Sannyasa is the life stage of renunciation within the Hindu philosophy of four age-based life stages known as ashramas, with the first three being Brahmacharya and Vanaprastha. Sannyasa is traditionally conceptualized for men or women in late years of their life, but young brahmacharis have had the choice to skip the householder and retirement stages, renounce worldly and materialistic pursuits and dedicate their lives to spiritual pursuits. Sannyasa is a form of asceticism, is marked by renunciation of material desires and prejudices, represented by a state of disinterest and detachment from material life, has the purpose of spending one's life in peaceful, love-inspired, simple spiritual life. An individual in Sanyasa is known as a Sannyasi or Sannyasini in Hinduism, which in many ways parallel to the Sadhu and Sadhvi traditions of Jain monasticism, the bhikkhus and bhikkhunis of Buddhism and the monk and nun traditions of Christianity. Sannyasa has been a stage of renunciation, ahimsa peaceful and simple life and spiritual pursuit in Indian traditions.
However, this has not always been the case. After the invasions and establishment of Muslim rule in India, from the 12th century through the British Raj, parts of the Shaiva and Vaishnava ascetics metamorphosed into a military order, to rebel against persecution, where they developed martial arts, created military strategies, engaged in guerrilla warfare; these warrior sanyasis played an important role in helping European colonial powers establish themselves in the Indian subcontinent. Saṃnyāsa in Sanskrit nyasa means purification, sannyasa means "Purification of Everything", it is a composite word of saṃ- which means "together, all", ni- which means "down" and āsa from the root as, meaning "to throw" or "to put". A literal translation of Sannyāsa is thus "to put down everything, all of it". Sannyasa is sometimes spelled as Sanyasa; the term Saṃnyasa makes appearance in the Samhitas and Brahmanas, the earliest layers of Vedic literature, but it is rare. It is not found in ancient Buddhist or Jaina vocabularies, only appears in Brahmanical literature of the 1st millennium BCE, in the context of those who have given up ritual activity and taken up non-ritualistic spiritual pursuits discussed in the Upanishads.
The term Sannyasa evolves into a rite of renunciation in ancient Sutra texts, thereafter became a recognized, well discussed stage of life by about the 3rd and 4th century CE. In Dravidian languages, "sannyasi" is pronounced as "sanyasi" and "sannasi" in colloquial form. Sanyasis are known as Bhiksu, Pravrajita/Pravrajitā, Yati and Parivrajaka in Hindu texts. Jamison and Witzel state early Vedic texts make no mention of Sannyasa, or Ashrama system, unlike the concepts of Brahmacharin and Grihastha which they do mention. Instead, Rig Veda uses the term Antigriha in hymn 10.95.4, still part of extended family, where older people lived in ancient India, with an outwardly role. It is in Vedic era and over time and other new concepts emerged, while older ideas evolved and expanded. A three-stage Ashrama concept along with Vanaprastha emerged about or after 7th Century BC, when sages such as Yājñavalkya left their homes and roamed around as spiritual recluses and pursued their Pravrajika lifestyle.
The explicit use of the four stage Ashrama concept, appeared a few centuries later. However, early Vedic literature from 2nd millennium BC, mentions Muni, with characteristics that mirror those found in Sannyasins and Sannyasinis. Rig Veda, for example, in Book 10 Chapter 136, mentions munis as those with Kesin and Mala clothes engaged in the affairs of Mananat. Rigveda, refers to these people as Muni and Vati. केश्यग्निं केशी विषं केशी बिभर्ति रोदसी । केशी विश्वं स्वर्दृशे केशीदं ज्योतिरुच्यते ॥१॥ मुनयो वातरशनाः पिशङ्गा वसते मला । वातस्यानु ध्राजिं यन्ति यद्देवासो अविक्षत ॥२॥ He with the long loose locks supports Agni, moisture and earth. The Munis, girdled with the wind, wear garments of soil hue; these Munis, their lifestyle and spiritual pursuit influenced the Sannyasa concept, as well as the ideas behind the ancient concept of Brahmacharya. One class of Munis were associated with Rudra. Another were Vratyas. Hinduism has no formal demands nor requirements on the lifestyle or spiritual discipline, method or deity a Sanyasin or Sanyasini must pursue – it is left to the choice and preferences of the individual.
