Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasised speed, youth and objects such as the car, the airplane, the industrial city, its key figures were the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Luigi Russolo. It aimed to liberate Italy from the weight of its past. Cubism contributed to the formation of Italian Futurism's artistic style. Important Futurist works included Marinetti's Manifesto of Futurism, Boccioni's sculpture Unique Forms of Continuity in Space, Balla's painting Abstract Speed + Sound, Russolo's The Art of Noises. Although it was an Italian phenomenon, there were parallel movements in Russia and elsewhere; the Futurists practiced in every medium of art, including painting, ceramics, graphic design, industrial design, interior design, urban design, film, textiles, music and cooking. To some extent Futurism influenced the art movements Art Deco, Surrealism, to a greater degree Precisionism and Vorticism.
Futurism is an avant-garde movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. Marinetti launched the movement in his Manifesto of Futurism, which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia, an article reproduced in the French daily newspaper Le Figaro on Saturday 20 February 1909, he was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. Marinetti expressed a passionate loathing of everything old political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, gloried in science.
Publishing manifestos was a feature of Futurism, the Futurists wrote them on many topics, including painting, music, photography, women and cuisine. The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting; this committed them to a "universal dynamism", to be directly represented in painting. Objects in reality were not separate from one another or from their surroundings: "The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; the motor bus rushes into the houses which it passes, in their turn the houses throw themselves upon the motor bus and are blended with it."The Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, adopted from Divisionism by Giovanni Segantini and others.
Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists. Cubism offered them a means of expressing dynamism, they painted modern urban scenes. Carrà's Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904; the action of a police attack and riot is rendered energetically with broken planes. His Leaving the Theatre uses a Divisionist technique to render isolated and faceless figures trudging home at night under street lights. Boccioni's The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control, his States of Mind, in three large panels, The Farewell, Those who Go, Those Who Stay, "made his first great statement of Futurist painting, bringing his interests in Bergson and the individual's complex experience of the modern world together in what has been described as one of the'minor masterpieces' of early twentieth century painting."
The work attempts to convey feelings and sensations experienced in time, using new means of expression, including "lines of force", which were intended to convey the directional tendencies of objects through space, "simultaneity", which combined memories, present impressions and anticipation of future events, "emotional ambience" in which the artist seeks by intuition to link sympathies between the exterior scene and interior emotion. Boccioni's intentions in art were influenced by the ideas of Bergson, including the idea of intuition, which Bergson defined as a simple, indivisible experience of sympathy through which one is moved into the inner being of an object to grasp what is unique and ineffable within it; the Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted. Boccioni developed these ideas at length in his book, Pittura scultura Futuriste: Dinamism
The Venerable Bede Church of England Academy is a coeducational secondary school located in the Tunstall area of Sunderland and Wear, England. The school is named after Saint Bede, a monk and scholar who wrote Historia ecclesiastica gentis Anglorum; the school opened in 2002 on the former site of Ryhope Colliery and Ryhope golf course. A voluntary aided school administered by Sunderland City Council and the Church of England Diocese of Durham, Venerable Bede Church of England Secondary School converted to academy status and was renamed The Venerable Bede Church of England Academy. While still administered by the diocese, the school is independent of city council control; however The Venerable Bede Church of England Academy continues to coordinate with Sunderland City Council for admissions. The Venerable Bede Church of England Academy official website
Hans-Joachim Walde was a West German track and field athlete. He competed in the decathlon at the 1964, 1968 and 1972 Olympics and won a bronze medal in 1964 and a silver in 1968. Walde won national decathlon titles in 1964 and 1969, set a world record the heptathlon in 1970. For several years he was the athlete's speaker of the German National Team. After retiring from competitions Walde became an orthopedic surgeon, he first specialized in general traumas, but switched to sports medicine, in particular to shoulder surgery. He was a member of the German Shoulder and Elbow Society and director of sports medicine at Northwest Hospital in Frisian Sanderbusch, Lower Saxony, his son Hendrik competed in decathlon