1.
Munich
–
Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
Munich
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From left to right: The
Munich Frauenkirche, the
Nymphenburg Palace, the
BMW Headquarters, the
New Town Hall, the
Munich Hofgarten and the
Allianz Arena.
Munich
–
Munich city
coat of arms
Munich
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Banners with the colours of Munich (left) and Bavaria (right) with the
Frauenkirche in the background
Munich
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Bombing damage to the Altstadt. Note the roofless and pockmarked Altes Rathaus looking up the Tal. The roofless Heilig-Geist-Kirche is on the right of the photo. Its spire, without the copper top, is behind the church. The Talbruck gate tower is missing completely.
2.
Southern Tyrol
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South Tyrol, also known by its alternative Italian name Alto Adige, is an autonomous province in northern Italy. It is one of the two provinces that make up the autonomous region of Trentino-Alto Adige/Südtirol. The province has an area of 7,400 square kilometres and its capital is the city of Bolzano. As of 2011, South Tyrol is among the wealthiest regions in Italy, South Tyrol is the term most commonly used in English for the province, and its usage reflects that it was created from a portion of the southern part of the historic County of Tyrol. German and Ladin speakers usually refer to the area as Südtirol, Alto Adige, one of the Italian names for the province, is also used in English. The term had been the name of political subdivisions along the Adige River in the time of Napoleon Bonaparte and it was reused as the Italian name of the current province after its post-World War I creation, and was a symbol of the subsequent forced Italianization of South Tyrol. The official name of the today in German is Autonome Provinz Bozen — Südtirol. German speakers usually refer to it not as a Provinz, provincial institutions are referred to using the prefix Landes-, such as Landesregierung and Landeshauptmann. The official name in Italian is Provincia autonoma di Bolzano — Alto Adige, South Tyrol as an administrative entity originated during the First World War. The Allies promised the area to Italy in the Treaty of London of 1915 as an incentive to enter the war on their side, with the rise of Fascism, the new regime made efforts to bring forward the Italianization of South Tyrol. The German language was banished from public service, German teaching was officially forbidden, the regime also favored immigration from other Italian regions. The subsequent alliance between Adolf Hitler and Benito Mussolini declared that South Tyrol would not follow the destiny of Austria, the region was de facto annexed to the German Reich until the end of the war. This status ended along with the Nazi regime, and Italian rule was restored in 1945, after the war the Allies decided that the province would remain a part of Italy, under the condition that the German-speaking population be granted a significant level of self-government. Italy and Austria negotiated an agreement in 1946, recognizing the rights of the German minority, alcide De Gasperi, Italys prime minister, a native of Trentino, wanted to extend the autonomy to his fellow citizens. This led to the creation of the region called Trentino-Alto Adige/Tiroler Etschland, German and Italian were both made official languages, and German-language education was permitted once more. Still Italians were the majority in the combined region, in a first phase, only public edifices and fascist monuments were targeted. The second phase was bloodier, costing 21 lives, the South Tyrolean question became an international issue. A fresh round of negotiations took place in 1961 but proved unsuccessful, the issue was resolved in 1971, when a new Austro-Italian treaty was signed and ratified
Southern Tyrol
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The Prince-Bishops of Trent ruled from Buonconsiglio Castle from the 13th until the 19th century
Southern Tyrol
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Flag
Southern Tyrol
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Cathedral Maria Himmelfahrt in
Bolzano /Bozen, capital of South Tyrol
Southern Tyrol
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View of the
Rosengarten group in South Tyrol
3.
Landsberg am Lech
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Landsberg am Lech is a town in southwest Bavaria, Germany, about 65 kilometers west of Munich and 35 kilometers south of Augsburg. It is the capital of the district of Landsberg am Lech, Landsberg is situated on the Romantic Road and is the center of the Lechrain region, the boundary region between Swabia and Bavaria. It is noted for its historic center. Landsberg am Lech developed where a historic salt road crossed over the Lech river. To protect the bridge, Duke Henry the Lion ordered a castle to be built, Castrum Landespurch, incorporating an older settlement, soon a greater settlement evolved, which received its town charter as early as the 13th century. In 1315 the town burned down, but was rebuilt because of its important location, in 1320 Landsberg was permitted to collect salt duties, bringing considerable wealth to the town. In 1419 a river tax added a further source of income, the town is noted for its prison where Adolf Hitler was incarcerated in 1924. During this incarceration Hitler wrote/dictated his book Mein Kampf together with Rudolf Hess and his cell, number 7, became part of the Nazi cult and many followers came to visit it during the German Nazi-period. Landsberg am Lech was also known as the town of the Hitler Youth, following World War II it was the location for one of the largest Displaced Person camps for Jewish refugees and the place of execution for more than 150 war criminals after 1945. It is the birthplace of the Nobel laureate Erwin Neher, the town comprises three main areas. The historic old town centre of Landsberg, which lies between the river Lech and its easterly elevated bank, the area to the west of the river Lech and the area on the easterly elevated bank developed since the early 19th century. Also belonging to Landsberg are the hamlets of Sandau and Pössing as well as the former independent boroughs of Ellighofen, Erpfting, Pitzling, the Landsberg camp began as a Nazi concentration camp. By October 1944, there were more than 5,000 prisoners in the camp, the camp was liberated on April 27,1945 by the 12th Armored Division of the United States Army. Upon orders from General Taylor, the American forces allowed news media to record the atrocities, after the liberation of the camp it became a displaced person camp. Consisting primarily of Jewish refugees from the Soviet Union and the Baltic states and it housed a Yiddish newspaper, religious schools, and organizations to promote Jewish religious observance. Tony Bennett was one of the soldiers who liberated the camp, a dramatization of the discovery and liberation of the camp was presented in Episode 9, Why We Fight of the Band of Brothers mini-series. A number of prominent leaders emerged from the camp, including Samuel Gringauz, the camp also served as the headquarters for the Jewish education and training organisation ORT. The camp closed on October 15,1950, Samuel Bak - Artist Johnny Cash -, American singer/songwriter stationed here in the early 1950s while serving in the U. S. Air Force
Landsberg am Lech
–
Lech River in Landsberg
4.
Landshut
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Landshut is a town in Bavaria in the south-east of Germany, belonging to both Eastern and Southern Bavaria. Situated on the banks of the River Isar, Landshut is the capital of Lower Bavaria and it is also the seat of the surrounding district, and with a population of more than 60,000. Landshut is the largest city in Lower Bavaria, followed by Passau and Straubing, owing to its characteristic coat of arms, the town is also often called City of the three Helmets. Furthermore, the town is known for the Landshuter Hochzeit. Due to its proximity and easy access to Munich and the Franz Josef Strauss International Airport, Landshut became a powerful, the town is one of the richest industrialized towns in Bavaria and has East Bavarias lowest unemployment rate, which represents full employment. Landshut lies in the centre of Lower Bavaria, and is part of the Alpine foothills, the River Isar runs through the city centre. Landshut is about 72 kilometres northeast of Munich, the city of Landshut and Trausnitz castle were founded in 1204 by Duke Louis I. Landshut was already a Wittelsbach residence by 1231, and in 1255, Duke Henry XVI was the first of the three famous rich dukes who ruled Bayern-Landshut in the 15th century. The wedding of Duke George with the Polish Princess Royal Jadwiga Jagiellon in 1475 was celebrated in Landshut with one of the most splendid festivals of the Middle Ages, after his death and the Landshut War of Succession, Bavaria-Landshut was reunited with Bavaria-Munich. Louis X, Duke of Bavaria built the Landshut Residence 1537–1543 after his visit to Italy, Louis built the first Renaissance palace constructed north of the Alps after the Palazzo Te in Mantua. William V, Duke of Bavaria ordered to upgrade Trausnitz Castle from a gothic fortification into a renaissance complex when he lived in Landshut as crown prince for ten years until 1579, afterwards Landshut lost most of its importance until the University of Ingolstadt was moved to Landshut in 1800. But already in 1826 the university was transferred to Munich, in 1634, during the Thirty Years War, the city was taken and plundered by Swedish forces under the command of Bernard of Saxe-Weimar. During World War II, a subcamp of Dachau concentration camp was located in the city to provide labour for local industry. The U. S. Army maintained facilities in Landshut, including Pinder Kaserne, since the opening of Munich Airport close to Landshut in 1992, the town has become an attractive business location. Among other Gothic architecture are the churches of St. Jodok and Holy Spirit, but also the Town Hall and the Ländtor, Landshut is also known for a festival celebrated every four years called the Landshuter Hochzeit, commemorating the 1475 marriage of George of Bavaria and Jadwiga Jagiellon. The renaissance era produced in particular the inner courtyard of the Trausnitz Castle. Baroque churches are represented by the Jesuit church St. Ignatius, the Dominican church St. Blasius, also the medieval churches of the Seligenthal convent and of the Cistercians were redesigned in baroque style. Many old middle-class houses of the past in the Old Town still represent the history of the town from the Gothic times to the Neo-Classicism
Landshut
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Panorama
Landshut
–
A view to Landshut
Landshut
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Coat of arms, depicted in 1605
5.