This freedom has led to diversity and significant differences in the lifestyle and goals of those who adopt Sannyasa. There are, some common themes. A person in Sannyasa lives a simple life detached, drifting from place to place, with no material possessions or emotional attachments, they may have a walking stick, a book, a container or vessel for food and drink wearing yellow, orange, ochre or soil colored clothes. They may have long hair and appear disheveled, are vegetarians; some minor Upanishads as well as monastic orders consider women, students, fallen men and others as not qualified to become Sannyasa. The dress, the equipage and lifestyle varies between groups. For example, Sannyasa Upanishad in verses 2.23 to 2.29, identifies six lifestyles for six types of renunciates. One of them is descri
Ganesha known as Ganapati, Vinayaka or by numerous other names, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Sri Lanka, Thailand, Bali and Nepal. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is diffused and extends to Jains and Buddhists. Although he is known by many attributes, Ganesha's elephant head makes him easy to identify. Ganesha is revered as the remover of obstacles, the patron of arts and sciences and the deva of intellect and wisdom; as the god of beginnings, he is honoured at the start of ceremonies. Ganesha is invoked as patron of letters and learning during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits. Ganesha emerged as a deity as early as the 2nd century CE, but most by the 4th and 5th centuries CE, during the Gupta period, although He inherited traits from Vedic and pre-Vedic precursors. Hindu mythology identifies him as the restored son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions.
In the Ganapatya tradition of Hinduism, Ganesha is the supreme deity. The principal texts on Ganesha include the Ganesha Purana, the Mudgala Purana, the Ganapati Atharvashirsa. Brahma Purana and Brahmanda Purana are other two Puranic genre encyclopedic texts that deal with Ganesha. Ganesha has been ascribed many other epithets, including Ganapati and Vighneshvara; the Hindu title of respect Shri is added before his name. The name Ganesha is a Sanskrit compound, joining the words gana, meaning a group, multitude, or categorical system and isha, meaning lord or master; the word gaṇa when associated with Ganesha is taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva, Ganesha's father. The term more means a category, community, association, or corporation; some commentators interpret the name "Lord of the Gaṇas" to mean "Lord of Hosts" or "Lord of created categories", such as the elements. Ganapati, a synonym for Ganesha, is a compound composed of gaṇa, meaning "group", pati, meaning "ruler" or "lord".
Though the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda, it is however uncertain that the Vedic term referred to Ganesha. The Amarakosha, an early Sanskrit lexicon, lists eight synonyms of Ganesha: Vinayaka, Vighnarāja, Dvaimātura, Gaṇādhipa, Heramba and Gajanana. Vinayaka is a common name for Ganesha that appears in Buddhist Tantras; this name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak. The names Vighnesha and Vighneshvara refers to his primary function in Hinduism as the master and remover of obstacles. A prominent name for Ganesha in the Tamil language is Pillaiyar. A. K. Narain differentiates these terms by saying that pillai means a "child" while pillaiyar means a "noble child", he adds that the words pallu and pell in the Dravidian family of languages signify "tooth or tusk" "elephant tooth or tusk". Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have meant "the young of the elephant", because the Pali word pillaka means "a young elephant".
