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Galaxy Science Fiction

Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by a French-Italian company, World Editions, looking to break into the American market. World Editions hired as editor H. L. Gold, who made Galaxy the leading science fiction magazine of its time, focusing on stories about social issues rather than technology. Gold published many notable stories during his tenure, including Ray Bradbury's "The Fireman" expanded as Fahrenheit 451. In 1952, the magazine was acquired by its printer. By the late 1950s, Frederik Pohl was helping Gold with most aspects of the magazine's production; when Gold's health worsened, Pohl took over as editor, starting at the end of 1961, though he had been doing the majority of the production work for some time. Under Pohl Galaxy had continued success publishing fiction by writers such as Cordwainer Smith, Jack Vance, Harlan Ellison, Robert Silverberg. Pohl never won the annual Hugo Award for his stewardship of Galaxy, winning three Hugos instead for its sister magazine, If.

In 1969 Guinn sold Galaxy to Universal Publishing and Distribution Corporation and Pohl resigned, to be replaced by Ejler Jakobsson. Under Jakobsson the magazine declined in quality, it recovered under James Baen, who took over in mid-1974, but when he left at the end of 1977 the deterioration resumed, there were financial problems—writers were not paid on time and the schedule became erratic. By the end of the 1970s the gaps between issues were lengthening, the title was sold to Galileo publisher Vincent McCaffrey, who brought out only a single issue in 1980. A brief revival as a semi-professional magazine followed in 1994, edited by H. L. Gold's son, E. J. Gold. At its peak, Galaxy influenced the science fiction genre, it was regarded as one of the leading sf magazines from the start, its influence did not wane until Pohl's departure in 1969. Gold brought a "sophisticated intellectual subtlety" to magazine science fiction according to Pohl, who added that "after Galaxy it was impossible to go on being naive."

SF historian David Kyle agreed, commenting that "of all the editors in and out of the post-war scene, the most influential beyond any doubt was H. L. Gold". Kyle suggested that the new direction Gold set "inevitably" led to the experimental New Wave, the defining science fiction literary movement of the 1960s; the first science fiction magazine, Amazing Stories, appeared in 1926. By the end of the 1930s, the genre was flourishing in the United States, but World War II and its resulting paper shortages led to the demise of several magazines. In the late 1940s, the market began to recover. From a low of eight active US magazines in 1946, the field expanded to 20 just four years later. Galaxy's appearance in 1950 was part of this boom. According to sf historian and critic Mike Ashley, its success was the main reason for a subsequent flood of new releases: 22 more science fiction magazines appeared by 1954, when the market dipped again as a side effect of US Senate hearings into the putative connection between comic books and juvenile delinquency.

H. L. Gold, Galaxy's first editor, had worked at Standard Magazines in the early 1940s as an assistant editor, reading for Standard's three science fiction pulps: Startling Stories, Thrilling Wonder, Captain Future. With the advent of the war, Gold left publishing and went into the army, but in late 1949 he was approached by Vera Cerutti, who had once worked for him. Cerutti was now working for a French-Italian publisher, Éditions Mondiales Del Duca founded by Cino Del Duca, that had opened an office in New York as World Editions, she asked Gold for guidance on how to produce a magazine, which he provided. World Editions took a heavy loss on Fascination, its first attempt to launch a US magazine, Cerutti returned to Gold asking for recommendations for new titles. Gold knew about The Magazine of Fantasy & Science Fiction, a digest launched in the fall of 1949, but felt that there was still room in the market for another serious science fiction magazine, he sent a prospectus to World Editions that included a proposal for a series of paperback sf novels as well as a periodical, proposed paying three cents a word, an impressively high rate, given that most competing magazines were paying only one cent a word.

World Editions agreed, hired Gold as the editor, the first issue appeared in October 1950. The novel series subsequently appeared as Galaxy Science Fiction Novels. Gold suggested two titles for the magazine, If and Galaxy. Gold's art director, Washington Irving van der Poel, mocked up multiple layouts and Gold invited hundreds of writers, editors and fans to view them and vote for their favorite. For the first issue, Gold obtained stories by several well-known authors, including Isaac Asimov, Fritz Leiber, Theodore Sturgeon, as well as part one of Time Quarry by Clifford D. Simak. Along with an essay by Gold, Galaxy's premiere issue introduced a book review column by anthologist Groff Conklin, which ran until 1955, a Willy Ley science column. Gold sought to implement high-quality printing techniques, though the quality of the available paper was insufficient for the full benefits to be seen. Within months, the outbreak of the Korean War led to paper shortages that forced Gold to find a new printer, Robert M. Guinn.

The new paper was of lower quality, a disappointment to Gold. According to Gold, the magazine was profitable within five issues: an "incredible" achievement, in his words. In

No Wising Up No Settling Down

No Wising Up No Settling Down is a solo studio album by American hip hop artist Sole. It was released on May 1, 2013, it includes contributions from Gold Panda, The Hood Internet, Ceschi, Man Mantis, Cars & Trains, Loden. Music videos were created for "I Think I'm Emma Goldman" and "Extremophile". Meant to be a sequel to A Ruthless Criticism of Everything Existing, No Wising Up No Settling Down is the second installment in the Ruthless Criticism of Everything Existing series, it "focuses more on the personal and social/philosophical aspects of the class struggle", abandoning the "overtly political song writing for a more subtle, honest and poetic approach." No Wising Up No Settling Down at Discogs

Matsushima-Kaigan Station

Matsushima-Kaigan Station is a railway station in the town of Matsushima, Miyagi Prefecture, operated by East Japan Railway Company. Matsushima-Kaigan Station is served by the Senseki Line, it is located 23.2 rail kilometers from the terminus of the Senseki Line at Aoba-dōri Station. Matsushima-Kaigan Station has one elevated island platform with the station building underneath; the station has a Midori no Madoguchi staffed ticket office. Matsushima-Kaigan Station opened on April 18, 1927 as Matsushima Kōen Station on the Miyagi Electric Railway; the line was nationalized on May 1, 1944 and the station was renamed to its present name at that time. The station was absorbed into the JR East network upon the privatization of JNR on April 1, 1987; the station was closed from March 11 to May 28, 2011 due to damage associated with the 2011 Tōhoku earthquake and tsunami. In fiscal 2016, the station was used by an average of 1,017 passengers daily. Matsushima Zuigan-ji List of railway stations in Japan Official website