Augsburg University of Applied Sciences
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Augsburg University of Applied Sciences is a German university located in Augsburg. It was founded in 1971, but its roots as an art academy go back to 1670. With more than 4,300 students the Augsburg University of Applied Sciences is one of the largest institutions of its kind in Bavaria,127 Professors as well as 242 lecturers in 7 faculties are employed there. Currently 36 undergraduate and 12 master courses are offered and it hosts the Bibliotheca Augustana website which features a catalogue of electronic texts. In 1833, the Königlich Polytechnische Schule was founded, now being a predecessor of the Engineering faculties, in 1971 the university was officially founded containing a design and an engineering faculty. The other faculties and institutes followed as the university expanded to its current size
Augsburg University of Applied Sciences
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Hochschule Augsburg (building A)
Augsburg University of Applied Sciences
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Panorama Picture from Augsburg University of Applied Sciences (Brunnenlechgäßchen)
6.
Academy of Fine Arts, Munich
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The Academy of Fine Arts, Munich is one of the oldest and most significant art academies in Germany. It is located in the Maxvorstadt district of Munich, in Bavaria, the Academy of Fine Arts was founded 1808 by Maximilian I Joseph of Bavaria in Munich as the Royal Academy of Fine Arts. The Munich School refers to a group of painters who worked in Munich or were trained at the Academy between 1850 and 1918, the paintings are characterized by a naturalistic style and dark chiaroscuro. Typical painting subjects included landscape, portraits, genre, still-life, from 1900 to 1918 the academys director was Ferdinand Freiherr von Miller. In 1946, the Royal Academy of Fine Arts was merged with the School of arts and crafts, in 1953 its name was changed to the current Academy of Fine Arts. The large 19th-century Renaissance Revival style building complex, designed by Gottfried Neureuther, was completed in 1886 and it has housed the Academy since then. A new Deconstructivist style expansion, designed by the architectural firm Coop Himmelbau as an extension from the building, was completed in 2005
Academy of Fine Arts, Munich
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Panoramic view of the 1886 Academy of Fine Arts building.
Academy of Fine Arts, Munich
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Renaissance Revival style facade (1886).
Academy of Fine Arts, Munich
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Deconstructivist expansion, designed by
Coop Himmelb(l)au (2005).
7.
Karl von Piloty
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Karl Theodor von Piloty was a German painter. Von Piloty was born in Munich and his father, Ferdinand Piloty, enjoyed a great reputation as a lithographer. In 1840, Karl was admitted as a student of the Munich Academy, under the artists Karl Schorn, a year later the acclaimed history paintings, i. e. But he soon forsook this branch of painting in favour of historical subjects and it was succeeded by Seni at the Dead Body of Wallenstein, which gained for the young painter the membership of the Munich Academy, where he succeeded Schorn as professor in 1856. He also executed a number of paintings for the royal palace in Munich. For Baron von Schach, he painted the famous Discovery of America, in 1874, he was appointed keeper of the Munich Academy, being afterwards ennobled by the king of Bavaria. Piloty was the foremost representative of the school in Germany. He was a teacher, and among his more famous pupils were Hans Makart, Franz von Lenbach, Franz Defregger, Gabriel von Max, Georgios Jakobides. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Piloty. Media related to Karl von Piloty at Wikimedia Commons
Karl von Piloty
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Karl von Piloty
Karl von Piloty
–
The Death of
Wallenstein.
Karl von Piloty
–
Thusnelda in Germanicus' Triumph.
Karl von Piloty
–
The Death of Caesar.
8.
Glaspalast (Munich)
–
The Glaspalast was a glass and iron exhibition building located in the Old botanical garden - Munich in Munich modeled after The Crystal Palace in London. The Glaspalast opened for the Erste Allgemeine Deutsche Industrieausstellung on July 15,1854, following other examples around Europe, the Glaspalast was ordered by Maximilian II, King of Bavaria, in order to hole the Erste Allgemeine Deutsche Industrieausstellung on July 15,1854. Originally it was planned to erect the building on Maximilianplatz, however, the relevant Commission decision preferred an area near the railway station. Designed by architect August von Voit and built by MAN AG, following the completion of 1853 Schrannenhalle and the planned and conservatory of Munich Residence, a glass with cast iron design was used, using existing experience for this modern building. As with the Crystal Palace in London, initial designs were relatively complex, due to the short time available for construction, the design was significantly simplified and relied on use of standard components. Conventional construction methods were not possible due to the amount of building materials required. The two-storied building was 234 meters long,67 meters wide and 25 meters high, the building was built entirely of glass and cast iron, load-bearing walls were completely omitted. The 1,700 tons of prefabricated iron parts were made by Cramer-Klett in Nuremberg, for this construction, the glass was produced in the more traditional Schmidsfelden glass works. Construction was a six months, beginning December 31,1853 and ending June 7,1854. The total cost of construction was 800,000 guldens, the Erste Allgemeine Deutsche Industrieausstellung opened five weeks later, only three years after the completion of the Crystal Palace in London, which served as its model. Just three years after the completion of the Crystal Palace in London, which served as a model, however the opening was overshadowed as first the staff and later the exhibition guests were affected by cholera. In 1882 die erste elektrisch beleuchtete Internationale Elektrotechnische Ausstellung took place in the Glass Palace, the German engineer Oskar von Miller had built a 2000 volt DC overhead power line from Miesbach,50 km distant, to bring power to Munich. At the exhibition, an electrically powered pump for an artificial waterfall demonstrated the feasibility of bringing electrical power over long distances, mit einer elektrischen Pumpe für einen künstlichen Wasserfall demonstrierte Miller hier die Möglichkeit, elektrische Energie über große Entfernungen zu übertragen. In 1858, the First German general and historical art exhibition organized in the palace, from 1889, the Crystal Palace was almost exclusively used for art exhibitions. This affected the forum and place of the art trade. When it was planned, following the exhibition, it was assumed that the Glaspalast would be used as a greenhouse. However it was almost exclusively used for art exhibitions and artist festivals. The building was destroyed in a fire on June 6,1931, the cause of the fire was later determined to be arson
Glaspalast (Munich)
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The Glaspalast in Munich
Glaspalast (Munich)
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Awakened by Clara Walther, Official catalogue of the 8th International Exhibition in 1901
Glaspalast (Munich)
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Winter Landscape with Church (1807-08). This oil painting by
Caspar David Friedrich was among the works destroyed in the fire.
9.
Weimar
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Weimar is a city in the federal state of Thuringia, Germany. It is located between Erfurt in the west and Jena in the east, approximately 80 kilometres southwest of Leipzig,170 kilometres north of Nuremberg and 170 kilometres west of Dresden. Together with the neighbour-cities Erfurt and Jena it forms the metropolitan area of Thuringia with approximately 500,000 inhabitants. Weimar is well known because of its cultural heritage and its importance in German history. The city was a point of the German Enlightenment and home of the leading characters of the literary genre of Weimar Classicism. Until 1948, Weimar was the capital of Thuringia, today, many places in the city centre have been designated as UNESCO World Heritage sites and tourism is one of the leading economic sectors of Weimar. Relevant institutions in Weimar are the Bauhaus University, the Liszt School of Music, in 1999, Weimar was the European Capital of Culture. Archaeological finds dating back to the Thuringii epoch show that the Weimar part of the Ilm valley was settled early, the oldest records regarding Weimar date to 899. Its name changed over the centuries from Wimares through Wimari to Wimar and finally Weimar, it is derived from Old High German wīh-, another theory derives the first element from OHG win. The place was the seat of the County of Weimar, first mentioned in 949, in 1062 it was united with the County of Orlamünde to the new County of Weimar-Orlamünde, which existed until the Thuringian Counts War in 1346 and fell to the Wettins afterwards. The Weimar settlement emerged around the wooden castle and two small churches dedicated to St Peter, and to St James. In 1240, the count founded the monastery in Oberweimar. Soon after, the counts of Weimar founded the town, which was an independent parish since 1249, from 1262 the citizens used their own seal. Nevertheless, the influence of the Weimar counts was declining as the influence of the Wettins in Thuringia increased. Hence, the new town was relatively marginal in a regional context. The settlement around St James Church developed into a suburb during the 13th century, after becoming part of the Wettins territory in 1346, urban development improved. The Wettins fostered Weimar by abolishing socage and granting privileges to the citizens, now Weimar became equal to other Wettinian cities like Weißensee and grew during the 15th century, with the establishment of a town hall and the current main church. Weimar acquired woad trade privileges in 1438, the castle and the walls were finished in the 16th century, making Weimar into a full city
Weimar
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Weimar
Weimar
Weimar
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Park an der Ilm
Weimar
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The Kasseturm is a relic of the former city wall at Goetheplatz
10.
Plein aire
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En plein air, or plein air painting, is a phrase borrowed from the French equivalent meaning open air. It is particularly used to describe the act of painting outdoors, also called French, peinture sur le motif and this method contrasts with studio painting or academic rules, those might create a predetermined look. En plein air can also be used to other activities where a person partakes in an outdoor environment. Artists have long painted outdoors, but in the century, working in natural light became particularly important to the Barbizon school, Hudson River School. The Newlyn School in England is considered another major proponent of the technique in the latter 19th century, the popularity of painting en plein air increased in the 1840s with the introduction of paints in tubes. Previously, painters made their own paints by grinding and mixing dry pigment powders with linseed oil, the act of outdoor painting from observation has been continually popular well into the 21st century. It was during the century that the box easel, typically known as the French box easel or field easel, was invented. It is uncertain who developed it, but these highly portable easels with telescopic legs and built-in paint box and palette made it easier to go into the forest and up the hillsides. Still made today, they remain a popular choice since they fold up to the size of a brief case and thus are easy to store. The Pochade Box is a box that allows the artist to keep all of their supplies. Some designs allow for a canvas which can be held by clamps built into the lid. There are designs which can hold a few wet painting canvases or panels within the lid. These boxes have a rising popularity as while they are used for plein air painting, can also be used in the studio, home. Since pochade boxes are used for painting on location, the canvas or work surface may be small. Challenges include the type of paint used to paint outdoors, animals, bugs, onlookers, acrylic paint may harden and dry quickly in warm, sunny weather and it cannot be reused. On the opposite side of the spectrum is the challenge of painting in moist or damp conditions with precipitation, the advent of plein air painting predated the invention of acrylics. The traditional and well-established method of painting en plein air incorporates the use of oil paint, but enthusiasts of plein air painting were not limited to the Old World. American impressionists too, such as those of the Old Lyme school, were avid painters en plein air, american impressionist painters noted for this style during this era included Guy Rose, Robert William Wood, Mary DeNeale Morgan, John Gamble, and Arthur Hill Gilbert
Plein aire
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Painters gathered at
Slide Rock State Park,
Arizona, in 2006.
Plein aire
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Artist working en plein air, at
Pigeon Point Lighthouse in
California.
Plein aire
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En plein air painters painting in
Ringwood, New Jersey.
Plein aire
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Claude Monet Painting by the Edge of a Wood (1885) by
John Singer Sargent. Oil on canvas. 54.0 × 64.8 cm.
Tate Gallery, London.
11.
Adolf Friedrich von Schack
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Adolf Friedrich, Graf von Schack was a German poet, historian of literature and art collector. Schack was born at Brüsewitz near Schwerin, having studied jurisprudence at the universities of Bonn, Heidelberg and Berlin, he entered the Mecklenburg state service and was subsequently attached to the Kammergericht in Berlin. On his return he entered the Oldenburg government service, and in 1849 was sent as envoy to Berlin, in 1852 he retired from his diplomatic post, resided for a while on his estates in Mecklenburg and then travelled in Spain, where he studied Moorish history. And which, though bequeathed by him to the Emperor William II and he died at Rome in April 1894, aged 78. His museum opened in 1848 and remains open as an art museum. Heimkehr Novels in Verse Durch alle Wetter and Ebenbürtig, tragedies Die Pisaner and Walpurga and Der Johanniter. Political Comedies Der Kaiserbote and Cancan, art and Literature History Geschichte der dramatischen Literatur and Kunst in Spanien, Poesie and Kunst der Araber in Spanien and Sicilien, which are valuable contributions to literary history. Translations Spanisches Theater, Heldensagen des Firdusi and Stimmen vom Ganges, catalogue and History of Personal Picture Gallery Meine Gemaldesammlung. Collected Works Gesammelte Werke, were published in six volumes, nachgelassene Dichtungen were edited by G. Winkler. See his autobiography, Ein halbes Jahrhundert, Erinnerungen and Aufzeichnungen, cf. further the accounts of Schack by F. W. Rogge, E. Zabel, E. Brenning, W. J. Mannsen, and also L. Berg, Zwischen zwei Jahrhunderten. Works by Adolf Friedrich von Schack at Project Gutenberg Works by or about Adolf Friedrich von Schack at Internet Archive
Adolf Friedrich von Schack
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A portrait by Von Lenbach
Adolf Friedrich von Schack
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Adolf Friedrich von Schack, shown in the mantle and wearing the cross of the noble Protestant
Order of Saint John.
12.
Exposition Universelle (1867)
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The International Exposition of 1867, was the second worlds fair to be held in Paris, from 1 April to 3 November 1867. Forty two nations were represented at the fair, following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. In 1864, Napoleon III decreed that an international exposition should be held in Paris in 1867, a commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. In addition to the building, there were nearly 100 smaller buildings on the grounds. There were 50,226 exhibitors, of whom 15,055 were from France and her colonies,6176 from Great Britain and Ireland,703 from the United States and a small contingent from Canada. In the gallery of Labour History Jacques Boucher de Perthes, exposes one of the first prehistoric tools whose authenticity has been recognized with the accuracy of these theories. The exhibition also included two prototypes of the acclaimed and prize-winning hydrochronometer invented in 1867 by Gian Battista Embriaco. Farcot and sculptor Albert-Ernest Carrier-Be Belleuse, farcot exhibited several units, one of them it is currently in the Roosevelt Hotel in New Orleans. Its base, which features the face and inner mechanical movements, is carved from solid onyx marble. Atop the base, a sculpture depicting a robed female figure holds a scepter. Rotating soundlessly from the subjects hand, the scepter provides consistent motion that adds to the clocks sense of grandeur. From its base to the top of the figure stands at nearly 10 feet tall. Carrier de Belleuse was one of the most important and renowned sculptors of the 19th century, the exposition was formally opened on 1 April and closed on 31 October 1867, and was visited by 9,238,967 persons, including exhibitors and employees. This exposition was the greatest up to its time of all international expositions, for the first time Japan presented art pieces to the world in a national pavilion, especially pieces from the Satsuma and Saga clans in Kyushu. The Paris street near Champs de Mars, Rue de LExposition was named in hommage to this 1867 universal exhibition. Jules Verne visited the exhibition in 1867, his take on the newly publicized discovery of electricity inspiring him heavily in his writing of 20,000 Leagues Under the Sea. A famous revival of the ballet Le Corsaire was staged by the Ballet Master Joseph Mazilier in honor of the exhibition at the Théâtre Impérial de l´Opéra on 21 October 1867. The World Rowing Championships were held on the Seine River in July and was won by the underdog Canadian team from Saint John, rejtan This article incorporates text from a publication now in the public domain, Gilman, D. C
Exposition Universelle (1867)
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Main building at Champ de Mars
Exposition Universelle (1867)
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Official bird's-eye view of Exposition Universelle of 1867.
Exposition Universelle (1867)
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Napoleon III receives the rulers and illustrious men who visited the 'Exposition universelle of 1867".
Exposition Universelle (1867)
–
Swedish
folk costumes on display at the International Exposition in 1867.
13.