In the Burmese language, Ganesha is known as Maha Peinne, derived from Pali Mahā Wināyaka. The widespread name of Ganesha in Thailand is Phra Phikanet; the earliest images and mention of Ganesha names as a major deity in present-day Indonesia, Thailand and Vietnam date from the 7th- and 8th-centuries, these mirror Indian examples of the 5th century or earlier. In Sri Lankan Singhala Buddhist areas, he is known as Gana deviyo, revered along with Buddha, Vishnu and others. Ganesha is a popular figure in Indian art. Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time, he may be portrayed standing, heroically taking action against demons, playing with his family as a boy, or sitting down on an elevated seat, or engaging in a range of contemporary situations. Ganesha images were prevalent in many parts of India by the 6th century; the 13th-century statue pictured is typical of Ganesha statuary from 900–1200, after Ganesha had been well-established as an independent deity with his own sect.
This example features some of Ganesha's common iconographic elements. A identical statue has been dated between 973–1200 by Paul Martin-Dubost, another similar statue is dated c. 12th century by Pratapaditya Pal. Ganesha has the head of a big belly; this statue has four arms, common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand; the motif of Ganesha turning his trunk to his left to taste a sweet in his lower-left hand is a archaic feature. A more primitive statue in one of the Ellora Caves with this general form has been dated to the 7th century. Details of the other hands are difficult to make out on the statue shown. In the standa
Hindus are persons who regard themselves as culturally, ethnically, or religiously adhering to aspects of Hinduism. The term has been used as a geographical and religious identifier for people indigenous to the Indian subcontinent; the historical meaning of the term Hindu has evolved with time. Starting with the Persian and Greek references to the land of the Indus in the 1st millennium BCE through the texts of the medieval era, the term Hindu implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu river. By the 16th century, the term began to refer to residents of the subcontinent who were not Turkic or Muslims; the historical development of Hindu self-identity within the local South Asian population, in a religious or cultural sense, is unclear. Competing theories state that Hindu identity developed in the British colonial era, or that it developed post-8th century CE after the Islamic invasion and medieval Hindu-Muslim wars.
A sense of Hindu identity and the term Hindu appears in some texts dated between the 13th and 18th century in Sanskrit and regional languages. The 14th- and 18th-century Indian poets such as Vidyapati and Eknath used the phrase Hindu dharma and contrasted it with Turaka dharma; the Christian friar Sebastiao Manrique used the term'Hindu' in religious context in 1649. In the 18th century, the European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus, in contrast to Mohamedans for Mughals and Arabs following Islam. By the mid-19th century, colonial orientalist texts further distinguished Hindus from Buddhists and Jains, but the colonial laws continued to consider all of them to be within the scope of the term Hindu until about mid-20th century. Scholars state that the custom of distinguishing between Hindus, Buddhists and Sikhs is a modern phenomenon. Hindoo is an archaic spelling variant. At more than 1.03 billion, Hindus are the world's third largest group after Muslims.
The vast majority of Hindus 966 million, live in India, according to India's 2011 census. After India, the next 9 countries with the largest Hindu populations are, in decreasing order: Nepal, Indonesia, Sri Lanka, United States, United Kingdom and Myanmar; these together accounted for 99% of the world's Hindu population, the remaining nations of the world together had about 6 million Hindus in 2010. The word Hindu is derived from the Indo-Aryan and Sanskrit word Sindhu, which means "a large body of water", covering "river, ocean", it was used as the name of the Indus river and referred to its tributaries. The actual term'hindu' first occurs, states Gavin Flood, as "a Persian geographical term for the people who lived beyond the river Indus", more in the 6th-century BCE inscription of Darius I; the Punjab region, called Sapta Sindhu in the Vedas, is called Hapta Hindu in Zend Avesta. The 6th-century BCE inscription of Darius I mentions the province of Hidush, referring to northwestern India; the people of India were referred to as Hinduvān and hindavī was used as the adjective for Indian in the 8th century text Chachnama.
