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Fresco
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo
Etruscan fresco. Detail of two dancers from the Tomb of the Triclinium in the Necropolis of Monterozzi 470 BC, Tarquinia, Lazio, Italy
Etruscan fresco. Detail of two dancers from the Tomb of the Triclinium in the Necropolis of Monterozzi 470 BC, Tarquinia, Lazio, Italy
A Roman fresco of a young man from the Villa di Arianna, Stabiae, 1st century AD.
A Roman fresco of a young man from the Villa di Arianna, Stabiae, 1st century AD.
Fresco by Giotto, Scrovegni Chapel in Padua. Sky and blue mantle of Maria were painted a secco, and large part of the painting is now lost
Fresco by Giotto, Scrovegni Chapel in Padua. Sky and blue mantle of Maria were painted a secco, and large part of the painting is now lost
Plaster
Stucco plaster reliefs, such as this work at the Chateau de Fontainebleau, were hugely influential in Northern Mannerism. A plaster low-relief decorat
Stucco plaster reliefs, such as this work at the Chateau de Fontainebleau, were hugely influential in Northern Mannerism. A plaster low-relief decorative frieze is above it.
Applying mud plaster to an outside wall
Applying mud plaster to an outside wall
Clay plaster base coat on split oak lath held in place with straw and manure, covered with a lime plaster top coat, Old Economy Village, Pennsylvania
Clay plaster base coat on split oak lath held in place with straw and manure, covered with a lime plaster top coat, Old Economy Village, Pennsylvania (1827)
Lime setting-coat on clay plaster with straw binder. Applied to hand-split lath over a timber framed wall of a brick family house at Old Economy Villa
Lime setting-coat on clay plaster with straw binder. Applied to hand-split lath over a timber framed wall of a brick family house at Old Economy Village, Pennsylvania