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Fresco
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo
Etruscan fresco. Detail of two dancers from the Tomb of the Triclinium in the Necropolis of Monterozzi 470 BC, Tarquinia, Lazio, Italy.
Etruscan fresco. Detail of two dancers from the Tomb of the Triclinium in the Necropolis of Monterozzi 470 BC, Tarquinia, Lazio, Italy.
A Roman fresco of a young man from the Villa di Arianna, Stabiae, 1st century AD
A Roman fresco of a young man from the Villa di Arianna, Stabiae, 1st century AD
Fresco by Giotto, Scrovegni Chapel in Padua. Sky and blue mantle of Maria were painted a secco, and large part of the painting is now lost.
Fresco by Giotto, Scrovegni Chapel in Padua. Sky and blue mantle of Maria were painted a secco, and large part of the painting is now lost.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject