few tasks. Young Henry was strictly supervised and did not appear in public, as a result, the young Henry would later ascend the throne untrained in the exacting art of kingship
25.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
26.
Antonia Fraser
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Lady Antonia Margaret Caroline Fraser, DBE, née Pakenham, is a British author of history, novels, biographies and detective fiction. She is the widow of the 2005 Nobel Laureate in Literature, Harold Pinter, Fraser is the daughter of Frank Pakenham, 7th Earl of Longford, and his wife, Elizabeth Pakenham, Countess of Longford, née Elizabeth Harman. As the daughter of an Earl, she is accorded the courtesy title Lady. As a teenager, she and her siblings converted to Catholicism and her maternal grandparents were Unitarians – a non-conformist faith with a strong emphasis on social reform. In response to criticism of her writing about Oliver Cromwell, she has said and she was educated at the Dragon School in Oxford, St Marys School, Ascot, and Lady Margaret Hall, Oxford, the last was also her mothers alma mater. Her first major work, published by Weidenfeld & Nicolson, was Mary, Queen of Scots and she won the Wolfson History Award in 1984 for The Weaker Vessel, a study of womens lives in 17th century England. From 1988 to 1989, she was president of English PEN and she also has written detective novels, the most popular involved a character named Jemima Shore and were adapted into a television series which aired in the UK in 1983. From 1983-84, she was president of Edinburghs Sir Walter Scott Club, more recently, Fraser published The Warrior Queens, the story of various military royal women since the days of Boadicea and Cleopatra. In 1992, a year after Alison Weirs book The Six Wives of Henry VIII and she chronicled the life and times of Charles II in a well-reviewed 1979 eponymous biography. The book was cited as an influence on the 2003 BBC/A&E mini-series, Charles II, The Power & the Passion, in a featurette on the DVD, Louis Literary Award and the Crime Writers Association Non-Fiction Gold Dagger. She was a contestant on the BBC Radio 4 panel game My Word. from 1979 to 1990 and she serves as a judge for the Enid McLeod Literary Prize, awarded by the Franco-British Society, previously winning that prize for her biography Marie Antoinette. My Life with Harold Pinter was published in January 2010 and she read a version as BBC Radio Fours Book of the Week that month. At the Cheltenham Literary Festival on 17 October 2010, Lady Antonia announced that her work would be on the subject of the Great Reform Bill 1832. She is no longer planning a biography of Queen Elizabeth I of England and Ireland, Fraser acknowledges she is less interested in ideas than in the people who led nations and so on. I dont think I could ever have written a history of thought or anything like that. Id have to come at it another way and they had six children, three sons, Benjamin, Damian, and Orlando, and three daughters, Rebecca Fitzgerald, wife of barrister Edward Fitzgerald, QC, Flora Fraser and Natasha Fraser-Cavassoni. All three daughters are writers and biographers, Benjamin Fraser works for JPMorgan, Damian Fraser is the managing director of the investment banking firm UBS AG in Mexico, and Orlando Fraser is a barrister specializing in commercial law. Fairley, a neighbour of the Frasers, had been walking his dog, in 1975, she began an affair with playwright Harold Pinter, who was then married to the actress Vivien Merchant
27.
Art UK
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Art UK is a registered charity in the United Kingdom, previously known as the Public Catalogue Foundation. Originally the paintings were made accessible through a series of affordable book catalogues, later the same images and information were placed on a website in partnership with the BBC, originally called Your Paintings, hosted as part of the BBC website. The renaming in 2016 coincided with the transfer of the website to a stand-alone site, works by some 40,000 painters held in over 3,000 collections are now on the website. Future plans include a project to cover sculptures in public collections. The catalogues and website allow readers to see an illustration, normally in colour and this information has significant educational benefits and constitutes the building blocks for later art historical research. Revenue from catalogue sales made by collections is dedicated to the conservation and restoration of oil paintings in their care, the collections of bodies such as Arts Council England, English Heritage and the Government Art Collection are included. However the Royal Collection is not included, Art UK receives funding from the Heritage Lottery Fund and other sources. Of the 210,000 oil paintings in public ownership in the UK, many are held in storage or civic buildings without routine public access. Since 2003, The Public Catalogue Foundation has been working to rectify this through a series of colour catalogues. Before these were completed it was clear that a website was the best way to reach the wider public, the Oil Paintings in Public Ownership book series is published by The PCF mainly on a collection or county-by-county basis. Each county catalogue contains a photograph and basic information about each painting. All paintings are reproduced regardless of quality or condition, the PCF’s first catalogue was published in June 2004, and the series is now complete in 85 volumes. In January 2009 a partnership with the BBC was announced with the aim to place the entire catalogue of publicly owned oil paintings online by 2012. On 4 October 2012 it was announced that the project had photographed every painting that it intended to and all 210,000 would shortly be available. The Public Catalogue Foundation worked with the BBC to put all of the UKs publicly owned oil paintings online, in a section of the BBC website, Your Paintings, the PCF completed the digitisation of the entire national collection and celebrated their success in February 2013. An innovative crowdsourcing project, Your Paintings Tagger, also went online in 2011, the high-quality digital files, however, have not been made available to the public, and paintings on the BBC site can only be saved as a personal collection on the site, not downloaded. In March 2013 the BBC revealed that a painting by Anthony van Dyck had been discovered because of the Your Paintings website. Olivia, the subject of the painting, who died in 1663, was a lady-in-waiting to queen consort Henrietta Maria and she had married Endymion Porter, who was a patron of Anthony van Dyck
28.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
29.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
30.
Biografisch Portaal
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The Biografisch Portaal is an initiative based at the Huygens Institute for Dutch History in The Hague, with the aim of making biographical texts of the Netherlands more accessible. As of 2011, only information about deceased people is included. The system used is based on the standards of the Text Encoding Initiative, access to the Biografisch Portaal is available free through a web-based interface. The project is an undertaking by ten scientific and cultural bodies in the Netherlands with the Huygens Institute as main contact. In February 2012, a new project was started called BiographyNed to build a tool for use with the Biografisch Portaal that will link biographies to events in time. The main goal of the project is to formulate ‘the boundaries of the Netherlands’. List of Dutch people Official website
31.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
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