The term'Hindu' in these ancient records is an ethno-geographical term and did not refer to a religion. The Arabic equivalent Al-Hind referred to the country of India. Among the earliest known records of'Hindu' with connotations of religion may be in the 7th-century CE Chinese text Record of the Western Regions by the Buddhist scholar Xuanzang. Xuanzang uses the transliterated term In-tu whose "connotation overflows in the religious" according to Arvind Sharma. While Xuanzang suggested that the term refers to the country named after the moon, another Buddhist scholar I-tsing contradicted the conclusion saying that In-tu was not a common name for the country. Al-Biruni's 11th-century text Tarikh Al-Hind, the texts of the Delhi Sultanate period use the term'Hindu', where it includes all non-Islamic people such as Buddhists, retains the ambiguity of being "a region or a religion". The'Hindu' community occurs as the amorphous'Other' of the Muslim community in the court chronicles, according to Romila Thapar.
Wilfred Cantwell Smith notes that'Hindu' retained its geographical reference initially:'Indian','indigenous, local', virtually'native'. The Indian groups themselves started using the term, differentiating themselves and their "traditional ways" from those of the invaders; the text Prithviraj Raso, by Chanda Baradai, about the 1192 CE defeat of Prithviraj Chauhan at the hands of Muhammad Ghori, is full of references to "Hindus" and "Turks", at one stage, says "both the religions have drawn their curved swords. In Islamic literature,'Abd al-Malik Isami's Persian work, Futuhu's-salatin, composed in the Deccan in 1350, uses the word'hindi' to mean Indian in the ethno-geographical sense and the word'hindu' to mean'Hindu' in the sense of a follower of the Hindu religion"; the poet Vidyapati's poem Kirtilata contrasts the cultures of Hindus and Turks in a city and concludes "The Hindus and the Turks live close together. One of the earliest uses of word'Hindu' in religious context in a European language, was the publication in 1649 by Sebastiao Manrique.
Other prominent mentions of'Hindu' include the epigraphical inscriptions from Andhra Pradesh kingdoms who battled military expansion of Muslim dynasties in the 14th century, where the word'Hindu' implies a religious identity in contrast to'Turks' or Islam
Sita or Seeta, is the consort of Lord Rama and an avatar of Sri Lakshmi, the Hindu goddess that denotes good character, good fortune, prosperity and happiness. She is esteemed as the paragon of feminine virtues for all women. Sita is one of the central figures in the Hindu epic, the Ramayana, she is described as the daughter of the earth goddess, Bhūmi and the adopted daughter of King Janaka of Videha and his wife, Queen Sunaina. She has a younger sister and the female cousins Mandavi and Shrutakirti. Sita is known for her dedication, self-sacrifice and purity. Sita, in her youth, marries the prince of Ayodhya. After marriage, she goes to exile with brother-in-law Lakshmana. While in exile, the trio settle in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka, she is imprisoned in Ashoka Vatika in Lanka. After the war, Rama asks Sita to undergo Agni Pariksha by which she proves her purity before she is accepted by Rama, which for the first time makes his brother Lakshmana get angry at him.
In some versions of the epic, the fire-god Agni creates Maya Sita, who takes Sita's place and is abducted by Ravana and suffers his captivity, while the real Sita hides in the fire. During the Agni Pariksha, Maya Sita and the real Sita exchange places again. While some texts say that Maya Sita is destroyed in the flames of Agni Pariksha, others narrate how she is blessed and reborn as the epic heroine Draupadi or the goddess Padmavati; some scriptures mention her previous birth being Vedavati, a woman Ravana tries to molest. After proving her purity and Sita return to Ayodhya, where they are crowned as king and queen. After few months, Sita becomes pregnant. Rama sends Sita away on exile. Lakshmana is the one who leaves Sita in the forests near sage Valmiki's ashrama after Rama banishes her from the kingdom. Years Sita returns to the womb of her mother, the Earth, for release from a cruel world as a testimony of her purity after she reunites her two sons Kusha and Lava with their father Rama; the goddess is derived from the Sanskrit word sīta, furrow.
