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Garamond
Garamond's largest type, in "Gros Canon" size (40 pt), for H. D. L. Vervliet "a culmination of Renaissance design".
Garamond's largest type, in "Gros Canon" size (40 pt), for H. D. L. Vervliet "a culmination of Renaissance design".
'Petit-texte' type intended for body text, created by Garamond.
'Petit-texte' type intended for body text, created by Garamond.
De Aetna, printed by Aldus Manutius in 1495. Its roman type was the model for Garamond's.
De Aetna, printed by Aldus Manutius in 1495. Its roman type was the model for Garamond's.
A book printed by Robert Estienne in 1550. His graceful and delicate typefaces, based on the work of Aldus Manutius thirty-five years earlier, redefin
A book printed by Robert Estienne in 1550. His graceful and delicate typefaces, based on the work of Aldus Manutius thirty-five years earlier, redefined practices in French printing. Below: his text type and Garamond's "gros canon" type, his largest, based on this type.
Aldus Manutius' italic, in a 1501 edition of Virgil. Italic is only used for the lower case and not for capitals.
Aldus Manutius' italic, in a 1501 edition of Virgil. Italic is only used for the lower case and not for capitals.
Sample of Niccoli's cursive script, which developed into Italic type
Sample of Niccoli's cursive script, which developed into Italic type
Catherine of Siena, Epistole ("Letters"), published in Venice by Aldo Manuzio in September 1500: illustrated table in which appear the first words eve
Catherine of Siena, Epistole ("Letters"), published in Venice by Aldo Manuzio in September 1500: illustrated table in which appear the first words ever printed in italics: iesus, inside the heart in the left hand and iesu dolce iesu amore inside the book in the right hand.
A page from La Operina by Ludovico Vicentino degli Arrighi, showing early "chancery italic" typeface
A page from La Operina by Ludovico Vicentino degli Arrighi, showing early "chancery italic" typeface