Ernst Friedrich von Liphart
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Baron Ernst Friedrich von Liphart or Earnest Lipgart was a painter, a noted art expert and art collector from what is now Tartu in Estonia. After living for a time in Florence, he moved to France and then to Russia, Liphart was born in Kambja Parish in Tartu County in 1847. His father, Karl Eduard von Liphart, came from a noble Baltic German family that was based at Raadi Manor in what is now Estonia and his family were members of the national intelligentsia and owned a significant art collection. Liphart accompanied his father on his travels, starting in 1860, in 1862, they moved to Florence because of Lipharts weak health. His father continued his interest in art, which was financed and supported by Grand Duchess Maria Nikolaevna, Ernst studied painting under Franz von Lenbach before travelling to Spain with him to study paintings from 1866 to 1868. This trip was funded by Lenbachs patron Count Schack, Liphart was disinherited by his father in 1873 after he converted to Roman Catholicism to marry Luisa Juan, a Florentine, before they moved to Paris. He studied under Gustave Boulanger and Jules Joseph Lefebvre at the Académie Julian whilst illustrating the leading magazines La vie élégante and La vie moderne. Liphart also took on more unusual requests, including the menu for the Tsars coronation in 1896 and then painting 100 figures on a piano, the piano was a present from the Tsar to Empress Alexandra Feodorovna. Ernsts father died in Florence in 1904, after his death his art collection was moved back to Estonia, where it was combined with his familys collection at Raadi Manor. under Jan Tsionglinsky and Liphart. Liphart was appointed to several Russian learned societies and he became the curator of paintings at the Hermitage Museum in 1906 and he held the position until 1929. Liphart continued his fathers interest in Leonardo da Vinci, Liphart arranged for the museum to purchase Madonna and Child with Flowers which he had correctly attributed to da Vinci. Liphart also notably identified the painting of Saint Peter and Saint Paul to be by El Greco, the Liphart art collection that had been at the family residence was moved after the Russian Revolution. The collection appeared first in a sale in Copenhagen in 1920, Raadi Manor was used by the Estonian National Museum in 1922–4 after the manor came under the management of the University of Tartu. The graphic art collection created by the Liphart family came into the possession of Tartu University in the 1920s, the universitys art museum still has the collection, which includes examples of Japanese woodcuts as well as noted prints by Albrecht Dürer and William Hogarth. In 1921 he was evicted from his house and his daughter was executed for harbouring a White Army officer, before he died, Liphart wrote a novel and a play
Ernst Friedrich von Liphart
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Self-portrait
Ernst Friedrich von Liphart
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One of Liphart's portraits of Tsar Nicholas II
Ernst Friedrich von Liphart
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Menu for Nicholas II's coronation by Lipgart
14.
Old Masters
–
In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
Old Masters
–
Giorgione's
Sleeping Venus (c. 1510), Dresden,
Gemäldegalerie Alte Meister.
Old Masters
–
Still Life with Pie, Silver Ewer and Crab by
Willem Claeszoon Heda (1658) Oil on canvas
Frans Hals Museum, Haarlem
Old Masters
–
Portrait of a young woman by
Sandro Botticelli, 1480
Old Masters
–
Sistine Chapel ceiling,
Ignudi, Michelangelo, 1509
15.
Panic of 1873
–
The Panic of 1873 was a financial crisis that triggered a depression in Europe and North America that lasted from 1873 until 1879, and even longer in some countries. In Britain, for example, it started two decades of stagnation known as the Long Depression that weakened the economic leadership. The Panic was known as the Great Depression until the events in the early 1930s set a new standard, the Panic of 1873 and the subsequent depression had several underlying causes, of which economic historians debate the relative importance. The first symptoms of the crisis were financial failures in the Austro-Hungarian capital, Vienna, the American Civil War was followed by a boom in railroad construction. 33,000 miles of new track were laid across the country between 1868 and 1873, much of the craze in railroad investment was driven by government land grants and subsidies to the railroads. At that time, the industry was the nations largest employer outside of agriculture. A large infusion of cash from speculators caused abnormal growth in the industry as well as overbuilding of docks, factories, at the same time, too much capital was involved in projects offering no immediate or early returns. As a result, the United States Congress passed the Coinage Act of 1873, before the Act, the United States had backed its currency with both gold and silver, and it minted both types of coins. The Act moved the United States to a de facto gold standard, the Act had the immediate effect of depressing silver prices. This hurt Western mining interests, who labeled the Act The Crime of 73, but the coinage law also reduced the domestic money supply, which raised interest rates, thereby hurting farmers and anyone else who normally carried heavy debt loads. The resulting outcry raised serious questions about how long the new policy would last and this perception of instability in United States monetary policy caused investors to shy away from long-term obligations, particularly long-term bonds. The problem was compounded by the boom, which was in its later stages at the time. In September 1873, the U. S. economy entered a crisis and this followed a period of post-Civil War economic over-expansion that arose from the Northern railroad boom. It came at the end of a series of setbacks, the Black Friday panic of 1869, the Chicago fire of 1871, the outbreak of equine influenza in 1872. In September 1873, Jay Cooke & Company, a component of the United States banking establishment. Cookes firm, like others, had invested heavily in the railroads. At a time when investment banks were anxious for more capital for their enterprises, while businesses were expanding, the money they needed to finance that growth was becoming scarcer. Cooke and other entrepreneurs had planned to build the second transcontinental railroad, cookes firm provided the financing, and ground was broken near Duluth, Minnesota, for the line on 15 February 1870
Panic of 1873
–
A
bank run on the Fourth National Bank No. 20
Nassau Street, New York City, from
Frank Leslie's Illustrated Newspaper, 4 October 1873
Panic of 1873
–
New York police violently attacking unemployed workers in
Tompkins Square Park, 1874.
Panic of 1873
–
Black Friday, 9 May 1873,
Vienna Stock Exchange.
16.
Maria Beccadelli di Bologna
–
Maria Beccadelli di Bologna, Marchesa di Altavilla, Principessa di Camporeale, married Princess Maria von Bülow, was the wife of Prince Bernhard von Bülow, the Chancellor of Germany. She was the daughter of Domenico Beccadelli di Bologna, Principe di Camporeale and Laura and her mother was married in second marriage to the Italian prime minister Marco Minghetti and played a central role in Italian and German aristocracy. Maria began calling herself Marie after her marriage to the Prussian diplomat Karl August and they married on 15 May 1867 in Lugano, but were divorced in 1882 and the marriage annulled by the Pope in 1884. On 9 January 1886 in Vienna, she married Bernhard, Prince of Bülow and she became a confidant of the Prussian Crown Princess Victoria
Maria Beccadelli di Bologna
–
Maria Beccadelli di Bologna, portrait by
Franz von Lenbach, 1873
17.
Hans Makart
–
Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach, Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and he went to Munich, and after two years of independent study attracted the attention of Karl Theodor von Piloty, under whose guidance, between 1861 and 1865 he developed his painting style. During these years, Makart also travelled to London, Paris, the first picture he painted under Piloty, Lavoisier in Prison, though it was considered timid and conventional, attracted attention by its sense of color. In his next work, The Knight and the Water Nymphs and his fame became established in the next year, with two works, Modern Amoretti and The Plague in Florence. His painting Romeo and Juliet was soon bought by the Austrian emperor for the Vienna Museum. The prince Von Hohenlohe provided Makart with an old foundry at the Gusshausstraße 25 to use as a studio, eventually his studio looked like a salon and became a social meeting point in Vienna. Cosima Wagner described it as a wonder of decorative beauty, a sublime lumber-room and his luxurious studio served as a model for a great many upper middle-class living rooms. The opulent, semi-public spaces of the Makart atelier were the scene of a rendezvous between the artist and his public. In this way, an artist like Makart lived out the image that high society had created of him. He not only practised painting, but was also a designer, costume designer, furniture designer, and decorator. His work engendered the term Makartstil, or Makart style, which characterized the era. This became known as the Makart-parade, and had given the people of Vienna the chance to dress up in historical costumes, at the head of the parade was a float for artists, led by Makart on a white horse. His festivals became an institution in Vienna which lasted up until the 1960s, in the same year as the first parade he became a Professor at the Vienna Academy. In the United States, the painting fell under the proscription of Anthony Comstock, the American public desired at once to see what Comstock was persecuting, so they could tell whether he was acting correctly or in error. In 1882, emperor Franz Josef ordered the building of the Villa Hermes at Lainz for his empress, Makart designed for him a dreamworld that still exists at the Villa Hermes as a large painting. Unfortunately his design was never executed after his death in 1884. His collection of antiques and art consisted of 1083 pieces and was put up for auction by art-dealer H. O, salzburgs Makart Square, or Makartplatz, was named after the painter
Hans Makart
–
Modern Amoretti, right panel of three main panels, Hans Makart
Hans Makart
–
Hans Makart (1884)
Hans Makart
–
Gräfin Palffy, 1880
Hans Makart
–
Charlotte Wolter as "
Messalina "
18.
