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Now-famous daguerreotype of the convention, by local photographer and abolitionist Ezra Greenleaf Weld. Frederick Douglass is seated with his elbow on the table; Gerrit Smith is standing, his arm outstretched.
Now-famous daguerreotype of the convention, by local photographer and abolitionist Ezra Greenleaf Weld. Frederick Douglass is seated with his elbow on
An April 24, 1851 poster warning the "colored people of Boston" about policemen acting as slave catchers
An April 24, 1851 poster warning the "colored people of Boston" about policemen acting as slave catchers
Print by E. W. Clay, an artist who published many proslavery cartoons, supports the Fugitive Slave Act of 1850. In the cartoon, a Southerner mocks a N
Print by E. W. Clay, an artist who published many proslavery cartoons, supports the Fugitive Slave Act of 1850. In the cartoon, a Southerner mocks a Northerner who claims his goods, several bolts of fabric, have been stolen. "They are fugitives from you, are they?" asks the slaver. Adopting the rhetoric of abolitionists, he continues, "As to the law of the land, I have a higher law of my own, and possession is nine points in the law."
The Vicksburg Whig did not cite any sources for these claims about the number of fugitives from American slavery ("Slaves Escaping from the South", Ja
The Vicksburg Whig did not cite any sources for these claims about the number of fugitives from American slavery ("Slaves Escaping from the South", January 16, 1861).[citation needed]
James Hamlet, the first man re-enslaved under the Fugitive Slave Law of 1850, in front of New York City Hall. The banner on the right reads: "A day, a
James Hamlet, the first man re-enslaved under the Fugitive Slave Law of 1850, in front of New York City Hall. The banner on the right reads: "A day, an hour, of virtuous liberty is worth an age of servitude".