According to Ramayana, Janaka adopted her. The word Sīta was a poetic term, its imagery redolent of fecundity and the many blessings coming from settled agriculture; the Sita of the Ramayana may have been named after a more ancient Vedic goddess Sita, mentioned once in the Rigveda as an earth goddess who blesses the land with good crops. In the Vedic period, she was one of the goddesses associated with fertility. A Vedic hymn recites: In Harivamsa, Sita is invoked as one of the names of the goddess Arya: The Kausik-sutra and the Paraskara-sutra associate her as the wife of Parjanya and Indra. Sita is known by many epithets, she is called Jānaki as the daughter of Maithili as the princess of Mithila. As the wife of Rama, she is called Ramā, her father Janaka had earned the sobriquet Videha due to his ability to transcend body consciousness. Devi Sita while playing with her sisters in childhood had unknowingly lifted the table over which the bow had been placed; this incident was however observed by Janaka and he decided to make it a backdrop for Swayamvara because he wanted a son-in-law, as strong as his daughter.
The birthplace of Sita is disputed. The Sita Kund pilgrimage site, located in present-day Sitamarhi district,Bihar, India is viewed as the birthplace of Sita. Apart from Sitamarhi, Janakpur, located in the present-day Province No. 2, Nepal, is described as Sita's birthplace. Valmiki's Ramayana: In Valmiki's Ramayana and Kamban's Tamil epic Ramavataram, Sita is said to have been discovered in a furrow in a ploughed field, believed to be Sitamarhi in Mithila region of present-day Bihar, for that reason is regarded as a daughter of Bhūmi Devi, she was discovered and brought up by Janaka, king of Mithila and his wife Sunaina. Ramayana Manjari: In Ramayana Manjari, North-western and Bengal recensions of Valmiki Ramayana, it has been described as on hearing a voice from the sky and seeing Menaka, Janaka expresses his wish to obtain a child and when he finds the child, he hears the same voice again telling him the infant is his spiritual child, born of Menaka. Janka's real daughter: In Ramopkhyana of the Mahabharata and in Paumachariya of Vimala Suri, Sita has been depicted as Janaka's real daughter.
According to Rev. Fr. Camille Bulcke, this motif that Sita was the real daughter of Janaka, as described in Ramopkhyana Mahabharata was based on the authentic version of Valmiki Ramayana; the story of Sita miraculously appearing in a furrow was inserted in Valmiki Ramayana. Reincarnation of Vedavati: Some versions of the Ramayana suggest that Sita was a reincarnation of Vedavati. Ravana tried to molest Vedavati and her chastity was sullied beyond Ravana's redemption when she was performing penance to become consort of Vishnu. Vedavati immolated herself on a pyre to escape Ravana's lust, vowing to return in another age and be the cause of Ravana's destruction, she was duly reborn as Sita. Reincarnation of Manivati: According to Gunabhadra's Uttara Purana of the ninth century BCE, Ravana disturbs the asceticism of Manivati, daughter of Amitavega of Alkapuri and she pledges to take revenge on Ravana. Manivati is reborn as the daughter of Ravana and Mandodari. But, astrolo
Hindu deities are the gods and goddesses in Hinduism. The terms and epithets for deity within the diverse traditions of Hinduism vary, include Deva, Ishvara, Bhagavān and Bhagavati; the deities of Hinduism have evolved from the Vedic era through the medieval era, regionally within Nepal, India and in southeast Asia, across Hinduism's diverse traditions. The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy, to 33 Vedic deities, to hundreds of Puranics of Hinduism. Illustrations of major deities include Parvati, Sri, Sati and Saraswati; these deities have distinct and complex personalities, yet are viewed as aspects of the same Ultimate Reality called Brahman. From ancient times, the idea of equivalence has been cherished for all Hindus, in its texts and in early 1st millennium sculpture with concepts such as Harihara, Ardhanārīshvara, with myths and temples that feature them together, declaring they are the same. Major deities have inspired their own Hindu traditions, such as Vaishnavism and Shaktism, but with shared mythology, ritual grammar, theosophy and polycentrism.