Palazzo Borghese
–
Palazzo Borghese is a palace in Rome, Italy, the main seat of the Borghese family. It was nicknamed il Cembalo due to its unusual trapezoidal groundplan, both these entrances lead into a large courtyard on one side of which is a two level open arcade, with paired Doric and Ionic columns, that frames the garden beyond. Ackerman and followed by scholars since, with more or less reduced interventions by Longhi. Longhi was retained by Pedro Cardinal Deza, who bought the property in 1587, Cardinal Camillo Borghese purchased the structure in 1604 and acquired further adjacent properties towards the river. Ponzio extended the square courtyard from five to seven bays, and he also constructed the secondary facade onto the Piazza Borghese and down towards the Tiber, with balconies above the rusticated entrance on the Via di Ripetta. On the death of his uncle, Cardinal Scipione Borghese took up residence and undertook changing the garden to a loggia, the Porto di Ripetta, the port of Rome, was along the river bank of the Via di Ripetta. From 1707, the Tiber side of Palazzo Borghese would have overlooked the scenographic steps of the Porto di Ripetta designed by Alessandro Specchi, the port was destroyed in the 19th century with the development of Lungotevere. The main façades have three stories with two mezzanines inserted between them and the two majestic portals are flanked by columns and a balcony, through the portal on the Piazza Fontanella Borghese, a view across the courtyard is centred on one of the wall fountains in the garden beyond. The court has been described as one of the most spectacular existing, Palazzo Borghese was the original seat of the familys art collection, with works by Raphael, Titian and many others, transferred in 1891 to the Galleria Borghese in Villa Borghese. The balcony scene in the 1968 film Romeo and Juliet was filmed here, Villa Borghese Galleria Borghese Fischer, Heinz-Joachim. Zweieinhalb Jahrtausende Geschichte, Kunst und Kultur der Ewigen Stadt, the Palazzo Borghese Biographies of Longhi and Ponzio are in appendices. Touring Club Italiano, Roma e Dintorni Page with ancient print of the palace
Palazzo Borghese
–
The main facade
Palazzo Borghese
–
Flaminio Ponzo's rear façade of Palazzo Borghese on the Tiber River.
19.
Pope Leo XIII
–
Pope Leo XIII reigned as Pope from 20 February 1878 to his death. He was the oldest pope, and had the third longest pontificate, behind that of Pius IX and he is the most recent pontiff to date to take the pontifical name of Leo upon being elected to the pontificate. He is well known for his intellectualism and his attempts to define the position of the Catholic Church with regard to modern thinking. In his famous 1891 encyclical Rerum novarum, Pope Leo outlined the rights of workers to a wage, safe working conditions. He influenced Roman Catholic Mariology and promoted both the rosary and the scapular, Leo XIII issued a record of eleven Papal encyclicals on the rosary earning him the title as the Rosary Pope. In addition, he approved two new Marian scapulars and was the first pope to fully embrace the concept of Mary as Mediatrix and he was the first pope to never have held any control over the Papal States, after they had been dissolved by 1870. He was briefly buried in the grottos of Saint Peters Basilica before his remains were transferred to the Basilica of Saint John Lateran. Born in Carpineto Romano, near Rome, he was the sixth of the seven sons of Count Ludovico Pecci and his brothers included Giuseppe and Giovanni Battista Pecci. Until 1818 he lived at home with his family, in which counted as the highest grace on earth, as through her. Together with his brother Giuseppe, he studied in the Jesuit College in Viterbo and he enjoyed the Latin language and was known to write his own Latin poems at the age of eleven. In 1824 he and his older brother Giuseppe were called to Rome where their mother was dying, Count Pecci wanted his children near him after the loss of his wife, and so they stayed with him in Rome, attending the Jesuit Collegium Romanum. In 1828, Giuseppe entered the Jesuit order, while Vincenzo decided in favour of secular clergy and he studied at the Academia dei Nobili, mainly diplomacy and law. In 1834 he gave a student presentation, attended by several cardinals, for his presentation he received awards for academic excellence, and gained the attention of Vatican officials. Cardinal Secretary of State Luigi Lambruschini introduced him to Vatican congregations, during a cholera epidemic in Rome he ably assisted Cardinal Sala in his duties as overseer of all the city hospitals. Pope Gregory XVI appointed Pecci on 14 February 1837, as personal prelate even before he was ordained priest on 31 December 1837, by the Vicar of Rome and he celebrated his first mass together with his priest brother Giuseppe. He received his doctorate in theology in 1836 and doctorates of civil, shortly thereafter, Gregory XVI appointed Pecci as legate to Benevento. The smallest of papal provinces, Benevento included about 20,000 people, the main problems facing Pecci were a decaying local economy, insecurity because of widespread bandits, and pervasive Mafia or Camorra structures, who often were allied with aristocratic families. Pecci arrested the most powerful aristocrat in Benevento, and his troops captured others, with the public order restored, he turned to the economy and a reform of the tax system to stimulate trade with neighboring provinces
Pope Leo XIII
–
Pope Leo XIII
Pope Leo XIII
–
The house in Carpineto, in which the Pecci brothers grew up
Pope Leo XIII
–
Carpineto in 1860
Pope Leo XIII
–
Bishop Pecci as
Nuncio in
Brussels
20.
Ernst Schweninger
–
Ernst Schweninger was a German physician who developed the Schweninger method, a reduction of obesity by the restriction of fluids in the diet. He was born on 15 June 1850 in Freystadt, Upper Palatinate and he studied medicine at the Ludwig Maximilians University of Munich where he received his M. D. in 1870. His appointment to a chair at Berlin in 1884 against the wishes of the faculty was largely due to his successful treatment of Otto von Bismarck for obesity. His method was a modification of the method developed by William Banting and he published Dem Andenken Bismarcks in 1899. He retired to life in Munich in 1905. He died there on 13 January 1924, georg Richard Lewin This article incorporates text from a publication now in the public domain, Gilman, D. C. Thurston, H. T. Colby, F. M. eds. article name needed, works by or about Ernst Schweninger at Internet Archive
Ernst Schweninger
–
Ernst Schweninger
21.
Munich Secession
–
They acted as a form of cooperative, using their influence to assure their economic survival and obtain commissions. In 1901, the split again when some dissatisfied members formed the group Phalanx. Another split occurred in 1913, with the founding of the New Munich Secession, by the end of the Nineteenth Century, more artists lived in Munich than lived in Vienna and Berlin put together. However, the art community there was dominated by the attitudes of the Munich Artists Association. These attitudes found expression in the mission statements, written by the so-called Prince of Painters Franz von Lenbach. Another factor was the financial failure of an exhibition in 1888 at the Glaspalast. This led to a debate about responsibility and the exhibitions content which grew so furious, it attracted the attention of the Ministry of State for Science. They called for a transformation in the ideas of what constitutes art, man soll auf unseren Ausstellungen Kunst sehen und jedes Talent, ob älterer oder neuerer Richtung, dessen Werke München zur Ehre gereichen, soll seine Blüte reich entfalten können. In this statement of principles, the artists declared their intentions to move away from outmoded principles, on April 4,1892, ninety-six artists who had resigned from the official Association, established the Association of Visual Artists of Munich. Bruno Piglhein was elected the first President and Paul Hoecker became the first Secretary, in a few months the original name gave way to the more popular name, Munich Secession. Financial support initially came from three sources, Georg Hirth, a writer and journalist who coined the word secession to describe the spirit of the art movements at that time. That same year saw the creation of another association, the Luitpold-Gruppe. The Vienna Secession followed five years later, and the Berlin Secession was established in 1898, at first, the Secession had some difficulty finding a building for their exhibitions. The city of Frankfurt offered to provide the space and 500,000 Gold Marks. Their first exhibition took place at Berlins National Exhibition Building early in 1893. Baurat Franz von Brandl provided the Secession with some land at the corner of Prinzregentenstraße and Pilotystraße. Construction began immediately and their debut took place on July 16,1893. Over 4,000 visitors came to see 876 works by 297 artists, the success of this effort eventually allowed them to come to an agreement with Franz von Lenbach and the Artists Association
Munich Secession
–
Poster by
Franz von Stuck for the Seventh International Art Exhibition in Munich, 1897
Munich Secession
–
Franz von Lenbach, the "Prince of Painters". From
Die Gartenlaube, c.1900
Munich Secession
–
Bruno Piglhein, first President of the Secession
Munich Secession
–
The National Exhibition Building (ULAP), c.1885
22.
Bavarian National Museum
–
The Bavarian National Museum in Munich is one of the most important museums of decorative arts in Europe and one of the largest art museums in Germany. Since the beginning the collection has been divided into two groups, the art historical collection and the folklore collection. The museum was founded by King Maximilian II of Bavaria in 1855 and it houses a large collection of European artifacts from the late antiquity until the early 20th century with particular strengths in the medieval through early modern periods. The building, erected in the style of historicism by Gabriel von Seidl 1894-1900, is one of the most original and it is situated in the Prinzregentenstrasse, one of the citys four royal avenues. The house replaced a building which houses today the Museum Five Continents. Already in 1905/06, the museum was expanded to the north by a few rooms, German Bestelmeyer added a wing at the southeast corner in 1937. The main building of the Bavarian National Museum includes on three floors exhibition rooms with in total about 13,000 square meters, the core of the collection dates from the art collection of the Wittelsbach family. This gives the National Museum an importance far beyond the local area, diversity and breadth of the collections, however, were particularly motivated by the new additions to the subsequent period. To date, the inventory is updated continuously not only through acquisitions, support experienced by the National Museum, in particular, by the 1960 launched club Friends of the Bavarian National Museum. The National Museum has several museums throughout Bavaria. The western side wing of the museum houses The Bollert Collection with late medieval sculptures, the museum is especially noted for its collections of carved ivory, goldsmith works, textiles, glass painting, tapestries and shrines. The museum is famous for its collections of courtly culture, musical instruments, furniture, oil paintings, sketches, clocks, stoneware, majolica, miniatures, porcelain and faience and it has probably the worlds best collection of the Nymphenburg porcelain figures of Franz Anton Bustelli. The Romanesque period is represented by sculptures from the monastery of Wessobrunn. Important pieces of Romanesque art include wooden figures of crucifixion groups from Bamberg, Schongau and Kaufbeuren, the Kasten der Heiligen Kunigunde, is a unique masterpiece made in the year 1000 in Scandinavia of wood, bronze and narwhal tusk. Key works of art, important stained glass windows. On display are also historic Gothic chamber ensembles such as the magnificently painted Zunftstube of Augsburg weavers, the Bavarian National Museum displays one of the largest and most important collections of late medieval sculpture from the German-speaking countries. Special attractions are the knights hall with the ceremonial armor of the 15th and 16th Century. The portrait art of the Renaissance is represented by medals, miniatures, paintings, many items come from the art chamber of the Wittelsbach family
Bavarian National Museum
–
Bavarian National Museum
Bavarian National Museum
–
Byzantine ivory
Bavarian National Museum
–
The gothic Madonna from
Seeon Abbey
Bavarian National Museum
–
Medieval knight's armour
23.
Trading card
–
There is a wide variation of different types of cards. Modern cards even go as far as to include swatches of game worn memorabilia, autographs, trading cards are traditionally associated with sports, baseball cards are especially well-known. Cards dealing with subjects like Pokémon are often considered a separate category from sports cards. These often feature cartoons, comic characters, television series. In the 1990s, cards designed specifically for playing games became popular enough to develop into a distinct category and these tend to use either fantasy subjects or sports as the basis for game play. Trade cards are the ancestors of trading cards, allen and Ginter in the U. S. in 1886, and British company W. D. & H. O. Wills in 1888, were the first tobacco companies to print advertisements, a couple years later, lithograph pictures on the cards with an encyclopedic variety of topics from nature to war to sports — subjects that appealed to men who smoked - began to surface as well. By 1900, there were thousands of card sets manufactured by 300 different companies. Children would stand outside of stores to ask customers who bought cigarettes for the promotional cards, World War II put an end to cigarette card production due to limited paper resources, and after the war cigarette cards never really made a comeback. After that collectors of prizes from retail products took to collecting tea cards in the UK, the first baseball cards were trade cards printed in the late 1860s by a sporting goods company, around the time baseball became a professional sport. Most of the baseball cards around the beginning of the 20th century came in candy and it was during this era that the most valuable baseball card ever printed was produced - the infamous T206 tobacco card featuring Honus Wagner. The T206 Set, distributed by the American Tobacco Company in 1909, is considered by collectors to be the most popular set of all time. In 1933, Goudey Gum Company of Boston issued baseball cards with players biographies on the backs and was the first to put baseball cards in bubble gum, the 1933 Goudey set remains one of the most popular and affordable vintage sets to this day. Bowman Gum of Philadelphia issued its first baseball cards in 1948, Topps Chewing Gum, Inc. now known as The Topps Company, Inc. Topps produced its first baseball trading card set in 1951, with the design resembling that of playing cards. Topps owner and founder Sy Berger created the first true baseball card set, complete with playing record and statistics. This is one of the most popular sets of all time, Topps purchased their chief competitor, Bowman Gum, in 1956. Topps was the leader in the trading industry from 1956 to 1980, not only in sports cards
Trading card
–
Various trading cards
24.
Stollwerck
–
Stollwerck GmbH is a German chocolate manufacturer. It was founded in 1839 and expanded internationally in Europe and America, since 2011 it has belonged to Belgian firm Baronie Group. In 1839 the baker Franz Stollwerck started business in Cologne, Germany and he diversified into chocolate and other candy, having particular success with cough drops. Local pharmacists requested that he be prevented from selling such items in 1845. His business flourished in Germany and also he opened two houses in Cologne. One of these was converted into a music hall before becoming a chocolate. In 1871 his sons registered a separate company Gebrüder Stollwerck which merged back into the company in 1876. Stollwercks five sons expanded the business into a corporation with plants in Europe. The second youngest of the brothers, Ludwig Stollwerck was instrumental in introducing new technology including the first vending machines in 1887 and these were initially used to sell small samples of chocolate, but their immediate popularity meant they were soon used to sell entire bars. In 1893 Stollwerck was selling its chocolate in 15,000 vending machines and it set up separate companies in various territories to manufacture vending machines to sell not just chocolate, but cigarettes, matches, chewing gum and soap products. By 1890 its Cologne works alone had 1500 staff, Stollwerck turned their focus to exporting their products. Subsidiaries were formed in England, Belgium and Austria-Hungary, in 1894 Stollwerck founded Volkmann, Stollwerck & Company in the USA, in partnership with German businessman John Volkmann to produce vending machines in their factory in New York. By the early 1890s there were over 4,000 of its vending machines on New York train stations and it also became a leading manufacturer of cinematographs. In 1902 the company went public, but World War I brought Stollwercks rapid expansion to a halt, in 1927 Karl Stollwerck built the Stollwerck Mausoleum in Upper Bavaria, a rare combination of Protestant church and family burial chamber. Costly acquisitions and the recession of the Great Depression devastated Stollwercks finances. It had to be rescued by the Deutsche Bank in the 1930s, in the Second World War food rationing and the scarcity of cocoa drastically reduced the firms market. After the Second World War the firm was left with damaged factories and it restarted production in 1949 and fared moderately in the face of intense competition in the 1950s and 1960s. Stollwerck opened a factory in Székesfehérvár, Hungary in 1995
Stollwerck
–
A Stollwerck chocolate bar from 1890
Stollwerck
–
Stollwerck vending machine, 1887
Stollwerck
–
The Stollwerck Passage in Cologne, Germany
Stollwerck
–
Civic center Stollwerck, Cologne
25.
Legion of Honour
–
The Legion of Honour, full name National Order of the Legion of Honour, is the highest French order of merit for military and civil merits, established 1802 by Napoléon Bonaparte. The order is divided into five degrees of increasing distinction, Chevalier, Officier, Commandeur, Grand Officier and Grand-Croix. The orders motto is Honneur et Patrie and its seat is the Palais de la Légion dHonneur next to the Musée dOrsay, in the French Revolution, all French orders of chivalry were abolished, and replaced with Weapons of Honour. The Légion however did use the organization of old French orders of chivalry, the badges of the legion also bear a resemblance to the Ordre de Saint-Louis, which also used a red ribbon. Napoleon originally created this to ensure political loyalty, the organization would be used as a facade to give political favours, gifts, and concessions. The Légion was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional cohorts, the highest rank was not a grand cross but a Grand Aigle, a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously,5,000 francs to an officier,2,000 francs to a commandeur,1,000 francs to an officier,250 francs to a légionnaire. Napoleon famously declared, You call these baubles, well, it is with baubles that men are led, do you think that you would be able to make men fight by reasoning. That is good only for the scholar in his study, the soldier needs glory, distinctions, rewards. This has been quoted as It is with such baubles that men are led. The order was the first modern order of merit, under the monarchy, such orders were often limited to Roman Catholics, and all knights had to be noblemen. The military decorations were the perks of the officers, the Légion, however, was open to men of all ranks and professions—only merit or bravery counted. The new legionnaire had to be sworn in the Légion and it is noteworthy that all previous orders were crosses or shared a clear Christian background, whereas the Légion is a secular institution. The jewel of the Légion has five arms, in a decree issued on the 10 Pluviôse XIII, a grand decoration was instituted. This decoration, a cross on a sash and a silver star with an eagle, symbol of the Napoleonic Empire, became known as the Grand Aigle. After Napoleon crowned himself Emperor of the French in 1804 and established the Napoleonic nobility in 1808, the title was made hereditary after three generations of grantees. Napoleon had dispensed 15 golden collars of the legion among his family and this collar was abolished in 1815. The Légion dhonneur was prominent and visible in the French Empire, the Emperor always wore it and the fashion of the time allowed for decorations to be worn most of the time
Legion of Honour
–
Order's
streamer
Legion of Honour
Legion of Honour
–
A depiction of Napoleon making some of the first awards of the Légion d'honneur, at a camp near
Boulogne on 16 August 1804
Legion of Honour
–
First Légion d'Honneur investiture, 15 July 1804, at
Saint-Louis des Invalides by
Jean-Baptiste Debret (1812)
26.