Some Hindu traditions such as Smartism from mid 1st millennium AD, have included multiple major deities as henotheistic manifestations of Saguna Brahman, as a means to realizing Nirguna Brahman. Hindu deities are represented with various icons and anicons, in paintings and sculptures, called Murtis and Pratimas; some Hindu traditions, such as ancient Charvakas rejected all deities and concept of god or goddess, while 19th-century British colonial era movements such as the Arya Samaj and Brahmo Samaj rejected deities and adopted monotheistic concepts similar to Abrahamic religions. Hindu deities have been adopted in other religions such as Jainism, in regions outside India such as predominantly Buddhist Thailand and Japan where they continue to be revered in regional temples or arts. In ancient and medieval era texts of Hinduism, the human body is described as a temple, deities are described to be parts residing within it, while the Brahman is described to be the same, or of similar nature, as the Atman, which Hindus believe is eternal and within every living being.
Deities in Hinduism are as diverse as its traditions, a Hindu can choose to be polytheistic, monotheistic, agnostic, atheistic or humanist. Deities in Hinduism are referred to as Devi; the root of these terms mean "heavenly, anything of excellence". According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is a cognate with Greek dios "divine" and Zeus, Latin deus. In the earliest Vedic literature, all supernatural beings are called Asuras. By the late Vedic period, benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, the Asuras the bad. In some medieval Indian literature, Devas are referred to as Suras and contrasted with their powerful, but malevolent half-brothers referred to as the Asuras. Hindu deities are part of Indian mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism. In Vedic literature and Devis represent the forces of nature and some represent moral values, each symbolizing the epitome of a specialized knowledge, creative energy and magical powers.
The most referred to Devas in the Rig Veda are Indra and Soma, with "fire deity" called the friend of all humanity, it and Soma being the two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu and Prajapati are gods and hence Devas; the Vedas describes a number of significant Devis such as Ushas, Aditi, Saraswati, Vāc, Nirṛti, Ratri and bounty goddesses such as Dinsana, Puramdhi, Bharati, Mahi among others are mentioned in the Rigveda. Sri called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were developed in the Vedic era. All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts, in the early medieval era literature, they are seen as aspects or manifestations of one Brahman, the Supreme power. Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology.
According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's own nature, the Hindu formulation of Devas and Asuras is an eternal dance between these within each person. The Devas and Asuras and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution or transformation. In this case, the Titan is an Angel, the Angel still by nature a Titan.
Indus Valley Civilisation
The Indus Valley Civilisation was a Bronze Age civilisation in the northwestern regions of the Indian subcontinent, lasting from 3300 BCE to 1300 BCE, in mature form from 2600 BCE to 1900 BCE. Along with ancient Egypt and Mesopotamia it was one of three early civilisations of the region comprising North Africa, West Asia and South Asia, of the three, the most widespread, its sites spanning an area stretching from northeast Afghanistan, through much of Pakistan, into western- and northwestern India, it flourished in the basins of the Indus River, which flows through the length of Pakistan, along a system of perennial monsoon-fed, rivers that once coursed in the vicinity of the seasonal Ghaggar-Hakra river in northwest India and eastern Pakistan. The civilisation's cities were noted for their urban planning, baked brick houses, elaborate drainage systems, water supply systems, clusters of large non-residential buildings, new techniques in handicraft and metallurgy; the large cities of Mohenjo-daro and Harappa likely grew to containing between 30,000 and 60,000 individuals, the civilisation itself during its florescence may have contained between one and five million individuals.
Gradual drying of the region's soil during the 3rd millennium BCE may have been the initial spur for the urbanisation associated with the civilisation, but also reduced the water supply enough to cause the civilisation's demise, to scatter its population eastward. The Indus civilisation is known as the Harappan Civilisation, after its type site, the first of its sites to be excavated early in the 20th century in what was the Punjab province of British India and now is Pakistan; the discovery of Harappa and soon afterwards Mohenjo-Daro was the culmination of work beginning in 1861 with the founding of the Archaeological Survey of India during the British Raj. There were however earlier and cultures called Early Harappan and Late Harappan in the same area. By 2002, over 1,000 Mature Harappan cities and settlements had been reported, of which just under a hundred had been excavated, there are only five major urban sites: Harappa, Mohenjo-daro, Ganeriwala in Cholistan and Rakhigarhi; the early Harappan cultures were preceded by local Neolithic agricultural villages, from which the river plains were populated.