Westfriedhof (Munich)
–
The Westfriedhof in Munich is situated in the south of the city district of Moosach. The main entrance is at Baldurstraße 28, the cemetery was laid out in 1898, the buildings, by the architect Hans Grässel, were completed in 1902. The Westfriedhof contains over 40,000 grave plots, the monuments in the principal avenue, many of them by the Munich sculptor Heinrich Waderé, are especially imposing. Countess Hella von Westarp, secretary of the Thule Society, was shot in the hostage murders and they were apprehended by a Berlin regiment, who took them for Spartacists. The young men were unable to convince their captors otherwise, it was believed because of the difficulties of mutual understanding between Bavarians and Prussians, and all were shot. Erich Scheibmayr, Letzte Heimat,1985 Wer,1989,1997,2002 München-Wiki, Der Westfriedhof http, //friedhof. stadt-muenchen. net, graves of famous people in the Westfriedhof
Westfriedhof (Munich)
–
Westfriedhof, east side
Westfriedhof (Munich)
–
Grave of
Princess Soraya and the Esfandiary family
Westfriedhof (Munich)
–
Monument to officers of the Bavarian Police killed in the line of duty
27.
Frye Art Museum
–
The Frye Art Museum is an art museum located in the First Hill neighborhood of Seattle, Washington, USA. The museum emphasizes painting and sculpture from the century to the present. Its holdings originate in the collection of Charles and Emma Frye. Charles, owner of a meatpacking plant, set aside money in his will for a museum to house the Fryes collection of over 230 paintings. The Frye Museum opened to the public in 1952, and was Seattles first free art museum, the museum building was originally designed by Paul Thiry, although it has since been considerably altered. He also required that admission always be free and these conditions were enough to keep the Seattle Art Museum from being interested in his collection. The Fryes collection consisted entirely of representational works, with a tendency toward the dark, the dramatic, however, exhibits under new, professional management in recent years have been far more venturesome, eliciting comparisons to Seattles Henry Art Gallery. In 2007, for the first time, other pieces are sharing the rooms dedicated to the original Frye collection, the Frye Art Museums collection highlights many kinds of paintings, prints, works on paper, and sculptures. The Frye Art Museum library contains 1000 books as of 2011 and it specializes in 19th and 20th century American and German art. Official website Media related to Frye Museum at Wikimedia Commons
Frye Art Museum
–
Frye Art Museum
28.
Otto von Bismarck
–
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg, known as Otto von Bismarck, was a conservative Prussian statesman who dominated German and European affairs from the 1860s until 1890. In the 1860s, he engineered a series of wars that unified the German states, significantly and deliberately excluding Austria, into a powerful German Empire under Prussian leadership. With that accomplished by 1871, he skillfully used balance of power diplomacy to maintain Germanys position in a Europe which, despite many disputes and war scares, in 1862, King Wilhelm I appointed Bismarck as Minister President of Prussia, a position he would hold until 1890. He provoked three short, decisive wars against Denmark, Austria, and France, aligning the smaller German states behind Prussia in its defeat of France, in 1871, he formed the German Empire with himself as Chancellor, while retaining control of Prussia. His diplomacy of realpolitik and powerful rule at home gained him the nickname the Iron Chancellor, German unification and its rapid economic growth was the foundation to his foreign policy. He disliked colonialism but reluctantly built an empire when it was demanded by both elite and mass opinion. A master of politics at home, Bismarck created the first welfare state in the modern world. In the 1870s, he allied himself with the Liberals and fought the Catholic Church in what was called the Kulturkampf and he lost that battle as the Catholics responded by forming a powerful Centre party and using universal male suffrage to gain a bloc of seats. Bismarck then reversed himself, ended the Kulturkampf, broke with the Liberals, imposed protective tariffs, a devout Lutheran, he was loyal to his king, who argued with Bismarck but in the end supported him against the advice of his wife and his heir. Under Wilhelm I, Bismarck largely controlled domestic and foreign affairs, until he was removed by the young Kaiser Wilhelm II in 1890, bismarck—a Junker himself—was strong-willed, outspoken and sometimes judged overbearing, but he could also be polite, charming and witty. Occasionally he displayed a violent temper, and he kept his power by threatening resignation time and again. He possessed not only a national and international vision but also the short-term ability to juggle complex developments. As the leader of what historians call revolutionary conservatism, Bismarck became a hero to German nationalists, many historians praise him as a visionary who was instrumental in uniting Germany and, once that had been accomplished, kept the peace in Europe through adroit diplomacy. Bismarck was born in Schönhausen, a family estate situated west of Berlin in the Prussian province of Saxony. He had two siblings, Bernhard and Malwine, the world saw Bismarck as a typical Prussian Junker, an image that he encouraged by wearing military uniforms. Bismarck was well educated and cosmopolitan with a gift for conversation, in addition to his native German, he was fluent in English, French, Italian, Polish and Russian. Bismarck was educated at Johann Ernst Plamanns elementary school, and the Friedrich-Wilhelm, from 1832 to 1833, he studied law at the University of Göttingen, where he was a member of the Corps Hannovera, and then enrolled at the University of Berlin. In 1838, while stationed as an army reservist in Greifswald, at Göttingen, Bismarck befriended the American student John Lothrop Motley
Otto von Bismarck
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Otto von Bismarck
Otto von Bismarck
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Bismarck at 21, 1836
Otto von Bismarck
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Bismarck at age 32, 1847
Otto von Bismarck
–
Bismarck with
Roon (centre) and
Moltke (right), the three leaders of Prussia in the 1860s
29.
William Ewart Gladstone
–
William Ewart Gladstone, FRS, FSS was a British Liberal and earlier conservative politician. In a career lasting over sixty years, he served as Prime Minister four separate times, more than any other person, Gladstone was also Britains oldest Prime Minister, he resigned for the final time when he was 84 years old. Gladstone first entered Parliament in 1832, beginning as a High Tory, Gladstone served in the Cabinet of Sir Robert Peel. After the split of the Conservatives Gladstone was a Peelite – in 1859 the Peelites merged with the Whigs, as Chancellor Gladstone became committed to low public spending and to electoral reform, earning him the sobriquet The Peoples William. Gladstones first ministry saw many reforms including the disestablishment of the Church of Ireland, after his electoral defeat in 1874, Gladstone resigned as leader of the Liberal Party, but from 1876 began a comeback based on opposition to Turkeys reaction to the Bulgarian April Uprising. Gladstones Midlothian Campaign of 1879–80 was an example of many modern political campaigning techniques. The government also passed the Third Reform Act, Back in office in early 1886, Gladstone proposed Irish home rule but this was defeated in the House of Commons in July. The resulting split in the Liberal Party helped keep out of office, with one short break. In 1892 Gladstone formed his last government at the age of 82, the Second Home Rule Bill passed the Commons but was defeated in the Lords in 1893. Gladstone resigned in March 1894, in opposition to increased naval expenditure and he left Parliament in 1895 and died three years later aged 88. Gladstone was known affectionately by his supporters as The Peoples William or the G. O. M, Gladstone is consistently ranked as one of Britains greatest Prime Ministers. Born in 1809 in Liverpool, at 62 Rodney Street, William Ewart Gladstone was the son of the slave-owning merchant Sir John Gladstone. Although born and brought up in Liverpool, William Gladstone was of purely Scottish ancestry, in 1814 young Willy visited Scotland for the first time, as he and his brother John travelled with their father to Edinburgh, Biggar and Dingwall to visit their relatives. William and his brother were both made freemen of the burgh of Dingwall, in 1815 Gladstone also travelled to London and Cambridge for the first time with his parents. In London he attended a service of thanksgiving with his family at St Pauls Cathedral following the Battle of Waterloo, William Gladstone was educated from 1816 to 1821 at a preparatory school at the vicarage of St Thomass Church at Seaforth, close to his familys residence, Seaforth House. In December 1831 he achieved the double first-class degree he had long desired, Gladstone served as President of the Oxford Union debating society, where he developed a reputation as an orator, which followed him into the House of Commons. At university Gladstone was a Tory and denounced Whig proposals for parliamentary reform, following the success of his double first, William travelled with his brother John on a Grand Tour of Europe, visiting Belgium, France, Germany and Italy. On his return to England, William was elected to Parliament in 1832 as Tory Member of Parliament for Newark, partly through the influence of the local patron, the Duke of Newcastle
William Ewart Gladstone
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The Right Honourable William Ewart Gladstone
FRS FSS
William Ewart Gladstone
William Ewart Gladstone
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Gladstone in the 1830s
William Ewart Gladstone
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A pensive Gladstone, from the book Great Britain and Her Queen, by Anne E. Keeling
30.
Palace of Westminster
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The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its occupants, the Palace lies on the bank of the River Thames in the City of Westminster. The palace is owned by the monarch in right of the Crown and for ceremonial purposes, the building is managed by committees appointed by both houses, which report to the Speaker of the House of Commons and the Lord Speaker. The first royal palace was built on the site in the 11th century, part of the New Palaces area of 3.24 hectares was reclaimed from the Thames, which is the setting of its nearly 300-metre long façade, called the River Front. Barry was assisted by Augustus Pugin, an authority on Gothic architecture and style. The Palace is one of the centres of political life in the United Kingdom, Westminster has become a metonym for the UK Parliament, the Palace of Westminster has been a Grade I listed building since 1970 and part of a UNESCO World Heritage Site since 1987. The Palace of Westminster site was important during the Middle Ages. Known in medieval times as Thorney Island, the site may have been first-used for a residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, Thorney Island and the surrounding area soon became known as Westminster. Neither the buildings used by the Anglo-Saxons nor those used by William I survive, the oldest existing part of the Palace dates from the reign of William Is successor, King William II. The Palace of Westminster was the principal residence in the late Medieval period. The predecessor of Parliament, the Curia Regis, met in Westminster Hall, simon de Montforts parliament, the first to include representatives of the major towns, met at the Palace in 1265. The Model Parliament, the first official Parliament of England, met there in 1295, in 1512, during the early years of the reign of King Henry VIII, fire destroyed the royal residential area of the palace. In 1534, Henry VIII acquired York Place from Cardinal Thomas Wolsey, renaming it the Palace of Whitehall, Henry used it as his principal residence. Although Westminster officially remained a royal palace, it was used by the two Houses of Parliament and by the various law courts. Because it was originally a residence, the Palace included no purpose-built chambers for the two Houses. Important state ceremonies were held in the Painted Chamber which had originally built in the 13th century as the main bedchamber for King Henry III. The House of Commons, which did not have a chamber of its own, the Commons acquired a permanent home at the Palace in St Stephens Chapel, the former chapel of the royal palace, during the reign of Edward VI
Palace of Westminster
–
The Palace of Westminster with
Elizabeth Tower and
Westminster Bridge, viewed from across the
River Thames
Palace of Westminster
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Conjectural restoration of Westminster during reign of Henry VIII
Palace of Westminster
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Parliament before
1834 Fire with
Old Palace Yard in foreground
Palace of Westminster
–
A detail from
John Rocque's 1746 map of London. St Stephen's Chapel, labelled "H of Comm" (House of Commons), was adjacent to Westminster Hall; the Parliament Chamber—labelled "H of L" (House of Lords)—and the Prince's Chamber were to the far south. The Court of Requests, between the two Houses, would become the new home of the Lords in 1801. At the north-east, by the river, stood Speaker's House.
31.
Lenbachhaus
–
The Lenbachhaus in Munich contains an art museum and is part of Munichs Kunstareal. Some of the rooms have kept their original design, the city of Munich acquired the building in 1924 and opened a museum there in 1929. The latest wing was closed to the public in 2009 to allow the expansion and restoration of the Lenbachhaus by Norman Foster, the museum reopened in May 2013. The architect placed the new entrance on Museumsplatz in front of the Propylaea. The new facade, clad in metal tubes made of an alloy of copper and aluminum, the gallery contains a variety of works by Munich painters and contemporary artists, in styles such as The Blue Rider and New Objectivity. Works by members of the Munich Secession are also on display, the group was founded in 1892, and includes artists such as the impressionist painters Lovis Corinth, Max Slevogt and Fritz von Uhde. Münter donated 1,000 “Blue Rider” works to the museum on her 80th birthday, artists of the New Objectivity like Christian Schad and Rudolf Schlichter are exhibited in several rooms. The Lenbachhaus strengthened its investment especially in the oeuvre of Joseph Beuys considerably by acquiring numerous works of art, young artists are promoted in exhibitions in the affiliated Kunstbau above the Subway Station Königsplatz. Stephanie Weber curated a show of Mark Boulos and film series of Charles Simonds and Christoph Schlingensief, all the while commissioning performances by Tom Thayer. Spencer Yeh and adding to the works by Vito Acconci, VALIE EXPORT. Since starting at Munichs Lenbachhaus in September, shes been hard at work on a retrospective of Polish-born feminist artist Lea Lublin that opens this summer, Lenbachhaus website Lenbachhaus at the Google Art Project
Lenbachhaus
–
Lenbachhaus
Lenbachhaus
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New modern wing of the Lenbachhaus
Lenbachhaus
–
Franz Marc, The tiger 1912
32.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
33.
German National Library
–
The German National Library is the central archival library and national bibliographic centre for the Federal Republic of Germany. The German National Library maintains co-operative external relations on a national and international level, for example, it is the leading partner in developing and maintaining bibliographic rules and standards in Germany and plays a significant role in the development of international library standards. The cooperation with publishers is regulated by law since 1935 for the Deutsche Bücherei Leipzig, duties are shared between the facilities in Leipzig and Frankfurt am Main, with each center focusing its work in specific specialty areas. A third facility has been the Deutsches Musikarchiv Berlin, which deals with all music-related archiving, since 2010 the Deutsches Musikarchiv is also located in Leipzig as an integral part of the facility there. During the German revolutions of 1848 various booksellers and publishers offered their works to the Frankfurt Parliament for a parliamentary library, the library, led by Johann Heinrich Plath, was termed the Reichsbibliothek. After the failure of the revolution the library was abandoned and the stock of books already in existence was stored at the Germanisches Nationalmuseum in Nuremberg. In 1912, the town of Leipzig, seat of the annual Leipzig Book Fair, the Kingdom of Saxony, starting January 1,1913, all publications in German were systematically collected. In the same year, Dr. Gustav Wahl was elected as the first director, the Federal state representatives of the book trade in the American zone agreed to the proposal. The city of Frankfurt agreed to support the planned archive library with personnel, the US military government gave its approval. The Library began its work in the room of the former Rothschild library. As a result, there were two libraries in Germany, which assumed the duties and function of a library for the later GDR. Two national bibliographic catalogues almost identical in content were published annually, with the reunification of Germany on 3 October 1990, the Deutsche Bücherei Leipzig and the Deutsche Bibliothek Frankfurt am Main were merged into a new institution, The German Library. The Law regarding the German National Library came into force on 29 June 2006, the expansion of the collection brief to include online publications set the course for collecting, cataloguing and storing such publications as part of Germanys cultural heritage. The Librarys highest management body, the Administrative Council, was expanded to include two MPs from the Bundestag, the law also changed the name of the library and its buildings in Leipzig, Frankfurt am Main and Berlin to Deutsche Nationalbibliothek. In July 2000, the DMA also assumed the role as repository for GEMA, Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte, since then, music publishers only have to submit copies to DMA, which covers both national archiving and copyright registration. The 210,000 works of printed music previously held by GEMA were transferred to DMA, additionally included in the project were 30 German-language emigrant publications German-language exile journals 1933–1945, consisting of around 100,000 pages. These collections were put online in 2004 and were some of the most frequently visited sites of the German National Library, in June 2012 the German National Library discontinued access to both collections on its website for legal reasons. The digitised versions are then available for use in the reading rooms of the German National Library in Leipzig and Frankfurt am Main only
German National Library
–
The German National Library in Frankfurt
German National Library
–
Deutsche Nationalbibliothek (German National Library)
German National Library
–
The German National Library in Leipzig
German National Library
–
4th extension
34.
Virtual International Authority File
–
The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
–
Screenshot 2012
35.
Integrated Authority File
–
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Integrated Authority File
–
GND screenshot
36.
Union List of Artist Names
–
The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
Union List of Artist Names
–
Contents
37.
MusicBrainz
–
MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
MusicBrainz
38.
National Library of Australia
–
In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
National Library of Australia
National Library of Australia
–
National Library of Australia as viewed from
Lake Burley Griffin,
Canberra
National Library of Australia
–
The original National Library building on Kings Avenue, Canberra, was designed by Edward Henderson. Originally intended to be several wings, only one wing was completed and was demolished in 1968. Now the site of the Edmund Barton Building.
National Library of Australia
–
The library seen from Lake Burley Griffin in autumn.
39.
Netherlands Institute for Art History
–
The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Netherlands Institute for Art History
–
As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
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