The Harappan language is not directly attested, its affiliation is uncertain since the Indus script is still undeciphered. A relationship with the Dravidian or Elamo-Dravidian language family is favoured by a section of scholars; the Indus Valley Civilisation is named after the Indus river system in whose alluvial plains the early sites of the civilisation were identified and excavated. Following a tradition in archaeology, the civilisation is sometimes referred to as the Harappan, after its type site, the first site to be excavated in the 1920s. A section of scholars use the terms "Sarasvati culture", the "Sarasvati Civilisation", the "Indus-Sarasvati Civilisation" or the "Sindhu-Saraswati Civilisation", because they consider the Ghaggar-Hakra river to be the same as the Sarasvati, a river mentioned several times in the Rig Veda, a collection of ancient Sanskrit hymns composed in the second millennium BCE. However, recent geophysical research suggests that unlike the Sarasvati, whose descriptions in the Rig Veda are those of a snow-fed river, the Ghaggar-Hakra was a system of perennial monsoon-fed rivers, which became seasonal around the time that the civilisation diminished 4,000 years ago.
In addition, proponents of the Sarasvati nomenclature see a connection between the decline of the Indus civilisation and the rise of the Vedic civilisation on the Gangetic plain. The Indus civilization was contemporary with the other riverine civilisations of the ancient world: Egypt along the Nile, Mesopotamia in the lands watered by the Euphrates and the Tigris, China in the drainage basin of the Yellow River. By the time of its mature phase, the civilisation had spread over an area larger than the others, which included a core of 1,500 km up the alluvial plane of the Indus and its tributaries. In addition, there was a region with disparate flora and habitats, up to ten times as large, shaped culturally and economically by the Indus. Around 6500 BCE, agriculture emerged on the margins of the Indus alluvium. In the following millennia, settled life made inroads into the Indus plains, setting the stage for the growth of rural and urban human settlements; the more organized sedentary life in turn led to a net increase in the birth rate.
The large urban centres of Mohenjo-daro and Harappa likely grew to containing between 30,000 and 60,000 individuals, during the civilization's florescence, the population of the subcontinent grew to between 4–6 million people. During this period the death rate increased as well, for close living conditions of humans and domesticated animals led to an increase in contagious diseases. According to one estimate, the population of the Indus civilization at its peak may have been between one and five million; the Indus Valley Civilisation extended from Pakistan's Balochistan in the west to India's western Uttar Pradesh in the east, from northeastern Afghanistan in the north to India's Gujarat state in the south. The largest number
Radha called Radhika and Radhe, is a Hindu goddess popular in Hinduism in the Vaishnavism tradition. She was said to be the head of the milkmaids, she is the lover of the Supreme personality of Godhead Lord Krishna in the medieval era texts. She is a supreme goddess in her own right, she is called Jagat Janani. She appeared as queen of milkmaids and queen of Vrindavan-Barsana, she taught selfless surrender to the Godhead Shri Krishna. She is considered the supreme goddess in Vaishnavism. Rasik Saints have mentioned Her as a descension of Supreme Goddess, Source of Infinite Lakshmi, original form of Yogmaya and Allhadini Shakti, main Power of Godhead Shri Krishna, she and her consort Krishna are collectively known as Radha Krishna, the combined form of feminine as well as the masculine realities of God. Lord Krishna underwent various kinds of "leelas" with Her. Radha is worshipped in some regions of India by Gaudiya Vaishnavas, Vaishnavas in West Bengal, Bangladesh Manipur, Odisha. Elsewhere, she is revered in the Nimbarka Sampradaya and movements linked to Shri Chaitanya Mahaprabhu.
Srimati Radharani ji is considered a metaphor for soul, her longing for Lord Krishna theologically seen as a symbolism for the longing for spirituality and the divine. She has inspired numerous literary works, her Rasa lila dance with Krishna has inspired many types of performance arts till this day, her festival is Radhastami. The Sanskrit term Rādhā means "prosperity, success", it is a common name founded in various contexts in the ancient and medieval texts of India. Of these the most celebrated is the name of the gopi, the beloved of Krishna. Both Radha and Krishna are the main characters of Gita Govinda of Jayadeva. Radha in this context is considered the avatar of Lakshmi, just like Krishna is considered an avatar of Vishnu. In Hit Harivansh and Swami Haridas Literature, Radha is considered as the main form of deity. Here, Radha is not another form of supreme god Shri Krishn Himself. In Devi Bhagvat and Brahma Vaibtra Purana, Radha is mentioned as the source of infinite Laxmi and mother of infinite souls.
Jagadguru Shri Kripalu Ji Maharaj elaborately described the virtue of Radha and has given a brief description of Shri Radha in his lectures and Kirtans. He has said, "She is the Supreme Goddess and is worshipped by everyone including Godhead Shri Krishna himself and that's why she is called Radha; the term is related to Rādha, which means "kindness, any gift but the gift of affection, wealth". The word appears in the Vedic literature as well as the Epics, but is elusive and not as a major deity. In some Vedic contexts, states Sukumar Sen, it could mean "beloved, desired woman" based on an Avestan cognate. However, Barbara Stoller and other scholars disagree with the Avestan interpretation, they state that the better interpretation of Radha in these ancient texts is "someone or something that fulfills a need". Starting with the Bhakti movement and with Jayadeva's composition, her profile as a goddess and constant companion of Krishna became dominant in Krishna-related Vaishnavism. Rādhikā refers to an endearing form of Gopi Radha.
Radha is an important goddess in the Vaishnavism tradition of Hinduism. She is a goddess whose traits, manifestations and roles vary with region. Since the earliest times, she has been associated with one of the most popular Hindu gods, the cowherd Krishna. In the early Indian literature, her mentions are illusive and not as common as other major goddesses of Hinduism, but during the Bhakti movement era she became popular among Krishna devotees whose strength is her love. According to Jaya Chemburkar, there are at least two significant and different aspects of Radha in the literature associated with her, such as Sriradhika namasahasram. One aspect is she is a milkmaid, another as a female deity similar to those found in the Hindu goddess traditions, she appears in Hindu arts as ardhanari with Krishna, an iconography where half of the image is Radha and the other half is Krishna. This is found in sculpture such as those discovered in Maharashtra, in texts such as Shiva Purana and Brahmavaivarta Purana.
In these texts, this ardhanari is sometimes referred to as Ardharadhavenudhara murti, it symbolizes the complete union and inseparability of Radha and Krishna. Radha's depictions vary from being an married woman who becomes an adulterous lover of Krishna in a secondary role, to being dual divinity equal to Krishna in Jayadeva's Gita Govinda, to being supreme object of devotional love for both Krishna and devotees in Rupa Gosvami's tradition. In some Hindu sub-traditions, Radha is conceptualized as a goddess who breaks social norms by leaving her marriage, entering into a relationship with Krishna to pursue her love. According to Heidi Pauwels, it is a "hotly debated issue" whether Radha was married or had an affair with Krishna while she remained married. Several Hindu texts allude to these circumstances. According to David Kinsley, a professor of Religious Studies known for his studies on Hindu goddesses, the Radha-Krishna love story is a metaphor for divine-human relationship, where Radha is the human devotee or soul, frustrated with the past, obligations to social expectations and the ideas she inherited, who longs for real meaning, the true love, the divine.
This metaphoric Radha finds new liberation in learning more about Krishna, bonding in devotion and with passion. The po